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CHAPTER VIII.
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 AND HOW CAME BACK AGAIN.
I left London, the drums beating in my heart, the flags waving in my brain. Somewhat more than a year later, one foggy wet December evening, I sneaked1 back to it defeated—ah, that is a small thing, capable of redress—disgraced. I returned to it as to a hiding-place where, lost in the crowd, I might waste my days unnoticed until such time as I could summon up sufficient resolution to put an end to my dead life. I had been ambitious—dwelling again amid the bitterness of the months that followed my return, I write in the past tense. I had been eager to make a name, a position for myself. But were I to claim no higher aim, I should be doing injustice2 to my blood—to the great-souled gentleman whose whole life had been an ode to honour, to her of simple faith who had known no other prayer to teach me than the childish cry, “God help me to be good!” I had wished to be a great man, but it was to have been a great good man. The world was to have admired me, but to have respected me also. I was to have been the knight3 without fear, but, rarer yet, without reproach—Galahad, not Launcelot. I had learnt myself to be a feeble, backboneless fighter, conquered by the first serious assault of evil, a creature of mean fears, slave to every crack of the devil's whip, a feeder with swine.
 
Urban Vane I had discovered to be a common swindler. His play he had stolen from the desk of a well-known dramatist whose acquaintance he had made in Deleglise's kitchen. The man had fallen ill, and Vane had been constant in his visits. Partly recovering, the man had gone abroad to Italy. Had he died there, as at the time was expected, the robbery might never have come to light. News reached us in a small northern town that he had taken a fresh lease of life and was on his way back to England. Then it was that Vane with calm indifference4, smoking his cigar over a bottle of wine to which he had invited me, told me the bald truth, adorning5 it with some touches of wit. Had the recital6 come upon me sooner, I might have acted differently; but six months' companionship with Urban Vane, if it had not, by grace of the Lord, destroyed the roots of whatever flower of manhood might have been implanted in me, had most certainly withered7 its leaves.
 
The man was clever. That he was not clever enough to perceive from the beginning what he has learnt since: that honesty is the best policy—at least, for men with brains—remains somewhat of a mystery to me. Where once he made his hundreds among shady ways, he now, I suppose, makes his thousands in the broad daylight of legitimate8 enterprise. Chicanery9 in the blood, one might imagine, has to be worked out. Urban Vanes are to be found in all callings. They commence as scamps; years later, to one's astonishment10, one finds them ornaments11 to their profession. Wild oats are of various quality, according to the soil from which they are preserved. We sow them in our various ways.
 
At first I stormed. Vane sat with an amused smile upon his lips and listened.
 
“Your language, my dear Kelver,” he replied, my vocabulary exhausted13, “might wound me were I able to accept you as an authority upon this vexed14 question of morals. With the rest of the world you preach one thing and practise another. I have noticed it so often. It is perhaps sad, but the preaching has ceased to interest me. You profess12 to be very indignant with me for making use of another man's ideas. It is done every day. You yourself were quite ready to take credit not due to you. For months we have been travelling with this play: 'Drama, in five acts, by Mr. Horace Moncrieff.' Not more than two hundred lines of it are your own—excellent lines, I admit, but they do not constitute the play.”
 
This aspect of the affair had not occurred to me. “But you asked me to put my name to it,” I stammered15. “You said you did not want your own to appear—for private reasons. You made a point of it.”
 
He waved away the smoke from his cigar. “The man you are posing as would never have put his name to work not his own. You never hesitated; on the contrary, you jumped at the chance of so easy an opening to your career as playwright17. My need, as you imagined it, was your opportunity.”
 
“But you said it was from the French,” I argued; “you had merely translated it, I adapted it. I don't defend the custom, but it is the custom: the man who adapts a play calls himself the author. They all do it.”
 
