In the hotel compound—more absurd than all the rest, lost in a waste of open land beyond the seething6 native town—there was a swarm7 of coolie servants, their wives and their children, who played all day at climbing about the coaches put up under the trees. And, without ceasing, a maddening hubbub8 of laughter and crying came up from this litter of brats9, more weariful than the silence of vacancy10 all around.
The draught-oxen all had their horns painted[Pg 134] in gaudy11 colours, generally one horn blue and the other green.
In the evening, in the open street, we came upon a circle of bystanders all beating time, while in the midst four little girls were dancing, wearing the sarong, but naked to the waist. They leaned very much over to the right, resting the right elbow on the groin, clapping the right hand with the left, and throwing back the left leg. All four did the same, round and round, and this went on again and again without a pause, under the pale light of the stars filtering through an enormous banyan12 tree. Occasionally a woman among the crowd would give a slow, long-drawn cry, and the dancers answered in very short notes, piercingly shrill13.
In the native town, on a tank in front of a temple, a raft was moving very slowly. Under a dazzlingly gorgeous canopy14 stood an idol15 of gold, covered with garlands and jewels. A dense16 crowd, white and fragrant17 with jasmine and sandal-wood, stood about the sacred pool and on the steps, and bowed reverently18 as the divinity floated past.
One old man, indeed, bowed so low that he fell into the water, and all the worshippers shouted with laughter.
The streets were hung with gaudy flags and[Pg 135] coloured paper. Altars had been erected19, four poles supporting an awning20 with flounces of bright-coloured silk, and under them a quantity of idols21, of vases filled with amaryllis and roses, and even dainty little Dresden figures—exquisite curtseying Marquises, quite out of their element among writhing22 Vishnus and Kalis.
That evening, near the temple where the god, having left the tank, was receiving the flowers and scents23 offered by his votaries24, there was howling and yelling from the crowd of Hindoos, all crushing and pushing, but going nowhere. And louder yet the noise of the tom-toms, which the musicians raised to the desired pitch by warming them in front of big fires throwing off clouds of acrid25 smoke.
In one tent there was a display of innumerable gilt26 images, very suggestive of Jesuit influence—mincing, chubby27 angels, martyrs28 carrying palm-branches, and ecstatic virgins29 with clasped hands, all serving to decorate the shrine30 in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded31 in incense32, and burning before Rama, whose festival was being kept.
[Pg 136]
The god having been placed in the shrine, which was enormously heavy, and took a hundred men to carry it, the procession set out. First two drums, then some children burning coloured fire and whirling fireworks round above their heads. Three oxen with housings of velvet33, richly embroidered34 in gold, carried tom-tom drummers, and behind them came the priests and the god, hardly visible among the lights and flowers on the shrine. A breath of awe35 fell on the crowd as the divinity came by; they bowed in adoration36 with clasped hands and heads bent37 very low.
To light the way, coolies carried long iron tridents tipped with balls of tow soaked in oil. The mass moved slowly forward through the people, suddenly soothed38 to silence. The procession paused at the wayside altars, and then, in the middle of a circle formed by the torch-bearers and coloured lights, the sacred bayadères appeared—three girls with bare heads, dressed in stiff new sarongs heavy with tinkling39 trinkets, and an old woman crowned with a sort of very tall cylindrical40 tiara of red velvet embroidered with gold. Very sweet-toned bagpipes41 and some darboukhas played a slow tune42, and the dancers began to move; they spun43 slowly round, their arms held out, their bodies kept rigid44, [Pg 137]excepting when they bowed to the shrine. The crude light of the red fire or the sulphurous flare45 of the torches fell on their glittering ornaments46, alternately festive47 and mysterious, shedding over the performance an atmosphere at once dreamy and magically gorgeous.
Then all went out, died gently away; the tom-toms and pipe attending the god's progress alone were audible in the silence; till in the distance a great blaze of light flashed out, showing a crowd of bright turbans and the glittering splendour of the shrine going up the steps to the temple where, till next year, Rama would remain—the exiled god, worshipped for his wisdom which enabled him to discover the secrets, to find the true path, and win the forgiveness of his father.
The doors were shut; all was silence—the stillness of the star-lit night.
Many hapless creatures here suffer from elephantiasis, and even quite little children are to be seen with an ankle stiffened48, or perhaps both the joints49 ossified50; and the whole limb will by-and-by be swollen51 by the disease, a monstrous52 mass dreadfully heavy to drag about. Other forms of lupus affect the face, and almost always, amid a crowd watching[Pg 138] some amusing performance, a head suddenly appears of ivory whiteness, the skin clinging to the bone or disfigured by bleeding sores.
Steaming over the transparent53 and intensely blue sea, we presently perceived an opaquer streak54 of sandy matter, getting denser55, and becoming at last liquid, extremely liquid, yellow mud—the waters of the Ganges, long before land was in sight. Between the low banks, with their inconspicuous vegetation, a desolate56 shore, we could have fancied we were still at sea when we had already reached the mouth of the sacred stream. Some Hindoos on board drew up the water in pails to wash their hands and face, fixing their eyes in adoration on the thick sandy fluid. Enormous steamships57 crossed our bows, and in the distance, like a flock of Ibis, skimmed a whole flotilla of boats with broad red sails, through which the low sun was shining. The banks closed in, the landscape grew more definite—tall palm trees, plots of garden ground, factory chimneys, a high tower. On the water was an inextricable confusion of canoes and row-boats flitting among the steamships and sailing barks moored58 all along the town that stretched away out of sight.
