LV THE WORLD AND THE CROSS

Styr and her management had been careful to give the antidote¹ of Elsa and Elizabeth often enough to protect an exhilarated public against reaction; and by one of those curious paradoxes², known to all that have had reason to study the public taste, her portrayal³ of that princess among virgins⁴, Elizabeth of Thüringen, from her joyous⁵ girlhood to that last mournful scene where she is both saint and woman and wholly lovely, was quite as popular as of those passionate⁶ and lawless heroines, Isolde and Sieglinde.

In Munich Styr had sung the part of Venus as a matter of course, leaving the more lyric⁷ r?le to the aspiring⁸ jugendlichdramatischen, but she, as well as her directors, well knew that to give Tannh?user the mounting and accessories which made the first scene of its first act, as represented in Munich, the most suggestive on the stage, would be going a step too far even with the British public in its present state of enthusiasm. And without that rosy⁹ atmosphere like the mist of an amorous¹⁰ dawn, that sumptuous¹¹ yet mirage-like couch in the background, the refined yet lascivious¹² dancing of satyrs and nymphs, the visions of Leda and the swan, Europa and the bull, that first long scene, despite its delicious music, would mean to the unmusical beholder¹³ naught¹⁴ but an interminable duet between a forward woman in a Greek fillet and baggy¹⁵ gown, and a sulky man in a leathern jerkin and top-boots. Therefore was the first scene cut down to little more than a prologue¹⁶, the part of Venus sung by an obese¹⁷ German beyond her prime, and fashion entered boxes and stalls a few moments before Elizabeth ran into the great hall of her father’s castle with a burst of song as of a bird mounting to the empyrean after long drooping¹⁸ behind the bars of a cage.

Perhaps Styr had never proved herself a greater actress than when she stared, incredulous and horrified¹⁹, at the outbreak of the sophisticated Tannh?user, disgusted with the provincial²⁰ virtues²² of the knights²³, for she looked just sixteen; and when Mabel, who had attended the first performance, saw that dawn of sorrowful womanhood in her eyes, the impotence of maiden²⁴ innocence²⁵ against the subtle sweets of mature vice²⁶, she clutched her salts and nearly fainted. But when in the last act, Styr, looking as only a pure woman that has never harboured so much as a sinful thought can look, first brought tears to the eyes of old cynics by her pitiful examination of every face in the ragged²⁷ procession of pilgrims returning from Rome, and then, clinging to the cross, sang her soul straight up to a waiting heaven, Mabel sniffed²⁸ audibly and walked out. She could not have felt more indignant had Styr publicly been received into the bosom²⁹ of the Church of Rome and advertised as a beacon³⁰ light for mankind. But mental suffering had developed a species of saturnine³¹ humour in her, and when she was in bed she laughed consumedly at the fool this great actress was making of London.

Before the end of the brief season Elizabeth had won in a race long disputed, perhaps because Styr managed to convey the impression of a pure white lily growing out of a baneful³² swamp, in other words emphasized the sensuousness³³ of the music, and made her audiences feel that they loved virtue²¹ the more while enjoying vicarious naughtiness none the less. Perhaps it was an unadmitted desire for vindication³⁴ that caused an almost unanimous demand that Tannh?user should end this agitating³⁵ season. It was given, and Styr, eliminating the richness from her voice, sang with the sexless silvery sweetness of a boy chorister, which made the tremendous volume of her voice and its noble quality the more remarkable³⁶ by contrast. The ovation³⁷ began when the dead Elizabeth, looking like a marble angel, was carried in by the weeping pilgrims. It was too soon to lower the curtain, and as the audience manifested its complete indifference³⁸ to the lament³⁹ of Heinrich, Styr was forced to rise publicly from her coffin⁴⁰ and respond to the plaudits of her admirers. As this absurd performance smote⁴¹ not only her own sense of humour but that of her audience, the great Wagner season ended in a hearty⁴² burst of laughter which put everybody in the best possible temper, and made the unavoidable speech easier to make.

Pelted⁴³ with bouquets⁴⁴ and standing⁴⁵ up to her waist in the superb floral offerings handed over the footlights, Styr thanked London for its kindness with her usual proud aloofness⁴⁶ considerably⁴⁷ modified, and promised to return as soon as her engagements would permit. The audience, now on its feet, shouted, “Yes! Yes! Yes!” as eagerly as children, applauded, waved their handkerchiefs, tossed their bouquets for ten minutes longer. Ordham withdrew to the depths of his box, almost paralyzed between delight at the triumph of this woman, whom he would have given the whole round globe, were it his, and an uncontrollable agitation⁴⁸ which made him thankful he was alone in his box. He saw his hands tremble and felt the tears on his cheeks, and scorned the heroes of French romance no more.