“I know,” he answered. “It has always amused me. Our sick friend himself, whom I am sure we are both delighted to welcome back to life, has done it more than once, and made a very fair profit on the transaction. Indeed, from internal evidence, I am strongly of opinion that this present play is a case in point. Well, chickens come home to roost: I adapt from him. What is the difference?”
 
“Simply this,” he continued, pouring himself out another glass of wine, “that whereas, owing to the anomalous18 state of the copyright laws, stealing from the foreign author is legal and commendable19, against stealing from the living English author there is a certain prejudice.”
 
“And the consequences, I am afraid, you will find somewhat unpleasant,” I suggested.
 
He laughed: it was not a frivolity20 to which he was prone21. “You mean, my dear Kelver that you will.”
 
“Don't look so dumbfounded,” he went on. “You cannot be so stupid as you are pretending to be. The original manuscript at the Lord Chamberlain's office is in your handwriting. You knew our friend as well as I did, and visited him. Why, the whole tour has been under your management. You have arranged everything—most excellently; I have been quite surprised.”
 
My anger came later. For the moment, the sudden light blinded me to everything but fear.
 
“But you told me,” I cried, “it was only a matter of form, that you wanted to keep your name out of it because—”
 
He was looking at me with an expression of genuine astonishment. My words began to appear humorous even to myself. I found it difficult to believe I had been the fool I was now seeing myself to have been.
 
“I am sorry,” he said, “I am really sorry. I took you for a man of the world. I thought you merely did not wish to know anything.”
 
Still, to my shame, fear was the thing uppermost in my heart. “You are not going to put it all on to me?” I pleaded.
 
He had risen. He laid his hand upon my shoulder. Instead of flinging it off, I was glad of its kindly22 pressure. He was the only man to whom I could look for help.
 
“Don't take it so seriously,” he said. “He will merely think the manuscript has been lost. As likely as not, he will be unable to remember whether he wrote it or merely thought of writing it. No one in the company will say anything: it isn't their business. We must set to work. I had altered it a good deal before you saw it, and changed all the names of the characters. We will retain the third act: it is the only thing of real value in the play. The situation is not original; you have as much right to dish it up as he had. In a fortnight we will have the whole thing so different that if he saw it himself he would only imagine we had got hold of the idea and had forestalled23 him.”
 
There were moments during the next few weeks when I listened to the voice of my good angel, when I saw clearly that even from the lowest point of view he was giving me sound advice. I would go to the man, tell him frankly24 the whole truth.
 
But Vane never left my elbow. Suspecting, I suppose, he gave me clearly to understand that if I did so, I must expect no mercy from him. My story, denounced by him as an outrageous25 lie, would be regarded as the funk-inspired subterfuge26 of a young rogue27. At the best I should handicap myself with suspicion that would last me throughout my career. On the other hand, what harm had we done? Presented in some twenty or so small towns, where it would soon be forgotten, a play something like. Most plays were something like. Our friend would produce his version and reap a rich harvest; ours would disappear. If by any unlikely chance discussion should arise, the advertisement would be to his advantage. So soon as possible we would replace it by a new piece altogether. A young man of my genius could surely write something better than hotch-potch such as this; experience was all that I had lacked. As regarded one's own conscience, was not the world's honesty a mere16 question of convention? Had he been a young man, and had we diddled him out of his play for a ten-pound note, we should have been applauded as sharp men of business. The one commandment of the world was: Don't get found out. The whole trouble, left alone, would sink and fade. Later, we should tell it as a good joke—and be laughed with.
 
So I fell from mine own esteem28. Vane helping29 me—and he had brains—I set feverishly30 to work. I am glad to remember that every line I wrote was born in misery31. I tried to persuade Vane to let me make a new play altogether, which I offered to give him for nothing. He expressed himself as grateful, but his frequently declared belief in my dramatic talent failed to induce his acceptance.
 
“Later on, my dear Kelver,” was his reply. “For the present this is doing very well. Going on as we are, we shall soon improve it out of all recognition, while at the same time losing nothing that is essential. All your ideas are excellent.”
 
