Eric struck southwest from the Williamson homestead, in a direction he had not hitherto explored, and walked briskly along, enjoying the witchery of the season all about him in earth and air and sky. He felt it and loved it and yielded to it, as anyone of clean life and sane4 pulses must do.
The spruce wood in which he presently found himself was smitten5 through with arrows of ruby6 light from the setting sun. He went through it, walking up a long, purple aisle7 where the wood-floor was brown and elastic8 under his feet, and came out beyond it on a scene which surprised him.
No house was in sight, but he found himself looking into an orchard9; an old orchard, evidently long neglected and forsaken10. But an orchard dies hard; and this one, which must have been a very delightful11 spot once, was delightful still, none the less so for the air of gentle melancholy12 which seemed to pervade13 it, the melancholy which invests all places that have once been the scenes of joy and pleasure and young life, and are so no longer, places where hearts have throbbed14, and pulses thrilled, and eyes brightened, and merry voices echoed. The ghosts of these things seem to linger in their old haunts through many empty years.
The orchard was large and long, enclosed in a tumbledown old fence of longers bleached15 to a silvery gray in the suns of many lost summers. At regular intervals16 along the fence were tall, gnarled fir trees, and an evening wind, sweeter than that which blew over the beds of spice from Lebanon, was singing in their tops, an earth-old song with power to carry the soul back to the dawn of time.
Eastward17, a thick fir wood grew, beginning with tiny treelets just feathering from the grass, and grading up therefrom to the tall veterans of the mid-grove, unbrokenly and evenly, giving the effect of a solid, sloping green wall, so beautifully compact that it looked as if it had been clipped into its velvet18 surface by art.
Most of the orchard was grown over lushly with grass; but at the end where Eric stood there was a square, treeless place which had evidently once served as a homestead garden. Old paths were still visible, bordered by stones and large pebbles19. There were two clumps20 of lilac trees; one blossoming in royal purple, the other in white. Between them was a bed ablow with the starry21 spikes22 of June lilies. Their penetrating23, haunting fragrance24 distilled25 on the dewy air in every soft puff26 of wind. Along the fence rosebushes grew, but it was as yet too early in the season for roses.
Beyond was the orchard proper, three long rows of trees with green avenues between, each tree standing27 in a wonderful blow of pink and white.
The charm of the place took sudden possession of Eric as nothing had ever done before. He was not given to romantic fancies; but the orchard laid hold of him subtly and drew him to itself, and he was never to be quite his own man again. He went into it over one of the broken panels of fence, and so, unknowing, went forward to meet all that life held for him.
He walked the length of the orchard’s middle avenue between long, sinuous28 boughs29 picked out with delicate, rose-hearted bloom. When he reached its southern boundary he flung himself down in a grassy30 corner of the fence where another lilac bush grew, with ferns and wild blue violets at its roots. From where he now was he got a glimpse of a house about a quarter of a mile away, its gray gable peering out from a dark spruce wood. It seemed a dull, gloomy, remote place, and he did not know who lived there.
He had a wide outlook to the west, over far hazy31 fields and misty32 blue intervales. The sun had just set, and the whole world of green meadows beyond swam in golden light. Across a long valley brimmed with shadow were uplands of sunset, and great sky lakes of saffron and rose where a soul might lose itself in colour. The air was very fragrant33 with the baptism of the dew, and the odours of a bed of wild mint upon which he had trampled34. Robins35 were whistling, clear and sweet and sudden, in the woods all about him.
“This is a veritable ‘haunt of ancient peace,’” quoted Eric, looking around with delighted eyes. “I could fall asleep here, dream dreams and see visions. What a sky! Could anything be diviner than that fine crystal eastern blue, and those frail36 white clouds that look like woven lace? What a dizzying, intoxicating37 fragrance lilacs have! I wonder if perfume could set a man drunk. Those apple trees now—why, what is that?”
Eric started up and listened. Across the mellow1 stillness, mingled38 with the croon of the wind in the trees and the flute-like calls of the robins, came a strain of delicious music, so beautiful and fantastic that Eric held his breath in astonishment39 and delight. Was he dreaming? No, it was real music, the music of a violin played by some hand inspired with the very spirit of harmony. He had never heard anything like it; and, somehow, he felt quite sure that nothing exactly like it ever had been heard before; he believed that that wonderful music was coming straight from the soul of the unseen violinist, and translating itself into those most airy and delicate and exquisite40 sounds for the first time; the very soul of music, with all sense and earthliness refined away.
