All around the shrine1 of the temple there were prayers fastened, wherever there was a place for fastening them. On the left of the altar there was a large lattice, and this lattice had hundreds of prayers attached to it, some of them folded and others open. Several old men and women were leaning against this lattice, or squatted2 on the floor in front of it, engaged in selling prayers; and they appeared to be doing a thriving business. The boys bought some of these prayers to send home as curiosities; and they also bought some charms and beads3, the latter not unlike those used by Catholics, and having a prominent place in the Japanese worship. Then there were votive tablets on the walls, generally in the form of pictures painted on paper or silk, or cut out of thin paper, like silhouettes4. One of them represents a ship on the water in the midst of a storm, and is probably the offering of a merchant who had a marine5 venture that he wished to have the goddess take under her protection. Shoes and top-knots of men and women were among the offerings, and the most of them were labelled with the names of the donors6. These valueless articles are never disturbed, but remain in their places for years, while costly7 treasures of silver or gold are generally removed in a few days to the private sanctuary8 of the goddess for fear of accidents. Even in a temple, all the visitors cannot be trusted to keep their hands in check. It is intimated that the priests are sometimes guilty of appropriating valuable things to their own use. But then what could you expect of a lot of heathens like the Japanese? Nothing of the kind could happen in a Christian9 land.
There were more attractions outside the temple than in it for our young visitors, and, after a hasty glance at the shrines10 in the neighborhood of the great altar, they went again into the open air.
Not far from the entrance of the temple Frank came upon a stone wheel set in a post of the same material. He looked it over with the greatest care, and wondered what kind of labor-saving machine it was. A quantity of letters and figures on the sides of the post increased his thirst for knowledge, and he longed to be able to read Japanese, so that he might know the name of the inventor of this piece of mechanism11, and what it was made for.
He turned to the Doctor and asked what was the use of the post, and how it was operated.
Just as he spoke12, a man passed near the machine and gave the wheel a blow that sent it spinning around with great rapidity. The man gave a glance at it to see that it was turning well, and then moved on in the direction of the temple.
"I know what that is," said Fred, who came along at the moment Frank expressed his wonder to Doctor Bronson.
"Well, what is it?"
"It's a praying-machine; I read about it the other day in a book on Japan."
"Quite right," responded the Doctor; "it is a machine used in every country where Buddhism13 is the religion."
PRAYING-MACHINE. PRAYING-MACHINE.
Then he went on to explain that there is a formula of prayers on the sides of the post, and sometimes on the wheel, and that for each revolution of the wheel these prayers are supposed to be uttered. A devotee passes, and, as he does so, he revolves14 the wheel; and for each time it turns around a prayer is recorded in heaven to his credit. It follows that a man with strong arms, and possessing a knack15 of making the wheel spin around, can do a great deal more petitioning to Heaven than the weak and clumsy one.
Fred thought that it would be a good thing to attach these prayer-wheels to mills propelled by water, wind, or steam, and thus secure a steady and continuous revolution. The Doctor told him that this was actually done in some of the Buddhist16 countries, and a good many of the pious17 people said their prayers by machinery18.
ARCHERY ATTENDANT. ARCHERY ATTENDANT.
They strolled along to where there were some black-eyed girls in charge of booths, where, for a small consideration, a visitor can practise shooting with bows and arrows. The bows were very small, and the arrows were blunt at the ends. The target was a drum, and consequently the marksman's ear, rather than the eye, told when a shot was successful. The drums were generally square, and in front of each there was a little block of wood. A click on the wood showed that a shot was of more value than when it was followed by the dull boom of the drum. The girls brought tea to the boys, and endeavored to engage them in conversation, but, as there was no common language in which they could talk, the dialogue was not particularly interesting. The boys patronized the archery business, and tried a few shots with the Japanese equipments; but they found the little arrows rather difficult to handle, on account of their diminutive19 size. An arrow six inches long is hardly heavy enough to allow of a steady aim, and both of the youths declared they would prefer something more weighty.