By the end of about three weeks we had got together a concoction32 that, so far as dialogue and characters were concerned, might be said to be our own. There was good work in it, here and there. Under other conditions I might have been proud of much that I had written. As it was, I experienced only the terror of the thief dodging33 the constable34: my cleverness might save me; it afforded me no further satisfaction. My humour, when I heard the people laughing at it, I remembered I had forged listening in vague fear to every creak upon the stairs, wondering in what form discovery might come upon me. There was one speech, addressed by the hero to the villain35: “Yes, I admit it; I do love her. But there is that which I love better—my self-respect!” Stepping down to the footlights and slapping his chest (which according to stage convention would appear to be a sort of moral jewel-box bursting with assorted36 virtues), our juvenile37 lead—a gentleman who led a somewhat rabbit-like existence, perpetually diving down openings to avoid service of writs38, at the instance of his wife, for alimony—would invariably bring down the house upon this sentiment. Every night, listening to the applause, I would shudder39, recalling how I had written it with burning cheeks.
 
There was a character in the piece, a vicious old man, that from the beginning Vane had wanted me to play. I had disliked the part and had refused, choosing instead to act a high-souled countryman, in the portrayal40 of whose irreproachable41 emotions I had taken pleasure. Vane now renewed his arguments, and my power of resistance seeming to have departed from me, I accepted the exchange. Certainly the old gentleman's scenes went with more snap, but at a cost of further degradation42 to myself. Upon an older actor the effect might have been harmless, but the growing tree springs back less surely; I found myself taking pleasure in the coarse laughter that rewarded my suggestive leers, calling up all the evil in my nature to help me in the development of fresh “business.” Vane was enthusiastic in his praises, generous with his assistance. Under his tuition I succeeded in making the part as unpleasant as we dared. I had genius, so Vane told me; I understood so much of human nature. One proof of the moral deterioration43 creeping over me was that I was beginning to like Vane.
 
Looking back at the man as I see him plainly now, a very ordinary scamp, his pretension44 not even amusing, I find it difficult to present him as he appeared to my boyish eyes. He was well educated and well read. He gave himself the airs of a superior being by freak of fate compelled to abide45 in a world of inferior creatures. To live among them in comfort it was necessary for him to outwardly conform to their conventions but to respect their reasoning would have been beneath him. To accept their laws as binding46 on one's own conscience was, using the common expression, to give oneself away, to confess oneself commonplace. Every decent instinct a man might own to was proof in Vane's eyes of his being “suburban,” “bourgeois”—everything that was unintellectual. It was the first time I had heard this sort of talk. Vane was one of the pioneers of the movement, which has since become somewhat tiresome47. To laugh at it is easy to a man of the world; boys are impressed by it. From him I first heard the now familiar advocacy of pure Hedonism. Pan, enticed48 from his dark groves49, was to sit upon Olympus.
 
My lower nature rose within me to proclaim the foolish chatterer as a prophet. So life was not as I had been taught—a painful struggle between good and evil. There was no such thing as evil; the senseless epithet50 was a libel upon Nature. Not through wearisome repression51, but rather through joyous52 expression of the animal lay advancement53.
 
Villains—workers in wrong for aesthetic54 pleasure of the art—are useful characters in fiction; in real life they do not exist. I am convinced the man believed most of the rubbish he talked. Since the time of which I write he has done some service to the world. I understand he is an excellent husband and father, a considerate master, a delightful55 host. He intended, I have no doubt, to improve me, to enlarge my understanding, to free me from soul-stifling bondage56 of convention. Not to credit him with this well-meaning intention would be to assume him something quite inhuman57, to bestow58 upon him a dignity beyond his deserts. I find it easier to regard him merely as a fool.
 
