Only genius of the first water has the ability to conjure5 up such a character as Anne Shirley, the heroine of Miss Montgomery's first novel, "Anne of Green Gables," and to surround her with people so distinctive6, so real, so true to psychology7. Anne is
as lovable a child as lives in all fiction. Natasha in Count Tolstoi's great novel, "War and Peace," dances into our ken8, with something of the same buoyancy and naturalness; but into what a commonplace young woman she develops! Anne, whether as the gay little orphan9 in her conquest of the master and mistress of Green Gables, or as the maturing and self-forgetful maiden10 of Avonlea, keeps up to concert-pitch in her charm and her winsomeness11. There is nothing in her to disappoint hope or imagination.
A part of the power of Miss Montgomery—and the largest part—is due to her skill in compounding humor and pathos12. The humor is honest and golden; it never wearies the reader; the pathos is never sentimentalized, never degenerates14 into bathos, is never morbid15. This combination holds throughout all her works, longer or shorter, and is particularly manifest in the present collection of fifteen short stories, which, together with those in the first volume of the Chronicles of Avonlea, present a series of piquant16 and fascinating pictures of life in Prince Edward Island.
The humor is shown not only in the presentation of quaint17 and unique characters, but also in the words which fall from their mouths. Aunt Cynthia "always gave you the impression of a full-rigged ship coming gallantly18 on before a favorable wind;" no further description is needed—only one such personage could be found in Avonlea. You would recognize her at sight. Ismay Meade's disposition19 is summed up when we are told that she is "good at having presentiments—after things happen." What cleverer embodiment of innate20 obstinacy21 than in Isabella Spencer—"a wisp of a woman who looked as if a breath would sway her but was so set in her ways that a tornado22 would hardly have caused her to swerve23 an inch from her chosen path;" or than in Mrs. Eben Andrews (in "Sara's Way") who "looked like a woman whose opinions were always very decided24 and warranted to wear!"
This gift of characterization in a few words is lavished25 also on material objects, as, for instance; what more is needed to describe the forlornness of the home from which Anne was rescued than the statement that even the trees around it "looked like orphans"?
The poetic touch, too, never fails in the right place and is never too frequently introduced in her descriptions. They throw a glamor26 over that Northern land which otherwise you might imagine as rather cold and barren. What charming Springs they must have there! One sees all the fruit-trees clad in bridal garments of pink and white; and what a translucent27 sky smiles down on the ponds and the reaches of bay and cove28!
"She was as slim and lithe31 as a young white-stemmed birch-tree; her hair was like a soft dusky cloud, and her eyes were as blue as Avonlea Harbor in a fair twilight32, when all the sky is a-bloom over it."
Sentiment with a humorous touch to it prevails in the first two stories of the present book. The one relates to the disappearance33 of a valuable white Persian cat with a blue spot in its tail. "Fatima" is like the apple of her eye to the rich old aunt who leaves her with two nieces, with a stern injunction not to let her out of the house. Of course both Sue and Ismay detest34 cats; Ismay hates them, Sue loathes35 them; but Aunt Cynthia's favor is worth preserving. You become as much interested in Fatima's fate as if she were your own pet, and the climax36 is no less unexpected than it is natural, especially when it is made also the last act of a pretty comedy of love.
Miss Montgomery delights in depicting37 the romantic episodes hidden in the hearts of elderly spinsters as, for instance, in the case of Charlotte Holmes, whose maid Nancy would have sent for the doctor and subjected her to a porous38 plaster while waiting for him, had she known that up stairs there was a note-book full of original poems. Rather than bear the stigma39 of never having had a love-affair, this sentimental13 lady invents one to tell her mocking young friends. The dramatic and unexpected denouement40 is delightful41 fun.
Another note-book reveals a deeper romance in the case of Miss Emily; this is related by Anne of Green Gables, who once or twice flashes across the scene, though for the most part her friends and neighbors at White Sands or Newbridge or Grafton as well as at Avonlea are the persons involved.
In one story, the last, "Tannis of the Flats," the secret of Elinor Blair's spinsterhood is revealed in an episode which carries the reader from Avonlea to Saskatchewan and shows the unselfish devotion of a half-breed Indian girl. The story is both poignant42 and dramatic. Its one touch of humor is where Jerome Carey curses his fate in being compelled to live in that desolate43 land in "the picturesque44 language permissible45 in the far Northwest."
Self-sacrifice, as the real basis of happiness, is a favorite theme in Miss Montgomery's fiction. It is raised to the nth power in the story entitled, "In Her Selfless Mood," where an ugly, misshapen girl devotes her life and renounces46 marriage for the sake of looking after her weak and selfish half-brother. The same spirit is found in "Only a Common Fellow," who is haloed with a certain splendor47 by renouncing48 the girl he was to marry in favor of his old rival, supposed to have been killed in France, but happily delivered from that tragic49 fate.
Miss Montgomery loves to introduce a little child or a baby as a solvent50 of old feuds51 or domestic quarrels. In "The Dream Child," a foundling boy, drifting in through a storm in a dory, saves a heart-broken mother from insanity52. In "Jane's Baby," a baby-cousin brings reconciliation53 between the two sisters, Rosetta and Carlotta, who had not spoken for twenty years because "the slack-twisted" Jacob married the younger of the two.