But he made no effort to see her after she had bowed her final adieu. There was to be a great supper on the stage, but he left the opera house with a scribbled⁴⁹ word of apology on a card to the host, and walked until he found himself, at dawn, far out in the country. He went to bed at an inn, and returned to London when the train for the Continent was halfway⁵⁰ to the coast. He had written Styr the day before that he should make no further attempt to see her again, that he accepted her manifest decree for the present, although he was by no means certain that he should not go to Munich as soon as he was free; the less he saw of her now the better, no doubt. Then with the utmost courtesy he thanked and congratulated her. He wrote with such cold precision that Styr was as convinced as himself that he had arrived at a worldly state of mind which he meant to be irrevocable, and it was with a grinning brain that she portrayed⁵¹ with even more than her usual poignance⁵² a woman shattered on the merciless rocks of love.

1 antidote   

n.解毒药，解毒剂

参考例句：

• There is no known antidote for this poison.这种毒药没有解药。
• Chinese physicians used it as an antidote for snake poison.中医师用它来解蛇毒。

2 paradoxes   

n.似非而是的隽语，看似矛盾而实际却可能正确的说法( paradox的名词复数 )；用于语言文学中的上述隽语；有矛盾特点的人[事物，情况]

参考例句：

• Contradictions and paradoxes arose in increasing numbers. 矛盾和悖论越来越多。 来自辞典例句
• As far as these paradoxes are concerned, the garden definitely a heterotopia. 就这些吊诡性而言，花园无疑地是个异质空间。 来自互联网

3 portrayal   

n.饰演；描画

参考例句：

• His novel is a vivid portrayal of life in a mining community.他的小说生动地描绘了矿区的生活。
• The portrayal of the characters in the novel is lifelike.该书中的人物写得有血有肉。

4 virgins   

处女，童男( virgin的名词复数 )； 童贞玛利亚（耶稣之母）

参考例句：

• They were both virgins when they met and married. 他们从相识到结婚前都未曾经历男女之事。
• Men want virgins as concubines. 人家买姨太太的要整货。 来自汉英文学 - 骆驼祥子

5 joyous   

adj.充满快乐的；令人高兴的

参考例句：

• The lively dance heightened the joyous atmosphere of the scene.轻快的舞蹈给这场戏渲染了欢乐气氛。
• They conveyed the joyous news to us soon.他们把这一佳音很快地传递给我们。

6 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

7 lyric   

n.抒情诗，歌词；adj.抒情的

参考例句：

• This is a good example of Shelley's lyric poetry.这首诗是雪莱抒情诗的范例。
• His earlier work announced a lyric talent of the first order.他的早期作品显露了一流的抒情才华。

8 aspiring   

adj.有志气的；有抱负的；高耸的v.渴望；追求

参考例句：

• Aspiring musicians need hours of practice every day. 想当音乐家就要每天练许多小时。
• He came from an aspiring working-class background. 他出身于有抱负的工人阶级家庭。 来自辞典例句

9 rosy   

adj.美好的，乐观的，玫瑰色的

参考例句：

• She got a new job and her life looks rosy.她找到一份新工作，生活看上去很美好。
• She always takes a rosy view of life.她总是对生活持乐观态度。

10 amorous   

adj.多情的；有关爱情的

参考例句：

• They exchanged amorous glances and clearly made known their passions.二人眉来眼去，以目传情。
• She gave him an amorous look.她脉脉含情的看他一眼。

11 sumptuous   

adj.豪华的，奢侈的，华丽的

参考例句：

• The guests turned up dressed in sumptuous evening gowns.客人们身着华丽的夜礼服出现了。
• We were ushered into a sumptuous dining hall.我们被领进一个豪华的餐厅。

12 lascivious   

adj.淫荡的，好色的

参考例句：

• I was there to protect her from the importunities of lascivious men.我在那里保护她,不受那些好色男子的纠缠不休。
• In his old age Cato became lascivious and misconducted himself with a woman slave.到了晚年,卡托沉溺于女色,跟一个女奴私通。

13 beholder   

n.观看者，旁观者

参考例句：

• Beauty is in the eye of the beholder. 看起来觉得美就是美。 来自《简明英汉词典》
• It has been said that art is a tryst, for in the joy of it maker and beholder meet. 有人说艺术是一种幽会，因为艺术家和欣赏者可在幽会的乐趣中相遇在一起。 来自《简明英汉词典》

14 naught   

n.无，零 [=nought]

参考例句：

• He sets at naught every convention of society.他轻视所有的社会习俗。
• I hope that all your efforts won't go for naught.我希望你的努力不会毫无结果。

15 baggy   

adj.膨胀如袋的，宽松下垂的

参考例句：

• My T-shirt went all baggy in the wash.我的T恤越洗越大了。
• Baggy pants are meant to be stylish,not offensive.松松垮垮的裤子意味着时髦，而不是无礼。

