Balthazar (1958) Part III Chapter 2

It was already dark when I dismissed my taxi at Mohammed Ali Square and set out to walk to the sub-department of the Prefecture where Nimrod’s office was. I was still dazed by the turn events had taken, and weighed down by the dispiriting possibilities they had raised in my mind — the warnings and threatenings of the last few months during which I had lived only for one person — Justine. I burned with impatience¹ to see her again. The shops were already lit up and the money-changers’ counters were crowded with French sailors turning their francs into food and wine, silks, women, boys or opium² — every kind of understandable forgetfulness. Nimrod’s office was at the back of a grey old-fashioned building set back at an angle to the road. It seemed deserted³ now, full of empty corridors and open offices. All the clerks had gone off duty at six. My lagging footfalls echoed past the empty porter’s lodge⁴ and the open doors. It seemed strange to walk about so freely in a Police building unchallenged. At the end of the third long corridor I came to Nimrod’s own door and knocked. There were voices inside. His office was a large, indeed rather grandiose⁵ room befitting his rank, whose windows gave out on to a bare courtyard where some chickens clucked and picked all day in the dried mud floor. A single tattered⁶ palm stood in the middle offering some summer shade. There was no sign from within the room so I opened the door and stepped in — only to stop short; for the brilliant light and darkness suggested that a cinema-show was taking place. But it was only the huge epidiascope which threw upon the farther wall the blazing and magnified images of the photographs which Nimrod himself was feeding into it one by one from an envelope. Dazzled, I stepped forward and identified Balthazar and Keats in that phosphorescent penumbra⁷ around the machine, their profiles magnetically lighted by the powerful bulb. ‘Good’ said Nimrod, half-turning, and ‘sit you down’ as he abstractedly pushed out a chair for me. Keats smiled at me, full of a mysterious self-satisfaction and excitement. The photographs which they were studying with such care were his own flashlight pictures of the Cervoni ball. At such magnification they looked like grotesque⁸ frescoes⁹ materializing and vanishing again upon the white wall. ‘See if you can help on identification’ said Nimrod, and I sat down and obediently turned my face to the blaze in which sprawled¹⁰ the silhouettes¹¹ of a dozen demented monks¹² dancing together. ‘Not that one’ said Keats. The white light of the magnesium¹³ had set fire to the outlines of the robed figures. Blown up to such enormous size the pictures suggested a new art-form, more macabre¹⁴ than anything a Goya could imagine. This was a new iconography — painted in smoke and lightning flashes. Nimrod changed them slowly, dwelling¹⁵ upon each one. ‘No comment?’ he would ask before passing another bloated facsimile of real life before our eyes. ‘No comment?’ For identification purposes they were quite useless. There were eight in all — each a fearful simulacrum of a death-feast celebrated¹⁶ by satyr-monks in some medieval crypt, each imagined by Sade! ‘There’s the one with the ring’ said Balthazar as the fifth picture came up and hovered¹⁷ before us on the wall. A group of hooded¹⁸ figures, frenziedly swaying with linked arms, wallowed before us, expressionless as cuttlefish¹⁹, or those other grotesque monsters one sometimes sees lurking²⁰ in the glooms of aquaria. Their eyes were slits²¹ devoid²² of meaning, their gaiety a travesty²³ of everything human. So this is how Inquisitors behave when they are off duty! Keats sighed in despair. One of the figures had a hand upon another’s black-robed arm. The hand bore a just recognizable dash of white to indicate Justine’s unlucky ring. Nimrod described it all carefully to himself with the air of a man reading a gauge²⁴. ‘Five maskers … somewhere near the buffet²⁵, you can see the corner…. But the hand. Is it de Brunel’s? What do you think?’ I stared at it. ‘I think it must be’ I said. ‘Justine wears the ring on another finger.’ Nimrod said ‘Hah’ triumphantly²⁶ and added ‘A good point there.’ Yes, but who were the other figures, snatched thus fortuitously out of nothingness by the flash-bulb? We stared at them and they stared expressionlessly back at us through their velvet²⁷ slits like snipers. ‘No good’ said Balthazar at last with a sigh, and Nimrod switched off the humming machine. After an instant’s darkness the ordinary electric light came up in the room. His desk was stacked up with typed papers for signature — the procès-verbal I had no doubt. On a square of grey silk lay several objects with a direct relationship to our brimming thoughts — the great hatpin with its ugly blue stone head, and the eburnine ring of my lover which I could not see even now without a pang²⁸. ‘Sign up’ said Nimrod, indicating the paper ‘when you’ve read your copy, will you?’ He coughed behind his hand and added in a lower tone ‘And you can take the ring.’ Balthazar handed it to me. It felt cold, and it was faintly dusted with fingerprint²⁹ powder. I cleaned it on my tie and put it in my fob-pocket. ‘Thank you’ I said, and took a seat at the desk to read through the Police formula, while the others lit cigarettes and talked in low voices. Beside the typewritten papers lay another, written in the nervous shallow hand of General Cervoni. It was the invitation list to the carnival³⁰ ball, still echoing with the majestic³¹ poetry of the names which had come to mean so much to me, the names of the Alexandrians. Listen: Pia dei Tolomei, Benedict Dangeau, Dante Borromeo, Colonel Neguib, Toto de Brunel, Wilmot Pierrefeu, Mehmet Adm, Pozzo di Borgo, Ahmed Hassan Pacha, Delphine de Francueil, Djamboulat Bey, Athena Trasha, Haddad Fahmy Amin, Gaston Phipps, Pierre Balbz, Jacques de Guéry, Count Banubula, Onouphrios Papas, Dmitri Randidi, Paul Capodistria, Claude Amaril, Nessim Hosnani, Tony Umbada, Baldassaro Trivizani, Gilda Ambron…. I murmured the names as I read through the list, mentally adding the word ‘murderer’ after each, simply to see whether it sounded appropriate. Only when I reached the name of Nessim did I pause and raise my eyes to the dark wall — to throw his mental image there and study it as we had studied the pictures. I still saw the expression on his face as I had helped to tuck him into the great car — an expression of curious impish serenity³², as of someone resting after a great expenditure³³ of energy.

