As morning advanced, the Skipping Goone became a setting for some of the wildest scenes in the history of opera in America. Red-eyed sopranos were bumped by stevedores1; a stout2 lady whose forte3 was contralto matrons, went madly about in search of a trunk. Sailors were puttering, while Captain Bearman croaked4 out sullen5 orders through his beautiful flaming whiskers. Finally, the lord of all commotion6, Xenophon Curry7, who was sure, yes desperately8 and perspiringly sure, half the important things had been forgotten.
And of course Flora9 Utterbourne was on hand to see them off. She walked right aboard the Skipping Goone, her face smilingly full of every good wish for the impresario10 as she stood beside him on deck conversing11 with unbroken animation12, yet always in that fluid, gliding13 manner which he knew so well now. Yes, Flora in her speech flowed on like a gracious river. And there was just a faint sadness behind her frank gaze, which meant that this departure was going to leave an unexpected emptiness. However, if there was sadness in her gaze, there was sadness also in the impresario’s. Xenophon Curry, though borne up by unquenchable optimism, realized that it was going to be surprisingly hard to say good-bye—maybe for years or a lifetime—to the lady who had asked him the way to Crawl Hill.
The Skipping Goone looked small and a little pathetic this morning. What was in store for them in the wide, wild ocean?
A crowd was waving on the wharf14. The last perfervid farewells had been said, and the singers went about nibbling15 bon voyage chocolates, defiant16 of mal de mer. There were flowers, there was even confetti. The drab old schooner17 had taken on a very festive18 look indeed—almost like the barque of Cleopatra!
Every hand clutched a handkerchief, every handkerchief sought its niche19 in the vibrating atmosphere. A tenor20 tried his voice behind the deckhouse and emerged singing Auld21 Lang Syne22. The last hawser23 was cast off. A tug24 hooted25.
And so it was that the Skipping Goone in her brave new paint, bearing a mixed cargo26 of merchandise and songbirds, gay with flutter and bloom, was trundled off down the bay and out upon the heaving vast, bound for parts remote and adventures cloaked in an impenetrable veil.
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1 stevedores | |
n.码头装卸工人,搬运工( stevedore的名词复数 ) | |
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3 forte | |
n.长处,擅长;adj.(音乐)强音的 | |
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4 croaked | |
v.呱呱地叫( croak的过去式和过去分词 );用粗的声音说 | |
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5 sullen | |
adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
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6 commotion | |
n.骚动,动乱 | |
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7 curry | |
n.咖哩粉,咖哩饭菜;v.用咖哩粉调味,用马栉梳,制革 | |
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8 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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9 flora | |
n.(某一地区的)植物群 | |
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10 impresario | |
n.歌剧团的经理人;乐团指挥 | |
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11 conversing | |
v.交谈,谈话( converse的现在分词 ) | |
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12 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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13 gliding | |
v. 滑翔 adj. 滑动的 | |
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14 wharf | |
n.码头,停泊处 | |
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15 nibbling | |
v.啃,一点一点地咬(吃)( nibble的现在分词 );啃出(洞),一点一点咬出(洞);慢慢减少;小口咬 | |
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16 defiant | |
adj.无礼的,挑战的 | |
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17 schooner | |
n.纵帆船 | |
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18 festive | |
adj.欢宴的,节日的 | |
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19 niche | |
n.壁龛;合适的职务(环境、位置等) | |
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20 tenor | |
n.男高音(歌手),次中音(乐器),要旨,大意 | |
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21 auld | |
adj.老的,旧的 | |
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22 syne | |
adv.自彼时至此时,曾经 | |
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23 hawser | |
n.大缆;大索 | |
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24 tug | |
v.用力拖(或拉);苦干;n.拖;苦干;拖船 | |
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25 hooted | |
(使)作汽笛声响,作汽车喇叭声( hoot的过去式和过去分词 ) | |
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26 cargo | |
n.(一只船或一架飞机运载的)货物 | |
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