It was an elusive41, haunting melody, strangely suited to the time and place; it had in it the sigh of the wind in the woods, the eerie42 whispering of the grasses at dewfall, the white thoughts of the June lilies, the rejoicing of the apple blossoms; all the soul of all the old laughter and song and tears and gladness and sobs43 the orchard had ever known in the lost years; and besides all this, there was in it a pitiful, plaintive44 cry as of some imprisoned45 thing calling for freedom and utterance46.
At first Eric listened as a man spellbound, mutely and motionlessly, lost in wonderment. Then a very natural curiosity overcame him. Who in Lindsay could play a violin like that? And who was playing so here, in this deserted47 old orchard, of all places in the world?
He rose and walked up the long white avenue, going as slowly and silently as possible, for he did not wish to interrupt the player. When he reached the open space of the garden he stopped short in new amazement48 and was again tempted49 into thinking he must certainly be dreaming.
Under the big branching white lilac tree was an old, sagging50, wooden bench; and on this bench a girl was sitting, playing on an old brown violin. Her eyes were on the faraway horizon and she did not see Eric. For a few moments he stood there and looked at her. The pictures she made photographed itself on his vision to the finest detail, never to be blotted51 from his book of remembrance. To his latest day Eric Marshall will be able to recall vividly52 that scene as he saw it then—the velvet darkness of the spruce woods, the overarching sky of soft brilliance53, the swaying lilac blossoms, and amid it all the girl on the old bench with the violin under her chin.
He had, in his twenty-four years of life, met hundreds of pretty women, scores of handsome women, a scant54 half dozen of really beautiful women. But he knew at once, beyond all possibility of question or doubt, that he had never seen or imagined anything so exquisite as this girl of the orchard. Her loveliness was so perfect that his breath almost went from him in his first delight of it.
Her face was oval, marked in every cameo-like line and feature with that expression of absolute, flawless purity, found in the angels and Madonnas of old paintings, a purity that held in it no faintest strain of earthliness. Her head was bare, and her thick, jet-black hair was parted above her forehead and hung in two heavy lustrous55 braids over her shoulders. Her eyes were of such a blue as Eric had never seen in eyes before, the tint56 of the sea in the still, calm light that follows after a fine sunset; they were as luminous57 as the stars that came out over Lindsay Harbour in the afterglow, and were fringed about with very long, soot-black lashes58, and arched over by most delicately pencilled dark eyebrows59. Her skin was as fine and purely60 tinted61 as the heart of a white rose. The collarless dress of pale blue print she wore revealed her smooth, slender throat; her sleeves were rolled up above her elbows and the hand which guided the bow of her violin was perhaps the most beautiful thing about her, perfect in shape and texture62, firm and white, with rosy-nailed taper63 fingers. One long, drooping64 plume65 of lilac blossom lightly touched her hair and cast a wavering shadow over the flower-like face beneath it.
There was something very child-like about her, and yet at least eighteen sweet years must have gone to the making of her. She seemed to be playing half unconsciously, as if her thoughts were far away in some fair dreamland of the skies. But presently she looked away from “the bourne of sunset,” and her lovely eyes fell on Eric, standing motionless before her in the shadow of the apple tree.
The sudden change that swept over her was startling. She sprang to her feet, the music breaking in mid-strain and the bow slipping from her hand to the grass. Every hint of colour fled from her face and she trembled like one of the wind-stirred June lilies.
“I beg your pardon,” said Eric hastily. “I am sorry that I have alarmed you. But your music was so beautiful that I did not remember you were not aware of my presence here. Please forgive me.”
He stopped in dismay, for he suddenly realized that the expression on the girl’s face was one of terror—not merely the startled alarm of a shy, childlike creature who had thought herself alone, but absolute terror. It was betrayed in her blanched67 and quivering lips and in the widely distended68 blue eyes that stared back into his with the expression of some trapped wild thing.
It hurt him that any woman should look at him in such a fashion, at him who had always held womanhood in such reverence69.
“Don’t look so frightened,” he said gently, thinking only of calming her fear, and speaking as he would to a child. “I will not hurt you. You are safe, quite safe.”
