Ned's accident did not prove to be as serious as had been feared, although there was no possibility of him being about for several days, at least.
In the excitement and emergency Tavia had marshaled all her individual forces, and proved herself worthy2 to be a friend and chum of Dorothy Dale. With her change of heart—her resolution to "stick to Dorothy"—there seemed to come to her a new power, or, at least, it was a return of the power with which she had previously3 been accredited4.
So the final work of preparation was accomplished5, and now it seemed to be merely a matter of raising and lowering the curtain.
The characters which Ned was to have impersonated were divided among the other young men, it being necessary of course, to "double up" on three or four parts. Agnes Sinclair openly deplored6 her loss of a partner, but the others smiled incredulously when she said she preferred to play with Ned and "hated that big bear, Tom Scott."
Tom made this his excuse for being particularly "grizzly7" with the pretty Agnes, and at the afternoon rehearsal8 he nearly went through the big gilt9 picture frame, in which the illustrations were posed, when he attempted to introduce a little impromptu10 "business" in "The Maiden11 all Forlorn."
Then when Roland attempted to do "There was a Man in Our Town," another of Ned's parts, his efforts were so absurd and so utterly12 unlike what the tableau13 was expected to be, that it was decided14 to make it "I Had a Little Husband, no Bigger than my Thumb." Roland certainly looked diminutive15 enough to fit into a pint16 pot, and also seemed qualified17 to do as he might be told with the drum.
Finally all was arranged, or rearranged, and the hour for the play was almost at hand.
No more delightful18 weather could have been wished for. It was clear and cold, while outside a big silvery moon threw a fairy-like illumination over the scene, and filtered in through the big windows of the drawing-room of the home of Mrs. Justin Brownlie.
Dorothy laughed her light, happy laugh. After all, perhaps everything would come out right—it was such a relief to feel that Ned would soon be better. The worry about him was the very worst part of her troubles. Then, suddenly, like the recurrence19 of an unpleasant dream, the thought of Tom's midnight visit flashed before her mind.
"Oh, I didn't tell you, Tavia," she said quickly. "I had the awfullest scare the other night. I just stole downstairs to see how Ned was, when all at once some one rapped at the vestibule door."
Tavia gazed upon Dorothy, pride and admiration20 beaming in her deep, hazel eyes.
"Oh, you needn't tell me, Doro," she interrupted. "I saw the midnight marauder, as the poets say. Lucky for him he stood directly under the light."
"Wasn't it—wasn't it kind of him to be—so—so anxious?" went on Dorothy, making fast her scarf picking up her pretty party-bag.
"Tom's the sort of fellow who dares to do right, no matter what happens. He would as soon call at midnight as midday, if the occasion warranted it. And that's saying a good deal for Tom—from me," she concluded.
Nat was waiting at the door. He took particular pains to be nice to Tavia. In fact, most of the difficulties that had for some weeks been accumulating about The Cedars22 seemed to take wings with the occurrence of Ned's accident. The oft-quoted saying about an "ill wind" was once more being verified, although it was hard for Ned to be left at home.
The house was already crowded when our friends arrived at Mrs. Brownlie's.
"We will have a good attendance," commented Dorothy with a smile of satisfaction. "If we can only make our hundred dollars, and then get little Bennie into the hospital, how lovely it will be!"
"There must be a hundred persons here now," Nat assured her, "and at a dollar per——"
"Oh, do hurry along," interrupted Eva Brownlie. "We are all waiting for you, Dorothy. We were worried to death for fear something else dreadful might have happened."
Eva surely looked like an angel. She was entirely23 in white, her hair hanging loosely over her shoulders, with a band of gold, in Roman style, confining it at her brow.
Roland was dancing attendance on Eva—any one could see that he was fascinated by the pretty twin. Tom came up to Dorothy as she entered the broad hall.
"Of course," replied Dorothy, smiling. "He's getting better. But it was hard to leave him alone with his hurt—and Norah. Not that Norah is to be classed with the injuries," she hurried to add, laughing merrily.
"They are waiting for the orchestra," Tom reminded her, taking her music and escorting her to the piano.