Happiness generally lights up the end of her stories, however tragic they may set out to be. In "The Son of His Mother," Thyra is a stern woman, as "immovable as a stone image." She had only one son, whom she worshipped; "she never wanted a daughter, but she pitied and despised all sonless women." She demanded absolute obedience54 from Chester—not only obedience, but also utter affection, and she hated his dog because the boy loved him: "She could not share her love even with a dumb brute55." When Chester falls in love, she is relentless56 toward the beautiful young girl and forces Chester to give her up. But a terrible sorrow brings the old woman and the young girl into sympathy, and unspeakable joy is born of the trial.
Happiness also comes to "The Brother who Failed." The Monroes had all been successful in the eyes of the world except Robert: one is a millionaire, another a college president, another a famous singer. Robert overhears the old aunt, Isabel, call him a total failure, but, at the family dinner, one after another stands up and tells how Robert's quiet influence and unselfish aid had started them in their brilliant careers, and the old aunt, wiping the tears from her eyes, exclaims: "I guess there's a kind of failure that's the best success."
In one story there is an element of the supernatural, when Hester, the hard older sister, comes between Margaret and her lover and, dying, makes her promise never to become Hugh Blair's wife, but she comes back and unites them. In this, Margaret, just like the delightful Anne, lives up to the dictum that "nothing matters in all God's universe except love." The story of the revival57 at Avonlea has also a good moral.
There is something in these continued Chronicles of Avonlea, like the delicate art which has made "Cranford" a classic: the characters are so homely58 and homelike and yet tinged59 with beautiful romance! You feel that you are made familiar with a real town and its real inhabitants; you learn to love them and sympathize with them. Further Chronicles of Avonlea is a book to read; and to know.
点击收听单词发音
1 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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2 limned | |
v.画( limn的过去式和过去分词 );勾画;描写;描述 | |
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3 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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4 wielded | |
手持着使用(武器、工具等)( wield的过去式和过去分词 ); 具有; 运用(权力); 施加(影响) | |
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5 conjure | |
v.恳求,祈求;变魔术,变戏法 | |
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6 distinctive | |
adj.特别的,有特色的,与众不同的 | |
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7 psychology | |
n.心理,心理学,心理状态 | |
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8 ken | |
n.视野,知识领域 | |
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9 orphan | |
n.孤儿;adj.无父母的 | |
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10 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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11 winsomeness | |
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12 pathos | |
n.哀婉,悲怆 | |
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13 sentimental | |
adj.多愁善感的,感伤的 | |
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14 degenerates | |
衰退,堕落,退化( degenerate的第三人称单数 ) | |
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15 morbid | |
adj.病的;致病的;病态的;可怕的 | |
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16 piquant | |
adj.辛辣的,开胃的,令人兴奋的 | |
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17 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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18 gallantly | |
adv. 漂亮地,勇敢地,献殷勤地 | |
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19 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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20 innate | |
adj.天生的,固有的,天赋的 | |
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21 obstinacy | |
n.顽固;(病痛等)难治 | |
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22 tornado | |
n.飓风,龙卷风 | |
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23 swerve | |
v.突然转向,背离;n.转向,弯曲,背离 | |
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24 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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25 lavished | |
v.过分给予,滥施( lavish的过去式和过去分词 ) | |
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26 glamor | |
n.魅力,吸引力 | |
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27 translucent | |
adj.半透明的;透明的 | |
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28 cove | |
n.小海湾,小峡谷 | |
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29 smitten | |
猛打,重击,打击( smite的过去分词 ) | |
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30 auroral | |
adj.曙光的;玫瑰色的 | |
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31 lithe | |
adj.(指人、身体)柔软的,易弯的 | |
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32 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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33 disappearance | |
n.消失,消散,失踪 | |
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34 detest | |
vt.痛恨,憎恶 | |
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35 loathes | |
v.憎恨,厌恶( loathe的第三人称单数 );极不喜欢 | |
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36 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
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37 depicting | |
描绘,描画( depict的现在分词 ); 描述 | |
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38 porous | |
adj.可渗透的,多孔的 | |
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39 stigma | |
n.耻辱,污名;(花的)柱头 | |
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40 denouement | |
n.结尾,结局 | |
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41 delightful | |
adj.令人高兴的,使人快乐的 | |
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42 poignant | |
adj.令人痛苦的,辛酸的,惨痛的 | |
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43 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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44 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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45 permissible | |
adj.可允许的,许可的 | |
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46 renounces | |
v.声明放弃( renounce的第三人称单数 );宣布放弃;宣布与…决裂;宣布摒弃 | |
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47 splendor | |
n.光彩;壮丽,华丽;显赫,辉煌 | |
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48 renouncing | |
v.声明放弃( renounce的现在分词 );宣布放弃;宣布与…决裂;宣布摒弃 | |
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49 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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50 solvent | |
n.溶剂;adj.有偿付能力的 | |
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51 feuds | |
n.长期不和,世仇( feud的名词复数 ) | |
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52 insanity | |
n.疯狂,精神错乱;极端的愚蠢,荒唐 | |
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53 reconciliation | |
n.和解,和谐,一致 | |
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54 obedience | |
n.服从,顺从 | |
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55 brute | |
n.野兽,兽性 | |
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56 relentless | |
adj.残酷的,不留情的,无怜悯心的 | |
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57 revival | |
n.复兴,复苏,(精力、活力等的)重振 | |
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58 homely | |
adj.家常的,简朴的;不漂亮的 | |
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59 tinged | |
v.(使)发丁丁声( ting的过去式和过去分词 ) | |
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60 dole | |
n.救济,(失业)救济金;vt.(out)发放,发给 | |
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