In his eagerness to reassure70 her he took an unconscious step forward. Instantly she turned, and, without a sound, fled across the orchard, through a gap in the northern fence and along what seemed to be a lane bordering the fir wood beyond and arched over with wild cherry trees misty white in the gathering71 gloom. Before Eric could recover his wits she had vanished from his sight among the firs.
He stooped and picked up the violin bow, feeling slightly foolish and very much annoyed.
“Well, this is a most mysterious thing,” he said, somewhat impatiently. “Am I bewitched? Who was she? WHAT was she? Can it be possible that she is a Lindsay girl? And why in the name of all that’s provoking should she be so frightened at the mere66 sight of me? I have never thought I was a particularly hideous72 person, but certainly this adventure has not increased my vanity to any perceptible extent. Perhaps I have wandered into an enchanted73 orchard, and been outwardly transformed into an ogre. Now that I have come to think of it, there is something quite uncanny about the place. Anything might happen here. It is no common orchard for the production of marketable apples, that is plain to be seen. No, it’s a most unwholesome locality; and the sooner I make my escape from it the better.”
He glanced about it with a whimsical smile. The light was fading rapidly and the orchard was full of soft, creeping shadows and silences. It seemed to wink74 sleepy eyes of impish enjoyment75 at his perplexity. He laid the violin bow down on the old bench.
“Well, there is no use in my following her, and I have no right to do so even if it were of use. But I certainly wish she hadn’t fled in such evident terror. Eyes like hers were never meant to express anything but tenderness and trust. Why—why—WHY was she so frightened? And who—who—WHO—can she be?”
All the way home, over fields and pastures that were beginning to be moonlight silvered he pondered the mystery.
“Let me see,” he reflected. “Mr. Williamson was describing the Lindsay girls for my benefit the other evening. If I remember rightly he said that there were four handsome ones in the district. What were their names? Florrie Woods, Melissa Foster—no, Melissa Palmer—Emma Scott, and Jennie May Ferguson. Can she be one of them? No, it is a flagrant waste of time and gray matter supposing it. That girl couldn’t be a Florrie or a Melissa or an Emma, while Jennie May is completely out of the question. Well, there is some bewitchment in the affair. Of that I’m convinced. So I’d better forget all about it.”
But Eric found that it was impossible to forget all about it. The more he tried to forget, the more keenly and insistently76 he remembered. The girl’s exquisite face haunted him and the mystery of her tantalized77 him.
True, he knew that, in all likelihood, he might easily solve the problem by asking the Williamsons about her. But somehow, to his own surprise, he found that he shrank from doing this. He felt that it was impossible to ask Robert Williamson and probably have the girl’s name overflowed78 in a stream of petty gossip concerning her and all her antecedents and collaterals79 to the third and fourth generation. If he had to ask any one it should be Mrs. Williamson; but he meant to find out the secret for himself if it were at all possible.
He had planned to go to the harbour the next evening. One of the lobstermen had promised to take him out cod-fishing. But instead he wandered southwest over the fields again.
He found the orchard easily—he had half expected NOT to find it. It was still the same fragrant, grassy, wind-haunted spot. But it had no occupant and the violin bow was gone from the old bench.
“Perhaps she tiptoed back here for it by the light o’ the moon,” thought Eric, pleasing his fancy by the vision of a lithe80, girlish figure stealing with a beating heart through mingled shadow and moonshine. “I wonder if she will possibly come this evening, or if I have frightened her away for ever. I’ll hide me behind this spruce copse and wait.”
Eric waited until dark, but no music sounded through the orchard and no one came to it. The keenness of his disappointment surprised him, nay81 more, it vexed82 him. What nonsense to be so worked up because a little girl he had seen for five minutes failed to appear! Where was his common sense, his “gumption,” as old Robert Williamson would have said? Naturally a man liked to look at a pretty face. But was that any reason why he should feel as if life were flat, stale, and unprofitable simply because he could not look at it? He called himself a fool and went home in a petulant83 mood. Arriving there, he plunged84 fiercely into solving algebraical equations and working out geometry exercises, determined85 to put out of his head forthwith all vain imaginings of an enchanted orchard, white in the moonshine, with lilts of elfin music echoing down its long arcades86.