16 prologue   

n.开场白，序言；开端，序幕

参考例句：

• A poor wedding is a prologue to misery.不幸的婚姻是痛苦的开始。
• The prologue to the novel is written in the form of a newspaper account.这本小说的序言是以报纸报道的形式写的。

17 obese   

adj.过度肥胖的，肥大的

参考例句：

• The old man is really obese,it can't be healthy.那位老人确实过于肥胖了，不能算是健康。
• Being obese and lazy is dangerous to health.又胖又懒危害健康。

18 drooping   

adj. 下垂的，无力的 动词droop的现在分词

参考例句：

• The drooping willows are waving gently in the morning breeze. 晨风中垂柳袅袅。
• The branches of the drooping willows were swaying lightly. 垂柳轻飘飘地摆动。

19 horrified   

a.(表现出)恐惧的

参考例句：

• The whole country was horrified by the killings. 全国都对这些凶杀案感到大为震惊。
• We were horrified at the conditions prevailing in local prisons. 地方监狱的普遍状况让我们震惊。

20 provincial   

adj.省的，地方的；n．外省人，乡下人

参考例句：

• City dwellers think country folk have provincial attitudes.城里人以为乡下人思想迂腐。
• Two leading cadres came down from the provincial capital yesterday.昨天从省里下来了两位领导干部。

21 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

22 virtues   

美德( virtue的名词复数 )； 德行； 优点； 长处

参考例句：

• Doctors often extol the virtues of eating less fat. 医生常常宣扬少吃脂肪的好处。
• She delivered a homily on the virtues of family life. 她进行了一场家庭生活美德方面的说教。

23 knights   

骑士； （中古时代的）武士( knight的名词复数 )； 骑士； 爵士； （国际象棋中）马

参考例句：

• stories of knights and fair maidens 关于骑士和美女的故事
• He wove a fascinating tale of knights in shining armour. 他编了一个穿着明亮盔甲的骑士的迷人故事。

24 maiden   

n.少女，处女；adj.未婚的，纯洁的，无经验的

参考例句：

• The prince fell in love with a fair young maiden.王子爱上了一位年轻美丽的少女。
• The aircraft makes its maiden flight tomorrow.这架飞机明天首航。

25 innocence   

n.无罪；天真；无害

参考例句：

• There was a touching air of innocence about the boy.这个男孩有一种令人感动的天真神情。
• The accused man proved his innocence of the crime.被告人经证实无罪。

26 vice   

n.坏事；恶习；[pl.]台钳，老虎钳；adj.副的

参考例句：

• He guarded himself against vice.他避免染上坏习惯。
• They are sunk in the depth of vice.他们堕入了罪恶的深渊。

27 ragged   

adj.衣衫褴褛的，粗糙的，刺耳的

参考例句：

• A ragged shout went up from the small crowd.这一小群人发出了刺耳的喊叫。
• Ragged clothing infers poverty.破衣烂衫意味着贫穷。

28 sniffed   

v.以鼻吸气，嗅，闻( sniff的过去式和过去分词 )；抽鼻子（尤指哭泣、患感冒等时出声地用鼻子吸气）；抱怨，不以为然地说

参考例句：

• When Jenney had stopped crying she sniffed and dried her eyes. 珍妮停止了哭泣，吸了吸鼻子，擦干了眼泪。 来自《简明英汉词典》
• The dog sniffed suspiciously at the stranger. 狗疑惑地嗅着那个陌生人。 来自《简明英汉词典》

29 bosom   

n.胸，胸部；胸怀；内心；adj.亲密的

参考例句：

• She drew a little book from her bosom.她从怀里取出一本小册子。
• A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。

30 beacon   

n.烽火，（警告用的）闪火灯，灯塔

参考例句：

• The blink of beacon could be seen for miles.灯塔的光亮在数英里之外都能看见。
• The only light over the deep black sea was the blink shone from the beacon.黑黢黢的海面上唯一的光明就只有灯塔上闪现的亮光了。

31 saturnine   

adj.忧郁的，沉默寡言的，阴沉的，感染铅毒的

参考例句：

• The saturnine faces of the judges.法官们那阴沉的脸色。
• He had a rather forbidding,saturnine manner.他的举止相当乖戾阴郁。

32 baneful   

adj.有害的

参考例句：

• His baneful influence was feared by all.人们都担心他所造成的有害影响。
• Lower share prices have baneful effect for companies too.更低的股价同样会有损各企业。

33 sensuousness   

n.知觉

参考例句：

• Realism, economy, sensuousness, beauty, magic. 现实主义，简洁精练，刺激感官，充满美感和魔力。 来自英汉文学 - 廊桥遗梦
• Regretting the lack of spontaneity and real sensuousness in other contemporary poets, he deplores in Tennyson. 他对于和他同时代的诗人缺乏自发性和真实的敏感，感到惋惜，他对坦尼森感到悲痛。 来自辞典例句

