The Gilmer daughters were fair, but they were only three, and the Gilmers were the sole unionists in their neighborhood. "Still, a few girls will come," said Charlotte, sparkling first blue and then black at a sparkling captain who said that, after all, the chief-of-staff had decided9 he couldn't attend. I know she sparkled first blue and then black, for she always did so when she told of it in later days.
"They say," responded the captain, "that in this handy little world there are always a few to whom policy is the best honesty; is that the few who will come?"
"You are cynical," said Charlotte, "this is only their unarmed way of saving house and home for the brothers to come back to when you are purged10 out of the land."
When the time came there were partners for eight gallants, and the gallants numbered sixteen. They counted off by twos; the evens waited while the odds11 danced the half of each set, and then the odds waited and cooled, tried to cool, out on the veranda12. But when a reel was called the whole twenty-four danced together, while the fiddler (from the contraband13 camp) improvised14 exultant15 words to his electrifying16 tunes.
"O ladies ramble17 in,
Whilst de beaux ramble out,
For to guile[1] dat golden cha--ain. My Lawdy! it's a sin
Fo' a fiddleh not to shout!
Miss Charlotte's a-comin' down de la--ane!"
[1] Coil.
Now the dance is off, but now it is on again, and again. The fiddler toils18 to finer and finer heights of enthusiasm; slippers19 twinkle, top-boots flash, the evens come in (to the waltz) and the odds, out on the veranda, tell one another confidentially20 how damp they are. Was ever an evening so smotheringly hot! Through the house-grove21, where the darkness grows blacker and blacker and the tepid22 air more and more breathless, they peer toward the hitching-rail crowded with their horses. Shall they take their saddles in, or shall they let them get wet for fear the rebels may come with the shower, as toads23 do? [Laughter.] One or two, who grope out to the animals, report only a lovely picture: the glowing windows; the waltzers circling by them; in the dining-room, and across the yard in the kitchen, the house-servants darting24 to and fro as busy as cannoneers; on their elbows at every windowsill, and on their haunches at every door, the squalid field-hands making grotesque25 silhouettes26 against the yellow glow that streamed out into the trees.
Now the lightning seems nearer. Hark, that was thunder; soft, but real. At last the air moves; there is a breeze, and the girls come out on the gallants' arms to drink it in. As they lift their brows and sigh their comfort the lightning grows brighter, the thunder comes more promptly27 and louder, and the maidens28 flinch29 and half scream, yet linger for one more draft of the blessed coolness. Suddenly an inverted30 tree of blinding light branches down the sky, and the thunder crashes in one's very ears; the couples recoil31 into a group at the door, the lightning again fills heaven and earth, it shows the bending trees far afield, and the thunders peal32 at each other as if here were all Vicksburg and Port Hudson, with Porter and Farragut going by. So for a space; then the wind drops to a zephyr33, and though the sky still blazes and crashes, and flames and roars, the house purrs with content under the sweet strokings of the rain.
Let it pour! the dining-room is the centre of all things; the ladies sip34 the custards and nibble35 the cake the gallants cram36 the cake and gulp37 the punch. The fiddler-improvisator disappears, reappears, and with crumbs38 on his breast and pan-gravy and punch on his breath remounts his seat; and the couples are again on the floor. The departing thunders grumble39 as they go, the rain falls more and more sparingly, and now it is a waltz, and now a quadrille, and now it's a reel again, with Miss Sallie or Louise or Laura or Lucille or Miss Flora40 "a-comin' down de lane!"
So come the stars again, one by one. In a pause between dances Charlotte and the staff captain go to the veranda's far end and stand against the rail. The night is still very dark, the air motionless. Charlotte is remarking how far they can hear the dripping of the grove, when she gives a start and the captain an amused grunt41; a soft, heart-broken, ear-searching quaver comes from just over yonder by the horses. "One of those pesky little screech-owls42," he says. "Don't know as I ever heard one before under just these condi'--humph! there's another, around on this side."
"I think I will go in," says Charlotte, with a pretence43 of languor44. As they do so the same note sounds a third time; her pace quickens, and in passing a bright window, with a woman's protecting impulse she changes from his left arm to his right so as to be on the side next the owls. A moment later she is alone in the middle of her room, a lighted candle in one hand, a regally dressed doll in the other, and in her heart the cry, "Oh, Edgard, Edgard, my parole, my parole!"
Once more she is downstairs, in the lane which the dancers are making for their last reel. Two of the gallants have gone out to see the horses, and something keeps them, but there is no need to wait. The fiddle rings a chord! the merry double line straightens down the hall from front door to rear, bang! says the fiddler's foot--"hands round!"--and hands round it is! In the first of the evening they had been obliged to tell the fiddler the names of the dancers, but now he knows them all and throws off his flattering personalities45 and his overworked rhymes with an impartial46 rotation47 and unflagging ardor48. Once in a while some one privately49 gives him a new nickname for the next man "a-comin' down de lane," and as he yawps it out the whole dance gathers new mirth and speed.