Our leading lady was a handsome but coarse woman, somewhat over-developed. Starting life as a music-hall singer, she had married a small tradesman in the south of London. Some three or four years previous, her Juno-like charms had turned the head of a youthful novelist—a refined, sensitive man, of whom great things in literature had been expected, and, judging from his earlier work, not unreasonably59. He had run away with her, and eventually married her; the scandal was still fresh. Already she had repented60 of her bargain. These women regard their infatuated lovers merely as steps in the social ladder, and he had failed to appreciably61 advance her. Under her demoralising spell his ambition had died in him. He no longer wrote, no longer took interest in anything beyond his own debasement. He was with us in the company, playing small parts, and playing them badly; he would have remained with us as bill-poster rather than have been sent away.
 
Vane planned to bring this woman and myself together. To her he pictured me a young gentleman of means, a coming author, who would soon be earning an income sufficient to keep her in every luxury. To me he hinted that she had fallen in love with me. I was never attracted to her by any feeling stronger than the admiration62 with which one views a handsome animal. It was my vanity upon which he worked. He envied me; any man would envy me; experience of life was what I needed to complete my genius. The great intellects of this earth must learn all lessons, even at the cost of suffering to themselves and others.
 
As years before I had laboured to acquire a liking63 for cigars and whiskey, deeming it an accomplishment64 necessary to a literary career, so painstakingly65 I now applied66 myself to the cultivation67 of a pretty taste in passion. According to the literature, fictional68 and historical, Vane was kind enough to supply me with, men of note were invariably sad dogs. That my temperament69 was not that of the sad dog, that I lacked instinct and inclination70 for the part, appeared to this young idiot of whom I am writing in the light of a defect. That her languishing71 glances irritated rather than maddened me, that the occasional covert72 pressure of her hot, thick hand left me cold, I felt a reproach to my manhood. I would fall in love with her. Surely my blood was red like other men's. Besides, was I not an artist, and was not profligacy73 the hall-mark of the artist?
 
But one grows tired of the confessional. Fate saved me from playing the part Vane had assigned me in this vulgar comedy, dragged me from my entanglement75, flung me on my feet again. She was a little brusque in the process; but I do not feel inclined to blame the kind lady for that. The mud was creeping upward fast, and a quick hand must needs be rough.
 
Our dramatic friend produced his play sooner than we had expected. It crept out that something very like it had been seen in the Provinces. Argument followed, enquiries were set on foot. “It will blow over,” said Vane. But it seemed to be blowing our way.
 
The salaries, as a rule, were paid by me on Friday night. Vane, in the course of the evening, would bring me the money for me to distribute after the performance. We were playing in the north of Ireland. I had not seen Vane all that day. So soon as I had changed my clothes I left my dressing-room to seek him. The box-office keeper, meeting me, put a note into my hand. It was short and to the point. Vane had pocketed the evening's takings, and had left by the seven-fifty train! He regretted causing inconvenience, but life was replete76 with small comedies; the wise man attached no seriousness to them. We should probably meet again and enjoy a laugh over our experiences.
 
Some rumour77 had got about. I looked up from the letter to find myself surrounded by suspicious faces. With dry lips I told them the truth. Only they happened not to regard it as the truth. Vane throughout had contrived78 cleverly to them I was the manager, the sole person responsible. My wearily spoken explanations were to them incomprehensible lies. The quarter of an hour might have been worse for me had I been sufficiently79 alive to understand or care what they were saying. A dull, listless apathy80 had come over me. I felt the scene only stupid, ridiculous, tiresome. There was some talk of giving me “a damned good hiding.” I doubt whether I should have known till the next morning whether the suggestion had been carried out or not. I gathered that the true history of the play, the reason for the sudden alterations81, had been known to them all along. They appeared to have reserved their virtuous82 indignation till this evening. As explanation of my apparent sleepiness, somebody, whether in kindness to me or not I cannot say, suggested I was drunk. Fortunately, it carried conviction. No further trains left the town that night; I was allowed to depart. A deputation promised to be round at my lodgings84 early in the morning.
 