Near the archery grounds there was a collection of so-called wax-works, and the Doctor paid the entrance-fees for the party to the show. These wax-works consist of thirty-six tableaux20 with life-size figures, and are intended to represent miracles wrought21 by Ku-wanon, the goddess of the temple. They are the production of one artist, who had visited the temples devoted22 to Ku-wanon in various parts of Japan, and determined23 to represent her miracles in such a way as to instruct those who were unable to make the pilgrimage, as he had done. One of the tableaux shows the goddess restoring to health a young lady who has prayed to her; another shows a woman saved from shipwreck24, in consequence of having prayed to the goddess; in another a woman is falling from a ladder, but the goddess saves her from injury; in another a pious man is saved from robbers by his dog; and in another a true believer is overcoming and killing25 a serpent that sought to do him harm. Several of the groups represent demons26 and fairies, and the Japanese skill in depicting27 the hideous28 is well illustrated29. One of them shows a robber desecrating31 the temple of the goddess; and the result of his action is hinted at by a group of demons who are about to carry him away in a cart of iron, which has been heated red-hot, and has wheels and axles of flaming fire. He does not appear overjoyed with the free ride that is in prospect32 for him. These figures are considered the most remarkable33 in all Japan, and many foreign visitors have pronounced them superior to the celebrated34 collection of Madame Tussaud in London. Ku-wanon is represented as a beautiful lady, and in some of the figures there is a wonderfully gentle expression to her features.
Asakusa is famous for its flower-shows, which occur at frequent intervals36, and, luckily for our visitors, one was in progress at the time of their pilgrimage to the temple. The Japanese are great lovers of flowers, and frequently a man will deprive himself of things of which he stands in actual need in order to purchase his favorite blossoms. As in all other countries, the women are more passionately37 fond of floral productions than the men; and when a flower-show is in progress, there is sure to be a large attendance of the fairer sex. Many of these exhibitions are held at night, as a great portion of the public are unable to come in the daytime on account of their occupations. At night the place is lighted up by means of torches stuck in the ground among the flowers, and the scene is quite picturesque38.
A JAPANESE FLOWER-SHOW. NIGHT SCENE. A JAPANESE FLOWER-SHOW. NIGHT SCENE.
Frank and Fred were greatly interested to find the love which the Japanese have for dwarfed39 plants and for plants in fantastic shapes. The native florists42 are wonderfully skilful43 in this kind of work, and some of their accomplishments44 would seem impossible to American gardeners. For example, they will make representations of mountains, houses, men, women, cats, dogs, boats, carts, ships under full sail, and a hundred other things—all in plants growing in pots or in the ground. To do this they take a frame of wire or bamboo in the shape of the article they wish to represent, and then compel the plant to grow around it. Day by day the plant is trained, bent45 a little here and a little there, and in course of time it assumes the desired form and is ready for the market. If an animal is represented, it is made more life-like by the addition of a pair of porcelain46 eyes; but there is rarely any other part of his figure that is formed of anything else than the living green. Our boys had a merry time among the treasures of the gardener in picking out the animate47 and inanimate forms that were represented, and both regretted that they could not send home some of the curious things that they found. Frank discovered a model of a house that he knew would please his sister; and he was quite sure that Miss Effie would dance with delight if she could feast her eyes on a figure of a dog, with the short nose for which the dogs of Japan are famous, and with sharp little eyes of porcelain.
Fred cared less for the models in green than he did for some dwarf40 trees that seemed to strike his fancy particularly. There were pines, oaks, and other trees familiar to our eyes, only an inch or two in height, but as perfectly48 formed as though they were of the natural size in which we see them in their native forests. Then there were bamboo, cactus49, and a great many other plants that grow in Japan, but with which we are not familiar. There was such a quantity of them as to leave no doubt that the dwarfing50 of plants is thoroughly51 understood in Japan and has received much attention. Doctor Bronson told the boys that the profession of florist41, like many other professions and trades, was hereditary52, and that the knowledge descended53 from father to son. The dwarfing of plants, and their training into unnatural54 shapes and forms, have been practised for thousands of years, and the present state of the florist's art is the result of centuries of development.
A CHRISTENING IN JAPAN. A CHRISTENING IN JAPAN.
In the flower-show and among the tea-booths the party remained at their leisure until it was time to think of going away from Asakusa and seeing something else. As they came out of the temple grounds they met a wedding party going in, and a few paces farther on they encountered a christening party proceeding55 in the same direction. The wedding procession consisted of three persons, and the other of four; but the principal member of the latter group was so young that he was carried in the arms of one of his companions, and had very little to say of the performances in which he was to take a prominent part. Frank observed that he did not cry, as any well-regulated baby would have done in America, and remarked upon the oddity of the circumstance. The Doctor informed him that it was not the fashion for babies to cry in Japan, unless they belonged to foreign parents.
