The colouring in all these rock-temples is a softened7 harmony of yellow stone, hardly darkened in some places, forming a setting for the gaudier8 tones of the idols9, all sparkling with gold and showy frippery.
One of these halls, almost at the top of the mount, accommodated a school. The elder pupils sat on stools by the master's side; the little ones and the girls, in groups of five or six, squatted10 on mats in the corners; and all the little people were very quiet in the atmosphere of sandal-wood and flowers brought as offerings, read gravely out of big religious books, and listened to the Brahmin as, in a deep, resonant11 voice, he chanted a sort of strongly-marked melody. There was scarcely an ornament12 on the light-coloured walls, pierced with deep windows showing foliage13 without; and among the dead whiteness of the mats and the schoolchildren's draperies there was but one bright light,[Pg 109] the bell over the pulpit, surmounted14 by the sacred bull in bronze, of precious workmanship.
From the summit we looked down over a panorama15 of the town, set out in square blocks sunk in the verdure of palms, bamboos, and banyans. At our feet was the cupola of the temple of Siva, all gold, and covered with bosses, the edges of the mouldings catching16 the sun. Besides this a number of coloured domes17, painted in pale shades faded by the sunshine, descended18 the almost perpendicular19 incline down to the bazaar20, where the throng21 was beginning to stir like white ants, of slow gait and deliberate gestures, their light-hued dhoutis flitting about the stalls for drink and fruit. Far away, beyond the bright green rice-fields, and against the horizon of intensely blue hills, the rocks stand out—French rocks and Golden rocks—where the treasure of the conquered natives was distributed to English soldiers. It might almost be fancied that a glow of metal still shines on the smooth stone, a warm, yellow stone bathed in sunshine.
A Catholic church flanking the Jesuit college persistently22 sent up to us the shrill23 tinkle24 of a little bell, rattling25 out its quick, harsh strokes like a factory bell for workmen.
[Pg 110]
At the bottom of the steps, almost in the street, was another school at the entrance to a temple. The children, in piercing tones, were all spelling together under the echoing vault26, a terrible noise which seemed to trouble nobody.
On reaching the temple of Vishnu, on the very threshold, we met an elephant marching in front of the Brahmin priests, who were carrying water in copper27 amphor? to bathe the idols withal. Musicians followed the elephant, playing on bagpipes28, on a kind of little trumpet29, very short and shrill-toned, and on drums; and the beast, with its trunk swaying to right and left, begged a gift for the expenses of the temple.
The priests slowly mounted the stairs, the music died away in echoes more and more confused, ceasing at last, while the sacred animal, going off to the right at the foot of the steps, disappeared into its stable.
In the island of Srirangam we visited a temple to Vishnu, enclosed within eight walls, of which the three first only contain any dwellings30. A crowd of pilgrims swarmed31 about the steps, where everything was on sale: little gods in bronze, in painted marble, in clay, and in wood; paper for[Pg 111] writing prayers on; sacred books; red and white face-paints, such as the worshippers of Vishnu use to mark their foreheads with a V; little baskets to hold the colours, with three or four divisions, and a mirror at the bottom; coco-nuts containing kohl; stuffs of every dye; religious pictures, artless indeed, and painted with laborious32 dabs33 of the brush in the presence of the customer; chromo-lithographs from Europe, sickeningly insipid34 and mawkishly35 pretty.
Ekkas, and chigrams closed with thick curtains, came galloping36 past with loud cries from within. All was noise and a shifting of many colours, seeming more foolish here, in this large island, with its deserted37 avenues of tall trees, than anywhere else.
A portico38, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose39, from its simplicity40 of line amid the medley41 of statues and incongruous ornaments42 loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire43 against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing44 horses; terrible Kalis with two fists rammed45 into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously46 squatting47, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.
In one of the inmost circles, a sacred elephant had gone must, breaking his ropes, and confined now by only one leg. The chains fastened round his feet as soon as he showed the first symptoms of madness were lying broken in heaps on the ground. The brute48 had demolished49 the walls of his stable and then two sheds that happened to be in his way; now he was stamping a dance, every muscle in incessant50 motion, half swallowing his trunk, flinging straw in every direction, and finally heaping it on his head. A mob of people stood gazing from a distance, laughing at his heavy, clumsy movements; at the least step forward they[Pg 113] huddled51 back to fly, extending the circle, but still staring at the patient. In an adjoining stable were two more elephants very well cared for, the V neatly52 painted in red and white on their trunks, quietly eating and turning round only at the bidding of the driver; but one of them shed tears.
Inside the temple long arcades53 connect the shrines sunk in the thickness of the walls, gloomy recesses54 with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes55, small and having huge axles, seem made not to turn, and the shafts56, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy57 had fallen off; it was almost completely hidden under aristolochia in blossom.
