A Friend Is Woman
THE reader will again accompany us to the time when we find Annette and Nicholas in the hands of Graspum, who will nurture1 them for their increasing value.
Merciless creditors2 have driven Marston from that home of so many happy and hospitable3 associations, to seek shelter in the obscure and humble4 chamber5 of a wretched building in the outskirts6 of the city. Fortune can afford him but a small cot, two or three broken chairs, an ordinary deal table, a large chest, which stands near the fire-place, and a dressing-stand, for furniture. Here, obscured from the society he had so long mingled8 with, he spends most of his time, seldom venturing in public lest he may encounter those indomitable gentlemen who would seem to love the following misfortune into its last stage of distress9. His worst enemy, however, is that source of his misfortunes he cannot disclose; over it hangs the mystery he must not solve! It enshrines him with guilt10 before public opinion; by it his integrity lies dead; it is that which gives to mother rumour11 the weapons with which to wield12 her keenest slanders13.
Having seized Marston's real estate, Graspum had no scruples14 about swearing to the equity16 of his claim; nor were any of the creditors willing to challenge an investigation17; and thus, through fear of such a formidable abettor, Marston laboured under the strongest, and perhaps the most unjust imputations. But there was no limit to Graspum's mercenary proceedings18; for beyond involving Marston through Lorenzo, he had secretly purchased many claims of the creditors, and secured his money by a dexterous19 movement, with which he reduced the innocent children to slavery.
Reports have spread among the professedly knowing that Marston can never have made away with all his property in so few years. And the manner being so invisible, the charge becomes stronger. Thus, labouring between the pain of misfortune and the want of means to resent suspicion, his cheerless chamber is all he can now call his home. But he has two good friends left-Franconia, and the old negro Bob. Franconia has procured20 a municipal badge for Daddy; and, through it (disguised) he seeks and obtains work at stowing cotton on the wharfs21. His earnings22 are small, but his soul is large, and embued with attachment23 for his old master, with whom he will share them. Day by day the old slave seems to share the feelings of his master,--to exhibit a solicitous24 concern for his comfort. Earning his dollars and twenty-five cents a day, he will return when the week has ended, full of exultation25, spread out his earnings with childlike simplicity26, take thirty cents a day for himself, and slip the remainder into Marston's pocket. How happy he seems, as he watches the changes of Marston's countenance27, and restrains the gushing28 forth29 of his feelings!
It was on one of those nights upon which Daddy had received his earnings, that Marston sat in his cheerless chamber, crouched30 over the faint blaze of a few pieces of wood burning on the bricks of his narrow fire-place, contemplating31 the eventful scenes of the few years just passed. The more he contemplated32 the more it seemed like a dream; his very head wearied with the interminable maze33 of his difficulties. Further and further, as he contemplated, did it open to his thoughts the strange social and political mystery of that more strange institution for reducing mankind to the level of brutes34. And yet, democracy, apparently35 honest, held such inviolable and just to its creed36; which creed it would defend with a cordon37 of steel. The dejected gentleman sighs, rests his head on his left hand, and his elbow on the little table at his side. Without, the weather is cold and damp; an incessant38 rain had pattered upon the roof throughout the day, wild and murky39 clouds hang their dreary40 festoons along the heavens, and swift scudding41 fleeces, driven by fierce, murmuring winds, bespread the prospect42 with gloom that finds its way into the recesses43 of the heart.
"Who is worse than a slave!" sighs the rejected man, getting up and looking out of his window into the dreary recesses of the narrow lane. "If it be not a ruined planter I mistake the policy by which we govern our institution! As the slave is born a subject being, so is the planter a dependent being. We planters live in disappointment, in fear, in unhappy uncertainty45; and yet we make no preparations for the result. Nay46, we even content ourselves with pleasantly contemplating what may come through the eventful issue of political discord47; and when it comes in earnest, we find ourselves the most hapless of unfortunates. For myself, bereft48 of all I had once,--even friends, I am but a forlorn object in the scale of weak mankind! No man will trust me with his confidence,--scarce one knows me but to harass49 me; I can give them no more, and yet I am suspected of having more. It is so, and ever will be so. Such are the phases of man's downfall, that few follow them to the facts, while rumour rules supreme50 over misfortune. There may be a fountain of human pain concealed51 beneath it; but few extend the hand to stay its quickening. Nay, when all is gone, mammon cries, more! until body and soul are crushed beneath the "more" of relentless52 self.
