Styr’s methods were as likely to inthral the fastidious Englishman as the more artistic12 German. In a day when Sarah Bernhardt was the fashion in tragediennes, she had a still method all her own, a manner of appearing quietly on the stage, seemingly as impersonal13 as a part of its setting; then gradually dominating it, not only by the magic of her great golden voice and imposing14 height and presence, but by a force, which the critics, after long and acrimonious15 controversy16, agreed to be an emanation from the brain. Whether she possessed17 also that physical magnetism18, commonly indispensable to stage people, was a question still agitated19 when Ordham arrived in Munich, although she had then been “Royal Bavarian Court Singer” for six years; but that she had cultivated a mental power which above all else made her the great artist she was, the most violent partisans20 of other prime donne, lyric21 and dramatic, frankly22 conceded. Her associates at the Hof told that at rehearsals23 she merely walked through her part; and Princess Nachmeister, boasting private acquaintance with her since her elevation24 to the Bavarian aristocracy as Countess Tann, confided25 to the world that she never practised even those slow, grand, graceful26, and infinitely27 varied28 gestures of hands and arms which were as expressive29 as her voice, but directed them from her brain as she did her acting30; that she sat for hours thinking out the minutest details, but without moving a muscle until the night of public performance. All facial expression was concentrated in her eyes. She could express more with those features for which Nature had failed to invoke31 her conventions, than any living actress with physical writhings and distorted visage. Therefore, when she gave way to momentary32 violence, as, when at Siegfried’s repudiation33 she looked to be tearing her heart out, she created so profound an impression that more than Ordham rose breathless from their seats. Her desolation, her incredulous horror, the alternate pride of the goddess and agony of the woman, the dark and remorseless vengeance34 of the daughter of Wotan, not only induced a nervous shudder35 in Ordham but plunged36 his imagination down the past of this great but forbidding creature, who seemed to unlock her own heart for the moment with the reckless indifference37 of the supreme38 artist. He was but twenty-four at this time, but he had seen a good deal of the world, and its inheritances had composed many of his brain cells; he was, moreover, a very clever young man, as all admitted. Nevertheless, when he stared at Brynhildr in her agony and wrath39, or dreamed through the second act of Tristan und Isolde, he had vague prickings in the depths of his soul that tragedy was not confined to the gods, and uneasy forebodings that life even for such as he was not all roses and cream.
But at this time, although had Styr ever been photographed, he would have framed and enthroned her, he rarely thought of her when not in his seat in the Hof, or listening to the comments of his friends. He was fluttering from flower to flower with the impatience40 and curiosity of his years, fearful of missing the least the gods provided for fortunate youth; drawn41 intensely for a day or a week by a beautiful face or an odd personality, but not daring to dally42 too long lest something more charming escape him. He had passing episodes of a semi-serious nature in that gay scampish underworld of Munich (that world of soubrettes, waitresses, young officers, students of both sexes), as well as in the sphere that revolved43 about the Queen-mother, but they were by no means ardent44 or sustained. He had not yet begun to cultivate that outdoor life which makes Englishmen so virile45, and in extenuation46 of his fickleness47 he reminded himself of the penetrating48 observation of Marguerite de Valois, that the passions of young men are apt to be wavering and cold. The truth was that he was influenced by what appealed to his mind and taste rather than to his passions, although being sensitive and eager, these could momentarily be aroused by a charming woman who chose to take the initiative. The serious side of his nature had hardly begun its development; youth, bubbling youth, was uppermost; unconsciously (sometimes!) he smiled into any pair of pretty eyes that met and held his rather absent gaze, flirted49 desperately50 for an evening with a delightful51 creature whom he quite forgot to call upon next day. He found life very satisfactory and his studies not too arduous52: persuaded by his family to enter diplomacy53, and taking to it as naturally as he turned from the more dubious54 work of politics, he had spent a year in Paris unofficially attached to the British Embassy; then, a relative being appointed Minister Resident to the Court of Bavaria, he had come to him for another year in order to perfect himself in the German language before attempting his examinations.
It was some time before Munich found him out. For a while he was too much interested in the cafés, the ale-halls, the student life, the opera and theatre, to go about in society, even had it not been away. But soon after the return of the fashionable world to the capital, it became known that visiting at the British Legation was a young Englishman of fine appearance, distinguished55 family, and excellent prospects56: his half-brother, Lord Bridgminster, although still a young man and quite healthy, was, owing to an early disappointment and an accident which marred57 his features, a misanthropist and misogynist58. Almost simultaneously59 Ordham began to go about with Mr. Trowbridge, the minister; and, to do himself as well as society justice, he was immediately and enthusiastically liked for himself. The glamour60 of long descent and a possible coronet can never wholly be forgotten, but they carry a man so far and no farther. John Ordham’s worldly advantages no doubt were among the earliest of the factors that made him the fashion in Munich, so slow to accept strangers; but, later they were but the final excuse to shower attentions upon a young man who, under a shy and languid exterior61, possessed an independent and audacious mind, who breathed refinement62, and whose gentle and courteous63 manner charmed even the morose64 Ludwig to invite him to a private concert at Neuschwanstein, where he and Princess Nachmeister were the only guests. It was there that he met Margarethe Styr.
