Milo talked to Susan Palmer for another tenminutes, easing into open-ended questions, putting pauses and silences to work.
Good technique but it didn’t produce. She talked about how much she missedher sister, lapsed1 into exclusive past tense. When she shot to her feet, hereyes looked bruised2. “Got an office full of malocclusions. Please stay intouch.”
We watched her cross the parking lot and get into a silver BMW740. Thelicense plate read: I STR8 10.
Milo said, “Her office is two blocks awaybut she drove.”
“Californiagirl,” I said. “Something her sister wanted to be.”
“Acting lessons and a hike above Kanan Dume. Can’t be coincidence. Thequestion is how do the Gaidelases figure in with a couple of pretty-face femalevictims?”
“That girl we spoke4 to—Briana—said Nora rejected applicants5 for reasonsother than talent.”
“Wanting ’em young and pretty,” he said. “Cathy and Andy were both too oldand Cathy was too fat. So what, they got turned away from the Playhouse andkilled? Talk about flunking6 an audition7.”
“Maybe their obvious vulnerability got a predator8 sniffing9.”
“Someone at the school spots ’em and stalks ’em?” He gazed out the windowand back at me.
I said, “Could be the same way Tori Giacomo was spotted10. If her ex is rightabout her dating someone, you’d think that person would’ve surfaced when shewent missing. Unless he had something to do with her death.”
“A good-looking predator. As in Meserve. What, he proposed a three-way tothe Gaidelases and the party went bad?”
“Or he just offered to help them with their careers.”
“Yeah,” he said, “that would work.”
“On the other hand,” I said, “Reynold Peaty had plenty of opportunity tocheck out the flock at the PlayHouse.”
“Him…let’s see if Sean’s seen anything.” He tried Binchy’s number, scowled,clicked off. “No connection. Maybe the cell waves are upset by environmentallyconscious mochalicious fumes11.”
I said, “Nora’s attachment12 to youth is interesting.”
“Why? That just makes her like everyone else in showbiz.”
“But she has no profit motive13. The school’s a make-work project, so why getpicky? Unless what she really wanted was a personal dating pool.”
“Sample the studs,” he said.
“And when they get too close, Brother Brad chases them off. Or thinks hedoes.”
“Okay, she’s a middle-aged14 horn-dog. How do the Gaidelases figure in withthat?”
“I don’t know, but when Susan Palmer was describing her family situation, Iwas struck by parallels between Cathy and Nora. Both floundered well intoadulthood. Family connections got Cathy a runway gig that she couldn’t hold onto. Nora’s got her a single sitcom15 walk-on that went nowhere. Cathy hadlong-standing drug problems. Nora smokes dope to get her day going. Eventually,both women were set up in business. Cathy’s salon16 had been making a profitrecently. Meaning it lost money for years. The Dowd family fortune has relievedNora from any financial pressure, but bottom line, we’ve got a couple ofprodigal daughters. Maybe Cathy showing up at the PlayHouse evoked17 something inNora that Nora didn’t want to see.”
“Cathy’s too much like her, so she kills her? That’s a little abstract,Alex. Why would Nora even know about Cathy’s history if she turned her away?”
“What if Cathy did have a chance to audition?” I said. “Nora’s a big one foropening the soul.”
“Cathy emoted and it made Nora squirm? Fine, but I don’t see flashpointepiphany as a motive for murder. All Nora has to do is send her and Andy awayand move on to the next stud. And if uncomfortable memories are the issue, howdoes Michaela fit in? Or Tori Giacomo who disappeared before the Gaidelases?This feels more like a sexual thing, Alex. Just what you said: Some psychopathscopes out the herd18 and picks off the weak ones. Cathy may have been over thehill for a starlet, but she wasn’t a bad-looking woman. To a guy like Peaty shecoulda looked downright sexy, no?”
“Peaty was caught peeping at college girls. Michaela and Tori would fit,but—”
“Cathy wouldn’t. So maybe he’s not as limited as that oafish19 demeanorsuggests. Or Cathy set something off—fond memories of a barroom floozy whorejected him back in Reno.Hell, maybe Cathy reminded him of his mother and he snapped. You guys stillbelieve in the Oedipal thing?”
“It has its place.”
“No telling what goes on in the old cranio, right?” He got up and paced. “Ifit’s a sexual thing, there could be more victims out there. But let’sconcentrate on the victims we know about. What they have in common is actingschool and/or the Malibuhills.”