34 vindication   

n.洗冤，证实

参考例句：

• There is much to be said in vindication of his claim.有很多理由可以提出来为他的要求作辩护。
• The result was a vindication of all our efforts.这一结果表明我们的一切努力是必要的。

35 agitating   

搅动( agitate的现在分词 )； 激怒； 使焦虑不安； （尤指为法律、社会状况的改变而）激烈争论

参考例句：

• political groups agitating for social change 鼓吹社会变革的政治团体
• They are agitating to assert autonomy. 他们正在鼓吹实行自治。

36 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

37 ovation   

n.欢呼，热烈欢迎，热烈鼓掌

参考例句：

• The hero received a great ovation from the crowd. 那位英雄受到人群的热烈欢迎。
• The show won a standing ovation. 这场演出赢得全场起立鼓掌。

38 indifference   

n.不感兴趣，不关心，冷淡，不在乎

参考例句：

• I was disappointed by his indifference more than somewhat.他的漠不关心使我很失望。
• He feigned indifference to criticism of his work.他假装毫不在意别人批评他的作品。

39 lament   

n.悲叹，悔恨，恸哭；v.哀悼，悔恨，悲叹

参考例句：

• Her face showed lament.她的脸上露出悲伤的样子。
• We lament the dead.我们哀悼死者。

40 coffin   

n.棺材，灵柩

参考例句：

• When one's coffin is covered,all discussion about him can be settled.盖棺论定。
• The coffin was placed in the grave.那口棺材已安放到坟墓里去了。

41 smote   

v.猛打，重击，打击( smite的过去式 )

参考例句：

• Figuratively, he could not kiss the hand that smote him. 打个比方说，他是不能认敌为友。 来自英汉文学 - 嘉莉妹妹
• \"Whom Pearl smote down and uprooted, most unmercifully.\" 珠儿会毫不留情地将这些\"儿童\"踩倒，再连根拔起。 来自英汉 - 翻译样例 - 文学

42 hearty   

adj.热情友好的；衷心的；尽情的，纵情的

参考例句：

• After work they made a hearty meal in the worker's canteen.工作完了，他们在工人食堂饱餐了一顿。
• We accorded him a hearty welcome.我们给他热忱的欢迎。

43 pelted   

（连续地）投掷( pelt的过去式和过去分词 )； 连续抨击； 攻击； 剥去…的皮

参考例句：

• The children pelted him with snowballs. 孩子们向他投掷雪球。
• The rain pelted down. 天下着大雨。

44 bouquets   

n.花束( bouquet的名词复数 )；（酒的）芳香

参考例句：

• The welcoming crowd waved their bouquets. 欢迎的群众摇动着花束。 来自《现代汉英综合大词典》
• As the hero stepped off the platform, he was surrounded by several children with bouquets. 当英雄走下讲台时，已被几名手持花束的儿童围住了。 来自《简明英汉词典》

45 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

46 aloofness   

超然态度

参考例句：

• Why should I have treated him with such sharp aloofness? 但我为什么要给人一些严厉，一些端庄呢？ 来自汉英文学 - 中国现代小说
• He had an air of haughty aloofness. 他有一种高傲的神情。 来自辞典例句

47 considerably   

adv.极大地；相当大地；在很大程度上

参考例句：

• The economic situation has changed considerably.经济形势已发生了相当大的变化。
• The gap has narrowed considerably.分歧大大缩小了。

48 agitation   

n.搅动；搅拌；鼓动，煽动

参考例句：

• Small shopkeepers carried on a long agitation against the big department stores.小店主们长期以来一直在煽动人们反对大型百货商店。
• These materials require constant agitation to keep them in suspension.这些药剂要经常搅动以保持悬浮状态。

49 scribbled   

v.潦草的书写( scribble的过去式和过去分词 )；乱画；草草地写；匆匆记下

参考例句：

• She scribbled his phone number on a scrap of paper. 她把他的电话号码匆匆写在一张小纸片上。
• He scribbled a note to his sister before leaving. 临行前，他给妹妹草草写了一封短信。

50 halfway   

adj.中途的，不彻底的，部分的；adv.半路地，在中途，在半途

参考例句：

• We had got only halfway when it began to get dark.走到半路，天就黑了。
• In study the worst danger is give up halfway.在学习上，最忌讳的是有始无终。

51 portrayed   

v.画像( portray的过去式和过去分词 )；描述；描绘；描画

参考例句：

• Throughout the trial, he portrayed himself as the victim. 在审讯过程中，他始终把自己说成是受害者。
• The author portrayed his father as a vicious drunkard. 作者把他父亲描绘成一个可恶的酒鬼。 来自《现代汉英综合大词典》

52 poignance   

参考例句：