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1
dignified
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a.可敬的,高贵的 | |
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2
vehemence
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n.热切;激烈;愤怒 | |
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3
affected
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adj.不自然的,假装的 | |
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sensuous
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adj.激发美感的;感官的,感觉上的 | |
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5
attenuated
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v.(使)变细( attenuate的过去式和过去分词 );(使)变薄;(使)变小;减弱 | |
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exquisite
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adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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poignant
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adj.令人痛苦的,辛酸的,惨痛的 | |
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fathomless
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a.深不可测的 | |
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marrow
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n.骨髓;精华;活力 | |
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10
woe
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n.悲哀,苦痛,不幸,困难;int.用来表达悲伤或惊慌 | |
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11
voluptuousness
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n.风骚,体态丰满 | |
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12
artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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13
impersonal
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adj.无个人感情的,与个人无关的,非人称的 | |
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14
imposing
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adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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15
acrimonious
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adj.严厉的,辛辣的,刻毒的 | |
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16
controversy
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n.争论,辩论,争吵 | |
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possessed
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adj.疯狂的;拥有的,占有的 | |
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magnetism
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n.磁性,吸引力,磁学 | |
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agitated
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adj.被鼓动的,不安的 | |
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20
partisans
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游击队员( partisan的名词复数 ); 党人; 党羽; 帮伙 | |
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21
lyric
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n.抒情诗,歌词;adj.抒情的 | |
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22
frankly
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adv.坦白地,直率地;坦率地说 | |
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23
rehearsals
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n.练习( rehearsal的名词复数 );排练;复述;重复 | |
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24
elevation
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n.高度;海拔;高地;上升;提高 | |
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25
confided
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v.吐露(秘密,心事等)( confide的过去式和过去分词 );(向某人)吐露(隐私、秘密等) | |
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26
graceful
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adj.优美的,优雅的;得体的 | |
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infinitely
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adv.无限地,无穷地 | |
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varied
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adj.多样的,多变化的 | |
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expressive
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adj.表现的,表达…的,富于表情的 | |
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30
acting
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n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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31
invoke
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v.求助于(神、法律);恳求,乞求 | |
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32
momentary
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adj.片刻的,瞬息的;短暂的 | |
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33
repudiation
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n.拒绝;否认;断绝关系;抛弃 | |
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34
vengeance
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n.报复,报仇,复仇 | |
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35
shudder
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v.战粟,震动,剧烈地摇晃;n.战粟,抖动 | |
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plunged
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v.颠簸( plunge的过去式和过去分词 );暴跌;骤降;突降 | |
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37
indifference
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n.不感兴趣,不关心,冷淡,不在乎 | |
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38
supreme
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adj.极度的,最重要的;至高的,最高的 | |
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39
wrath
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n.愤怒,愤慨,暴怒 | |
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40
impatience
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n.不耐烦,急躁 | |
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41
drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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42
dally
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v.荒废(时日),调情 | |
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43
revolved
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v.(使)旋转( revolve的过去式和过去分词 );细想 | |
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44
ardent
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adj.热情的,热烈的,强烈的,烈性的 | |
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45
virile
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adj.男性的;有男性生殖力的;有男子气概的;强有力的 | |
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46
extenuation
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n.减轻罪孽的借口;酌情减轻;细 | |
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47
fickleness
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n.易变;无常;浮躁;变化无常 | |
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48
penetrating
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adj.(声音)响亮的,尖锐的adj.(气味)刺激的adj.(思想)敏锐的,有洞察力的 | |
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49
flirted
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v.调情,打情骂俏( flirt的过去式和过去分词 ) | |
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50
desperately
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adv.极度渴望地,绝望地,孤注一掷地 | |
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51
delightful
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adj.令人高兴的,使人快乐的 | |
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52
arduous
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adj.艰苦的,费力的,陡峭的 | |
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53
diplomacy
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n.外交;外交手腕,交际手腕 | |
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54
dubious
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adj.怀疑的,无把握的;有问题的,靠不住的 | |
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55
distinguished
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adj.卓越的,杰出的,著名的 | |
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56
prospects
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n.希望,前途(恒为复数) | |
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57
marred
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adj. 被损毁, 污损的 | |
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58
misogynist
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n.厌恶女人的人 | |
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59
simultaneously
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adv.同时发生地,同时进行地 | |
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60
glamour
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n.魔力,魅力;vt.迷住 | |
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61
exterior
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adj.外部的,外在的;表面的 | |
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62
refinement
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n.文雅;高尚;精美;精制;精炼 | |
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63
courteous
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adj.彬彬有礼的,客气的 | |
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64
morose
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adj.脾气坏的,不高兴的 | |
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