1 impatience   

n.不耐烦，急躁

参考例句：

• He expressed impatience at the slow rate of progress.进展缓慢，他显得不耐烦。
• He gave a stamp of impatience.他不耐烦地跺脚。

2 opium   

n.鸦片；adj.鸦片的

参考例句：

• That man gave her a dose of opium.那男人给了她一剂鸦片。
• Opium is classed under the head of narcotic.鸦片是归入麻醉剂一类的东西。

3 deserted   

adj.荒芜的，荒废的，无人的，被遗弃的

参考例句：

• The deserted village was filled with a deathly silence.这个荒废的村庄死一般的寂静。
• The enemy chieftain was opposed and deserted by his followers.敌人头目众叛亲离。

4 lodge   

v.临时住宿，寄宿，寄存，容纳；n.传达室，小旅馆

参考例句：

• Is there anywhere that I can lodge in the village tonight?村里有我今晚过夜的地方吗？
• I shall lodge at the inn for two nights.我要在这家小店住两个晚上。

5 grandiose   

adj.宏伟的，宏大的，堂皇的，铺张的

参考例句：

• His grandiose manner impressed those who met him for the first time.他那种夸大的举止给第一次遇见他的人留下了深刻的印象。
• As the fog vanished,a grandiose landscape unfolded before the tourists.雾气散去之后，一幅壮丽的景观展现在游客面前。

6 tattered   

adj.破旧的，衣衫破的

参考例句：

• Her tattered clothes in no way detracted from her beauty.她的破衣烂衫丝毫没有影响她的美貌。
• Their tattered clothing and broken furniture indicated their poverty.他们褴褛的衣服和破烂的家具显出他们的贫穷。