点击收听单词发音
1 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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2 arid | |
adj.干旱的;(土地)贫瘠的 | |
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3 Moslem | |
n.回教徒,穆罕默德信徒;adj.回教徒的,回教的 | |
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4 crammed | |
adj.塞满的,挤满的;大口地吃;快速贪婪地吃v.把…塞满;填入;临时抱佛脚( cram的过去式) | |
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5 crackers | |
adj.精神错乱的,癫狂的n.爆竹( cracker的名词复数 );薄脆饼干;(认为)十分愉快的事;迷人的姑娘 | |
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6 seething | |
沸腾的,火热的 | |
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7 swarm | |
n.(昆虫)等一大群;vi.成群飞舞;蜂拥而入 | |
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8 hubbub | |
n.嘈杂;骚乱 | |
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9 brats | |
n.调皮捣蛋的孩子( brat的名词复数 ) | |
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10 vacancy | |
n.(旅馆的)空位,空房,(职务的)空缺 | |
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11 gaudy | |
adj.华而不实的;俗丽的 | |
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12 banyan | |
n.菩提树,榕树 | |
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13 shrill | |
adj.尖声的;刺耳的;v尖叫 | |
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14 canopy | |
n.天篷,遮篷 | |
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15 idol | |
n.偶像,红人,宠儿 | |
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16 dense | |
a.密集的,稠密的,浓密的;密度大的 | |
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17 fragrant | |
adj.芬香的,馥郁的,愉快的 | |
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18 reverently | |
adv.虔诚地 | |
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19 ERECTED | |
adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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20 awning | |
n.遮阳篷;雨篷 | |
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21 idols | |
偶像( idol的名词复数 ); 受崇拜的人或物; 受到热爱和崇拜的人或物; 神像 | |
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22 writhing | |
(因极度痛苦而)扭动或翻滚( writhe的现在分词 ) | |
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23 scents | |
n.香水( scent的名词复数 );气味;(动物的)臭迹;(尤指狗的)嗅觉 | |
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24 votaries | |
n.信徒( votary的名词复数 );追随者;(天主教)修士;修女 | |
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25 acrid | |
adj.辛辣的,尖刻的,刻薄的 | |
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26 gilt | |
adj.镀金的;n.金边证券 | |
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27 chubby | |
adj.丰满的,圆胖的 | |
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28 martyrs | |
n.martyr的复数形式;烈士( martyr的名词复数 );殉道者;殉教者;乞怜者(向人诉苦以博取同情) | |
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29 virgins | |
处女,童男( virgin的名词复数 ); 童贞玛利亚(耶稣之母) | |
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30 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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31 shrouded | |
v.隐瞒( shroud的过去式和过去分词 );保密 | |
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32 incense | |
v.激怒;n.香,焚香时的烟,香气 | |
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33 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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34 embroidered | |
adj.绣花的 | |
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35 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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36 adoration | |
n.爱慕,崇拜 | |
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37 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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38 soothed | |
v.安慰( soothe的过去式和过去分词 );抚慰;使舒服;减轻痛苦 | |
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39 tinkling | |
n.丁当作响声 | |
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40 cylindrical | |
adj.圆筒形的 | |
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41 bagpipes | |
n.风笛;风笛( bagpipe的名词复数 ) | |
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42 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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43 spun | |
v.纺,杜撰,急转身 | |
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44 rigid | |
adj.严格的,死板的;刚硬的,僵硬的 | |
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45 flare | |
v.闪耀,闪烁;n.潮红;突发 | |
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46 ornaments | |
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 ) | |
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47 festive | |
adj.欢宴的,节日的 | |
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48 stiffened | |
加强的 | |
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49 joints | |
接头( joint的名词复数 ); 关节; 公共场所(尤指价格低廉的饮食和娱乐场所) (非正式); 一块烤肉 (英式英语) | |
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50 ossified | |
adj.已骨化[硬化]的v.骨化,硬化,使僵化( ossify的过去式和过去分词 ) | |
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51 swollen | |
adj.肿大的,水涨的;v.使变大,肿胀 | |
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52 monstrous | |
adj.巨大的;恐怖的;可耻的,丢脸的 | |
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53 transparent | |
adj.明显的,无疑的;透明的 | |
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54 streak | |
n.条理,斑纹,倾向,少许,痕迹;v.加条纹,变成条纹,奔驰,快速移动 | |
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55 denser | |
adj. 不易看透的, 密集的, 浓厚的, 愚钝的 | |
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56 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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57 steamships | |
n.汽船,大轮船( steamship的名词复数 ) | |
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58 moored | |
adj. 系泊的 动词moor的过去式和过去分词形式 | |
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