Our leading lady had left the theatre immediately on the fall of the curtain; it was not necessary for her to wait, her husband acting85 as her business man. On reaching my rooms, I found her sitting by the fire. It reminded me that our agent in advance having fallen ill, her husband had, at her suggestion, been appointed in his place, and had left us on the Wednesday to make the necessary preparations in the next town on our list. I thought that perhaps she had come round for her money, and the idea amused me.
 
“Well?” she said, with her one smile. I had been doing my best for some months to regard it as soul-consuming, but without any real success.
 
“Well,” I answered. It bored me, her being there. I wanted to be alone.
 
“You don't seem overjoyed to see me. What's the matter with you? What's happened?”
 
I laughed. “Vane's bolted and taken the week's money with him.”
 
“The beast!” she said. “I knew he was that sort. What ever made you take up with him? Will it make much difference to you?”
 
“It makes a difference all round,” I replied. “There's no money to pay any of you. There's nothing to pay your fares back to London.”
 
She had risen. “Here, let me understand this,” she said. “Are you the rich mug Vane's been representing you to be, or only his accomplice86?”
 
“The mug and the accomplice both,” I answered, “without the rich. It's his tour. He put my name to it because he didn't want his own to appear—for family reasons. It's his play; he stole it—”
 
She interrupted me with a whistle. “I thought it looked a bit fishy87, all those alterations. But such funny things do happen in this profession! Stole it, did he?”
 
“The whole thing in manuscript. I put my name to it for the same reason—he didn't want his own to appear.”
 
She dropped into her chair and laughed—a good-tempered laugh, loud and long. “Well, I'm damned!” she said. “The first man who has ever taken me in. I should never have signed if I had thought it was his show. I could see the sort he was with half an eye.” She jumped up from the chair. “Here, let me get out of this,” she said. “I just looked in to know what time to-morrow; I'd forgotten. You needn't say I came.”
 
Her hand upon the door, laughter seized her again, so that for support she had to lean against the wall.
 
“Do you know why I really did come?” she said. “You'll guess when you come to think it over, so I may as well tell you. It's a bit of a joke. I came to say 'yes' to what you asked me last night. Have you forgotten?”
 
I stared at her. Last night! It seemed a long while ago—so very unimportant what I might have said.
 
She laughed again. “So help me! if you haven't. Well, you asked me to run away with you—that's all, to let our two souls unite. Damned lucky I took a day to think it over! Good-night.”
 
“Good-night,” I answered, without moving. I was gripping a chair to prevent myself from rushing at her, pushing her out of the room, and locking the door. I wanted to be alone.
 
I heard her turn the handle. “Got a pound or two to carry you over?” It was a woman's voice.
 
I put my hand into my pocket. “One pound seventeen,” I answered, counting it. “It will pay my fare to London—or buy me a dinner and a second-hand88 revolver. I haven't quite decided89 yet.”
 
“Oh, you get back and pull yourself together,” she said. “You're only a kid. Good-night.”
 
I put a few things into a small bag and walked thirty miles that night into Belfast. Arrived in London, I took a lodging83 in Deptford, where I was least likely to come in contact with any face I had ever seen before. I maintained myself by giving singing lessons at sixpence the half-hour, evening lessons in French and German (the Lord forgive me!) to ambitious shop-boys at eighteen pence a week, making up tradesmen's books. A few articles of jewellery I had retained enabled me to tide over bad periods. For some four months I existed there, never going outside the neighbourhood. Occasionally, wandering listlessly about the streets, some object, some vista90, would strike me by reason of its familiarity. Then I would turn and hasten back into my grave of dim, weltering streets.
 
Of thoughts, emotions, during these dead days I was unconscious. Somewhere in my brain they may have been stirring, contending; but myself I lived as in a long, dull dream. I ate, and drank, and woke, and slept, and walked and walked, and lounged by corners; staring by the hour together, seeing nothing.
 