7 penumbra   

n.（日蚀）半影部

参考例句：

• This includes the continuous survey of umbra and penumbra of the sunspot.这包括对太阳黑子本影和半影持续的观测。
• A penumbra of doubt surrounds the incident.疑惑的阴影笼罩着该事件。

8 grotesque   

adj.怪诞的，丑陋的；n.怪诞的图案，怪人（物）

参考例句：

• His face has a grotesque appearance.他的面部表情十分怪。
• Her account of the incident was a grotesque distortion of the truth.她对这件事的陈述是荒诞地歪曲了事实。

9 frescoes   

n.壁画( fresco的名词复数 )；温壁画技法，湿壁画

参考例句：

• The Dunhuang frescoes are gems of ancient Chinese art. 敦煌壁画是我国古代艺术中的瑰宝。 来自《现代汉英综合大词典》
• The frescoes in these churches are magnificent. 这些教堂里的壁画富丽堂皇。 来自《简明英汉词典》

10 sprawled   

v.伸开四肢坐[躺]( sprawl的过去式和过去分词)；蔓延；杂乱无序地拓展；四肢伸展坐着（或躺着）

参考例句：

• He was sprawled full-length across the bed. 他手脚摊开横躺在床上。
• He was lying sprawled in an armchair, watching TV. 他四肢伸开正懒散地靠在扶手椅上看电视。

11 silhouettes   

轮廓( silhouette的名词复数 )； （人的）体形； （事物的）形状； 剪影

参考例句：

• Now that darkness was falling, only their silhouettes were outlined against the faintly glimmering sky. 这时节两山只剩余一抹深黑，赖天空微明为画出一个轮廓。 来自汉英文学 - 散文英译
• They could see silhouettes. 他们能看得见影子的。

12 monks   

n.修道士，僧侣( monk的名词复数 )

参考例句：

• The monks lived a very ascetic life. 僧侣过着很清苦的生活。
• He had been trained rigorously by the monks. 他接受过修道士的严格训练。 来自《简明英汉词典》

13 magnesium   

n.镁

参考例句：

• Magnesium is the nutrient element in plant growth.镁是植物生长的营养要素。
• The water contains high amounts of magnesium.这水含有大量的镁。

14 macabre   

adj.骇人的，可怖的

参考例句：

• He takes a macabre interest in graveyards.他那么留意墓地，令人毛骨悚然。
• Mr Dahl was well-known for his macabre adult stories called 'Tales of the Unexpected'.达尔先生以成人恐怖小说集《意料之外的故事》闻名于世。

15 dwelling   

n.住宅，住所，寓所

参考例句：

• Those two men are dwelling with us.那两个人跟我们住在一起。
• He occupies a three-story dwelling place on the Park Street.他在派克街上有一幢3层楼的寓所。

16 celebrated   

adj.有名的，声誉卓著的

参考例句：

• He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
• The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。

17 hovered   

鸟( hover的过去式和过去分词 )； 靠近（某事物）； （人）徘徊； 犹豫

参考例句：

• A hawk hovered over the hill. 一只鹰在小山的上空翱翔。
• A hawk hovered in the blue sky. 一只老鹰在蓝色的天空中翱翔。

18 hooded   

adj.戴头巾的；有罩盖的；颈部因肋骨运动而膨胀的

参考例句：

• A hooded figure waited in the doorway. 一个戴兜帽的人在门口等候。
• Black-eyed gipsy girls, hooded in showy handkerchiefs, sallied forth to tell fortunes. 黑眼睛的吉卜赛姑娘，用华丽的手巾包着头，突然地闯了进来替人算命。 来自辞典例句

19 cuttlefish   

n.乌贼，墨鱼

参考例句：

• I have no idea about how to prepare those cuttlefish and lobsters.我对如何烹调那些乌贼和龙虾毫无概念。
• The cuttlefish spurts out dark ink when it is in danger.乌鲗遇到危险的时候会喷出黑色液体。

