The uneasiness of Mrs. Baines flowed and ebbed1, during the next three months, influenced by Sophia's moods. There were days when Sophia was the old Sophia--the forbidding, difficult, waspish, and even hedgehog Sophia. But there were other days on which Sophia seemed to be drawing joy and gaiety and goodwill2 from some secret source, from some fount whose nature and origin none could divine. It was on these days that the uneasiness of Mrs. Baines waxed. She had the wildest suspicions; she was almost capable of accusing Sophia of carrying on a clandestine3 correspondence; she saw Sophia and Gerald Scales deeply and wickedly in love; she saw them with their arms round each other's necks. ... And then she called herself a middle-aged4 fool, to base such a structure of suspicion on a brief encounter in the street and on an idea, a fancy, a curious and irrational5 notion! Sophia had a certain streak6 of pure nobility in that exceedingly heterogeneous7 thing, her character. Moreover, Mrs. Baines watched the posts, and she also watched Sophia--she was not the woman to trust to a streak of pure nobility--and she came to be sure that Sophia's sinfulness, if any, was not such as could be weighed in a balance, or collected together by stealth and then suddenly placed before the girl on a charger.
Still, she would have given much to see inside Sophia's lovely head. Ah! Could she have done so, what sleep-destroying wonders she would have witnessed! By what bright lamps burning in what mysterious grottoes and caverns8 of the brain would her mature eyes have been dazzled! Sophia was living for months on the exhaustless ardent9 vitality10 absorbed during a magical two minutes in Wedgwood Street. She was living chiefly on the flaming fire struck in her soul by the shock of seeing Gerald Scales in the porch of the Wedgwood Institution as she came out of the Free Library with Experience Of Life tucked into her large astrakhan muff. He had stayed to meet her, then: she knew it! "After all," her heart said, "I must be very beautiful, for I have attracted the pearl of men!" And she remembered her face in the glass. The value and the power of beauty were tremendously proved to her. He, the great man of the world, the handsome and elegant man with a thousand strange friends and a thousand interests far remote from her, had remained in Bursley on the mere11 chance of meeting her! She was proud, but her pride was drowned in bliss12. "I was just looking at this inscription13 about Mr. Gladstone." "So you decided14 to come out as usual!" "And may I ask what book you have chosen?" These were the phrases she heard, and to which she responded with similar phrases. And meanwhile a miracle of ecstasy15 had opened--opened like a flower. She was walking along Wedgwood Street by his side, slowly, on the scraped pavements, where marble bulbs of snow had defied the spade and remained. She and he were exactly of the same height, and she kept looking into his face and he into hers. This was all the miracle. Except that she was not walking on the pavement--she was walking on the intangible sward of paradise! Except that the houses had receded16 and faded, and the passers-by were subtilized into unnoticeable ghosts! Except that her mother and Constance had become phantasmal beings existing at an immense distance!
What had happened? Nothing! The most commonplace occurrence! The eternal cause had picked up a commercial traveller (it might have been a clerk or curate, but it in fact was a commercial traveller), and endowed him with all the glorious, unique, incredible attributes of a god, and planted him down before Sophia in order to produce the eternal effect. A miracle performed specially17 for Sophia's benefit! No one else in Wedgwood Street saw the god walking along by her side. No one else saw anything but a simple commercial traveller. Yes, the most commonplace occurrence!
Of course at the corner of the street he had to go. "Till next time!" he murmured. And fire came out of his eyes and lighted in Sophia's lovely head those lamps which Mrs. Baines was mercifully spared from seeing. And he had shaken hands and raised his hat. Imagine a god raising his hat! And he went off on two legs, precisely18 like a dashing little commercial traveller.