Frank opened his eyes with astonishment56. Fred did likewise.
"And is it really the case," said Frank, "that a Japanese baby never cries?"
"I could hardly say that," the Doctor answered; "but you may live a long time in Japan, and see lots of babies without hearing a cry from one of them. An American or English baby will make more noise and trouble than fifty Japanese ones. You have seen a great many small children since you landed in Japan, and now stop and think if you have heard one of them cry."
The boys considered a moment, and were forced to admit that, as Frank expressed it, they hadn't heard a whimper from a native infant. And they added that they were not anxious to hear any either.
The child that they saw was probably an urchin57 of about four weeks, as it is the custom to shave the head of an infant on the thirtieth day, or very near that date, and take him to the temple. There the priest performs a ceremonial very much like a christening with us, and for the same object. The party in the present instance consisted of a nurse carrying the child, a servant holding an umbrella to shield the nurse and child from the sun, and lastly the father of the youngster. The mother does not accompany the infant on this journey, or, at all events, it is not necessary that she should do so.
A WEDDING PARTY. A WEDDING PARTY.
The wedding procession that our boys encountered consisted of the bride and her mother, with a servant to hold an umbrella to protect them[Pg 138] from the sun. Mother and daughter were richly attired58, and their heads were covered with shawls heavily embroidered59. Weddings in Japan do not take place in the temples, as might naturally be expected, but a part of the ceremonial is performed at the house of the bride, and the remainder at that of the bridegroom. After the wedding the bride accompanies her mother to the temple to say her prayers for a happy life, and this was the occasion which our young adventurers happened to witness.
There are many other temples in Tokio besides Asakusa, and the stranger who wishes to devote his time to the study of Japanese temples can have his wishes gratified to the fullest degree. After our party had finished the sights of Asakusa, they went to another quarter where they spent an hour among temples that were less popular, though more elegant, than those of the locality we have just described. The beauty of the architecture and the general elegance60 of the interior of the structures captivated them, and they unhesitatingly pronounced the religious edifices61 of Japan the finest they had ever seen.
They were hungry, and the Doctor suggested Uyeno. The boys did not know what Uyeno was, but concluded they would like some. Fred asked if it was really good.
The Doctor told them that Uyeno was excellent, and Frank asked how it was prepared. He was somewhat taken aback when he learned that Uyeno was not an article of food, but a place where food was to be obtained.
STROLLING SINGERS AT ASAKUSA. STROLLING SINGERS AT ASAKUSA.
They went there and found a pretty park on a hill that overlooked[Pg 139] a considerable portion of the city. At one side of the park there was an enclosure containing several tombs of the shogoons, or tycoons62, of Japan, and there was a neat little temple that is held in great reverence63, and receives annually64 many thousands of visitors. On an edge of the hill, where a wide view was to be had over the houses of the great capital, an enterprising Japanese had erected65 a restaurant, which he managed after the European manner, and was driving a profitable business. He was patronized by the foreign visitors and residents, and also by many of the Japanese officials, who had learned to like foreign cookery and customs during their journeys abroad, or were endeavoring to familiarize themselves with its peculiarities66. Our friends found the restaurant quite satisfactory, and complimented the proprietor67 on the success of his management. It is no easy matter for a native to introduce foreign customs into his hotel in such a way as to give satisfaction to the people of the country from which the customs are taken.
VIEW FROM SURUGA DAI IN TOKIO. VIEW FROM SURUGA DAI IN TOKIO.
Uyeno is not by any means the only elevation68 in Tokio from which a good view can be had of the city and surrounding country. There are several elevations69 where such views are obtainable, and in nearly all of them the holy mountain, Fusiyama, has a prominent place. A famous view is that of Atago Yama, and another is from Suruga Dai. Both these places are popular resorts, and abound70 in tea-houses, refreshment71 booths, swings, and other public attractions. On pleasant afternoons there is always a large attendance of the populace, and it is interesting to see them amusing themselves. There are old people, middle-aged72 people, youths, and infants, the latter on the backs of their nurses, where they hang patiently on, and seem to enjoy their share of the fun. The quantity of tea that the natives consume in one of these afternoon entertainments is something prodigious73; but they do not seem to suffer any injury from what some of us would consider a wild dissipation.
