How a Little Sound Produced a Great Dream
Eustacia stood just within the heath, straining her eyes in the direction of Mrs. Yeobright's house and premises1. No light, sound, or movement was perceptible there. The evening was chilly2; the spot was dark and lonely. She inferred that the guest had not yet come; and after lingering ten or fifteen minutes she turned again towards home.
She had not far retraced3 her steps when sounds in front of her betokened4 the approach of persons in conversation along the same path. Soon their heads became visible against the sky. They were walking slowly; and though it was too dark for much discovery of character from aspect, the gait of them showed that they were not workers on the heath. Eustacia stepped a little out of the foot-track to let them pass. They were two women and a man; and the voices of the women were those of Mrs. Yeobright and Thomasin.
They went by her, and at the moment of passing appeared to discern her dusky form. There came to her ears in a masculine voice, "Good night!"
She murmured a reply, glided5 by them, and turned round. She could not, for a moment, believe that chance, unrequested, had brought into her presence the soul of the house she had gone to inspect, the man without whom her inspection6 would not have been thought of.
She strained her eyes to see them, but was unable. Such was her intentness, however, that it seemed as if her ears were performing the functions of seeing as well as hearing. This extension of power can almost be believed in at such moments. The deaf Dr. Kitto was probably under the influence of a parallel fancy when he described his body as having become, by long endeavour, so sensitive to vibrations7 that he had gained the power of perceiving by it as by ears.
She could follow every word that the ramblers uttered. They were talking no secrets. They were merely indulging in the ordinary vivacious8 chat of relatives who have long been parted in person though not in soul. But it was not to the words that Eustacia listened; she could not even have recalled, a few minutes later, what the words were. It was to the alternating voice that gave out about one-tenth of them--the voice that had wished her good night. Sometimes this throat uttered Yes, sometimes it uttered No; sometimes it made inquiries9 about a time worn denizen10 of the place. Once it surprised her notions by remarking upon the friendliness11 and geniality12 written in the faces of the hills around.
The three voices passed on, and decayed and died out upon her ear. Thus much had been granted her; and all besides withheld13. No event could have been more exciting. During the greater part of the afternoon she had been entrancing herself by imagining the fascination14 which must attend a man come direct from beautiful Paris--laden with its atmosphere, familiar with its charms. And this man had greeted her.
With the departure of the figures the profuse15 articulations of the women wasted away from her memory; but the accents of the other stayed on. Was there anything in the voice of Mrs. Yeobright's son--for Clym it was--startling as a sound? No; it was simply comprehensive. All emotional things were possible to the speaker of that "good night." Eustacia's imagination supplied the rest--except the solution to one riddle16. What COULD the tastes of that man be who saw friendliness and geniality in these shaggy hills?
On such occasions as this a thousand ideas pass through a highly charged woman's head; and they indicate themselves on her face; but the changes, though actual, are minute. Eustacia's features went through a rhythmical17 succession of them. She glowed; remembering the mendacity of the imagination, she flagged; then she freshened; then she fired; then she cooled again. It was a cycle of aspects, produced by a cycle of visions.
Eustacia entered her own house; she was excited. Her grandfather was enjoying himself over the fire, raking about the ashes and exposing the red-hot surface of the turves, so that their lurid18 glare irradiated the chimney-corner with the hues19 of a furnace.
"Why is it that we are never friendly with the Yeobrights?" she said, coming forward and stretching her soft hands over the warmth. "I wish we were. They seem to be very nice people."
"Be hanged if I know why," said the captain. "I liked the old man well enough, though he was as rough as a hedge. But you would never have cared to go there, even if you might have, I am well sure."
"Why shouldn't I?"
"Your town tastes would find them far too countrified. They sit in the kitchen, drink mead20 and elder-wine, and sand the floor to keep it clean. A sensible way of life; but how would you like it?"
"I thought Mrs. Yeobright was a ladylike woman? A curate's daughter, was she not?"
"Yes; but she was obliged to live as her husband did; and I suppose she has taken kindly21 to it by this time. Ah, I recollect22 that I once accidentally offended her, and I have never seen her since."
That night was an eventful one to Eustacia's brain, and one which she hardly ever forgot. She dreamt a dream; and few human beings, from Nebuchadnezzar to the Swaffham tinker, ever dreamt a more remarkable23 one. Such an elaborately developed, perplexing, exciting dream was certainly never dreamed by a girl in Eustacia's situation before. It had as many ramifications24 as the Cretan labyrinth25, as many fluctuations26 as the northern lights, as much colour as a parterre in June, and was as crowded with figures as a coronation. To Queen Scheherazade the dream might have seemed not far removed from commonplace; and to a girl just returned from all the courts of Europe it might have seemed not more than interesting. But amid the circumstances of Eustacia's life it was as wonderful as a dream could be.
There was, however, gradually evolved from its transformation27 scenes a less extravagant28 episode, in which the heath dimly appeared behind the general brilliancy of the action. She was dancing to wondrous29 music, and her partner was the man in silver armour30 who had accompanied her through the previous fantastic changes, the visor of his helmet being closed. The mazes31 of the dance were ecstatic. Soft whispering came into her ear from under the radiant helmet, and she felt like a woman in Paradise. Suddenly these two wheeled out from the mass of dancers, dived into one of the pools of the heath, and came out somewhere into an iridescent32 hollow, arched with rainbows. "It must be here," said the voice by her side, and blushingly looking up she saw him removing his casque to kiss her. At that moment there was a cracking noise, and his figure fell into fragments like a pack of cards.