“One person with links to both is Meserve,” I said. “He picked Latigo forhis hoax20 allegedly because he’d hiked up there. Nora was angry at the hoax, butinstead of kicking him out, she promoted him. Maybe she wasn’t clueless afterall.”
“Dylan and Nora planned the hoax together? Why?”
“The real performance game. Two failed actors writing a script. Discardingthe bit players—that sounds like Hollywood.”
“Nora choreographs21, Meserve acts it out.”
“Nora directs. It’s what everyone in the industry aims for.”
--- oOo ---
The coffeehouse got warmer and noisier as every table filled. Sleek22 peoplebegan milling at the entrance. Lots of peeved23 glances aimed our way.
Milo hooked his finger and we left. A womanmuttered, “Finally.”
We drove to the station and ran into Sean Binchy exiting Milo’soffice. Binchy’s Doc Martens gleamed as shiny as his rusty24, gelled hair.
“Hey, Loot. I just took a call for you.”
“I tried to call you, ” said Milo.“Anything new on Peaty?”
Binchy beamed. “We can arrest him if you want. Driving without a license3.”
“He has a car?”
“Red Datsun minivan, old and messed-up looking. He parks it on the street,three blocks from his apartment. Which shows intent to conceal25, right? Theplates are inactive, originally came from a Chrysler sedan that was supposed tobe junked ten years ago. Your basic little old lady from Pasadena. Literally26, Loot. And guess what,that’s exactly where Peaty drove this morning. Ten East to the 110 North, offat Arroyo27 Parkway,and then he took surface streets.”
“Where?”
“Apartment building on the east side of town. He pulled mops and cleaningstuff out of the van and went in there to work. I tried to call you but yourcell wasn’t receiving.”
“Designer coffee messed up the air,” said Milo.
“Pardon?”
“Go back to Peaty’s tonight, Sean. See if you can get a VIN number from thevan and trace it.”
“Sure,” said Binchy. “Did I do wrong by terminating the surveillance, Loot?There were a few things I needed to do back here.”
“Like what?” said Milo.
Sean shifted his weight. “Captain called me in yesterday, I’ve been wantingto tell you. He wants me to work a new case with Hal Prinski, liquor storerobbery and pistol-whipping on Sepulveda. Robberies aren’t my thing but Captainsays I need breadth of experience. I’m not sure what Detective Prinski willwant from me. All I can say is I’ll do my best to get back to Peaty.”
“Appreciate it, Sean.”
“I’m really sorry, Loot, if it was up to me, I’d be doing nothing but yourstuff. Your stuff’s interesting.” He shrugged28. “That illegal car buttressesPeaty being lowlife.”
“Buttresses29,” said Milo.
Binchy’s freckles30 receded31 as the skin behind them deepened. “New word a day.Tasha’s idea. She read somewhere the brain starts deteriorating32 afterpuberty—like we’re all rotting, you know? She’s into crosswords33, word games, tostay mentally challenged. To me, reading the Bible’s plenty challenging.”
Milo said, “The van buttresses, Sean. Ifyou can’t spend any more time on Peaty, don’t sweat it but let me know rightaway.”
“For sure. About that call, the one that just came in? It’s related toPeaty, too. Individual named Bradley Dowd. Name’s in the Michaela Brand file.He’s Peaty’s boss.”
“What’d he want?”
“Wouldn’t say, just that it might be important. He sounded real rushed,wouldn’t talk to me, only you. The number he left’s a cell, not in the file.”
“Where is it?”
“Next to your computer. Which I noticed was turned off.”
“So?”
“Well,” said Binchy, “I don’t want to tell you how to operate, but sometimesit’s better to just leave it on all the time, especially with an outmodedmachine. ’Cause booting up by itself can cause power surges and—”
Milo edged past him. Slammed his door.
“—drain energy.” Binchy smiled at me.
I said, “He’s had a busy day.”
“He usually does, Dr. Delaware.”Shooting a French cuff34, Binchy examined a bright orange Swatch watch. “Whoa,noon already. All of a sudden, I got a burrito Jones. Hello, vending35 machine.Have a nice day, Doc.”
I opened Milo’s door, nearly collided withhim as he stormed out. He kept walking and I hurried to keep pace.
“Where to?”
“The PlayHouse. Just got a call from Brad Dowd. He’s got something to showus. Talking fast but he didn’t sound rushed to me. More like scared.”
“He say why?”
