“I should not have recognized your voice the other night if I had not seen you—ah—when you demolished3 that poor little man. Is—is it the native American?”
“One variety.” Her present tones were dry, but without displeasure. “It was the voice of the Middle West. When I was Peggy Hill, working in the coal-mines—and for several years after—the burrs on my voice were as thick as a chestnut4 tree’s. Insensibly, in New York, they began to peel off, and soon after I went on the stage I fell in love with purity of diction and studied with an English teacher of elocution until I retained not a trace of even the generic5 American. But when I lose my temper it bursts out of its little dungeon6 exactly as other bad characteristics do when we are off guard. I used to flatter myself that I had uprooted7 certain qualities I resented having been born with, but I have discovered that they occupy remote chambers8 of my brain, biding9 their time. Perhaps I was one of the viragoes10 of the French Revolution!”
“Did you—once let it go rather often? Somehow you seemed so wonderfully natural.”
“I let it go pretty often down in that opera house. Men have such tact11! Fancy telling a singer at the end of a performance, when every nerve in her body is a red-hot humming wire, that her wig12 was not on straight! The intendant came to me one night after the first act of Isolde and presumed to criticise13 my tempo14. I threw a hand mirror at him, and he has never visited my dressing-room since. I would have treated the King in the same fashion, but he is the one man that would never make such a mistake. Wagner has a good deal to answer for! The lyrics15 are excitable enough, but the music of The Master creates a madness; it sets up a vibration16 in the nervous system, which, added to the obsession17 of the characters, lifts us bodily from the plane of the normal, and no doubt works permanent changes. I am talking, of course, of singers that have temperament18 as well as voice.” She lit a cigarette and leaned back in her rustic19 chair. “Before?—Oh, yes. But less and less as time went on. Tantrums do not hurt a prima donna; in fact they are of use in inspiring the authorities with awe20. But in the private life—well, the price I sometimes had to pay was too high. I soon stopped throwing things about like a fishwife; and all the rest of it.”
Ordham studied her face attentively21 in the pause that followed. Apparently22 she had forgotten him, and was staring into the deep arbours beyond the river. Her profile looked hard and cruel, sharpened against the black shadow of the trees, like the fine edge of an axe23. He held his breath as the expression deepened into sullen24 ferocity, then stood up, overturning his chair.
“I should like to know every bit of your history,” he said, “every detail.”
“How you would hate me!”
“I think not. Some people might have hated you the other night when you looked like all the furies, but I was the more interested. The usual does not appeal to me particularly.”
“But there is a limit! If ever I want you to hate me, I will tell you the story of my life, as they say in New York.”
“Why in New York?”
“It is a bit of slang, and New York is the factory of much of the American slang and a sort of clearing-house for the rest. Does not our slang appeal to you?”
“I find it utterly25 meaningless,” he said candidly26. “Ours is bad enough, but at least it has some point.”
“That ours has none is the whole point. It takes the sharp American wits to understand a new bit of slang or a new joke; the cryptic27 quality of both, indeed, has played its part in sharpening those same wits. If you are not ever on the alert over there, you go under.”
“Really? What a bore!”
She laughed as naturally as a child, but even in her mirth she no longer betrayed the nurture28 of the West.
“You are so delightfully29 genuine! The American imitation of the British aristocrat30 is the funniest thing in the world. You are not unhumorous from our crude point of view, but I doubt if you could really be affected31 if you tried, and you never would try. And yet over there you would be thought a mass of affectations.”
“I hope I’ll never go ‘over there.’ I’ve scarcely ever met an American that I liked. The women want too much waiting on, and I always have a feeling that the men despise me.”
“Perhaps they do, understanding no type but their own; few have had the opportunity to study the men of other races. To an American the man with no capacity for work, to ‘hustle,’ no desire to fight his way to the top, simply encumbers32 the earth. I hope you never will go over. No matter how good an Englishman’s manners may be at home, they become abominable33 the moment he sets foot in the United States. Even yours might not stand the test—whatever that test is.”