And, escorted by the equivocal Angel of Eclipses, she had turned into King Street, and arranged her face, and courageously19 met her mother. Her mother had not at first perceived the unusual; for mothers, despite their reputation to the contrary, really are the blindest creatures. Sophia, the naive20 ninny, had actually supposed that her walking along a hundred yards of pavement with a god by her side was not going to excite remark! What a delusion21! It is true, certainly, that no one saw the god by direct vision. But Sophia's cheeks, Sophia's eyes, the curve of Sophia's neck as her soul yearned22 towards the soul of the god--these phenomena23 were immeasurably more notable than Sophia guessed. An account of them, in a modified form to respect Mrs. Baines's notorious dignity, had healed the mother of her blindness and led to that characteristic protest from her, "I shall be glad if you will not walk about the streets with young men," etc.
When the period came for the reappearance of Mr. Scales, Mrs. Baines outlined a plan, and when the circular announcing the exact time of his arrival was dropped into the letter-box, she formulated24 the plan in detail. In the first place, she was determined25 to be indisposed and invisible herself, so that Mr. Scales might be foiled in any possible design to renew social relations in the parlour. In the second place, she flattered Constance with a single hint--oh, the vaguest and briefest!--and Constance understood that she was not to quit the shop on the appointed morning. In the third place, she invented a way of explaining to Mr. Povey that the approaching advent26 of Gerald Scales must not be mentioned. And in the fourth place, she deliberately27 made appointments for Sophia with two millinery customers in the showroom, so that Sophia might be imprisoned28 in the showroom.
Having thus left nothing to chance, she told herself that she was a foolish woman full of nonsense. But this did not prevent her from putting her lips together firmly and resolving that Mr. Scales should have no finger in the pie of HER family. She had acquired information concerning Mr. Scales, at secondhand, from Lawyer Pratt. More than this, she posed the question in a broader form--why should a young girl be permitted any interest in any young man whatsoever29? The everlasting30 purpose had made use of Mrs. Baines and cast her off, and,, like most persons in a similar situation, she was, unconsciously and quite honestly, at odds31 with the everlasting purpose.
1 ebbed | |
(指潮水)退( ebb的过去式和过去分词 ); 落; 减少; 衰落 | |
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2 goodwill | |
n.善意,亲善,信誉,声誉 | |
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3 clandestine | |
adj.秘密的,暗中从事的 | |
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4 middle-aged | |
adj.中年的 | |
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5 irrational | |
adj.无理性的,失去理性的 | |
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6 streak | |
n.条理,斑纹,倾向,少许,痕迹;v.加条纹,变成条纹,奔驰,快速移动 | |
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7 heterogeneous | |
adj.庞杂的;异类的 | |
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8 caverns | |
大山洞,大洞穴( cavern的名词复数 ) | |
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9 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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10 vitality | |
n.活力,生命力,效力 | |
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11 mere | |
adj.纯粹的;仅仅,只不过 | |
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12 bliss | |
n.狂喜,福佑,天赐的福 | |
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13 inscription | |
n.(尤指石块上的)刻印文字,铭文,碑文 | |
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14 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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15 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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16 receded | |
v.逐渐远离( recede的过去式和过去分词 );向后倾斜;自原处后退或避开别人的注视;尤指问题 | |
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17 specially | |
adv.特定地;特殊地;明确地 | |
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18 precisely | |
adv.恰好,正好,精确地,细致地 | |
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19 courageously | |
ad.勇敢地,无畏地 | |
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20 naive | |
adj.幼稚的,轻信的;天真的 | |
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21 delusion | |
n.谬见,欺骗,幻觉,迷惑 | |
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22 yearned | |
渴望,切盼,向往( yearn的过去式和过去分词 ) | |
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23 phenomena | |
n.现象 | |
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24 formulated | |
v.构想出( formulate的过去式和过去分词 );规划;确切地阐述;用公式表示 | |
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25 determined | |
adj.坚定的;有决心的 | |
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26 advent | |
n.(重要事件等的)到来,来临 | |
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27 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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28 imprisoned | |
下狱,监禁( imprison的过去式和过去分词 ) | |
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29 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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30 everlasting | |
adj.永恒的,持久的,无止境的 | |
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31 odds | |
n.让步,机率,可能性,比率;胜败优劣之别 | |
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