点击收听单词发音
1 shrines | |
圣地,圣坛,神圣场所( shrine的名词复数 ) | |
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2 scent | |
n.气味,香味,香水,线索,嗅觉;v.嗅,发觉 | |
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3 niches | |
壁龛( niche的名词复数 ); 合适的位置[工作等]; (产品的)商机; 生态位(一个生物所占据的生境的最小单位) | |
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4 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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5 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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6 scrap | |
n.碎片;废料;v.废弃,报废 | |
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7 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
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8 gaudier | |
adj.花哨的,俗气的( gaudy的比较级 ) | |
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9 idols | |
偶像( idol的名词复数 ); 受崇拜的人或物; 受到热爱和崇拜的人或物; 神像 | |
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10 squatted | |
v.像动物一样蹲下( squat的过去式和过去分词 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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11 resonant | |
adj.(声音)洪亮的,共鸣的 | |
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12 ornament | |
v.装饰,美化;n.装饰,装饰物 | |
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13 foliage | |
n.叶子,树叶,簇叶 | |
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14 surmounted | |
战胜( surmount的过去式和过去分词 ); 克服(困难); 居于…之上; 在…顶上 | |
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15 panorama | |
n.全景,全景画,全景摄影,全景照片[装置] | |
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16 catching | |
adj.易传染的,有魅力的,迷人的,接住 | |
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17 domes | |
n.圆屋顶( dome的名词复数 );像圆屋顶一样的东西;圆顶体育场 | |
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18 descended | |
a.为...后裔的,出身于...的 | |
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19 perpendicular | |
adj.垂直的,直立的;n.垂直线,垂直的位置 | |
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20 bazaar | |
n.集市,商店集中区 | |
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21 throng | |
n.人群,群众;v.拥挤,群集 | |
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22 persistently | |
ad.坚持地;固执地 | |
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23 shrill | |
adj.尖声的;刺耳的;v尖叫 | |
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24 tinkle | |
vi.叮当作响;n.叮当声 | |
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25 rattling | |
adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
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26 vault | |
n.拱形圆顶,地窖,地下室 | |
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27 copper | |
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的 | |
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28 bagpipes | |
n.风笛;风笛( bagpipe的名词复数 ) | |
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29 trumpet | |
n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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30 dwellings | |
n.住处,处所( dwelling的名词复数 ) | |
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31 swarmed | |
密集( swarm的过去式和过去分词 ); 云集; 成群地移动; 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
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32 laborious | |
adj.吃力的,努力的,不流畅 | |
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33 dabs | |
少许( dab的名词复数 ); 是…能手; 做某事很在行; 在某方面技术熟练 | |
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34 insipid | |
adj.无味的,枯燥乏味的,单调的 | |
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35 mawkishly | |
adv.mawkish(淡而无味的)的变形 | |
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36 galloping | |
adj. 飞驰的, 急性的 动词gallop的现在分词形式 | |
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37 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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38 portico | |
n.柱廊,门廊 | |
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39 repose | |
v.(使)休息;n.安息 | |
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40 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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41 medley | |
n.混合 | |
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42 ornaments | |
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 ) | |
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43 spire | |
n.(教堂)尖顶,尖塔,高点 | |
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44 prancing | |
v.(马)腾跃( prance的现在分词 ) | |
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45 rammed | |
v.夯实(土等)( ram的过去式和过去分词 );猛撞;猛压;反复灌输 | |
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46 ponderously | |
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47 squatting | |
v.像动物一样蹲下( squat的现在分词 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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48 brute | |
n.野兽,兽性 | |
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49 demolished | |
v.摧毁( demolish的过去式和过去分词 );推翻;拆毁(尤指大建筑物);吃光 | |
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50 incessant | |
adj.不停的,连续的 | |
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51 huddled | |
挤在一起(huddle的过去式与过去分词形式) | |
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52 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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53 arcades | |
n.商场( arcade的名词复数 );拱形走道(两旁有商店或娱乐设施);连拱廊;拱形建筑物 | |
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54 recesses | |
n.壁凹( recess的名词复数 );(工作或业务活动的)中止或暂停期间;学校的课间休息;某物内部的凹形空间v.把某物放在墙壁的凹处( recess的第三人称单数 );将(墙)做成凹形,在(墙)上做壁龛;休息,休会,休庭 | |
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55 spokes | |
n.(车轮的)辐条( spoke的名词复数 );轮辐;破坏某人的计划;阻挠某人的行动 | |
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56 shafts | |
n.轴( shaft的名词复数 );(箭、高尔夫球棒等的)杆;通风井;一阵(疼痛、害怕等) | |
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57 canopy | |
n.天篷,遮篷 | |
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