Peasmarsh choir consisted of about eighteen boys and girls, with an accompaniment of cornets, flutes4, and a bass viol—the last played by an immensely aged5 drover from Coldblow, who, having only three fingers on his left hand, had to compromise, not always tunefully, with the score. The singing was erratic6. Eighteen fresh young voices could not fail to give a certain pleasure, but various members had idiosyncrasies which did not make for the common weal—such as young Ditch, who never knew till he had begun to sing whether his voice would be bass or alto, all intermediary pitches being somehow unattainable—or Rosie Hubble from Barline, who was always four bars behind the rest—or[Pg 141] even young Robert himself, who in crises of enthusiasm was wont7 to sing so loud that his voice drowned everyone else's, or in a wild game of follow-my-leader led the whole anthem8 to destruction.
Robert loved these choir practices and church singings. Though he never complained of his hard work, he was unconsciously glad of a change from the materialism9 of Odiam. The psalms10 with their outbreathings of a clearer life did much to purge11 even his uncultured soul of its muddlings, the hymns12 with their sentimental13 farawayness opened views into which he would gaze enchanted14 as into a promised land. He would come in tired and throbbing15 from the fields, scrape as much mud as possible off his boots, put on his Sunday coat, and tramp through the dusk to the clerk's house ... the little golden window gleaming to him across Peasmarsh street and pond was the foretaste of the evening's sweetness.
The practices were held in the clerk's kitchen, into which the choristers would crush and huddle16. On full attendance nights all elbows touched, and occasionally old Spodgram's bow would be jolted17 out of his hand, or someone would complain that Leacher was blowing his trumpet18 down his neck. Afterwards the choristers would wander home in clusters through the fields; the clusters generally split into small groups, and then the groups into couples. The couples would scatter19 widely, and vex20 their homes with late returnings.
Robert was first of all part of a cluster which included young Coalbran from Doozes, Tom Sheane from Dinglesden, the two Morfees from Edzell, Emily Ditch, and Bessie Lamb from Eggs Hole. Then in time the company reduced itself to Robert, Emily, and Bessie—and one wonderful night he found himself with Bessie alone. How they had chosen each other he could not say. All he knew was that for sometime she had become woven with the music into his thoughts. She[Pg 142] was a poor labourer's daughter, living in a crumbled21, rickety cottage on Eggs Hole Farm, helping22 her mother look after eight young children. She was only seventeen herself, sturdy yet soft, with a mass of hay-coloured hair, and rather a broad face with wistful eyes. Robert thought she was beautiful—but Robert thought that old Spodgram's playing and the choir's singing were beautiful.
Though they were technically23 a Couple, they never spoke24 of love. They never even kissed or held each other's hands, however tenderly the velvet25 darkness called. He told her about his work at Odiam—about the little calf26 that was born that day, or the trouble he had had, patching the rent in the pigsty27, or how the poultry28 had not taken well to their new food, but preferred something with more sharps in it. She in her turn would tell him how she had washed little Georgie's shirt—taking advantage of a warm day when he could run about naked—how her mother had lamentable29 hard pains all down her back, how her father had got drunk at the harvest supper and tried to beat her.
Sometimes they looked in the hedges for birds' nests, or watched the rabbits skipping in the dusk. They would gape30 up at the stars together and call the constellations31 by names of their own—Orion was "the gurt tree," and Cassiopeia was "the sheep trough," and Pegasus was "the square meadow."
It was all very wonderful and sweet to Robert, and when at last he crept under the sheets in the apple-smelling garret he would dream of him and Bessie wandering in the Peasmarsh fields—or sometimes in those starry32 meadows where the hedges shone and twinkled with the fruit of constellations, and Charles drove his waggon33 along a golden road, and sheep ate from a flickering34 trough under a great tree of lamps.
点击收听单词发音
1 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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2 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
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3 disapproved | |
v.不赞成( disapprove的过去式和过去分词 ) | |
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4 flutes | |
长笛( flute的名词复数 ); 细长香槟杯(形似长笛) | |
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5 aged | |
adj.年老的,陈年的 | |
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6 erratic | |
adj.古怪的,反复无常的,不稳定的 | |
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7 wont | |
adj.习惯于;v.习惯;n.习惯 | |
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8 anthem | |
n.圣歌,赞美诗,颂歌 | |
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9 materialism | |
n.[哲]唯物主义,唯物论;物质至上 | |
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10 psalms | |
n.赞美诗( psalm的名词复数 );圣诗;圣歌;(中的) | |
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11 purge | |
n.整肃,清除,泻药,净化;vt.净化,清除,摆脱;vi.清除,通便,腹泻,变得清洁 | |
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12 hymns | |
n.赞美诗,圣歌,颂歌( hymn的名词复数 ) | |
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13 sentimental | |
adj.多愁善感的,感伤的 | |
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14 enchanted | |
adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词 | |
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15 throbbing | |
a. 跳动的,悸动的 | |
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16 huddle | |
vi.挤作一团;蜷缩;vt.聚集;n.挤在一起的人 | |
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17 jolted | |
(使)摇动, (使)震惊( jolt的过去式和过去分词 ) | |
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18 trumpet | |
n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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19 scatter | |
vt.撒,驱散,散开;散布/播;vi.分散,消散 | |
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20 vex | |
vt.使烦恼,使苦恼 | |
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21 crumbled | |
(把…)弄碎, (使)碎成细屑( crumble的过去式和过去分词 ); 衰落; 坍塌; 损坏 | |
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22 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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23 technically | |
adv.专门地,技术上地 | |
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24 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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25 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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26 calf | |
n.小牛,犊,幼仔,小牛皮 | |
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27 pigsty | |
n.猪圈,脏房间 | |
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28 poultry | |
n.家禽,禽肉 | |
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29 lamentable | |
adj.令人惋惜的,悔恨的 | |
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30 gape | |
v.张口,打呵欠,目瞪口呆地凝视 | |
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31 constellations | |
n.星座( constellation的名词复数 );一群杰出人物;一系列(相关的想法、事物);一群(相关的人) | |
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32 starry | |
adj.星光照耀的, 闪亮的 | |
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33 waggon | |
n.运货马车,运货车;敞篷车箱 | |
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34 flickering | |
adj.闪烁的,摇曳的,一闪一闪的 | |
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