The girls, with their violins, were already in place. Dorothy felt some embarrassment25 in facing a room filled with those she considered critical spectators, for the best society of all the Birchlands, as well as cultured persons from Ferndale near by, had come to the entertainment.
The Brownlie girls played the violins. Dorothy gave them the "A" note, and they put their instruments in tune26, with that weird27, fascinating combination of chords which prelude28 the opening strains of enthralling29 music. Then they began.
The first number received a generous encore, and the girls played again. Then there was a suppressed murmur30 of expectancy—a picture was about to be presented.
Slowly the curtains were drawn31 aside. The lights had been "doused32" as Nat, the acting33 stage manager, expressed it, and only a dim glow illuminated34 the tableau.
An immense gilt frame, containing a landscape as a background. In front of that the living pictures were posed. It was Jack35 Spratt and his Wife—presented by Tavia and Roland.
The audience instantly recognized the illustration, and vigorous applause greeted the tableau. Tavia was surely funny—so fat, and so comical, while Roland looked like a human toothpick. The clean platter was cleaner than even Mother Goose could have wished it, and, altogether, the first picture was an unqualified success.
Tavia was shaking with nervousness when the curtain was pulled together, and when, in response to an imperative36 demand from the audience, it was parted again, Tavia could scarcely keep from laughing outright37. It was one of the difficult pictures, but the girl's talent for theatricals38 stood her in good stead, while, as for Roland, he seemed too lazy to make any blunders.
Tom, as "Jack Horner," came next. Fat! Numbers in the audience insisted that he was the original "Roly-poly," but the big paper-covered pie precluded39 all further argument. Tom held his thumb in that pie as faithfully as ever a real, picture Jack Horner did. He had to pose for a second view, and at that the throng40 was not satisfied, but Nat declared that one encore was enough.
Then Little Bo-Peep appeared—fast asleep, lying on some fresh hay from the Brownlie barn. And what a charming picture Dorothy did make!
She wore a light-blue skirt, with a dark bodice, and a big, soft straw hat, tossed back on her head, did not hide the beauty of her abundant locks. Her crook41 had fallen from her hand, and rested at the bottom of the little mound42 of hay. It was a delightful representation, and Dorothy seemed actually painted upon the canvas, so naturally did she sleep. Mrs. Brownlie nodded approvingly to Mrs. White. Dorothy's picture was not only pretty, but it artistically43 perfect.
The audience seemed loath44 to disturb the little scene by applause, and instead of answering to an encore Dorothy was obliged to keep her Bo-Peep attitude for the length of time that it would have required to present her tableau a second time.
Tom grasped Dorothy's hand as she left the frame.
"Great!" he exclaimed enthusiastically. "I wish Ned could have seen you!"
Dorothy was glad—pardonably glad. She had thought a "solo" difficult, and had doubted her ability to make it attractive, but now she was quite satisfied.
There was some delay in presenting the next number, but the wait was forgotten when the curtains were pulled apart.
It was a depiction45 of "Peter, Peter, Pumpkin46 Eater," with Eva's fair head sticking out of an immense paper pumpkin shell. Nat's face, in the character of Peter, was in a most satisfactory smile, consequent, probably, upon his ability to "keep her very well," and it was surely a very funny picture. Eva assumed a distressed47 look, and was thankful that only her face had to act, for the quarters of the pumpkin shell were rather limited.
Other tableaux48 followed, each one more or less well impersonated, until Tom and Agnes went at "The Maiden all Forlorn."
As the "Man all Tattered49 and Tom," Tom was a veritable scarecrow, with a fringe of rags all over him, and the familiar battered50 hat well turned down to conceal51 any accidental smile that might detract from his serious pose. He was bending over Agnes in the regulation picture-lover attitude, and as the curtains were pulled together Tom did what any other young man on earth might have done—he kissed the Maiden all Forlorn.
Everybody behind the scenes saw it.
"I never want to act with him again!" declared Agnes loudly and scornfully, as she scrubbed her offended cheek with her handkerchief. "Ned White is always a gentleman."
