The following chapters were written at a time when the craze for indiscriminate church-restoration had just reached the remotest nooks of western England, where the wild and tragic1 features of the coast had long combined in perfect harmony with the crude Gothic Art of the ecclesiastical buildings scattered2 along it, throwing into extraordinary discord3 all architectural attempts at newness there. To restore the grey carcases of a mediaevalism whose spirit had fled, seemed a not less incongruous act than to set about renovating4 the adjoining crags themselves.
Hence it happened that an imaginary history of three human hearts, whose emotions were not without correspondence with these material circumstances, found in the ordinary incidents of such churchrenovations a fitting frame for its presentation.
The shore and country about 'Castle Boterel' is now getting well known, and will be readily recognized. The spot is, I may add, the furthest westward5 of all those convenient corners wherein I have ventured to erect6 my theatre for these imperfect little dramas of country life and passions; and it lies near to, or no great way beyond, the vague border of the Wessex kingdom on that side, which, like the westering verge7 of modern American settlements, was progressive and uncertain.
This, however, is of little importance. The place is preeminently (for one person at least) the region of dream and mystery. The ghostly birds, the pall-like sea, the frothy wind, the eternal soliloquy of the waters, the bloom of dark purple cast, that seems to exhale8 from the shoreward precipices9, in themselves lend to the scene an atmosphere like the twilight10 of a night vision.
One enormous sea-bord cliff in particular figures in the narrative11; and for some forgotten reason or other this cliff was described in the story as being without a name. Accuracy would require the statement to be that a remarkable12 cliff which resembles in many points the cliff of the description bears a name that no event has made famous.
T. H.
March 1899
THE PERSONS
ELFRIDE SWANCOURT a young Lady
CHRISTOPHER SWANCOURT a Clergyman
STEPHEN SMITH an Architect
HENRY KNIGHT13 a Reviewer and Essayist
CHARLOTTE TROYTON a rich Widow
GERTRUDE JETHWAY a poor Widow
SPENSER HUGO LUXELLIAN a Peer
LADY LUXELLIAN his Wife
MARY AND KATE two little Girls
WILLIAM WORM a dazed Factotum14
JOHN SMITH a Master-mason
JANE SMITH his Wife
MARTIN CANNISTER a Sexton
Other servants, masons, labourers, grooms16, nondescripts, etc., etc.
THE SCENE
Mostly on the outskirts17 of Lower Wessex.
1 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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2 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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3 discord | |
n.不和,意见不合,争论,(音乐)不和谐 | |
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4 renovating | |
翻新,修复,整修( renovate的现在分词 ) | |
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5 westward | |
n.西方,西部;adj.西方的,向西的;adv.向西 | |
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6 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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7 verge | |
n.边,边缘;v.接近,濒临 | |
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8 exhale | |
v.呼气,散出,吐出,蒸发 | |
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9 precipices | |
n.悬崖,峭壁( precipice的名词复数 ) | |
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10 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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11 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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12 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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13 knight | |
n.骑士,武士;爵士 | |
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14 factotum | |
n.杂役;听差 | |
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15 unity | |
n.团结,联合,统一;和睦,协调 | |
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16 grooms | |
n.新郎( groom的名词复数 );马夫v.照料或梳洗(马等)( groom的第三人称单数 );使做好准备;训练;(给动物)擦洗 | |
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17 outskirts | |
n.郊外,郊区 | |
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