"Few know the intricacies of our system; perhaps 'twere well, lest our souls should not be safe within us. But, ah! my conscience chides53 me here. And betwixt those feelings which once saw all things right, but now through necessity beholds54 their grossest wrongs, comes the pain of self-condemnation55. It is a condemnation haunting me unto death. Had I been ignorant of Clotilda's history, the fiendish deed of those who wronged her in her childhood had not now hung like a loathsome56 pestilence57 around my very garments. That which the heart rebukes58 cannot be concealed; but we must be obedient to the will that directs all things;--and if it be that we remain blind in despotism until misfortune opens our eyes, let the cause of the calamity60 be charged to those it belongs to," he concludes; and then, after a few minutes' silence, he lights his taper61, and sets it upon the table. His care-worn countenance pales with melancholy62; his hair has whitened with tribulation63; his demeanour denotes a man of tender sensibility fast sinking into a physical wreck64. A well-soiled book lies on the table, beside which he takes his seat; he turns its pages over and over carelessly, as if it were an indifferent amusement to wile65 away the time. "They cannot enslave affection, nor can they confine it within prison walls," he mutters. He has proof in the faithfulness of Daddy, his old slave. And as he contemplates66, the words "she will be more than welcome to-night," escape his lips. Simultaneously67 a gentle tapping is heard at the door. Slowly it opens, and the figure of an old negro, bearing a basket on his arm, enters. He is followed by the slender and graceful68 form of Franconia, who approaches her uncle, hand extended, salutes69 him with a kiss, seats herself at his side, says he must not be sad. Then she silently gazes upon him for a few moments, as if touched by his troubles, while the negro, having spread the contents of the basket upon the chest, makes a humble bow, wishes mas'r and missus good night, and withdraws. "There, uncle," she says, laying her hand gently on his arm, "I didn't forget you, did I?" She couples the word with a smile-a smile so sweet, so expressive70 of her soul's goodness. "You are dear to me, uncle; yes, as dear as a father. How could I forget that you have been a father to me? I have brought these little things to make you comfortable,"-she points to the edibles71 on the chest-"and I wish I were not tied to a slave, uncle, for then I could do more. Twice, since my marriage to M'Carstrow, have I had to protect myself from his ruffianism."
"From his ruffianism!" interrupts Marston, quickly: "Can it be, my child, that even a ruffian would dare exhibit his vileness72 toward you?"
"Even toward me, uncle. With reluctance73 I married him, and my only regret is, that a slave's fate had not been mine ere the fruits of that day fell upon me. Women like me make a feeble defence in the world; and bad husbands are the shame of their sex," she returns, her eyes brightening with animation74, as she endeavours to calm the excitement her remarks have given rise to: "Don't, pray don't mind it, uncle," she concludes.
"Such news had been anticipated; but I was cautious not to"--
"Never mind," she interrupts, suddenly coiling her delicate arm round his neck, and impressing a kiss on his care-worn cheek. "Let us forget these things; they are but the fruits of weak nature. It were better to bear up under trouble than yield to trouble's burdens: better far. Who knows but that it is all for the best?" She rises, and, with seeming cheerfulness, proceeds to spread the little table with the refreshing75 tokens of her friendship. Yielding to necessity, the table is spread, and they sit down, with an appearance of domestic quietness touchingly77 humble.
"There is some pleasure, after all, in having a quiet spot where we can sit down and forget our cares. Perhaps (all said and done) a man may call himself prince of his own garret, when he can forget all beyond it," says Marston affected78 to tears by Franconia's womanly resignation.
"Yes," returns Franconia, joyously79, "it's a consolation80 to know that we have people among us much worse off than we are. I confess, though, I feel uneasy about our old slaves. Slavery's wrong, uncle; and it's when one's reduced to such extremes as are presented in this uninviting garret that we realise it the more forcibly. It gives the poor wretches81 no chance of bettering their condition; and if one exhibits ever so much talent over the other, there is no chance left him to improve it. It is no recompense to the slave that his talent only increases the price of the article to be sold. Look what Harry82 would have been had he enjoyed freedom. Uncle, we forget our best interests while pondering over the security of a bad system. Would it not be better to cultivate the slave's affections, rather than oppress his feelings?" Franconia has their cause at heart-forgets her own. She is far removed from the cold speculations83 of the south; she is free from mercenary motives84; unstained by that principle of logic85 which recognises only the man merchandise. No will hath she to contrive86 ingenious apologies for the wrongs inflicted87 upon a fallen race. Her words spring from the purest sentiment of the soul; they contain a smarting rebuke59 of Marston's former misdoings: but he cannot resent it, nor can he turn the tide of his troubles against her noble generosity88.