20 lurking   

潜在

参考例句：

• Why are you lurking around outside my house? 你在我房子外面鬼鬼祟祟的，想干什么？
• There is a suspicious man lurking in the shadows. 有一可疑的人躲在阴暗中。 来自《现代英汉综合大词典》

21 slits   

n.狭长的口子，裂缝( slit的名词复数 )v.切开，撕开( slit的第三人称单数 )；在…上开狭长口子

参考例句：

• He appears to have two slits for eyes. 他眯着两眼。
• "You go to--Halifax,'she said tensely, her green eyes slits of rage. "你给我滚----滚到远远的地方去！" 她恶狠狠地说，那双绿眼睛冒出了怒火。

22 devoid   

adj.全无的，缺乏的

参考例句：

• He is completely devoid of humour.他十分缺乏幽默。
• The house is totally devoid of furniture.这所房子里什么家具都没有。

23 travesty   

n.歪曲，嘲弄，滑稽化

参考例句：

• The trial was a travesty of justice.这次审判嘲弄了法律的公正性。
• The play was,in their view,a travesty of the truth.这个剧本在他们看来是对事实的歪曲。

24 gauge   

v.精确计量；估计；n.标准度量；计量器

参考例句：

• Can you gauge what her reaction is likely to be?你能揣测她的反应可能是什么吗？
• It's difficult to gauge one's character.要判断一个人的品格是很困难的。

25 buffet   

n.自助餐；饮食柜台；餐台

参考例句：

• Are you having a sit-down meal or a buffet at the wedding?你想在婚礼中摆桌宴还是搞自助餐？
• Could you tell me what specialties you have for the buffet?你能告诉我你们的自助餐有什么特色菜吗？

26 triumphantly   

ad.得意洋洋地；得胜地；成功地

参考例句：

• The lion was roaring triumphantly. 狮子正在发出胜利的吼叫。
• Robert was looking at me triumphantly. 罗伯特正得意扬扬地看着我。

27 velvet   

n.丝绒，天鹅绒；adj.丝绒制的，柔软的

参考例句：

• This material feels like velvet.这料子摸起来像丝绒。
• The new settlers wore the finest silk and velvet clothing.新来的移民穿着最华丽的丝绸和天鹅绒衣服。

28 pang   

n.剧痛，悲痛，苦闷

参考例句：

• She experienced a sharp pang of disappointment.她经历了失望的巨大痛苦。
• She was beginning to know the pang of disappointed love.她开始尝到了失恋的痛苦。

29 fingerprint   

n.指纹；vt.取...的指纹

参考例句：

• The fingerprint expert was asked to testify at the trial.指纹专家应邀出庭作证。
• The court heard evidence from a fingerprint expert.法院听取了指纹专家的证词。

30 carnival   

n.嘉年华会，狂欢，狂欢节，巡回表演

参考例句：

• I got some good shots of the carnival.我有几个狂欢节的精彩镜头。
• Our street puts on a carnival every year.我们街的居民每年举行一次嘉年华会。

31 majestic   

adj.雄伟的，壮丽的，庄严的，威严的，崇高的

参考例句：

• In the distance rose the majestic Alps.远处耸立着雄伟的阿尔卑斯山。
• He looks majestic in uniform.他穿上军装显得很威风。

32 serenity   

n.宁静，沉着，晴朗

参考例句：

• Her face,though sad,still evoked a feeling of serenity.她的脸色虽然悲伤，但仍使人感觉安详。
• She escaped to the comparative serenity of the kitchen.她逃到相对安静的厨房里。

33 expenditure   

n.(时间、劳力、金钱等)支出；使用，消耗

参考例句：

• The entry of all expenditure is necessary.有必要把一切开支入账。
• The monthly expenditure of our family is four hundred dollars altogether.我们一家的开销每月共计四百元。