Cold, yellow room.
The interview table had been pushed to one side. Metal table, samebattleship gray as the bomb shelter.
The things you notice.
Two chairs faced a thirty-inch plasma1 TV on a wheeled table. A DVD playersat on the bottom shelf. Lots of snarled2 cables. A sticker affixed3 to thebottom of the monitor warned against anyone outside the D.A.’s office touchingthe equipment.
I said, “Suddenly the prosecutors4 turn generous?”
“They’ve sniffed5 the air,” said Milo.“Smelled Court TV, screenplays, book deals. The warning from on-high is no O.J.on this one.” He drew a remote control module6 from his jacket pocket andflicked on the monitor.
Sat down next to me, slumped8 and closed his eyes and stayed that way.
Blue screen, video menu printout. Time, date, D.A’s evidence code.
I took the remote from Milo’s hands. Hiseyes remained shut but his breathing quickened.
I flicked7.
A face filled the screen.
Big blue eyes, tan skin, symmetrical features, shaggy blond hair.
Jane Doe Number One.
Milo had asked if I wanted to start out ofsequence with Michaela. I’d considered that, said let’s do it in order.
Hoping lack of personal contact would help.
It didn’t.
The camera stayed close.
An off-screen voice, male, smooth, amiable9, said, “Okay, audition10 time.Digging it so far?”
Zoom11 shot of the girl’s smile. Moist, white teeth, perfectly12 aligned13. “Suream.”
“Sure am, Brad. When you’re presenting yourself to a casting agent or anyoneelse, it’s important to be direct and specific and personal. ”
The girl’s smile altered course, became an ambiguous crescent. “Um, okay.”The camera moved back. Nervous blue eyes. Giggle14.
“Take two,” said Brad Dowd.
“Huh?”
“Sure am…”
“Sure, Brad.”
“Sure. Am. Brad.”
The girl’s eyes shifted to the left. “Sure. Am. Brad.”
“Perfect. Okay, go on.”
“With what?”
“Say something.”
“Like what?”
“Improvise.”
“Umm…” Lip-lick. A glance back at battleship-gray walls. “It’s kind ofdifferent. Down here.”
“Dig it?”
“Umm…I guess.”
“I. Guess…”
“I guess, Brad.”
“It is different,” said Brad Dowd. “Hermetic. Know what that means?”
Giggle. “Umm, not really.”
“It means isolated15 and quiet. Away from all the hassle. The Sturm undDrang.”
No response from the girl.
“Know why we’re auditioning16 you in a hermetic place?”
“Nora said it was serene17.”
“Serene,” said Brad. “Sure, that’s a good word. Like one of those meditationthings, ohmmmm, Shakti, bodhi vandana, cabalabaloo. Ever do any meditation18?”
“I did Pilates.”
“I. Did. Pilates…”
“Brad.”
Off-screen sigh. “A hermetic place means less distraction19. Right?”
“Right—Brad.”
“A hermetic, serene place strips away superfluous20 elements so it’s easier tofind your center. Not like back in class where everyone’s looking and judging.No one will judge you here. Never.”
The girl smiled again.
“What do you think of that?” said Brad.
“It’s good.”
“It’s good?”
“It’s real good.”
“Brad!”
Blue eyes jumped. “Brad.”
“It’s. Good—”
“It’s good Brad. I’m sorry I’m kinda nervous.”
“Now, you interrupted me.”
“Sorry. Brad.”
Ten-second silence. The girl fidgeted.
Brad Dowd said, “Totally forgiven.”
“Thanks. Brad.”
Ten more seconds. The girl worked at relaxing her posture21.
“Okay, we’re serene and hermetic and ready to do some serious work. Do youlike Sondheim?”
“Um, don’t know him—Brad.”
“Doesn’t matter, we’re not going musical, this is a drama day. Lower yourleft shoulder strap22—make sure it’s the left one because that’s your good side,your right side’s a little weak. Be sure not to take off your whole top, thisisn’t porno23, we just need to see your undraped posture à la classicalsculpture.”
The camera pulled back, showed the girl sitting primly24 on a folding chair,wearing a skimpy red top held in place by spaghetti straps25. Bare, tan, slenderlegs, advertised by a short, denim26 skirt. Sandaled feet planted on the ground.High-heeled brown sandals.
“Go ahead,” said Brad.
Looking confused, she reached up and loosened the right strap.
“Left!”
“Sorry, sorry, always had trouble with—sorry, Brad, always had trouble…” Sheswitched to the left, fumbled27, lowered.
The camera moved in on smooth, golden shoulder. Drew back to a full-bodyview.
Fifteen seconds passed.
“You’ve got a beautiful torso.”
“Thanks, Brad.”
“Know what a torso is?”
“The body—Brad.”
“The upper body. Yours is classical. You’re very lucky.”
“Thanks, Brad.”
“Think you’ve also got talent?”
“Umm, I hope so—Brad.”
“Oh, c’mon, let’s hear some insouciance28, some confidence, some superstarcan-do attitude. ”
Blue eyes batted. The girl sat up straight, tossed her hair. Pumped a fistand shouted. “I’m the best! Brad!”
“Up for anything?”
“Sure. Brad.”
“Well, that’s good.”
Five seconds. Then: clang clang. Thud thud thud thud thud.
Noise from behind made the girl turn.
“Don’t move,” barked Brad.
The girl froze.
“Here’s your costar.”
“I—umm—oh—didn’t know there was going to be—”
“A star’s got to be up for anything.”
The girl’s head began to swivel again. Froze, once more, responding to acommand that never came.
“Good,” soothed29 Brad. “You’re learning.”
The girl licked her lips and smiled.