The next day was Sunday and Eric went to church twice. The Williamson pew was one of the side ones at the top of the church and its occupants practically faced the congregation. Eric looked at every girl and woman in the audience, but he saw nothing of the face which, setting will power and common sense flatly at defiance87, haunted his memory like a star.
Thomas Gordon was there, sitting alone in his long, empty pew near the top of the building; and Neil Gordon sang in the choir88 which occupied the front pew of the gallery. He had a powerful and melodious89, though untrained voice, which dominated the singing and took the colour out of the weaker, more commonplace tones of the other singers. He was well-dressed in a suit of dark blue serge, with a white collar and tie. But Eric idly thought it did not become him so well as the working clothes in which he had first seen him. He was too obviously dressed up, and he looked coarser and more out of harmony with his surroundings.
For two days Eric refused to let himself think of the orchard. Monday evening he went cod-fishing, and Tuesday evening he went up to play checkers with Alexander Tracy. Alexander won all the games so easily that he never had any respect for Eric Marshall again.
“Played like a feller whose thoughts were wool gathering,” he complained to his wife. “He’ll never make a checker player—never in this world.”
点击
收听单词发音
收听单词发音 |
1
mellow
|
|
| adj.柔和的；熟透的；v.变柔和；(使)成熟 | |
参考例句： |
|
|
|
|
2
mellowness
|
|
| 成熟； 芳醇； 肥沃； 怡然 | |
参考例句： |
|
|
|
|
3
solitudes
|
|
| n.独居( solitude的名词复数 )；孤独；荒僻的地方；人迹罕至的地方 | |
参考例句： |
|
|
|
|
4
sane
|
|
| adj.心智健全的，神志清醒的，明智的，稳健的 | |
参考例句： |
|
|
|
|
5
smitten
|
|
| 猛打，重击，打击( smite的过去分词 ) | |
参考例句： |
|
|
|
|
6
ruby
|
|
| n.红宝石，红宝石色 | |
参考例句： |
|
|
|
|
7
aisle
|
|
| n.（教堂、教室、戏院等里的）过道，通道 | |
参考例句： |
|
|
|
|
8
elastic
|
|
| n.橡皮圈，松紧带；adj.有弹性的；灵活的 | |
参考例句： |
|
|
|
|
9
orchard
|
|
| n.果园，果园里的全部果树，(美俚)棒球场 | |
参考例句： |
|
|
|
|
10
Forsaken
|
|
| adj. 被遗忘的, 被抛弃的 动词forsake的过去分词 | |
参考例句： |
|
|
|
|
11
delightful
|
|
| adj.令人高兴的，使人快乐的 | |
参考例句： |
|
|
|
|
12
melancholy
|
|
| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
参考例句： |
|
|
|
|
13
pervade
|
|
| v.弥漫，遍及，充满，渗透，漫延 | |
参考例句： |
|
|
|
|
14
throbbed
|
|
| 抽痛( throb的过去式和过去分词 )； （心脏、脉搏等）跳动 | |
参考例句： |
|
|
|
|
15
bleached
|
|
| 漂白的，晒白的，颜色变浅的 | |
参考例句： |
|
|
|
|
16
intervals
|
|
| n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息 | |