A CHILD'S NURSE. A CHILD'S NURSE.
Not far from where the Doctor and his young friends were seated was an enclosure where was held the First National Fair of Tokio in 1877. The enclosure was still standing74, and it was the intention of the government to hold a fair there annually, as it fully35 recognized the advantages of these exhibitions as educators of the people. The Japanese are not generally well informed as to the products of their own country outside of the provinces where they happen to live. A native can tell you what his own district or province produces, but he is often lamentably75 ignorant of the resources of other parts of the country. It is to break up this ignorance, and also to stimulate76 improvements in the various industries, that these national fairs have been established.
As the description of the First National Fair at Tokio may not be uninteresting, we will copy from a letter to a New York paper, by one of its correspondents who was in Japan at the time. After describing the opening ceremonies, which were attended by the emperor and empress, together with many high dignitaries of the government, he wrote as follows:
"The buildings are arranged to enclose an octagonal space, and consequently a visitor finds himself at the starting-point when he has made the rounds. The affair is in the hands of the gentlemen who controlled the Japanese department of the Philadelphia Exhibition in 1876, and many of the features of our Centennial have been reproduced. They have Agricultural Hall, Machinery Hall, Horticultural Hall, and Fine Arts Gallery, as at the Centennial; and then they have Eastern Hall and Western Hall, which the Quaker City did not have. They have restaurants and refreshment booths, and likewise stands for the sale of small articles, such as are most likely to tempt77 strangers. In many respects the exhibition is quite similar to an affair of the same kind in America; and with a few changes of costume, language, and articles displayed, it might pass for a state or county fair in Maine or Minnesota.
LOVERS BEHIND A SCREEN. A PAINTING ON SILK EXHIBITED AT THE TOKIO FAIR. LOVERS BEHIND A SCREEN. A PAINTING ON SILK EXHIBITED AT THE TOKIO FAIR.
"The display of manufactured articles is much like that in the Japanese section at Philadelphia, but is not nearly so large, the reason being that the merchants do not see as good chances for business as they did at the Centennial, and consequently they have not taken so much trouble to come in. Many of the articles shown were actually at Philadelphia, but did not find a market, and have been brought out again in the hope that they may have better luck. The bronzes are magnificent, and some of them surpass anything that was shown at the Centennial, or has ever been publicly exhibited outside of Japan. The Japanese seem determined to maintain their reputation of being the foremost workers of bronze in the world. They have also some beautiful work in lacquered ware78, but their old lacquer is better than the new.
"In their Machinery Hall they have a very creditable exhibit, considering how recently they have opened the country to the Western world, and how little they had before the opening in the way of Western ideas. There is a small steam-engine of Japanese make; there are two or three looms79, some rice-mills, winnowing-machines, an apparatus80 for winding81 and spinning silk, some pumps, a hay-cutter, and a fire-engine worked by hand. Then there are several agricultural machines, platform scales, pumps, and a wood-working apparatus from American makers82, and there are two or three of English production. In the Agricultural Hall there are horse-rakes, mowers, reapers83, and ploughs from America, and there are also some well-made ploughs from Japanese hands. In the Eastern Hall there are some delicate balances for weighing coin and the precious metals; they were made for the mint at Osaka, and look wonderfully like the best French or German balances. The Japanese have been quite successful in copying these instruments, more so than in imitating the heavier scales from America. Fairbanks's scales have been adopted as the standard of the Japanese postal84 and customs departments. Some of the skilful workmen in Japan thought they could make their own scales, and so they set about copying the American one. They made a scale that looked just as well, but was not accurate as a weighing-machine. As the chief use of a scale is to weigh correctly, they concluded to quit their experiments and stick to Fairbanks's.
BLACKSMITH'S BELLOWS85. BLACKSMITH'S BELLOWS.