“Something about Nora. I asked if she was hurt and he said no, then he hungup. I figured I’d wait till we were face-to-face before applying my powers ofdetection.”
1 lapsed | |
adj.流失的,堕落的v.退步( lapse的过去式和过去分词 );陷入;倒退;丧失 | |
参考例句: |
|
|
2 bruised | |
[医]青肿的,瘀紫的 | |
参考例句: |
|
|
3 license | |
n.执照,许可证,特许;v.许可,特许 | |
参考例句: |
|
|
4 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
参考例句: |
|
|
5 applicants | |
申请人,求职人( applicant的名词复数 ) | |
参考例句: |
|
|
6 flunking | |
v.( flunk的现在分词 );(使)(考试、某学科的成绩等)不及格;评定(某人)不及格;(因不及格而) 退学 | |
参考例句: |
|
|
7 audition | |
n.(对志愿艺人等的)面试(指试读、试唱等) | |
参考例句: |
|
|
8 predator | |
n.捕食其它动物的动物;捕食者 | |
参考例句: |
|
|
9 sniffing | |
n.探查法v.以鼻吸气,嗅,闻( sniff的现在分词 );抽鼻子(尤指哭泣、患感冒等时出声地用鼻子吸气);抱怨,不以为然地说 | |
参考例句: |
|
|
10 spotted | |
adj.有斑点的,斑纹的,弄污了的 | |
参考例句: |
|
|
11 fumes | |
n.(强烈而刺激的)气味,气体 | |
参考例句: |
|
|
12 attachment | |
n.附属物,附件;依恋;依附 | |
参考例句: |
|
|
13 motive | |
n.动机,目的;adv.发动的,运动的 | |
参考例句: |
|
|
14 middle-aged | |
adj.中年的 | |
参考例句: |
|
|
15 sitcom | |
n.情景喜剧,(广播、电视的)系列幽默剧 | |
参考例句: |
|
|
16 salon | |
n.[法]沙龙;客厅;营业性的高级服务室 | |
参考例句: |
|
|
17 evoked | |
[医]诱发的 | |
参考例句: |
|
|
18 herd | |
n.兽群,牧群;vt.使集中,把…赶在一起 | |
参考例句: |
|
|
19 oafish | |
adj.呆子的,白痴的 | |
参考例句: |
|
|
20 hoax | |
v.欺骗,哄骗,愚弄;n.愚弄人,恶作剧 | |
参考例句: |
|
|
21 choreographs | |
v.设计舞蹈动作( choreograph的第三人称单数 ) | |
参考例句: |
|
|
22 sleek | |
adj.光滑的,井然有序的;v.使光滑,梳拢 | |
参考例句: |
|
|
23 peeved | |
adj.恼怒的,不高兴的v.(使)气恼,(使)焦躁,(使)愤怒( peeve的过去式和过去分词 ) | |
参考例句: |
|
|
24 rusty | |
adj.生锈的;锈色的;荒废了的 | |
参考例句: |
|
|
25 conceal | |
v.隐藏,隐瞒,隐蔽 | |
参考例句: |
|
|
26 literally | |
adv.照字面意义,逐字地;确实 | |
参考例句: |
|
|
27 arroyo | |
n.干涸的河床,小河 | |
参考例句: |
|
|
28 shrugged | |
vt.耸肩(shrug的过去式与过去分词形式) | |
参考例句: |
|
|
29 buttresses | |
n.扶壁,扶垛( buttress的名词复数 )v.用扶壁支撑,加固( buttress的第三人称单数 ) | |
参考例句: |
|
|
30 freckles | |
n.雀斑,斑点( freckle的名词复数 ) | |
参考例句: |
|
|
31 receded | |
v.逐渐远离( recede的过去式和过去分词 );向后倾斜;自原处后退或避开别人的注视;尤指问题 | |
参考例句: |
|
|
32 deteriorating | |
恶化,变坏( deteriorate的现在分词 ) | |
参考例句: |
|
|
33 crosswords | |
纵横填字谜( crossword的名词复数 ) | |
参考例句: |
|
|
34 cuff | |
n.袖口;手铐;护腕;vt.用手铐铐;上袖口 | |
参考例句: |
|
|
35 vending | |
v.出售(尤指土地等财产)( vend的现在分词 );(尤指在公共场所)贩卖;发表(意见,言论);声明 | |
参考例句: |
|
|
欢迎访问英文小说网 |