There is another class of objectors. They talk solemnly of Art and its canons; they make a religion of it, having little other. One of these remarks, that "a tract3 in the hands of the Venus di Medici would be an impertinence." I quite agree with him. But why need he ignore the fact that the Venus is also the outcome of a religion? To the ancient sculptor4, it was a goddess, not a woman, that grew under his hands; it was Devotion, working together with Genius, that produced the two or three statues which the world agrees to admire. So the few great poems of the world are religious poems. Why, then, should not the great novel of the world be a religious novel? Some day, be sure, a genius sweeter than Hawthorne's, more genial5 than Dickens', and subtler than Thackeray's, will arise to give it to us. Let me humbly6 help to prepare the way for him! Meanwhile, be it also understood that the persons to whom Art is a sufficing end, instead of a noble means, are not the persons for whom I write.
I do write for the "gentle reader" who enjoys religion in novels, as elsewhere. Be thus much said for his liking7, even from the art side. There are two classes of novels—the descriptive and the analytical8; one pictures real life, the other passions and motives9. Religion has its rightful place in both, because it is an important part of real life, and controls both passions and motives. Finally (for the subject is much too wide for a preface), the modern novel being so potent10 a power,—for evil on the one hand, for social and civil reform on the other,—it is fair to suppose that it may do good service for religion.
In conclusion, I have to make two acknowledgments. The first to an unknown coadjutor, a hand that is doubtless mouldering11 into dust. Some years ago, a yellow, time-worn manuscript, purporting12 to be a veritable family history, fell into my hands. I am indebted to it for the main outline of my story. The second is to MISS FREEBORNE,—the only sculptor of our day, so far as I know, who has consecrated13 her genius to Christian14 Art. From her studio I have quietly abstracted the sculpture which lends its white grace to these pages. I should also have seized upon the slender figure of her St. Agnes, and the bowed head of her Martyr15, had they been available to my purpose.
NEW YORK, July, 1874.
点击收听单词发音
1 forth | |
adv.向前;向外,往外 | |
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2 frankly | |
adv.坦白地,直率地;坦率地说 | |
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3 tract | |
n.传单,小册子,大片(土地或森林) | |
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4 sculptor | |
n.雕刻家,雕刻家 | |
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5 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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6 humbly | |
adv. 恭顺地,谦卑地 | |
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7 liking | |
n.爱好;嗜好;喜欢 | |
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8 analytical | |
adj.分析的;用分析法的 | |
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9 motives | |
n.动机,目的( motive的名词复数 ) | |
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10 potent | |
adj.强有力的,有权势的;有效力的 | |
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11 mouldering | |
v.腐朽( moulder的现在分词 );腐烂,崩塌 | |
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12 purporting | |
v.声称是…,(装得)像是…的样子( purport的现在分词 ) | |
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13 consecrated | |
adj.神圣的,被视为神圣的v.把…奉为神圣,给…祝圣( consecrate的过去式和过去分词 );奉献 | |
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14 Christian | |
adj.基督教徒的;n.基督教徒 | |
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15 martyr | |
n.烈士,殉难者;vt.杀害,折磨,牺牲 | |
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