They had eaten their humble supper of meats and bread, and coffee, when Franconia hears a rap at the lower entrance, leading into the street. Bearing the taper in her hand, she descends89 the stairs quickly, and, opening the door, recognises the smiling face of Daddy Bob. Daddy greets her as if he were surcharged with the very best news for old mas'r and missus. He laughs in the exuberance90 of his simplicity, and, with an air of fondness that would better become a child, says, "Lor', young missus, how glad old Bob is to see ye! Seems like long time since old man see'd Miss Frankone look so spry. Got dat badge." The old man shows her his badge, exultingly92. "Missus, nobody know whose nigger I'm's, and old Bob arns a right smart heap o' money to make mas'r comfortable." The old slave never for once thinks of his own infirmities; no, his attachment for master soars above every thing else; he thinks only in what way he can relieve his necessities. Honest, faithful, and affectionate, the associations of the past are uppermost in his mind; he forgets his slavery in his love for master and the old plantation93. Readily would he lay down his life, could he, by so doing, lighten the troubles he instinctively94 sees in the changes of master's position. The old plantation and its people have been sold; and he, being among the separated from earth's chosen, must save his infirm body lest some man sell him for the worth thereof. Bob's face is white with beard, and his coarse garments are much worn and ragged95; but there is something pleasing in the familiarity with which Franconia accepts his brawny96 hand. How free from that cold advance, that measured welcome, and that religious indifference97, with which the would-be friend of the slave, at the north, too often accepts the black man's hand! There is something in the fervency98 with which she shakes his wrinkled hand that speaks of the goodness of the heart; something that touches the old slave's childlike nature. He smiles bashfully, and says, "Glad t' see ye, missus; dat I is: 'spishilly ven ye takes care on old mas'r." After receiving her salutation he follows her to the chamber, across which he hastens to receive a welcome from old mas'r. Marston warmly receives his hand, and motions him to be seated on the chest near the fire-place. Bob takes his seat, keeping his eye on mas'r the while. "Neber mind, mas'r," he says, "Big Mas'r above be better dan Buckra. Da'h is somefin' what Buckra no sell from ye, dat's a good heart. If old mas'r on'y keeps up he spirit, de Lor' 'll carry un throu' 'e triblation," he continues; and, after watching his master a few minutes, returns to Franconia, and resumes his jargon99.
Franconia is the same fair creature Bob watched over when she visited the plantation: her countenance wears the same air of freshness and frankness; her words are of the same gentleness; she seems as solicitous of his comfort as before. And yet a shadow of sadness shrouds100 that vivacity101 which had made her the welcome guest of the old slaves. He cannot resist those expressions which are ever ready to lisp forth from the negro when his feelings are excited. "Lor, missus, how old Bob's heart feels! Hah, ah! yah, yah! Looks so good, and reminds old Bob how e' look down on dah Astley, yander. But, dah somefin in dat ar face what make old nigger like I know missus don't feel just right," he exclaims.
The kind woman reads his thoughts in the glowing simplicity of his wrinkled face. "It has been said that a dog was our last friend, Bob: I now think a slave should have been added. Don't you think so, uncle?" she enquires102, looking at Marston, and, again taking the old slave by the hand, awaits the reply.
"We rarely appreciate their friendship until it be too late to reward it," he replies, with an attempt to smile.
"True, true! but the world is full of ingratitude103,--very amiable104 ingratitude. Never mind, Daddy; you must now tell me all about your affairs, and what has happened since the night you surprised me at our house; and you must tell me how you escaped M'Carstrow on the morning of the disturbance," she enjoins105. And while Bob relates his story Franconia prepares his supper. Some cold ham, bread, and coffee, are soon spread out before him. He will remove them to the chest, near the fire-place. "Why, Missus Frankone," he says, "ye sees how I'se so old now dat nobody tink I'se werf ownin; and so nobody axes old Bob whose nigger he is. An't prime nigger, now; but den44 a' good fo' work some, and get cash, so t' help old mas'r yander (Bob points to old master). Likes t' make old master feel not so bad."
"Yes," rejoins Marston, "Bob's good to me. He makes his sleeping apartments, when he comes, at the foot of my bed, and shares his earnings with me every Saturday night. He's like an old clock that can keep time as well as a new one, only wind it up with care."
"Dat I is!" says Daddy, with an exulting91 nod of the head, as he, to his own surprise, lets fall his cup. It was only the negro's forgetfulness in the moment of excitement. Giving a wistful look at Franconia, he commences picking up the pieces, and drawing his week's earnings from a side pocket of his jacket.
"Eat your supper, Daddy; never mind your money now" says Franconia, laughing heartily106: at which Bob regains108 confidence and resumes his supper, keeping a watchful109 eye upon his old master the while. Every now and then he will pause, cant110 his ear, and shake his head, as if drinking in the tenour of the conversation between Franconia and her uncle. Having concluded, he pulls out his money and spreads it upon the chest. "Old Bob work hard fo' dat!" he says, with emphasis, spreading a five-dollar bill and two dollars and fifty cents in silver into divisions. "Dah!" he ejaculates, "dat old mas'r share, and dis is dis child's." The old man looks proudly upon the coin, and feels he is not so worthless, after all. "Now! who say old Bob aint werf nofin?" he concludes, getting up, putting his share into his pocket, and then, as if unobserved, slipping the balance into Marston's. This done, he goes to the window, affects to be looking out, and then resuming his seat upon the chest, commences humming a familiar plantation tune7, as if his pious111 feelings had been superseded112 by the recollection of past scenes.
"What, Daddy,--singing songs?" interrupts Franconia, looking at him enquiringly. He stops as suddenly as he commenced, exchanges an expressive look, and fain would question her sincerity113.
"Didn't mean 'um, missus," he returns, after a moment's hesitation114, "didn't mean 'um. Was thinkin 'bout15 somefin back'ards; down old plantation times."
"You had better forget them times, Bob."
"Buckra won't sell dis old nigger,--will he, Miss Frankone?" he enquires, resuming his wonted simplicity.
