Miss Nebeker was very hard of hearing, almost stone deaf, indeed, which affliction lent a pathetic effect even to her humor. She was rather stout10, decidedly short, and had a way of making wry11 faces with a view to adding comicality to certain turns of her New Jersey phraseology, and yet she was somewhat of a bore at times. Possibly she wished to read too often and sometimes upon very unsuitable occasions. It was Mrs. Bridges who once said that, if the minister at a funeral should ask some one to say a few appropriate words, Miss Nebeker, if present, would immediately clear her throat and begin reciting “A Jerseyman’s Jewsharp.” “And if she once got started you’d never be able to stop her, for she’s as deaf as an adder14.”
It was during the rainstorm, while those of the guests who had not gone to the hermit’s hut with Cattleton, were in the cool and spacious15 parlor16 of the hotel, that something was said about Charles Dickens reading from his own works. Strangely enough, although the remark was uttered in a low key and at some distance from Miss Nebeker, she responded at once with an offer to give them a new rendering17 of The Jerseyman’s Jewsharp. Lucas, the historian, objected vigorously, but she insisted upon interpreting his words and gestures as emphatic18 applause of her proposition. She arose while he was saying:
This unexpected and surprising slang from so grave and dignified19 a man set everybody to laughing. Miss Nebeker bowed in smiling[120] acknowledgement of what appeared to her to be a flattering anticipation20 of her humor, and taking her manuscript from some hiding-place in her drapery, made a grimace21 and began to read. Mrs. Philpot’s cat, in the absence of its mistress, had taken up with the elocutionist and now came to rub and purr around her feet while she recited. This was a small matter, but in school or church or lecture-hall, small matters attract attention. The fact that the cat now and again mewed plaintively22 set some of the audience to smiling and even to laughing.
Such apparent approval of her new rendition thrilled Miss Nebeker to her heart’s core. Her voice deepened, her intonations23 caught the spirit of her mood, and she read wildly well.
Every one who has even a smattering of the patois current in New Jersey, will understand how effective it might be made in the larynx of a cunning elocutionist; and then whoever has had the delicious experience of hearing a genuine Jerseyman play on the jewsharp will naturally jump to a correct conclusion concerning the pathos24 of the subject which Miss Nebeker had in hand. She felt its influence and threw all her power into it. Heavy as she was, she arose on her tip-toes at the turning point of the story and gesticulated vehemently25.
The cat, taken by surprise, leaped aside a pace or two and glared in a half-frightened way, with each separate hair on its tail set stiffly. Of course there was more laughter which the reader took as applause.
Nobody knew what he meant, but the laughing increased, simply for the reason that there was nothing to laugh at.
Discovering pretty soon that Miss Nebeker really meant no harm by her manœuvres, the cat went back to rub and purr at her feet. Then Miss Nebeker let down her heel on the cat’s tail, at the same time beginning with the pathetic part of The Jerseyman’s Jewsharp.
The unearthly squall that poor puss gave forth27 was wholly lost on the excited elocutionist, but it quite upset the audience, who, not wishing to appear rude, used their handkerchiefs freely.
The cat writhed29 and rolled and clawed the air and wailed30 like a lost spirit in its vain endeavor to free its tail; but Miss Nebeker, all unconscious of the situation, and seeing her hearers convulsed and wiping tears from their faces, redoubled her elocutionary artifices31 and poured incomparable feeling into her voice.
Suddenly the tortured and writhing32 animal uttered a scream of blood-curdling agony and lunged at Miss Nebeker’s ankles with tooth and claw.
She was in the midst of the passage where the dying Jerseyman lifts himself on his elbow and calls for his trusty Jewsharp:
“Gi’ me my juice-harp, Sarah Ann——” she was saying, when of a sudden she screamed[122] louder than the cat and bounded into the air, sending her manuscript in fluttering leaves all over the room.
The cat, with level tail and fiery33 eyes, sailed through the door-way into the hall, and went as if possessed34 of a devil, bounding up the stairway to Mrs. Philpot’s room.
Congratulations were in order, and Lucas insisted upon bellowing35 in Miss Nebeker’s ear his appreciation36 of the powerful effect produced by the last scene in the little drama.
“If our friends who are out in this rain are finding anything half as entertaining,” he thundered, “they needn’t mind the drenching37.”
“But I’m bitten, I’m scratched, I’m hurt,” she exclaimed.
Lucas suddenly realized the brutality38 of his attitude, and hastened to rectify39 it by collecting the leaves of her manuscript and handing them to her.
“I beg pardon,” he said sincerely, “I hope you are not hurt much.”
“Just like a cat,” she cried, “always under somebody’s feet! I do despise them!”
With a burning face and trembling hands she swiftly rearranged the manuscript and assuming the proper attitude asked the audience to be seated again.
“I am bitten and scratched quite severely,” she said, “and am suffering great pain, but if you will resume your places I will begin over again.”
“Call that cat back, then, quick!” exclaimed Lucas, “it’s the star performer in the play.”
She proceeded forthwith, setting out on a new journey through the tortuous40 ways of the poem, and held up very well to the end. What she called New Jersey patois was a trifle flat when put into verse and she lacked the polished buffoonery of a successful dialect reader, wherefore she failed to get along very successfully with her audience in the absence of the cat; still the reading served to kill a good deal of time, by a mangling41 process.
The storm was over long ago when she had finished, and the sun was flooding the valley with golden splendor42. Along the far away mountain ridges12 some slanting43 wisps of whitish mist sailed slowly, like aerial yachts riding dark blue billows. The foliage44 of the trees, lately dusky and drooping45, twinkled vividly46 with a green that was almost dazzling, and the air was deliciously fresh and fragrant47.