The gray behind her turned flesh-colored.
Hirsute30 expanse of chest and belly31. Tattooed32 arms.
The camera trailed lower to a bearish33 clump34 of pubic hair. A limp penisdangled inches from the girl’s cheek.
The girl’s shoulders stiffened35.
“I—uh—”
“Relax,” said Brad Dowd. “Remember what Nora taught you about improv.”
“But—sure. Brad.”
“Remain perfectly still—think body control…that’s a good girl.”
The hairy bulk pulsated36. Tattoos37 jumped.
The camera panned up to a sweat-glossed dinner-plate face. Frizzymuttonchops. Clipped mustache.
Reynold Peaty’s hands lowered onto the girl’s shoulders. His right thumbslipped under the right spaghetti strap. Toyed with the string. Slid it off.
The girl jumped and twisted, craned to see him. His left hand gripped thetop of her head and held her in place.
“He’s hurting—”
“Mouth shut!” said Brad Dowd. “Don’t want to catch flies.”
Peaty’s right hand reached around and clamped over the girl’s mouth.
She made frantic38 little muffled39 noises. Peaty’s hand slapped her so hard,her eyes rolled back. With one hand, Peaty pulled her up by her hair. The otheredged closer to her throat.
“Yeah,” he said.
“Perfect,” said Brad. “This is Reynold. The two of you are going toimprovise a little skit40.”
I flicked off the picture.
Milo was wide awake, looking sadder thanI’d ever seen him.
I said, “You told me so,” and walked out of the room.
1 plasma | |
n.血浆,细胞质,乳清 | |
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2 snarled | |
v.(指狗)吠,嗥叫, (人)咆哮( snarl的过去式和过去分词 );咆哮着说,厉声地说 | |
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3 affixed | |
adj.[医]附着的,附着的v.附加( affix的过去式和过去分词 );粘贴;加以;盖(印章) | |
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4 prosecutors | |
检举人( prosecutor的名词复数 ); 告发人; 起诉人; 公诉人 | |
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5 sniffed | |
v.以鼻吸气,嗅,闻( sniff的过去式和过去分词 );抽鼻子(尤指哭泣、患感冒等时出声地用鼻子吸气);抱怨,不以为然地说 | |
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6 module | |
n.组件,模块,模件;(航天器的)舱 | |
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7 flicked | |
(尤指用手指或手快速地)轻击( flick的过去式和过去分词 ); (用…)轻挥; (快速地)按开关; 向…笑了一下(或瞥了一眼等) | |
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8 slumped | |
大幅度下降,暴跌( slump的过去式和过去分词 ); 沉重或突然地落下[倒下] | |
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9 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
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10 audition | |
n.(对志愿艺人等的)面试(指试读、试唱等) | |
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11 zoom | |
n.急速上升;v.突然扩大,急速上升 | |
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12 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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13 aligned | |
adj.对齐的,均衡的 | |
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14 giggle | |
n.痴笑,咯咯地笑;v.咯咯地笑着说 | |
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15 isolated | |
adj.与世隔绝的 | |
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16 auditioning | |
vi.试听(audition的现在分词形式) | |
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17 serene | |
adj. 安详的,宁静的,平静的 | |
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18 meditation | |
n.熟虑,(尤指宗教的)默想,沉思,(pl.)冥想录 | |
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19 distraction | |
n.精神涣散,精神不集中,消遣,娱乐 | |
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20 superfluous | |
adj.过多的,过剩的,多余的 | |
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21 posture | |
n.姿势,姿态,心态,态度;v.作出某种姿势 | |
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22 strap | |
n.皮带,带子;v.用带扣住,束牢;用绷带包扎 | |
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23 porno | |
n.春宫,色情画;色情文学,电影等 | |
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24 primly | |
adv.循规蹈矩地,整洁地 | |
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25 straps | |
n.带子( strap的名词复数 );挎带;肩带;背带v.用皮带捆扎( strap的第三人称单数 );用皮带抽打;包扎;给…打绷带 | |
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26 denim | |
n.斜纹棉布;斜纹棉布裤,牛仔裤 | |
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27 fumbled | |
(笨拙地)摸索或处理(某事物)( fumble的过去式和过去分词 ); 乱摸,笨拙地弄; 使落下 | |
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28 insouciance | |
n.漠不关心 | |
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29 soothed | |
v.安慰( soothe的过去式和过去分词 );抚慰;使舒服;减轻痛苦 | |
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30 hirsute | |
adj.多毛的 | |
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31 belly | |
n.肚子,腹部;(像肚子一样)鼓起的部分,膛 | |
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32 tattooed | |
v.刺青,文身( tattoo的过去式和过去分词 );连续有节奏地敲击;作连续有节奏的敲击 | |
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33 bearish | |
adj.(行情)看跌的,卖空的 | |
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34 clump | |
n.树丛,草丛;vi.用沉重的脚步行走 | |
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35 stiffened | |
加强的 | |
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36 pulsated | |
v.有节奏地舒张及收缩( pulsate的过去式和过去分词 );跳动;脉动;受(激情)震动 | |
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37 tattoos | |
n.文身( tattoo的名词复数 );归营鼓;军队夜间表演操;连续有节奏的敲击声v.刺青,文身( tattoo的第三人称单数 );连续有节奏地敲击;作连续有节奏的敲击 | |
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38 frantic | |
adj.狂乱的,错乱的,激昂的 | |
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39 muffled | |
adj.(声音)被隔的;听不太清的;(衣服)裹严的;蒙住的v.压抑,捂住( muffle的过去式和过去分词 );用厚厚的衣帽包着(自己) | |
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40 skit | |
n.滑稽短剧;一群 | |
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