Dorothy was sorry, but it seemed a natural joke. Every one but Agnes thought the same thing, but somehow the forlorn maiden could not be convinced that Tom was simply thoughtless in his joking.
The incident, trifling52 as it was, somewhat marred53 the good humor of the players. Roland came near falling for a second time in his "Jack be Nimble." As it was, the big candlestick did topple over just as the curtain bell sounded. Then Edith Brownlie looked decidedly miserable54 as "The Queen was in the Kitchen, Eating Bread and Honey." She liked Tom Scott—everybody knew that—and now Tom, in addition to having lately favored Dorothy, had kissed Agnes! Of course, the girls, and boys too, teased the sensitive Edith, and she lost interest in her picture.
Dorothy breathed a sigh of relief when Mary Mahon's number was announced. Mary was actually quivering with excitement. She wanted to act, and Dorothy was confident that she would do well.
Her recitation was entitled "Guilty or Not Guilty?" and as she stepped out and made her bow, the house was hushed in silence. In a plaintive55 voice she began that well-known poem:
"She stood at the bar of justice,
In form too young for a woman,
In feature too old for a child."
How the lines seemed to suit her! Surely the features of Mary were too old for those of a child. Her face had a drawn, pinched look, and her eyes were so deeply set.
But the pathos56 of her voice! When she pleaded with the judge for mercy against the charge that she was a thief she mentioned the starving children.
"I took—oh, was it stealing?—
The bread to give to them!"
The women pressed their handkerchiefs to their eyes. There was something almost too real in the child's plea. Who was she? they asked. A professional?
Dorothy was delighted at Mary's success. The girl was her "find," and it was she who had taught her how to use her voice so well in the pathetic lines. True, she found an apt pupil in Mary, and Dorothy was but too glad to accord her the entire triumph, when the recitationist bowed again in response to the hearty57 applause and retired58.
A gentleman in the audience left his chair, and, walking over, spoke59 to Mrs. White. He was Dr. Baker60, one of the hospital staff.
"I believe she does," replied Mrs. White, making a place for Dr. Baker to sit down beside her. "My niece Dorothy is much interested in the child—she seems to have a faculty62 for discovering genius, has Dorothy."
"Well, I have not seen little Mary for some years, but there is no mistaking her. Her mother, an actress, died in one of the charity wards63 of the hospital, and I am afraid the child has inherited the fatal malady64 from her mother. She looks now like a consumptive."
Mrs. White was startled. Certainly Mary was delicate in appearance, but she had not thought of her as having a disease.
"There's no time to spare in her case," said the physician in a low voice. "Bring her to me as soon as you can."
"Dorothy did not expect to have a real case assisted so promptly," remarked Mrs. White. "It is rather out of the ordinary—a patient playing for her own benefit."
"I suspect that your pretty niece brought this child out with the sole purpose of making her happy," said Dr. Baker, "and she evidently has no idea how much real happiness she is destined65 to confer on her. Perhaps a month later it would have been too late to save her. Now I think we can, though there is a flush on her cheeks that I do not like."
The curtains were separated to disclose the last number. It was a tableau of all the girls and boys, posing as the "Haymakers." It made a beautiful picture, the girls in their gaily-colored dresses, with great, broad-brimmed hats, and the boys dressed in equally rural costumes.
Dorothy was so glad that it was all over—that this was the last picture. Agnes stood next to her. The curtains were drawn, and then separated again in response to insistent66 applause. There was a moment more of posing, and then it was all over.
As the curtain shut out the sight of the audience, Agnes slipped her arm around Dorothy's waist. Then she leaned over and whispered in her ear.
"I am sorry to have made all that fuss about—about him kissing me. But, Doro, dear, I do hate a flirt67, and everybody knows Tom Scott is in love with you."