"Sell you, Bob? You're a funny old man. Don't think your old half-worn-out bones are going to save you. Money's the word: they'll sell anything that will produce it,--dried up of age are no exceptions. Keep out of Elder Pemberton Praiseworthy's way: whenever you hear him singing, 'I know that my Redeemer liveth, and that he shall come,' as he always does,--run! He lives on the sale of infirmity, and your old age would be a capital thing for the exercise of his genius. He will put you through a course of regeneration, take the wrinkles smooth out of your face, dye those old grey whiskers, and get a profit for his magic power of transposing the age of negro property," she replied, gravely, while Bob stares at her as if doubting his own security.
"Why, missus!" he interposes, his face glowing with astonishment116; "Buckra don't be so smart dat he make old nigger young, be he?"
"Traders can do anything with niggers that have got money in them, as they say. Our distinguished117 people are sensitive of the crime, but excuse themselves with apologies they cannot make cover the shame."
"Franke!" interrupts Marston, "spare the negro's feelings,--it may have a bad effect." He touches her on the arm, and knits his brows in caution.
"How strange, to think that bad influence could come of such an inoffensive old man! Truth, I know and feel, is powerfully painful when brought home to the doors of our best people,--it cuts deep when told in broad letters; but they make the matter worse by attempting to enshrine the stains with their chivalry118. We are a wondrous119 people, uncle, and the world is just finding it out, to our shame. We may find it out ourselves, by and by; perhaps pay the penalty with sorrow. We look upon negroes as if they were dropped down from some unaccountable origin,--intended to raise the world's cotton, rice, and sugar, but never to get above the menial sphere we have conditioned for them. Uncle, there is a mistake somewhere,--a mistake sadly at variance120 with our democratic professions. Democracy needs to reclaim121 its all-claiming principles of right and justice for the down-trodden. And yet, while the negro generously submits to serve us, we look upon him as an auspicious122 innovator123, who never could have been born to enjoy manhood, and was subjected to bear a black face because God had marked him for servitude. Did God found an aristocracy of colour, or make men to be governed by their distinctive124 qualifications of colour relationship?" says Franconia, her face resuming a flush of agitation125. Touching76 Marston on the arm with the fore-finger of her right hand, and giving a glance at Bob, who listens attentively126 to the theme of conversation, she continues: "Say no more of bad influence coming of slaves, when the corruptest examples are set by those who hold them as such,--who crash their hopes, blot127 out their mental faculties128, and turn their bodies into licentious129 merchandise that they may profit by its degradation130! Show me the humblest slave on your plantation, and, in comparison with the slave-dealer, I will prove him a nobleman of God's kind,--of God's image: his simple nature will be his clean passport into heaven. The Father of Mercy will receive him there; he will forgive the crimes enforced upon him by man; and that dark body on earth will be recompensed in a world of light,--it will shine with the brighter spirits of that realm of justice and love. Earth may bring the slavetrader bounties131; but heaven will reject the foul132 offering." The good woman unfolds the tender emotions of her heart, as only woman can.
Bob listens, as if taking a deep interest in the force and earnestness of young missus's language. He is swayed by her pathos133, and at length interposes his word.
"Nigger ain't so good as white man" (he shakes his head, philosophically). "White man sharp; puzzle nigger to find out what 'e don, know ven 'e mind t'." Thus saying, he takes a small hymn- book from his pocket, and, Franconia setting the light beside him, commences reading to himself by its dim glare.
"Well! now, uncle, it's getting late, and I've a good way to go, and the night's stormy; so I must prepare for home." Franconia gets up, and evinces signs of withdrawing. She walks across the little chamber three or four times, looks out of the window, strains her sight into the gloomy prospect, and then, as if reluctant to leave her uncle, again takes a seat by his side. Gently laying her left hand upon his shoulder, she makes an effort at pleasantry, tells him to keep up his resolution-to be of good cheer.
"Remember, uncle," she says, calmly, "they tell us it is no disgrace to be poor,--no shame to work to live; and yet poor people are treated as criminals. For my own part, I would rather be poor and happy than rich with a base husband; I have lived in New England, know how to appreciate its domestic happiness. It was there Puritanism founded true American liberty.--Puritanism yet lives, and may be driven to action; but we must resign ourselves to the will of an all-wise Providence134." Thus concluding, she makes another attempt to withdraw.
"You must not leave me yet!" says Marston, grasping her hand firmly in his. "Franke, I cannot part with you until I have disclosed what I have been summoning resolution to suppress. I know your attachment, Franconia; you have been more than dear to me. You have known my feelings,--what they have already had to undergo." He pauses.
"Speak it, uncle, speak it! Keep nothing from me, nor make secrets in fear of my feelings. Speak out,--I may relieve you!" she interrupts, nervously135: and again encircling her arm round his neck, waits his reply, in breathless suspense136.
He falters137 for a moment, and then endeavours to regain107 his usual coolness. "To-morrow, Franconia," he half mutters out, "to-morrow, you may find me not so well situated," (here tears are seen trickling138 down his cheeks) "and in a place where it will not become your delicate nature to visit me."
"Nay, uncle!" she stops him there; "I will visit you wherever you may be-in a castle or a prison."
