THE RINCON CENTER was full at noon. Hundreds of people chatting over lunch, scanning the sports pages, rush-ing around with bags from the Gap or Office Max. Just relax-ing under the enormous plane of water that fell from the glittering roof.
The pianist was playing. Mariah Carey. "A hero comes along..." But no one seemed to notice the music or the player. Hell, he was awful.
Robert sat reading the paper, his heart beating wildly. No more room for talk or argument, he kept thinking. No more waiting for change. Today he'd make his own. God knows, he was one of the disenfranchised. In and out of VA hospitals. Made crazy by his combat experience, then abandoned. That was what had made him a radical1.
He tapped the leather briefcase2 with his shoes, just to make sure it was still there. He was reminded of something he had seen on TV, in a dramatization of the Civil War. A run-away slave had been freed and then conscripted to fight for the North. He fought in some of the bloodiest3 battles of the war. After one, he happened to spot his old master, shell-shocked and wounded among the Confederate prisoners. "Hello, massa," the slave went up to him and said, "looks like bottom rail's on top now."
And that's what Robert was thinking as he panned the unsuspecting lawyers and bankers slopping down their lunch. Bottom rail's on top now....
Across the crowd, the man Robert was waiting for stepped into the concourse - the man with the salt-and-pepper hair. His blood came alive. He stood, wrapping his fingers around the case handle, keeping his eyes fixed4 on the man - his target for today.
This was the moment, he told himself, when all the fancy speeches and vows5 and homilies turn into deed. He tossed down his newspaper. The area around the fountain was jam-packed. He headed toward the piano.
Are you afraid to act? Are you afraid to set the wheel in motion?
No, Robert said, I'm ready. I've been ready for years.
He stopped and waited at the piano. The pianist started up a new tune6, the Beatles: "Something." More of the white man's garbage.
Robert smiled at the young red-headed dude behind the keyboard. He took a bill out of his wallet and stuffed it in the bowl.
Thanks, man, the pianist nodded.
Robert nodded back, almost laughed at the false cama-raderie, and rested his briefcase against a leg of the piano. He checked the progress of his target - thirty feet away - and casually7 kicked the briefcase underneath8 the piano. Take that, you sons of bitches!
Robert started to drift slowly toward the north entrance. This is it, baby. This is what he'd been waiting for. He fumbled9 through his pocket for the stolen cell phone. The target was only about fifteen feet away. Robert turned at the exit doors and took it all in.
The man with the salt-and-pepper hair stopped at the piano, just as the Professor said he would. He took a dollar bill out of his wallet. Behind him, the eighty-foot column of water splashed down from the ceiling.
Robert pushed through the doors, walked away from the building, and depressed10 two preassigned keys on the cell phone - G-8.
Then the whole world seemed to burst into smoke and flame, and Robert felt the most incredible satisfaction of his entire life. This was a war he wanted to fight in.
He never saw the flash, only the building wrenching11 in a rumble12 of concrete and glass, doors blowing out behind him.
Start the revolution, baby.... Robert smiled to himself. Bottom rail's on top now....
1 radical | |
n.激进份子,原子团,根号;adj.根本的,激进的,彻底的 | |
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2 briefcase | |
n.手提箱,公事皮包 | |
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3 bloodiest | |
adj.血污的( bloody的最高级 );流血的;屠杀的;残忍的 | |
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4 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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5 vows | |
誓言( vow的名词复数 ); 郑重宣布,许愿 | |
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6 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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7 casually | |
adv.漠不关心地,无动于衷地,不负责任地 | |
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8 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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9 fumbled | |
(笨拙地)摸索或处理(某事物)( fumble的过去式和过去分词 ); 乱摸,笨拙地弄; 使落下 | |
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10 depressed | |
adj.沮丧的,抑郁的,不景气的,萧条的 | |
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11 wrenching | |
n.修截苗根,苗木铲根(铲根时苗木不起土或部分起土)v.(猛力地)扭( wrench的现在分词 );扭伤;使感到痛苦;使悲痛 | |
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12 rumble | |
n.隆隆声;吵嚷;v.隆隆响;低沉地说 | |
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