The fells, as I have before indicated, are one great sweep of low hills facing the west; they are continuous and almost unbroken yet by the local custom they are divided into sections, each with a name of its own.
Blencarn Fell, so called, perhaps, from the village of Blencarn at its foot, is as wild and, perhaps, in summer, as lovely as any other part of the Pennine Range.
Skirle Cottage, lying in a depression of it, was as far removed from human eye as it is possible for a house to be.
It was a fairly large cottage, a barn was attached to it in the Cumberland fashion, so that the whole building was of one piece.
The hollow in which it lay, was, of a summer afternoon, perfumed with the smell of those wild flowers that grow in Cumberland as they grow nowhere else, and filled with the murmur1 of bees. At dusk of a summer’s evening it was a veritable cup of twilight2 and silence.
Even in summer, when the sky was blue above, when the wild strawberries were in their glory and the hills were hazy3 with heat, there was something strangely melancholy4 about this tiny valley, with the little cottage nestling in its heart.
There were days in the long winter of Cumberland when the valley and the cottage seen from above, presented a picture dreary5 to the point of being tragic6.
The high road, at the foot of the fells, was scarcely a quarter of a mile away, yet the cottage was quite invisible from it.
The Arol-Johnston car, with its single occupant, drew up on the road level with the unseen cottage. Sir Anthony Gyde descended7, and leaving the car to take care of itself, opened the gate, passed through, and struck up the rising ground.
There was not a breath of wind, the air was keen with frost, there was not a living thing in sight, save in the sky, far up, under the cold grey clouds, a hawk8 poised9, now moving with a flutter of the wings, now motionless as a stone.
One might stand here seemingly unseen; it would have appeared that one might commit any act, unseen by eye, save the eye of God. Yet far up the fell, so small a figure as to be unnoticeable, a boy, Robert Lewthwaite, son of a shoe-maker in Blencarn, attracted by the hum of the approaching car on the high road far below, was watching.
From that elevation10 he could see the car approaching; he saw it stop and the occupant get out. He recognized him at once as Sir Anthony Gyde. He saw him cross the field and enter the little valley.
Here Sir Anthony looked around him, sweeping11 the fell face as though to see if he were observed. Apparently12 satisfied, he knocked at the cottage door; the door was opened for him, he entered, and the door was closed.
All this vastly interested the boy. Klein, the German artist, had greatly exercised the local mind. A man whose face and personality would have drawn13 attention in a city, excited the deepest interest among these primitive14 folk.
Primitive, perhaps, but full of imagination, and more than ordinarily speculative15.
He, too, like Sir Anthony Gyde, had been labelled a stracklin; besides being a stracklin he was “Waugh.”
No boy in the village would have approached Skirle Cottage after dark. There was something about its occupant that fascinated them, but it was a fascination16 composed three parts of fear.
He cooked his own food, and though the food he cooked was the food he bought from the village shop and the surrounding farms, there were sinister17 suspicions in the minds of the young people in the neighbourhood that he cooked and ate other things besides eggs and bacon and fell mutton.
An old woman of the village, Mrs Braithwaite, called every day at noon to clean up the place and make the bed (Klein was a late riser, another suspicious point about him), and her tales about the artist and his doings did not detract from the villagers’ pre-conceived impressions.
She declared, at times, that he was enough to “mak’ t’ flesh creep up yan’s back to think on,” but he paid her five shillings a week, and as money was scarce in the Braithwaite household, and the work to be done at Skirle Cottage occupied only half an hour or so a day, she kept on with the job.
There was, besides the money, a sort of eerie18 fascination about the stranger that was not entirely19 distasteful to the old lady’s heart.
Once, a small boy named Britten, greatly daring, had peeped through the window at the ogre. The door opened and the ogre came out, and Britten ran, returning home drenched20, and with the following lucid21 description of the incident and the cause of his wetting. “He chased me an’ I rin, ah catcht mi teea ower a cobble and down ah went, end-ower-end inta the beck.” So it was not surprising that Bob Lewthwaite, seeing Sir Anthony Gyde going in to the ogre’s cottage and the door closing upon him, waited, forgetting everything else in the world, to see what was going to happen.
He waited a long time, nearly three-quarters of an hour, then the door opened and Sir Anthony Gyde came out.
He was carrying a black bag in his hand.
He closed the door and looked around him, just as he had done before entering. Satisfied, apparently, that he was unobserved, he came down the valley towards the road, got into the motor-car and drove off.
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1
murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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2
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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3
hazy
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| adj.有薄雾的，朦胧的；不肯定的，模糊的 | |
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4
melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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5
dreary
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| adj.令人沮丧的，沉闷的，单调乏味的 | |
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6
tragic
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| adj.悲剧的，悲剧性的，悲惨的 | |
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7
descended
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| a.为...后裔的，出身于...的 | |
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8
hawk
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| n.鹰，骗子；鹰派成员 | |
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9
poised
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| a.摆好姿势不动的 | |
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10
elevation
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| n.高度；海拔；高地；上升；提高 | |
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11
sweeping
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| adj.范围广大的，一扫无遗的 | |
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12
apparently
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| adv.显然地；表面上，似乎 | |
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13
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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14
primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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15
speculative
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| adj.思索性的，暝想性的，推理的 | |
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16
fascination
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| n.令人着迷的事物，魅力，迷恋 | |
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17
sinister
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| adj.不吉利的，凶恶的，左边的 | |
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18
eerie
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| adj.怪诞的；奇异的；可怕的；胆怯的 | |
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19
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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20
drenched
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| adj.湿透的；充满的v.使湿透( drench的过去式和过去分词 )；在某人（某物）上大量使用（某液体） | |
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21
lucid
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| adj.明白易懂的，清晰的，头脑清楚的 | |
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