The word prison has touched the tender chord upon which all his troubles are strung. He sobs139 audibly; but they are only sobs of regret, for which there is no recompense in this late hour. "And would you follow me to a prison, Franconia?" he enquires, throwing his arms about her neck, kissing her pure cheek with the fondness of a father.
"Yea, and share your sorrows within its cold walls. Do not yield to melancholy, uncle,--you have friends left: if not, heaven will prepare a place of rest for you; heaven shields the unfortunate at last," rejoins the good woman, the pearly tears brightening in mutual140 sympathy.
"To-morrow, my child, you will find me the unhappy tenant141 of those walls where man's discomfiture142 is complete."
"Nay, uncle, nay! you are only allowing your melancholy forebodings to get the better of you. Such men as Graspum-men who have stripped families of their all-might take away your property, and leave you as they have left my poor parents; but no one would be so heartless as to drive you to the extreme of imprisonment143. It is a foolish result at best." Franconia's voice falters; she looks more and more intently in her uncle's face, struggles to suppress her rising emotions. She knows his frankness, she feels the pain of his position; but, though the dreadful extreme seems scarcely possible, there is that in his face conveying strong evidence of the truth of his remark.
"Do not weep, Franconia; spare your tears for a more worthy115 object: such trials have been borne by better men than I. I am but the merchandise of my creditors. There is, however, one thing which haunts me to grief; could I have saved my children, the pain of my position had been slight indeed."
"Speak not of them, uncle," Franconia interrupts, "you cannot feel the bitterness of their lot more than myself. I have saved a mother, but have failed to execute my plan of saving them; and my heart throbs144 with pain when I think that now it is beyond my power. Let me not attempt to again excite in your bosom145 feelings which must ever be harassing146, for the evil only can work its destruction. To clip the poisoning branches and not uproot147 the succouring trunk, is like casting pearls into the waste of time. My heart will ever be with the destinies of those children, my feelings bound in unison148 with theirs; our hopes are the same, and if fortune should smile on me in times to come I will keep my word-I will snatch them from the devouring149 element of slavery."
"Stop, my child!" speaks Marston, earnestly: "Remember you can do little against the strong arm of the law, and still stronger arm of public opinion. Lay aside your hopes of rescuing those children, Franconia, and remember that while I am in prison I am the property of my creditors, subject to their falsely conceived notions of my affairs," he continues. "I cannot now make amends150 to the law of nature," he adds, burying his face in his hand, weeping a child's tears.
Franconia looks solicitously151 upon her uncle, as he sorrows. She would dry her tears to save his throbbing152 heart. Her noble generosity and disinterestedness153 have carried her through many trials since her marriage, but it fails to nerve her longer. Her's is a single-hearted sincerity, dispensing154 its goodness for the benefit of the needy155; she suppresses her own troubles that she may administer consolation to others. "The affection that refuses to follow misfortune to its lowest step is weak indeed. If you go to prison, Franconia will follow you there," she says, with touching pathos, her musical voice adding strength to the resolution. Blended with that soft angelic expression her eyes give forth, her calm dignity and inspiring nobleness show how firm is that principle of her nature never to abandon her old friend.
The old negro, who had seemed absorbed in his sympathetic reflections, gazes steadfastly156 at his old master, until his emotions spring forth in kindest solicitude157. Resistance is beyond his power. "Neber mind, old mas'r," (he speaks in a devoted158 tone) "dar's better days comin, bof fo' old Bob and mas'r. Tink 'um sees de day when de old plantation jus so 't was wid mas'r and da' old folks." Concluding in a subdued159 voice, he approaches Franconia, and seats himself, book in hand, on the floor at her feet. Moved by his earnestness, she lays her hand playfully upon his head, saying: "Here is our truest friend, uncle!"
"My own heart lubs Miss Frankone more den eber," he whispers in return. How pure, how holy, is the simple recompense! It is nature's only offering, all the slave can give; and he gives it in the bounty160 of his soul.
Marston's grief having subsided161, he attempts to soothe162 Franconia's feelings, by affecting an air of indifference. "What need I care, after all? my resolution should be above it," he says, thrusting his right hand into his breast pocket, and drawing out a folded paper, which he throws upon the little table, and says, "There, Franconia, my child! that contains the climax163 of my unlamented misfortunes; read it: it will show you where my next abode164 will be-I may be at peace there; and there is consolation at being at peace, even in a cell." He passes the paper into her hand.
With an expression of surprise she opens it, and glances over its contents; then reads it word by word. "Do they expect to get something from nothing?" she says, sarcastically165. "It is one of those soothsayers so valuable to men whose feelings are only with money-to men who forget they cannot carry money to the graves; and that no tribute is demanded on either road leading to the last abode of man."
"Stop there, my child! stop!" interrupts Marston. "I have given them all, 'tis true; but suspicion is my persecutor-suspicion, and trying to be a father to my own children!"
"It is, indeed, a misfortune to be a father under such circumstances, in such an atmosphere!" the good woman exclaims, clasping her hands and looking upward, as if imploring166 the forgiveness of Heaven. Tremblingly she held the paper in her hand, until it fell upon the floor, as she, overcome, swooned in her uncle's arms.