“I am sure they are merely terrified. We are not accustomed to reporters, interviewers, to an avalanche34 of invitations from people we don’t know. It is enough to terrify any one; and being a shy race—not having had your liberal education!—we shrink into a sort of panoply35 of war. We don’t go over meaning to be rude, but we are driven to appear so rather than show our fright and look ridiculous. One of my cousins visited the United States a year or two ago, just after he came into his title, and he was so hounded by reporters and lion hunters, that after doubling and dodging36 until he was worn out, he gave himself the airs of a stage lord and succeeded in freezing them off. Then the journalists wrote vicious articles calling him a snob—It would seem that like a good many others, they do not know exactly what that word means. And Jim is as decent a little chap as you could find in England.”
“Well, you misjudge us too. You are always commiserating37 the American husbands left at home to coin dollars while their wives swarm38 over Europe. If you only knew how delighted the American husband is to get rid of his wife for a few months out of the year! But come, let us go in. I know that you long for an easy chair and to see your cigarette smoke, while I dare not sit out too late. Who is not a slave of some sort?”
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1
impromptu
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adj.即席的,即兴的;adv.即兴的(地),无准备的(地) | |
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2
abruptly
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adv.突然地,出其不意地 | |
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3
demolished
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v.摧毁( demolish的过去式和过去分词 );推翻;拆毁(尤指大建筑物);吃光 | |
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4
chestnut
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n.栗树,栗子 | |
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generic
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adj.一般的,普通的,共有的 | |
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6
dungeon
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n.地牢,土牢 | |
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uprooted
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v.把(某物)连根拔起( uproot的过去式和过去分词 );根除;赶走;把…赶出家园 | |
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chambers
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n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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9
biding
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v.等待,停留( bide的现在分词 );居住;(过去式用bided)等待;面临 | |
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10
viragoes
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n.泼妇( virago的名词复数 ) | |
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11
tact
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n.机敏,圆滑,得体 | |
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12
wig
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n.假发 | |
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13
criticise
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v.批评,评论;非难 | |
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14
tempo
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n.(音乐的)速度;节奏,行进速度 | |
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15
lyrics
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n.歌词 | |
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16
vibration
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n.颤动,振动;摆动 | |
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17
obsession
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n.困扰,无法摆脱的思想(或情感) | |
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18
temperament
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n.气质,性格,性情 | |
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19
rustic
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adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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20
awe
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n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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21
attentively
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adv.聚精会神地;周到地;谛;凝神 | |
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22
apparently
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adv.显然地;表面上,似乎 | |
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23
axe
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n.斧子;v.用斧头砍,削减 | |
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24
sullen
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adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
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25
utterly
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adv.完全地,绝对地 | |
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26
candidly
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adv.坦率地,直率而诚恳地 | |
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27
cryptic
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adj.秘密的,神秘的,含义模糊的 | |
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28
nurture
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n.养育,照顾,教育;滋养,营养品;vt.养育,给与营养物,教养,扶持 | |
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29
delightfully
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大喜,欣然 | |
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30
aristocrat
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n.贵族,有贵族气派的人,上层人物 | |
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31
affected
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adj.不自然的,假装的 | |
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32
encumbers
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v.妨碍,阻碍,拖累( encumber的第三人称单数 ) | |
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33
abominable
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adj.可厌的,令人憎恶的 | |
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34
avalanche
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n.雪崩,大量涌来 | |
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35
panoply
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n.全副甲胄,礼服 | |
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36
dodging
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n.避开,闪过,音调改变v.闪躲( dodge的现在分词 );回避 | |
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37
commiserating
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v.怜悯,同情( commiserate的现在分词 ) | |
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38
swarm
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n.(昆虫)等一大群;vi.成群飞舞;蜂拥而入 | |
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