While I acknowledge the success of the present work to have been greater than I anticipated, and the praises it has elicited1 from a few kind critics to have been greater than it deserved, I must also admit that from some other quarters it has been censured2 with an asperity3 which I was as little prepared to expect, and which my judgment4, as well as my feelings, assures me is more bitter than just. It is scarcely the province of an author to refute the arguments of his censors5 and vindicate6 his own productions; but I may be allowed to make here a few observations with which I would have prefaced the first edition, had I foreseen the necessity of such precautions against the misapprehensions of those who would read it with a prejudiced mind or be content to judge it by a hasty glance.
My object in writing the following pages was not simply to amuse the Reader; neither was it to gratify my own taste, nor yet to ingratiate myself with the Press and the Public: I wished to tell the truth, for truth always conveys its own moral to those who are able to receive it. But as the priceless treasure too frequently hides at the bottom of a well, it needs some courage to dive for it, especially as he that does so will be likely to incur8 more scorn and obloquy9 for the mud and water into which he has ventured to plunge10, than thanks for the jewel he procures11; as, in like manner, she who undertakes the cleansing12 of a careless bachelor's apartment will be liable to more abuse for the dust she raises than commendation for the clearance13 she effects. Let it not be imagined, however, that I consider myself competent to reform the errors and abuses of society, but only that I would fain contribute my humble14 quota15 towards so good an aim; and if I can gain the public ear at all, I would rather whisper a few wholesome16 truths therein than much soft nonsense.
As the story of 'Agnes Grey' was accused of extravagant17 over- colouring in those very parts that were carefully copied from the life, with a most scrupulous18 avoidance of all exaggeration, so, in the present work, I find myself censured for depicting19 CON7 AMORE, with 'a morbid21 love of the coarse, if not of the brutal,' those scenes which, I will venture to say, have not been more painful for the most fastidious of my critics to read than they were for me to describe. I may have gone too far; in which case I shall be careful not to trouble myself or my readers in the same way again; but when we have to do with vice22 and vicious characters, I maintain it is better to depict20 them as they really are than as they would wish to appear. To represent a bad thing in its least offensive light is, doubtless, the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares23 and pitfalls24 of life to the young and thoughtless traveller, or to cover them with branches and flowers? Oh, reader! if there were less of this delicate concealment25 of facts - this whispering, 'Peace, peace,' when there is no peace, there would be less of sin and misery26 to the young of both sexes who are left to wring27 their bitter knowledge from experience.
I would not be understood to suppose that the proceedings28 of the unhappy scapegrace, with his few profligate29 companions I have here introduced, are a specimen30 of the common practices of society - the case is an extreme one, as I trusted none would fail to perceive; but I know that such characters do exist, and if I have warned one rash youth from following in their steps, or prevented one thoughtless girl from falling into the very natural error of my heroine, the book has not been written in vain. But, at the same time, if any honest reader shall have derived31 more pain than pleasure from its perusal32, and have closed the last volume with a disagreeable impression on his mind, I humbly33 crave34 his pardon, for such was far from my intention; and I will endeavour to do better another time, for I love to give innocent pleasure. Yet, be it understood, I shall not limit my ambition to this - or even to producing 'a perfect work of art': time and talents so spent, I should consider wasted and misapplied. Such humble talents as God has given me I will endeavour to put to their greatest use; if I am able to amuse, I will try to benefit too; and when I feel it my duty to speak an unpalatable truth, with the help of God, I WILL speak it, though it be to the prejudice of my name and to the detriment35 of my reader's immediate36 pleasure as well as my own.
One word more, and I have done. Respecting the author's identity, I would have it to he distinctly understood that Acton Bell is neither Currer nor Ellis Bell, and therefore let not his faults be attributed to them. As to whether the name be real or fictitious37, it cannot greatly signify to those who know him only by his works. As little, I should think, can it matter whether the writer so designated is a man, or a woman, as one or two of my critics profess38 to have discovered. I take the imputation39 in good part, as a compliment to the just delineation40 of my female characters; and though I am bound to attribute much of the severity of my censors to this suspicion, I make no effort to refute it, because, in my own mind, I am satisfied that if a book is a good one, it is so whatever the sex of the author may be. All novels are, or should be, written for both men and women to read, and I am at a loss to conceive how a man should permit himself to write anything that would be really disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man.
JULY 22nd, 1848.
THE TENANT OF WILDFELL HALL
1 elicited | |
引出,探出( elicit的过去式和过去分词 ) | |
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2 censured | |
v.指责,非难,谴责( censure的过去式 ) | |
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3 asperity | |
n.粗鲁,艰苦 | |
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4 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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5 censors | |
删剪(书籍、电影等中被认为犯忌、违反道德或政治上危险的内容)( censor的第三人称单数 ) | |
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6 vindicate | |
v.为…辩护或辩解,辩明;证明…正确 | |
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7 con | |
n.反对的观点,反对者,反对票,肺病;vt.精读,学习,默记;adv.反对地,从反面;adj.欺诈的 | |
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8 incur | |
vt.招致,蒙受,遭遇 | |
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9 obloquy | |
n.斥责,大骂 | |
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10 plunge | |
v.跳入,(使)投入,(使)陷入;猛冲 | |
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11 procures | |
v.(努力)取得, (设法)获得( procure的第三人称单数 );拉皮条 | |
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12 cleansing | |
n. 净化(垃圾) adj. 清洁用的 动词cleanse的现在分词 | |
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13 clearance | |
n.净空;许可(证);清算;清除,清理 | |
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14 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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15 quota | |
n.(生产、进出口等的)配额,(移民的)限额 | |
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16 wholesome | |
adj.适合;卫生的;有益健康的;显示身心健康的 | |
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17 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
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18 scrupulous | |
adj.审慎的,小心翼翼的,完全的,纯粹的 | |
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19 depicting | |
描绘,描画( depict的现在分词 ); 描述 | |
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20 depict | |
vt.描画,描绘;描写,描述 | |
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21 morbid | |
adj.病的;致病的;病态的;可怕的 | |
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22 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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23 snares | |
n.陷阱( snare的名词复数 );圈套;诱人遭受失败(丢脸、损失等)的东西;诱惑物v.用罗网捕捉,诱陷,陷害( snare的第三人称单数 ) | |
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24 pitfalls | |
(捕猎野兽用的)陷阱( pitfall的名词复数 ); 意想不到的困难,易犯的错误 | |
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25 concealment | |
n.隐藏, 掩盖,隐瞒 | |
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26 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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27 wring | |
n.扭绞;v.拧,绞出,扭 | |
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28 proceedings | |
n.进程,过程,议程;诉讼(程序);公报 | |
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29 profligate | |
adj.行为不检的;n.放荡的人,浪子,肆意挥霍者 | |
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30 specimen | |
n.样本,标本 | |
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31 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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32 perusal | |
n.细读,熟读;目测 | |
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33 humbly | |
adv. 恭顺地,谦卑地 | |
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34 crave | |
vt.渴望得到,迫切需要,恳求,请求 | |
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35 detriment | |
n.损害;损害物,造成损害的根源 | |
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36 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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37 fictitious | |
adj.虚构的,假设的;空头的 | |
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38 profess | |
v.声称,冒称,以...为业,正式接受入教,表明信仰 | |
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39 imputation | |
n.归罪,责难 | |
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40 delineation | |
n.记述;描写 | |
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