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1
wan
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| (wide area network)广域网 | |
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worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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previously
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| adv.以前，先前（地） | |
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accredited
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| adj.可接受的；可信任的；公认的；质量合格的v.相信( accredit的过去式和过去分词 )；委托；委任；把…归结于 | |
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accomplished
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| adj.有才艺的；有造诣的；达到了的 | |
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deplored
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| v.悲叹，痛惜，强烈反对( deplore的过去式和过去分词 ) | |
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grizzly
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| adj.略为灰色的，呈灰色的；n.灰色大熊 | |
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rehearsal
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| n.排练，排演；练习 | |
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gilt
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| adj.镀金的；n.金边证券 | |
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impromptu
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| adj.即席的，即兴的；adv.即兴的(地)，无准备的(地) | |
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maiden
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| n.少女，处女；adj.未婚的，纯洁的，无经验的 | |
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utterly
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| adv.完全地，绝对地 | |
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tableau
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| n.画面，活人画（舞台上活人扮的静态画面） | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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diminutive
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| adj.小巧可爱的，小的 | |
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pint
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| n.品脱 | |
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qualified
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| adj.合格的，有资格的，胜任的，有限制的 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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recurrence
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| n.复发，反复，重现 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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assented
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| 同意，赞成( assent的过去式和过去分词 ) | |
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cedars
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| 雪松，西洋杉( cedar的名词复数 ) | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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embarrassment
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| n.尴尬；使人为难的人(事物)；障碍；窘迫 | |
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tune
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| n.调子；和谐，协调；v.调音，调节，调整 | |
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weird
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| adj.古怪的，离奇的；怪诞的，神秘而可怕的 | |
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prelude
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| n.序言，前兆，序曲 | |
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enthralling
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| 迷人的 | |
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murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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doused
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| v.浇水在…上( douse的过去式和过去分词 )；熄灯[火] | |
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acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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illuminated
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| adj.被照明的；受启迪的 | |
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jack
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| n.插座，千斤顶，男人；v.抬起，提醒，扛举；n.（Jake）杰克 | |
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imperative
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| n.命令，需要；规则；祈使语气；adj.强制的；紧急的 | |
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outright
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| adv.坦率地；彻底地；立即；adj.无疑的；彻底的 | |
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theatricals
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| n.（业余性的）戏剧演出，舞台表演艺术；职业演员；戏剧的( theatrical的名词复数 )；剧场的；炫耀的；戏剧性的 | |
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precluded
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| v.阻止( preclude的过去式和过去分词 )；排除；妨碍；使…行不通 | |
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throng
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| n.人群，群众；v.拥挤，群集 | |
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crook
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| v.使弯曲；n.小偷，骗子，贼；弯曲(处) | |
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mound
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| n.土墩，堤，小山；v.筑堤，用土堆防卫 | |
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artistically
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| adv.艺术性地 | |
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loath
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| adj.不愿意的；勉强的 | |
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depiction
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| n.描述 | |
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pumpkin
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| n.南瓜 | |
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distressed
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| 痛苦的 | |
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48
tableaux
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| n.舞台造型，（由活人扮演的）静态画面、场面；人构成的画面或场景( tableau的名词复数 )；舞台造型；戏剧性的场面；绚丽的场景 | |
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49
tattered
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| adj.破旧的，衣衫破的 | |
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50
battered
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| adj.磨损的；v.连续猛击；磨损 | |
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51
conceal
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| v.隐藏，隐瞒，隐蔽 | |
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52
trifling
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| adj.微不足道的；没什么价值的 | |
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marred
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| adj. 被损毁, 污损的 | |
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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plaintive
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| adj.可怜的，伤心的 | |
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pathos
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| n.哀婉，悲怆 | |
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57
hearty
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| adj.热情友好的；衷心的；尽情的，纵情的 | |
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retired
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| adj.隐退的，退休的，退役的 | |
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59
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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baker
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| n.面包师 | |
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aged
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| adj.年老的，陈年的 | |
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faculty
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| n.才能；学院，系；(学院或系的)全体教学人员 | |
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63
wards
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| 区( ward的名词复数 )； 病房； 受监护的未成年者； 被人照顾或控制的状态 | |
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64
malady
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| n.病，疾病(通常做比喻) | |
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65
destined
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| adj.命中注定的；(for)以…为目的地的 | |
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insistent
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| adj.迫切的，坚持的 | |
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flirt
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| v.调情，挑逗，调戏；n.调情者，卖俏者 | |
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