There were several of his friends at Starcliffe that afternoon—men and women rising in the worlds of literature, law, and politics. It was possible that Richard would contend the Rye division—in the Liberal interest, be it said with shame—and he was anxious to surround himself with those who might be useful to him. Besides, he was one of those men who breathe more freely in an atmosphere of Culture. Apart from mere6 utilitarian7 questions, he liked to talk over the latest books, the latest cause célèbre or diplomatic coup8 d'état. Anne, very upright, very desiccated, poured out tea, and Reuben noted9 with satisfaction that Nature had beaten her at the battle of the [Pg 458]dressing-table. Richard, on the other hand, in spite of an accentuation of the legal profile, looked young for his age and rather buckish, and rumour10 credited him with an intrigue11 with a lady novelist.
He received his father very kindly, giving him a seat close to the table so that he might have a refuge for his cup and saucer, and introducing him to a gentleman who, he said, was writing a book on Sussex commons and anxious for information about Boarzell.
"But I owe you a grudge12, Mr. Backfield, for you have entirely13 spoilt one of the finest commons in Sussex. The records of Boarzell go back to the twelfth century, and in the Visitations of Sussex it is referred to as a fine piece of moorland three hundred acres in extent and grown over with heather and gorse. I went to see it yesterday, and found only a tuft of gorse and firs at the top."
"And they're coming out this week," said Reuben triumphantly14.
"Can't I induce you to spare them? There are only too few of those ancient landmarks15 left in Sussex."
"And there'd be fewer still, if I had the settling of 'em. I'd lik to see the whole of England grown over wud wheat from one end to the other."
"It would be a shame to spoil all the wild places, though," said a vague-looking girl in an embroidered16 frock, with her hair in a lump at her neck.
"One wants a place where one can get back to Nature," said a young man with a pince-nez and open-work socks.
"But my father's great idea," said Richard, "is that Nature is just a thing for man to tread down and subdue17."
"It can't be done," said the young man in the open-work socks—"it can't be done. And why should we want to do it?—is not Nature the Mother and Nurse of[Pg 459] us all?—and is it not best for us simply to lie on her bosom18 and trust her for our welfare?"
"If I'd a-done that," said Reuben, "I shouldn't have an acre to my n?um, surelye."
"And what do you want with an acre? What is an acre but a man's toy—a child's silly name for a picture it can't understand. Have you ever heard Pan's pipes?"
"I have not, young man."
"Then you know nothing of Nature—the real goddess, many-breasted Ceres. What can you know of the earth, who have never danced to the earth's music?"
"I once stayed on the Downs," said the girl in the embroidered frock, speaking dreamily, "and one twilight19 I seemed to hear elfin music on the hill. I tore off my shoes and let down my hair and I danced—I danced...."
"Ah," said the youth in the open-work socks approvingly. "That's very like an episode in 'Meryon's House,' you know—that glorious scene in which Jennifer the Prostitute goes down to the New Forest with Meryon and suddenly begins dancing in a glade20."
"Of course, being a prostitute, she'd be closer to Nature than a respectable person."
"I thought 'Meryon's House' the worst bilge this year has given us," said a man in a braided coat.
"Or that Meryon has given us, which is saying more," put in someone else.
"I hate these romantic realists—they're worse than the old-fashioned Zola sort."
The conversation had quite deserted21 Reuben, who sat silent and forgotten in his corner, thinking what fools all these people were. After he had wondered what they were talking about for a quarter of an hour, he rose to go, and gave a sigh of relief when the fresh air of Iden Hill came rustling22 to him on the doorstep.
"He's a fine old fellow, your father, Backfield," said the man who was writing a book on Sussex commons. "I can almost forgive him for spoiling one of the best pieces of wild land in the county."
"A magnificent old face," said a middle-aged23 woman with red hair—"the lining24 of it reminds me of those interesting Italian peasants one meets—they wrinkle more beautifully than a young girl keeps her bloom. I should like to paint him."
"So should I," said the girl in the embroidered frock—"and I've been taking note of his clothes for our Earlscourt Morris Dancers."
Richard felt almost proud of his parent.
"He's certainly picturesque—and really there's a good deal of truth in what he says about having got the better of Nature. Thirty years ago I'd have sworn he could never have done it. But it's my firm conviction that he has—and made a good job of it too. He's fought like the devil, he's been hard on every man and himself into the bargain, he's worked like a slave, and never given in. The result is that he's done what I'd have thought no man could possibly do. It's really rather splendid of him."
"Ah—but he's never heard Pan's pipes," said the youth in the open-work socks.
点击收听单词发音
1 dignified | |
a.可敬的,高贵的 | |
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2 aloofness | |
超然态度 | |
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3 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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4 isolation | |
n.隔离,孤立,分解,分离 | |
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5 picturesqueness | |
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6 mere | |
adj.纯粹的;仅仅,只不过 | |
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7 utilitarian | |
adj.实用的,功利的 | |
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8 coup | |
n.政变;突然而成功的行动 | |
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9 noted | |
adj.著名的,知名的 | |
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10 rumour | |
n.谣言,谣传,传闻 | |
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11 intrigue | |
vt.激起兴趣,迷住;vi.耍阴谋;n.阴谋,密谋 | |
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12 grudge | |
n.不满,怨恨,妒嫉;vt.勉强给,不情愿做 | |
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13 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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14 triumphantly | |
ad.得意洋洋地;得胜地;成功地 | |
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15 landmarks | |
n.陆标( landmark的名词复数 );目标;(标志重要阶段的)里程碑 ~ (in sth);有历史意义的建筑物(或遗址) | |
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16 embroidered | |
adj.绣花的 | |
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17 subdue | |
vt.制服,使顺从,征服;抑制,克制 | |
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18 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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19 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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20 glade | |
n.林间空地,一片表面有草的沼泽低地 | |
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21 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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22 rustling | |
n. 瑟瑟声,沙沙声 adj. 发沙沙声的 | |
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23 middle-aged | |
adj.中年的 | |
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24 lining | |
n.衬里,衬料 | |
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