"There is an interesting display of the natural products of Japan, and it is exceedingly instructive to a stranger. The Japanese are studying these things with great attention, and the fair will undoubtedly86 prove an excellent school for the people by adding to their stock of information about themselves. Each section bears over its entrance the name of the city, province, or district it represents, and as these names are displayed in English as well as in Japanese, a stranger has no difficulty in finding out the products of the different parts of the empire. The result is that many articles are repeated in the exhibition, and you meet with them again and again. Such, for example, are raw silks, which come from various localities, as likewise do articles of leather, wood, and iron. Porcelain of various kinds appears repeatedly, and so do the woods used for making furniture. There is an excellent show of porcelain, and some of the pieces are of enormous size. Kaga, Satsuma, Hizen, Kioto, Nagasaki, and other wares87 are in abundance, and a student of ceramics88 will find enough to interest him for many hours.
A GRASS OVERCOAT. A GRASS OVERCOAT.
"In cordage and material for ship-building there is a good exhibit, and there are two well-made models of gun-boats. Wheat, rice, millet89, and other grains are represented by numerous samples, and there are several specimens90 of Indian-corn, or maize91, grown on Japanese soil. There is a goodly array of canned fruits and meats, mostly the former, some in tin and the rest in glass. Vinegars, rice-whiskey, soy, and the like are abundant, and so is dried fish of several kinds. There is a good display of tea and tobacco, the former being in every form, from the tea-plant up to the prepared article ready for shipment. One has only to come here to see the many uses to which the Japanese put fibrous grasses in making mats, overcoats, and similar things; and there are like displays of the serviceability of bamboo. From the north of Japan there are otter92 and other skins, and from various points there are models of boats and nets to illustrate30 the fishing business. The engineering department shows some fine models of bridges and dams, and has evidently made good progress since its organization."
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1
shrine
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| n.圣地，神龛，庙；v.将...置于神龛内，把...奉为神圣 | |
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squatted
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| v.像动物一样蹲下( squat的过去式和过去分词 )；非法擅自占用（土地或房屋）；为获得其所有权；而占用某片公共用地。 | |
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beads
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| n.（空心）小珠子( bead的名词复数 )；水珠；珠子项链 | |
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silhouettes
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| 轮廓( silhouette的名词复数 )； （人的）体形； （事物的）形状； 剪影 | |
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marine
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| adj.海的；海生的；航海的；海事的；n.水兵 | |
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donors
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| n.捐赠者( donor的名词复数 )；献血者；捐血者；器官捐献者 | |
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costly
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| adj.昂贵的，价值高的，豪华的 | |
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sanctuary
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| n.圣所，圣堂，寺庙；禁猎区，保护区 | |
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Christian
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| adj.基督教徒的；n.基督教徒 | |
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shrines
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| 圣地，圣坛，神圣场所( shrine的名词复数 ) | |
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mechanism
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| n.机械装置；机构，结构 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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Buddhism
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| n.佛教（教义） | |
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revolves
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| v.（使）旋转( revolve的第三人称单数 )；细想 | |
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knack
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| n.诀窍，做事情的灵巧的，便利的方法 | |
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Buddhist
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| adj./n.佛教的，佛教徒 | |
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pious
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| adj.虔诚的；道貌岸然的 | |
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machinery
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| n.(总称)机械，机器；机构 | |
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diminutive
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| adj.小巧可爱的，小的 | |
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tableaux
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| n.舞台造型，（由活人扮演的）静态画面、场面；人构成的画面或场景( tableau的名词复数 )；舞台造型；戏剧性的场面；绚丽的场景 | |
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wrought
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| v.引起；以…原料制作；运转；adj.制造的 | |
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devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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determined
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| adj.坚定的；有决心的 | |
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shipwreck
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| n.船舶失事，海难 | |
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killing
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| n.巨额利润；突然赚大钱，发大财 | |
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demons
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| n.恶人( demon的名词复数 )；恶魔；精力过人的人；邪念 | |
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depicting
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| 描绘，描画( depict的现在分词 )； 描述 | |
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hideous
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| adj.丑陋的，可憎的，可怕的，恐怖的 | |
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illustrated
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| adj. 有插图的，列举的 动词illustrate的过去式和过去分词 | |
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illustrate
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| v.举例说明，阐明；图解，加插图 | |
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desecrating
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| 毁坏或亵渎( desecrate的现在分词 ) | |
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prospect
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| n.前景，前途；景色，视野 | |
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remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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celebrated
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| adj.有名的，声誉卓著的 | |
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fully
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| adv.完全地，全部地，彻底地；充分地 | |
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intervals
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| n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息 | |
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passionately
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| ad.热烈地，激烈地 | |
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picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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39