She swooned! yes, she swooned. That friend upon whom her affections had been concentrated was a prisoner. The paper was a bail167 writ168, demanding the body of the accused. The officer serving had been kind enough to allow Marston his parole of honour until the next morning. He granted this in accordance with Marston's request, that by the lenity he might see Daddy Bob and Franconia once more.
Lifting Franconia in his arms, her hair falling loosely down, Marston lays her gently on the cot, and commences bathing her temples. He has nothing but water to bathe them with,--nothing but poverty's liquid. The old negro, frightened at the sudden change that has come over his young missus, falls to rubbing and kissing her hands,--he has no other aid to lend. Marston has drawn169 his chair beside her, sits down upon it, unbuttons her stomacher, and continues bathing and chafing170 her temples. How gently heaves that bosom so full of fondness, how marble-like those features, how pallid171 but touchingly beautiful that face! Love, affection, and tenderness, there repose172 so calmly! All that once gave out so much hope, so much joy, now withers173 before the blighting174 sting of misfortune. "Poor child, how fondly she loves me!" says Marston, placing his right arm under her head, and raising it gently. The motion quickens her senses-she speaks; he kisses her pallid cheek-kisses and kisses it. "Is it you uncle?" she whispers. She has opened her eyes, stares at Marston, then wildly along the ceiling. "Yes, I'm in uncle's arms; how good!" she continues, as if fatigued175. Reclining back on the pillow, she again rests her head upon his arm. "I am at the mansion176-how pleasant; let me rest, uncle; let me rest. Send aunt Rachel to me." She raises her right hand and lays her arms about Marston's neck, as anxiously he leans over her. How dear are the associations of that old mansion! how sweet the thought of home! how uppermost in her wandering mind the remembrance of those happy days!
1 nurture | |
n.养育,照顾,教育;滋养,营养品;vt.养育,给与营养物,教养,扶持 | |
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2 creditors | |
n.债权人,债主( creditor的名词复数 ) | |
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3 hospitable | |
adj.好客的;宽容的;有利的,适宜的 | |
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4 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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5 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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6 outskirts | |
n.郊外,郊区 | |
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7 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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8 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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9 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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10 guilt | |
n.犯罪;内疚;过失,罪责 | |
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11 rumour | |
n.谣言,谣传,传闻 | |
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12 wield | |
vt.行使,运用,支配;挥,使用(武器等) | |
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13 slanders | |
诽谤,诋毁( slander的名词复数 ) | |
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14 scruples | |
n.良心上的不安( scruple的名词复数 );顾虑,顾忌v.感到于心不安,有顾忌( scruple的第三人称单数 ) | |
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15 bout | |
n.侵袭,发作;一次(阵,回);拳击等比赛 | |
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16 equity | |
n.公正,公平,(无固定利息的)股票 | |
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17 investigation | |
n.调查,调查研究 | |
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18 proceedings | |
n.进程,过程,议程;诉讼(程序);公报 | |
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19 dexterous | |
adj.灵敏的;灵巧的 | |
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20 procured | |
v.(努力)取得, (设法)获得( procure的过去式和过去分词 );拉皮条 | |
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21 wharfs | |
码头,停泊处 | |
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22 earnings | |
n.工资收人;利润,利益,所得 | |
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23 attachment | |
n.附属物,附件;依恋;依附 | |
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24 solicitous | |
adj.热切的,挂念的 | |
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25 exultation | |
n.狂喜,得意 | |
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26 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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27 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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28 gushing | |
adj.迸出的;涌出的;喷出的;过分热情的v.喷,涌( gush的现在分词 );滔滔不绝地说话 | |
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29 forth | |
adv.向前;向外,往外 | |
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30 crouched | |
v.屈膝,蹲伏( crouch的过去式和过去分词 ) | |
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31 contemplating | |
深思,细想,仔细考虑( contemplate的现在分词 ); 注视,凝视; 考虑接受(发生某事的可能性); 深思熟虑,沉思,苦思冥想 | |
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32 contemplated | |
adj. 预期的 动词contemplate的过去分词形式 | |
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33 maze | |
n.迷宫,八阵图,混乱,迷惑 | |
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34 brutes | |
兽( brute的名词复数 ); 畜生; 残酷无情的人; 兽性 | |
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35 apparently | |
adv.显然地;表面上,似乎 | |
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36 creed | |
n.信条;信念,纲领 | |
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37 cordon | |
n.警戒线,哨兵线 | |
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38 incessant | |
adj.不停的,连续的 | |
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39 murky | |
adj.黑暗的,朦胧的;adv.阴暗地,混浊地;n.阴暗;昏暗 | |
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40 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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41 scudding | |
n.刮面v.(尤指船、舰或云彩)笔直、高速而平稳地移动( scud的现在分词 ) | |
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42 prospect | |
n.前景,前途;景色,视野 | |
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43 recesses | |
n.壁凹( recess的名词复数 );(工作或业务活动的)中止或暂停期间;学校的课间休息;某物内部的凹形空间v.把某物放在墙壁的凹处( recess的第三人称单数 );将(墙)做成凹形,在(墙)上做壁龛;休息,休会,休庭 | |
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44 den | |