She cried aloud. "O that I had seen his face!"
Eustacia awoke. The cracking had been that of the window shutter33 downstairs, which the maid-servant was opening to let in the day, now slowly increasing to Nature's meagre allowance at this sickly time of the year. "O that I had seen his face!" she said again. "'Twas meant for Mr. Yeobright!"
When she became cooler she perceived that many of the phases of the dream had naturally arisen out of the images and fancies of the day before. But this detracted little from its interest, which lay in the excellent fuel it provided for newly kindled34 fervour. She was at the modulating35 point between indifference36 and love, at the stage called "having a fancy for." It occurs once in the history of the most gigantic passions, and it is a period when they are in the hands of the weakest will.
The perfervid woman was by this time half in love with a vision. The fantastic nature of her passion, which lowered her as an intellect, raised her as a soul. If she had had a little more self-control she would have attenuated37 the emotion to nothing by sheer reasoning, and so have killed it off. If she had had a little less pride she might have gone and circumambulated the Yeobrights' premises at Blooms-End at any maidenly38 sacrifice until she had seen him. But Eustacia did neither of these things. She acted as the most exemplary might have acted, being so influenced; she took an airing twice or thrice a day upon the Egdon hills, and kept her eyes employed.
The first occasion passed, and he did not come that way.
She promenaded39 a second time, and was again the sole wanderer there.
The third time there was a dense40 fog; she looked around, but without much hope. Even if he had been walking within twenty yards of her she could not have seen him.
At the fourth attempt to encounter him it began to rain in torrents41, and she turned back.
The fifth sally was in the afternoon; it was fine, and she remained out long, walking to the very top of the valley in which Blooms-End lay. She saw the white paling about half a mile off; but he did not appear. It was almost with heart-sickness that she came home and with a sense of shame at her weakness. She resolved to look for the man from Paris no more.
But Providence42 is nothing if not coquettish; and no sooner had Eustacia formed this resolve than the opportunity came which, while sought, had been entirely43 withholden.
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1
premises
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| n.建筑物，房屋 | |
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chilly
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| adj.凉快的，寒冷的 | |
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retraced
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| v.折回( retrace的过去式和过去分词 )；回忆；回顾；追溯 | |
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betokened
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| v.预示，表示( betoken的过去式和过去分词 ) | |
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glided
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| v.滑动( glide的过去式和过去分词 )；掠过；（鸟或飞机 ） 滑翔 | |
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inspection
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| n.检查，审查，检阅 | |
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vibrations
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| n.摆动( vibration的名词复数 )；震动；感受；（偏离平衡位置的）一次性往复振动 | |
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vivacious
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| adj.活泼的，快活的 | |
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inquiries
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| n.调查( inquiry的名词复数 )；疑问；探究；打听 | |
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denizen
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| n.居民，外籍居民 | |
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friendliness
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| n.友谊，亲切，亲密 | |
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geniality
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| n.和蔼，诚恳；愉快 | |
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13
withheld
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| withhold过去式及过去分词 | |
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fascination
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| n.令人着迷的事物，魅力，迷恋 | |
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profuse
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| adj.很多的，大量的，极其丰富的 | |
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16
riddle
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| n.谜，谜语，粗筛；vt.解谜，给…出谜，筛，检查，鉴定，非难，充满于；vi.出谜 | |
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rhythmical
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| adj.有节奏的，有韵律的 | |
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lurid
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| adj.可怕的；血红的；苍白的 | |
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hues
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| 色彩( hue的名词复数 )； 色调； 信仰； 观点 | |
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mead
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| n.蜂蜜酒 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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recollect
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| v.回忆，想起，记起，忆起，记得 | |
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remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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ramifications
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| n.结果，后果( ramification的名词复数 ) | |
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labyrinth
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| n.迷宫；难解的事物；迷路 | |
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fluctuations
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| 波动，涨落，起伏( fluctuation的名词复数 ) | |
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transformation
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| n.变化；改造；转变 | |
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extravagant
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| adj.奢侈的；过分的；(言行等)放肆的 | |
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wondrous
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| adj.令人惊奇的，奇妙的；adv.惊人地；异乎寻常地；令人惊叹地 | |
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armour
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| （=armor）n.盔甲；装甲部队 | |
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mazes
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| 迷宫( maze的名词复数 )； 纷繁复杂的规则； 复杂难懂的细节； 迷宫图 | |
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iridescent
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| adj.彩虹色的，闪色的 | |
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shutter
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| n.百叶窗；(照相机)快门；关闭装置 | |
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kindled
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| （使某物）燃烧，着火( kindle的过去式和过去分词 )； 激起（感情等）； 发亮，放光 | |
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modulating
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| 调整( modulate的现在分词 )； （对波幅、频率的）调制； 转调； 调整或改变（嗓音）的音调 | |
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indifference
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| n.不感兴趣，不关心，冷淡，不在乎 | |
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attenuated
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| v.（使）变细( attenuate的过去式和过去分词 )；（使）变薄；（使）变小；减弱 | |
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maidenly
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| adj. 像处女的, 谨慎的, 稳静的 | |
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promenaded
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| v.兜风( promenade的过去式和过去分词 ) | |
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40
dense
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| a.密集的，稠密的，浓密的；密度大的 | |
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torrents
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| n.倾注；奔流( torrent的名词复数 )；急流；爆发；连续不断 | |
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42
providence
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| n.深谋远虑，天道，天意；远见；节约；上帝 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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