dwarfed
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| vt.（使）显得矮小（dwarf的过去式与过去分词形式） | |
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dwarf
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| n.矮子，侏儒，矮小的动植物；vt.使…矮小 | |
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florist
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| n.花商；种花者 | |
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florists
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| n.花商，花农，花卉研究者( florist的名词复数 ) | |
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skilful
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| (=skillful)adj.灵巧的，熟练的 | |
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accomplishments
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| n.造诣；完成( accomplishment的名词复数 )；技能；成绩；成就 | |
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bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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porcelain
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| n.瓷；adj.瓷的，瓷制的 | |
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animate
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| v.赋于生命，鼓励；adj.有生命的，有生气的 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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49
cactus
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| n.仙人掌 | |
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dwarfing
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| n.矮化病 | |
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thoroughly
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| adv.完全地，彻底地，十足地 | |
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hereditary
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| adj.遗传的，遗传性的，可继承的，世袭的 | |
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descended
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| a.为...后裔的，出身于...的 | |
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unnatural
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| adj.不自然的；反常的 | |
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proceeding
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| n.行动，进行，(pl.)会议录，学报 | |
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astonishment
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| n.惊奇，惊异 | |
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urchin
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| n.顽童；海胆 | |
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attired
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| adj.穿着整齐的v.使穿上衣服，使穿上盛装( attire的过去式和过去分词 ) | |
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embroidered
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| adj．绣花的 | |
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elegance
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| n.优雅；优美，雅致；精致，巧妙 | |
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edifices
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| n.大建筑物( edifice的名词复数 ) | |
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tycoons
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| 大君( tycoon的名词复数 )； 将军； 企业巨头； 大亨 | |
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reverence
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| n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬 | |
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annually
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| adv.一年一次，每年 | |
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ERECTED
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| adj. 直立的，竖立的，笔直的 vt. 使 ... 直立，建立 | |
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peculiarities
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| n. 特质, 特性, 怪癖, 古怪 | |
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proprietor
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| n.所有人；业主；经营者 | |
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elevation
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| n.高度；海拔；高地；上升；提高 | |
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elevations
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| （水平或数量）提高( elevation的名词复数 )； 高地； 海拔； 提升 | |
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abound
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| vi.大量存在；(in，with)充满，富于 | |
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refreshment
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| n.恢复，精神爽快，提神之事物；（复数）refreshments:点心，茶点 | |
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middle-aged
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| adj.中年的 | |
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prodigious
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| adj.惊人的，奇妙的；异常的；巨大的；庞大的 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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lamentably
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| adv.哀伤地，拙劣地 | |
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stimulate
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| vt.刺激，使兴奋；激励，使…振奋 | |
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tempt
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| vt.引诱，勾引，吸引，引起…的兴趣 | |
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ware
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| n.(常用复数)商品，货物 | |
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looms
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| n.织布机( loom的名词复数 )v.隐约出现，阴森地逼近( loom的第三人称单数 )；隐约出现，阴森地逼近 | |
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apparatus
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| n.装置，器械；器具，设备 | |
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winding
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| n.绕，缠，绕组，线圈 | |
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makers
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| n.制造者，制造商（maker的复数形式） | |
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reapers
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| n.收割者，收获者( reaper的名词复数 )；收割机 | |
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postal
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| adj.邮政的，邮局的 | |
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bellows
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| n.风箱；发出吼叫声，咆哮（尤指因痛苦）( bellow的名词复数 )；（愤怒地）说出（某事），大叫v.发出吼叫声，咆哮（尤指因痛苦）( bellow的第三人称单数 )；（愤怒地）说出（某事），大叫 | |
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undoubtedly
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| adv.确实地，无疑地 | |
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wares
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| n. 货物, 商品 | |
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88
ceramics
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| n.制陶业；陶器 | |
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millet
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| n.小米，谷子 | |
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specimens
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| n.样品( specimen的名词复数 )；范例；（化验的）抽样；某种类型的人 | |
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maize
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| n.玉米 | |
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otter
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| n.水獭 | |
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