n.兽穴;秘密地方;安静的小房间,私室 | |
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45 uncertainty | |
n.易变,靠不住,不确知,不确定的事物 | |
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46 nay | |
adv.不;n.反对票,投反对票者 | |
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47 discord | |
n.不和,意见不合,争论,(音乐)不和谐 | |
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48 bereft | |
adj.被剥夺的 | |
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49 harass | |
vt.使烦恼,折磨,骚扰 | |
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50 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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51 concealed | |
a.隐藏的,隐蔽的 | |
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52 relentless | |
adj.残酷的,不留情的,无怜悯心的 | |
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53 chides | |
v.责骂,责备( chide的第三人称单数 ) | |
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54 beholds | |
v.看,注视( behold的第三人称单数 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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55 condemnation | |
n.谴责; 定罪 | |
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56 loathsome | |
adj.讨厌的,令人厌恶的 | |
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57 pestilence | |
n.瘟疫 | |
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58 rebukes | |
责难或指责( rebuke的第三人称单数 ) | |
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59 rebuke | |
v.指责,非难,斥责 [反]praise | |
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60 calamity | |
n.灾害,祸患,不幸事件 | |
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61 taper | |
n.小蜡烛,尖细,渐弱;adj.尖细的;v.逐渐变小 | |
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62 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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63 tribulation | |
n.苦难,灾难 | |
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64 wreck | |
n.失事,遇难;沉船;vt.(船等)失事,遇难 | |
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65 wile | |
v.诡计,引诱;n.欺骗,欺诈 | |
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66 contemplates | |
深思,细想,仔细考虑( contemplate的第三人称单数 ); 注视,凝视; 考虑接受(发生某事的可能性); 深思熟虑,沉思,苦思冥想 | |
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67 simultaneously | |
adv.同时发生地,同时进行地 | |
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68 graceful | |
adj.优美的,优雅的;得体的 | |
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69 salutes | |
n.致敬,欢迎,敬礼( salute的名词复数 )v.欢迎,致敬( salute的第三人称单数 );赞扬,赞颂 | |
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70 expressive | |
adj.表现的,表达…的,富于表情的 | |
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71 edibles | |
可以吃的,可食用的( edible的名词复数 ); 食物 | |
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72 vileness | |
n.讨厌,卑劣 | |
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73 reluctance | |
n.厌恶,讨厌,勉强,不情愿 | |
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74 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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75 refreshing | |
adj.使精神振作的,使人清爽的,使人喜欢的 | |
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76 touching | |
adj.动人的,使人感伤的 | |
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77 touchingly | |
adv.令人同情地,感人地,动人地 | |
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78 affected | |
adj.不自然的,假装的 | |
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79 joyously | |
ad.快乐地, 高兴地 | |
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80 consolation | |
n.安慰,慰问 | |
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81 wretches | |
n.不幸的人( wretch的名词复数 );可怜的人;恶棍;坏蛋 | |
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82 harry | |
vt.掠夺,蹂躏,使苦恼 | |
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83 speculations | |
n.投机买卖( speculation的名词复数 );思考;投机活动;推断 | |
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84 motives | |
n.动机,目的( motive的名词复数 ) | |
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85 logic | |
n.逻辑(学);逻辑性 | |
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86 contrive | |
vt.谋划,策划;设法做到;设计,想出 | |
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87 inflicted | |
把…强加给,使承受,遭受( inflict的过去式和过去分词 ) | |
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88 generosity | |
n.大度,慷慨,慷慨的行为 | |
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89 descends | |
v.下来( descend的第三人称单数 );下去;下降;下斜 | |
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90 exuberance | |
n.丰富;繁荣 | |
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91 exulting | |
vi. 欢欣鼓舞,狂喜 | |
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92 exultingly | |
兴高采烈地,得意地 | |
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93 plantation | |
n.种植园,大农场 | |
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94 instinctively | |
adv.本能地 | |
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95 ragged | |
adj.衣衫褴褛的,粗糙的,刺耳的 | |
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96 brawny | |
adj.强壮的 | |
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97 indifference | |
n.不感兴趣,不关心,冷淡,不在乎 | |
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98 fervency | |
n.热情的;强烈的;热烈 | |
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99 jargon | |
n.术语,行话 | |
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100 shrouds | |
n.裹尸布( shroud的名词复数 );寿衣;遮蔽物;覆盖物v.隐瞒( shroud的第三人称单数 );保密 | |
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101 vivacity | |
n.快活,活泼,精神充沛 | |
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102 enquires | |
打听( enquire的第三人称单数 ); 询问; 问问题; 查问 | |
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103 ingratitude | |
n.忘恩负义 | |
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104 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
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105 enjoins | |
v.命令( enjoin的第三人称单数 ) | |
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106 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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107 regain | |
vt.重新获得,收复,恢复 | |
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108 regains | |
复得( regain的第三人称单数 ); 赢回; 重回; 复至某地 | |
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109 watchful | |
adj.注意的,警惕的 | |
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110 cant | |
n.斜穿,黑话,猛扔 | |