参考例句： |
|
|
|
|
17
eastward
|
|
| adv.向东；adj.向东的；n.东方，东部 | |
参考例句： |
|
|
|
|
18
velvet
|
|
| n.丝绒，天鹅绒；adj.丝绒制的，柔软的 | |
参考例句： |
|
|
|
|
19
pebbles
|
|
| [复数]鹅卵石； 沙砾； 卵石，小圆石( pebble的名词复数 ) | |
参考例句： |
|
|
|
|
20
clumps
|
|
| n.（树、灌木、植物等的）丛、簇( clump的名词复数 )；（土、泥等）团；块；笨重的脚步声v.（树、灌木、植物等的）丛、簇( clump的第三人称单数 )；（土、泥等）团；块；笨重的脚步声 | |
参考例句： |
|
|
|
|
21
starry
|
|
| adj.星光照耀的, 闪亮的 | |
参考例句： |
|
|
|
|
22
spikes
|
|
| n.穗( spike的名词复数 )；跑鞋；（防滑）鞋钉；尖状物v.加烈酒于( spike的第三人称单数 )；偷偷地给某人的饮料加入（更多）酒精（ 或药物）；把尖状物钉入；打乱某人的计划 | |
参考例句： |
|
|
|
|
23
penetrating
|
|
| adj.（声音）响亮的，尖锐的adj.（气味）刺激的adj.（思想）敏锐的，有洞察力的 | |
参考例句： |
|
|
|
|
24
fragrance
|
|
| n.芬芳，香味，香气 | |
参考例句： |
|
|
|
|
25
distilled
|
|
| adj.由蒸馏得来的v.蒸馏( distil的过去式和过去分词 )；从…提取精华 | |
参考例句： |
|
|
|
|
26
puff
|
|
| n.一口(气)；一阵(风)；v.喷气，喘气 | |
参考例句： |
|
|
|
|
27
standing
|
|
| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
参考例句： |
|
|
|
|
28
sinuous
|
|
| adj.蜿蜒的，迂回的 | |
参考例句： |
|
|
|
|
29
boughs
|
|
| 大树枝( bough的名词复数 ) | |
参考例句： |
|
|
|
|
30
grassy
|
|
| adj.盖满草的；长满草的 | |
参考例句： |
|
|
|
|
31
hazy
|
|
| adj.有薄雾的，朦胧的；不肯定的，模糊的 | |
参考例句： |
|
|
|
|
32
misty
|
|
| adj.雾蒙蒙的，有雾的 | |
参考例句： |
|
|
|
|
33
fragrant
|
|
| adj.芬香的，馥郁的，愉快的 | |
参考例句： |
|
|
|
|
34
trampled
|
|
| 踩( trample的过去式和过去分词 )； 践踏； 无视； 侵犯 | |
参考例句： |
|
|
|
|
35
robins
|
|
| n.知更鸟，鸫( robin的名词复数 )；（签名者不分先后，以避免受责的）圆形签名抗议书（或请愿书） | |
参考例句： |
|
|
|
|
36
frail
|
|
| adj.身体虚弱的；易损坏的 | |
参考例句： |
|
|
|
|
37
intoxicating
|
|
| a. 醉人的,使人兴奋的 | |
参考例句： |
|
|
|
|
38
mingled
|
|
| 混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系] | |
参考例句： |
|
|
|
|
39
astonishment
|
|
| n.惊奇，惊异 | |
参考例句： |
|
|
|
|
40
exquisite
|
|
| adj.精美的；敏锐的；剧烈的，感觉强烈的 | |
参考例句： |
|
|
|
|
41
elusive
|
|
| adj.难以表达(捉摸)的；令人困惑的；逃避的 | |
参考例句： |
|
|
|
|
42
eerie
|
|
| adj.怪诞的；奇异的；可怕的；胆怯的 | |
参考例句： |
|
|
|
|
43
sobs
|
|
| 啜泣（声），呜咽（声）( sob的名词复数 ) | |
参考例句： |
|
|
|
|
44
plaintive
|
|
| adj.可怜的，伤心的 | |
参考例句： |
|
|
|
|
45
imprisoned
|
|
| 下狱，监禁( imprison的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
46
utterance
|
|
| n.用言语表达，话语，言语 | |
参考例句： |
|
|
|
|
47
deserted
|
|
| adj.荒芜的，荒废的，无人的，被遗弃的 | |
参考例句： |
|
|
|
|
48
amazement
|
|
| n.惊奇，惊讶 | |
参考例句： |
|
|
|
|
49
tempted
|
|
| v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词） | |
参考例句： |
|
|
|
|
50
sagging
|
|
| 下垂[沉，陷]，松垂，垂度 | |
参考例句： |
|
|
|
|
51
blotted
|
|
| 涂污( blot的过去式和过去分词 )； （用吸墨纸）吸干 | |
参考例句： |
|
|
|
|
52
vividly
|
|
| adv.清楚地，鲜明地，生动地 | |
参考例句： |
|
|
|
|
53