Now the third couple clasp hands, arch arms, and let the whole countermarching train sweep through; and a beautiful arch they make, for they are the aforesaid captain and Charlotte Oliver. "Hands round!"--hurrah for the whirling ellipse; and now it's "right and left" and two ellipses50 glide51 opposite ways, "to quile dat golden chain." In the midst of the whirl, when every hand is in some other and men and girls are tossing their heads to get their locks out of their eyes, at the windows come unnoticed changes and two men loiter in by the front hall door, close to the fiddler. One has his sword on, and each his pistols, and their boots and mud-splashed uniforms of dubious52 blue are wet and steamy. The one without the sword gives the fiddler a fresh name to sing out when the spinning ring shall straighten into its two gay ranks again, and bids him--commandingly--to yell it; and with never a suspicion of what it stands for, the stamping and scraping fiddler shouts the name of a man who "loves a good story with a positive passion."
"Come a-left, come a-right,
Come yo' lily-white hand,
Fo' to quile dat golden cha--ain.
O ladies caper53 light--
Sweetest ladies in de land--
NED FERRY's a-comin' down de la--ane!"
Musical Notation
点击收听单词发音
1 tunes | |
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调 | |
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2 mere | |
adj.纯粹的;仅仅,只不过 | |
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3 fiddle | |
n.小提琴;vi.拉提琴;不停拨弄,乱动 | |
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4 chaos | |
n.混乱,无秩序 | |
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5 wail | |
vt./vi.大声哀号,恸哭;呼啸,尖啸 | |
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6 impromptu | |
adj.即席的,即兴的;adv.即兴的(地),无准备的(地) | |
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7 stark | |
adj.荒凉的;严酷的;完全的;adv.完全地 | |
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8 literally | |
adv.照字面意义,逐字地;确实 | |
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9 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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10 purged | |
清除(政敌等)( purge的过去式和过去分词 ); 涤除(罪恶等); 净化(心灵、风气等); 消除(错事等)的不良影响 | |
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11 odds | |
n.让步,机率,可能性,比率;胜败优劣之别 | |
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12 veranda | |
n.走廊;阳台 | |
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13 contraband | |
n.违禁品,走私品 | |
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14 improvised | |
a.即席而作的,即兴的 | |
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15 exultant | |
adj.欢腾的,狂欢的,大喜的 | |
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16 electrifying | |
v.使电气化( electrify的现在分词 );使兴奋 | |
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17 ramble | |
v.漫步,漫谈,漫游;n.漫步,闲谈,蔓延 | |
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18 toils | |
网 | |
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19 slippers | |
n. 拖鞋 | |
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20 confidentially | |
ad.秘密地,悄悄地 | |
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21 grove | |
n.林子,小树林,园林 | |
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22 tepid | |
adj.微温的,温热的,不太热心的 | |
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23 toads | |
n.蟾蜍,癞蛤蟆( toad的名词复数 ) | |
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24 darting | |
v.投掷,投射( dart的现在分词 );向前冲,飞奔 | |
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25 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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26 silhouettes | |
轮廓( silhouette的名词复数 ); (人的)体形; (事物的)形状; 剪影 | |
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27 promptly | |
adv.及时地,敏捷地 | |
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28 maidens | |
处女( maiden的名词复数 ); 少女; 未婚女子; (板球运动)未得分的一轮投球 | |
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29 flinch | |
v.畏缩,退缩 | |
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30 inverted | |
adj.反向的,倒转的v.使倒置,使反转( invert的过去式和过去分词 ) | |
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31 recoil | |
vi.退却,退缩,畏缩 | |
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32 peal | |
n.钟声;v.鸣响 | |
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33 zephyr | |
n.和风,微风 | |
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34 sip | |
v.小口地喝,抿,呷;n.一小口的量 | |
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35 nibble | |
n.轻咬,啃;v.一点点地咬,慢慢啃,吹毛求疵 | |
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36 cram | |
v.填塞,塞满,临时抱佛脚,为考试而学习 | |
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37 gulp | |
vt.吞咽,大口地吸(气);vi.哽住;n.吞咽 | |
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38 crumbs | |
int. (表示惊讶)哎呀 n. 碎屑 名词crumb的复数形式 | |
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39 grumble | |
vi.抱怨;咕哝;n.抱怨,牢骚;咕哝,隆隆声 | |
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40 flora | |
n.(某一地区的)植物群 | |
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41 grunt | |
v.嘟哝;作呼噜声;n.呼噜声,嘟哝 | |
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42 owls | |
n.猫头鹰( owl的名词复数 ) | |
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43 pretence | |
n.假装,作假;借口,口实;虚伪;虚饰 | |
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44 languor | |
n.无精力,倦怠 | |
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45 personalities | |
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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46 impartial | |
adj.(in,to)公正的,无偏见的 | |
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47 rotation | |
n.旋转;循环,轮流 | |
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48 ardor | |
n.热情,狂热 | |
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49 privately | |
adv.以私人的身份,悄悄地,私下地 | |
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50 ellipses | |
n.椭园,省略号;椭圆( ellipse的名词复数 );(语法结构上的)省略( ellipsis的名词复数 ) | |
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51 glide | |
n./v.溜,滑行;(时间)消逝 | |
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52 dubious | |
adj.怀疑的,无把握的;有问题的,靠不住的 | |
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53 caper | |
v.雀跃,欢蹦;n.雀跃,跳跃;续随子,刺山柑花蕾;嬉戏 | |
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