"To the man who loves art for its own sake," remarked Sherlock Holmes, tossing aside the advertisement sheet of the Daily Telegraph, "it is frequently in its least important and lowliest manifestations1 that the keenest pleasure is to be derived2. It is pleasant to me to observe, Watson, that you have so far grasped this truth that in these little records of our cases which you have been good enough to draw up, and, I am bound to say, occasionally to embellish3, you have given prominence4 not so much to the many causes celebres and sensational5 trials in which I have figured but rather to those incidents which may have been trivial in themselves, but which have given room for those faculties6 of deduction7 and of logical synthesis which I have made my special province."
"And yet," said I, smiling, "I cannot quite hold myself absolved9 from the charge of sensationalism which has been urged against my records."
"You have erred10, perhaps," he observed, taking up a glowing cinder11 with the tongs12 and lighting13 with it the long cherry-wood pipe which was wont14 to replace his clay when he was in a disputatious rather than a meditative15 mood --"you have erred perhaps in attempting to put color and life into each of your statements instead of confining yourself to the task of placing upon record that severe reasoning from cause to effect which is really the only notable feature about the thing."
"It seems to me that I have done you full justice in the matter," I remarked with some coldness, for I was repelled16 by the egotism which I had more than once observed to be a strong factor in my friend's singular character.
"No, it is not selfishness or conceit," said he, answering, as was his wont, my thoughts rather than my words. "If I claim full justice for my art, it is because it is an impersonal17 thing -- a thing beyond myself. Crime is common. Logic8 is rare. Therefore it is upon the logic rather than upon the crime that you should dwell. You have degraded what should have been a course of lectures into a series of tales."
It was a cold morning of the early spring, and we sat after breakfast on either side of a cheery fire in the old room at Baker18 Street. A thick fog rolled down between the lines of dun-colored houses, and the opposing windows loomed19 like dark, shapeless blurs20 through the heavy yellow wreaths. Our gas was lit and shone on the white cloth and glimmer21 of china and metal, for the table had not been cleared yet. Sherlock Holmes had been silent all the morning, dipping continuously into the advertisement columns of a succession of papers until at last, having apparently22 given up his search, he had emerged in no very sweet temper to lecture me upon my literary shortcomings.
1 manifestations | |
n.表示,显示(manifestation的复数形式) | |
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2 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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3 embellish | |
v.装饰,布置;给…添加细节,润饰 | |
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4 prominence | |
n.突出;显著;杰出;重要 | |
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5 sensational | |
adj.使人感动的,非常好的,轰动的,耸人听闻的 | |
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6 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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7 deduction | |
n.减除,扣除,减除额;推论,推理,演绎 | |
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8 logic | |
n.逻辑(学);逻辑性 | |
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9 absolved | |
宣告…无罪,赦免…的罪行,宽恕…的罪行( absolve的过去式和过去分词 ); 不受责难,免除责任 [义务] ,开脱(罪责) | |
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10 erred | |
犯错误,做错事( err的过去式和过去分词 ) | |
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11 cinder | |
n.余烬,矿渣 | |
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12 tongs | |
n.钳;夹子 | |
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13 lighting | |
n.照明,光线的明暗,舞台灯光 | |
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14 wont | |
adj.习惯于;v.习惯;n.习惯 | |
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15 meditative | |
adj.沉思的,冥想的 | |
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16 repelled | |
v.击退( repel的过去式和过去分词 );使厌恶;排斥;推开 | |
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17 impersonal | |
adj.无个人感情的,与个人无关的,非人称的 | |
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18 baker | |
n.面包师 | |
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19 loomed | |
v.隐约出现,阴森地逼近( loom的过去式和过去分词 );隐约出现,阴森地逼近 | |
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20 blurs | |
n.模糊( blur的名词复数 );模糊之物;(移动的)模糊形状;模糊的记忆v.(使)变模糊( blur的第三人称单数 );(使)难以区分 | |
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21 glimmer | |
v.发出闪烁的微光;n.微光,微弱的闪光 | |
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22 apparently | |
adv.显然地;表面上,似乎 | |
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