brilliance
|
|
| n.光辉，辉煌，壮丽，（卓越的）才华，才智 | |
参考例句： |
|
|
|
|
54
scant
|
|
| adj.不充分的，不足的；v.减缩，限制，忽略 | |
参考例句： |
|
|
|
|
55
lustrous
|
|
| adj.有光泽的；光辉的 | |
参考例句： |
|
|
|
|
56
tint
|
|
| n.淡色，浅色；染发剂；vt.着以淡淡的颜色 | |
参考例句： |
|
|
|
|
57
luminous
|
|
| adj.发光的，发亮的；光明的；明白易懂的；有启发的 | |
参考例句： |
|
|
|
|
58
lashes
|
|
| n.鞭挞( lash的名词复数 )；鞭子；突然猛烈的一击；急速挥动v.鞭打( lash的第三人称单数 )；煽动；紧系；怒斥 | |
参考例句： |
|
|
|
|
59
eyebrows
|
|
| 眉毛( eyebrow的名词复数 ) | |
参考例句： |
|
|
|
|
60
purely
|
|
| adv.纯粹地，完全地 | |
参考例句： |
|
|
|
|
61
tinted
|
|
| adj. 带色彩的 动词tint的过去式和过去分词 | |
参考例句： |
|
|
|
|
62
texture
|
|
| n.(织物)质地；(材料)构造；结构；肌理 | |
参考例句： |
|
|
|
|
63
taper
|
|
| n.小蜡烛，尖细，渐弱；adj.尖细的；v.逐渐变小 | |
参考例句： |
|
|
|
|
64
drooping
|
|
| adj. 下垂的，无力的 动词droop的现在分词 | |
参考例句： |
|
|
|
|
65
plume
|
|
| n.羽毛；v.整理羽毛，骚首弄姿，用羽毛装饰 | |
参考例句： |
|
|
|
|
66
mere
|
|
| adj.纯粹的；仅仅，只不过 | |
参考例句： |
|
|
|
|
67
blanched
|
|
| v.使变白( blanch的过去式 )；使（植物）不见阳光而变白；酸洗（金属）使有光泽；用沸水烫（杏仁等）以便去皮 | |
参考例句： |
|
|
|
|
68
distended
|
|
| v.（使）膨胀，肿胀( distend的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
69
reverence
|
|
| n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬 | |
参考例句： |
|
|
|
|
70
reassure
|
|
| v.使放心，使消除疑虑 | |
参考例句： |
|
|
|
|
71
gathering
|
|
| n.集会，聚会，聚集 | |
参考例句： |
|
|
|
|
72
hideous
|
|
| adj.丑陋的，可憎的，可怕的，恐怖的 | |
参考例句： |
|
|
|
|
73
enchanted
|
|
| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
参考例句： |
|
|
|
|
74
wink
|
|
| n.眨眼，使眼色，瞬间；v.眨眼，使眼色，闪烁 | |
参考例句： |
|
|
|
|
75
enjoyment
|
|
| n.乐趣；享有；享用 | |
参考例句： |
|
|
|
|
76
insistently
|
|
| ad.坚持地 | |
参考例句： |
|
|
|
|
77
tantalized
|
|
| v.逗弄，引诱，折磨( tantalize的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
78
overflowed
|
|
| 溢出的 | |
参考例句： |
|
|
|
|
79
collaterals
|
|
| n.附属担保品( collateral的名词复数 ) | |
参考例句： |
|
|
|
|
80
lithe
|
|
| adj.(指人、身体)柔软的，易弯的 | |
参考例句： |
|
|
|
|
81
nay
|
|
| adv.不；n.反对票，投反对票者 | |
参考例句： |
|
|
|
|
82
vexed
|
|
| adj.争论不休的；（指问题等）棘手的；争论不休的问题；烦恼的v.使烦恼( vex的过去式和过去分词 )；使苦恼；使生气；详细讨论 | |
参考例句： |
|
|
|
|
83
petulant
|
|
| adj.性急的，暴躁的 | |
参考例句： |
|
|
|
|
84
plunged
|
|
| v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降 | |
参考例句： |
|
|
|
|
85
determined
|
|
| adj.坚定的；有决心的 | |
参考例句： |
|
|
|
|
86
arcades
|
|
| n.商场( arcade的名词复数 )；拱形走道（两旁有商店或娱乐设施）；连拱廊；拱形建筑物 | |
参考例句： |
|
|
|
|
87
defiance
|
|
| n.挑战，挑衅，蔑视，违抗 | |
参考例句： |
|
|
|
|
88
choir
|
|
| n.唱诗班，唱诗班的席位，合唱团，舞蹈团；v.合唱 | |
参考例句： |
|
|
|
|
89
melodious
|
|
| adj.旋律美妙的，调子优美的，音乐性的 | |
参考例句： |
|
|
|
| 欢迎访问英文小说网 |