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111 pious | |
adj.虔诚的;道貌岸然的 | |
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112 superseded | |
[医]被代替的,废弃的 | |
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113 sincerity | |
n.真诚,诚意;真实 | |
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114 hesitation | |
n.犹豫,踌躇 | |
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115 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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116 astonishment | |
n.惊奇,惊异 | |
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117 distinguished | |
adj.卓越的,杰出的,著名的 | |
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118 chivalry | |
n.骑士气概,侠义;(男人)对女人彬彬有礼,献殷勤 | |
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119 wondrous | |
adj.令人惊奇的,奇妙的;adv.惊人地;异乎寻常地;令人惊叹地 | |
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120 variance | |
n.矛盾,不同 | |
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121 reclaim | |
v.要求归还,收回;开垦 | |
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122 auspicious | |
adj.吉利的;幸运的,吉兆的 | |
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123 innovator | |
n.改革者;创新者 | |
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124 distinctive | |
adj.特别的,有特色的,与众不同的 | |
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125 agitation | |
n.搅动;搅拌;鼓动,煽动 | |
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126 attentively | |
adv.聚精会神地;周到地;谛;凝神 | |
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127 blot | |
vt.弄脏(用吸墨纸)吸干;n.污点,污渍 | |
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128 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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129 licentious | |
adj.放纵的,淫乱的 | |
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130 degradation | |
n.降级;低落;退化;陵削;降解;衰变 | |
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131 bounties | |
(由政府提供的)奖金( bounty的名词复数 ); 赏金; 慷慨; 大方 | |
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132 foul | |
adj.污秽的;邪恶的;v.弄脏;妨害;犯规;n.犯规 | |
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133 pathos | |
n.哀婉,悲怆 | |
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134 providence | |
n.深谋远虑,天道,天意;远见;节约;上帝 | |
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135 nervously | |
adv.神情激动地,不安地 | |
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136 suspense | |
n.(对可能发生的事)紧张感,担心,挂虑 | |
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137 falters | |
(嗓音)颤抖( falter的第三人称单数 ); 支吾其词; 蹒跚; 摇晃 | |
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138 trickling | |
n.油画底色含油太多而成泡沫状突起v.滴( trickle的现在分词 );淌;使)慢慢走;缓慢移动 | |
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139 sobs | |
啜泣(声),呜咽(声)( sob的名词复数 ) | |
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140 mutual | |
adj.相互的,彼此的;共同的,共有的 | |
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141 tenant | |
n.承租人;房客;佃户;v.租借,租用 | |
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142 discomfiture | |
n.崩溃;大败;挫败;困惑 | |
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143 imprisonment | |
n.关押,监禁,坐牢 | |
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144 throbs | |
体内的跳动( throb的名词复数 ) | |
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145 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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146 harassing | |
v.侵扰,骚扰( harass的现在分词 );不断攻击(敌人) | |
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147 uproot | |
v.连根拔起,拔除;根除,灭绝;赶出家园,被迫移开 | |
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148 unison | |
n.步调一致,行动一致 | |
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149 devouring | |
吞没( devour的现在分词 ); 耗尽; 津津有味地看; 狼吞虎咽地吃光 | |
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150 amends | |
n. 赔偿 | |
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151 solicitously | |
adv.热心地,热切地 | |
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152 throbbing | |
a. 跳动的,悸动的 | |
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153 disinterestedness | |
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154 dispensing | |
v.分配( dispense的现在分词 );施与;配(药) | |
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155 needy | |
adj.贫穷的,贫困的,生活艰苦的 | |
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156 steadfastly | |
adv.踏实地,不变地;岿然;坚定不渝 | |
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157 solicitude | |
n.焦虑 | |
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158 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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159 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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160 bounty | |
n.慷慨的赠予物,奖金;慷慨,大方;施与 | |
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161 subsided | |
v.(土地)下陷(因在地下采矿)( subside的过去式和过去分词 );减弱;下降至较低或正常水平;一下子坐在椅子等上 | |
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162 soothe | |
v.安慰;使平静;使减轻;缓和;奉承 | |
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163 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
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164 abode | |
n.住处,住所 | |
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165 sarcastically | |
adv.挖苦地,讽刺地 | |
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166 imploring | |
恳求的,哀求的 | |
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167 bail | |
v.舀(水),保释;n.保证金,保释,保释人 | |
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168 writ | |
n.命令状,书面命令 | |
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169 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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170 chafing | |
n.皮肤发炎v.擦热(尤指皮肤)( chafe的现在分词 );擦痛;发怒;惹怒 | |
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171 pallid | |
adj.苍白的,呆板的 | |
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172 repose | |
v.(使)休息;n.安息 | |
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173 withers | |
马肩隆 | |
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174 blighting | |
使凋萎( blight的现在分词 ); 使颓丧; 损害; 妨害 | |
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175 fatigued | |
adj. 疲乏的 | |
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176 mansion | |
n.大厦,大楼;宅第 | |
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