The mail had arrived and by a mistake a bundle of letters bearing the card of George Dunkirk & Co., and addressed to “George Dunkirk, Esq., Hotel Helicon, room 24,” was handed to Lucas.
The historian gazed at the superscription, adjusted his glasses and gazed again, and slowly the truth crept into his mind. There were ten or fifteen of the letters. Evidently some of them, as Lucas’s experience suggested, had alien[124] letters inclosed within their envelopes, and thus forwarded by the mailing clerk of the firm had at last come to the senior partner at room 24.
“Gaspard Dufour, indeed!” Lucas exclaimed inwardly. “George Dunkirk, rather. This is a pretty kettle of fish!”
He sent the letters up to room 24, to await the return of their proper recipient49, and fell to reflecting upon the many, very many and very insulting things that he and nearly all the rest of the hotel guests as well had said in Dufour’s hearing about publishers in general and about George Dunkirk & Co., in particular. His face burned with the heat of the retrospect50, as he recalled such phrases as “sleek thief,” “manipulator of copy-right statements,” “Cadmean wolf” “ghoul of literary grave-yards,” and a hundred others, applied51 with utter unrestraint and bandied around, while George Dunkirk was sitting by listening to it all!
He called Ferris to him and imparted his discovery in a stage whisper.
“The dickens!” was all that gentleman could say, as the full text of his address of the other evening rushed upon him.
“It is awkward, devilish awkward,” remarked Lucas, wiping his glasses and nervously52 readjusting them.
A few minutes later two men rode up to the hotel. One of them was a very quiet-looking fellow who dryly stated that he was the high sheriff of Mt. Boab county.
点击收听单词发音
1 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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2 spanked | |
v.用手掌打( spank的过去式和过去分词 ) | |
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3 ridge | |
n.山脊;鼻梁;分水岭 | |
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4 scourge | |
n.灾难,祸害;v.蹂躏 | |
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5 irresistible | |
adj.非常诱人的,无法拒绝的,无法抗拒的 | |
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6 delightful | |
adj.令人高兴的,使人快乐的 | |
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7 pedestrians | |
n.步行者( pedestrian的名词复数 ) | |
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8 jersey | |
n.运动衫 | |
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9 patois | |
n.方言;混合语 | |
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11 wry | |
adj.讽刺的;扭曲的 | |
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12 ridges | |
n.脊( ridge的名词复数 );山脊;脊状突起;大气层的)高压脊 | |
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13 harp | |
n.竖琴;天琴座 | |
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14 adder | |
n.蝰蛇;小毒蛇 | |
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15 spacious | |
adj.广阔的,宽敞的 | |
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16 parlor | |
n.店铺,营业室;会客室,客厅 | |
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17 rendering | |
n.表现,描写 | |
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18 emphatic | |
adj.强调的,着重的;无可置疑的,明显的 | |
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19 dignified | |
a.可敬的,高贵的 | |
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20 anticipation | |
n.预期,预料,期望 | |
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21 grimace | |
v.做鬼脸,面部歪扭 | |
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22 plaintively | |
adv.悲哀地,哀怨地 | |
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23 intonations | |
n.语调,说话的抑扬顿挫( intonation的名词复数 );(演奏或唱歌中的)音准 | |
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24 pathos | |
n.哀婉,悲怆 | |
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25 vehemently | |
adv. 热烈地 | |
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26 brace | |
n. 支柱,曲柄,大括号; v. 绷紧,顶住,(为困难或坏事)做准备 | |
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27 forth | |
adv.向前;向外,往外 | |
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28 touching | |
adj.动人的,使人感伤的 | |
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29 writhed | |
(因极度痛苦而)扭动或翻滚( writhe的过去式和过去分词 ) | |
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30 wailed | |
v.哭叫,哀号( wail的过去式和过去分词 ) | |
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31 artifices | |
n.灵巧( artifice的名词复数 );诡计;巧妙办法;虚伪行为 | |
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32 writhing | |
(因极度痛苦而)扭动或翻滚( writhe的现在分词 ) | |
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33 fiery | |
adj.燃烧着的,火红的;暴躁的;激烈的 | |
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34 possessed | |
adj.疯狂的;拥有的,占有的 | |
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35 bellowing | |
v.发出吼叫声,咆哮(尤指因痛苦)( bellow的现在分词 );(愤怒地)说出(某事),大叫 | |
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36 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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37 drenching | |
n.湿透v.使湿透( drench的现在分词 );在某人(某物)上大量使用(某液体) | |
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38 brutality | |
n.野蛮的行为,残忍,野蛮 | |
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39 rectify | |
v.订正,矫正,改正 | |
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40 tortuous | |
adj.弯弯曲曲的,蜿蜒的 | |
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41 mangling | |
重整 | |
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42 splendor | |
n.光彩;壮丽,华丽;显赫,辉煌 | |
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43 slanting | |
倾斜的,歪斜的 | |
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44 foliage | |
n.叶子,树叶,簇叶 | |
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45 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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46 vividly | |
adv.清楚地,鲜明地,生动地 | |
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47 fragrant | |
adj.芬香的,馥郁的,愉快的 | |
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48 veranda | |
n.走廊;阳台 | |
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49 recipient | |
a.接受的,感受性强的 n.接受者,感受者,容器 | |
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50 retrospect | |
n.回顾,追溯;v.回顾,回想,追溯 | |
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51 applied | |
adj.应用的;v.应用,适用 | |
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52 nervously | |
adv.神情激动地,不安地 | |
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