It has surprised me since to find the scenes I must then have witnessed photographed so clearly on my mind. Tragedies, dramas, farces91, played before me in that teeming92 underworld—the scenes present themselves to me distinct, complete; yet I have no recollection of ever having seen them.
 
I fell ill. It must have been some time in April, but I kept no count of days. Nobody came near me, nobody knew of me. I occupied a room at the top of a huge block of workmen's dwellings93. A woman who kept a second-hand store had lent me for a shilling a week a few articles of furniture. Lying upon my chair-bedstead, I listened to the shrill94 sounds around me, that through the light and darkness never ceased. A pint95 of milk, left each morning on the stone landing, kept me alive. I would wait for the man's descending96 footsteps, then crawl to the door. I hoped I was going to die, regretting my returning strength, the desire for food that drove me out into the streets again.
 
One night, a week or two after my partial recovery, I had wandered on and on for hour after hour. The breaking dawn recalled me to myself. I was outside the palings of a park. In the faint shadowy light it looked strange and unfamiliar97. I was too tired to walk further. I scrambled98 over the low wooden fencing, and reaching a seat, dropped down and fell asleep.
 
I was sitting in a sunny avenue; birds were singing joyously99, bright flowers were all around me. Norah was beside me, her frank, sweet eyes were looking into mine; they were full of tenderness, mingled100 with wonder. It was a delightful dream: I felt myself smiling.
 
Suddenly I started to my feet. Norah's strong hand drew me down again.
 
I was in the broad walk, Regent's Park, where, I remembered, Norah often walked before breakfast. A park-keeper, the only other human creature within sight, was eyeing me suspiciously. I saw myself—without a looking-glass—unkempt, ragged74. My intention was to run, but Norah was holding me by the arm. Savagely101 I tried to shake her off. I was weak from my recent illness, and, I suppose, half starved; it angered me to learn she was the stronger of the two. In spite of my efforts, she dragged me back.
 
Ashamed of my weakness, ashamed of everything about me, I burst into tears; and that of course made me still more ashamed. To add to my discomfort102, I had no handkerchief. Holding me with one hand—it was quite sufficient—Norah produced her own, and wiped my eyes. The park-keeper, satisfied, I suppose, that at all events I was not dangerous, with a grin passed on.
 
“Where have you been, and what have you been doing?” asked Norah. She still retained her grip upon me, and in her grey eyes was quiet determination.
 
So, with my face turned away from her, I told her the whole miserable103 story, taking strange satisfaction in exaggerating, if anything, my own share of the disgrace. My recital ended, I sat staring down the long, shadow-freckled way, and for awhile there was no sound but the chirping104 of the sparrows.
 
Then behind me I beard a smothered105 laugh. It was impossible to imagine it could come from Norah. I turned quickly to see who had stolen upon us. It was Norah who was laughing; though to do her justice she was trying to suppress it, holding her handkerchief to her face. It was of no use, it would out; she abandoned the struggle, and gave way to it. It astonished the sparrows into silence; they stood in a row upon the low iron border and looked at one another.
 
“I am glad you think it funny,” I said.
 
“But it is funny,” she persisted. “Don't say you have lost your sense of humour, Paul; it was the one real thing you possessed106. You were so cocky—you don't know how cocky you were! Everybody was a fool but Vane; nobody else but he appreciated you at your true worth. You and he between you were going to reform the stage, to educate the public, to put everything and everybody to rights. I am awfully107 sorry for all you've gone through; but now that it is over, can't you see yourself that it is funny?”
 
Faintly, dimly, this aspect of the case, for the very first time, began to present itself to me; but I should have preferred Norah to have been impressed by its tragedy.
 
“That is not all,” I said. “I nearly ran away with another man's wife.”
 
I was glad to notice that sobered her somewhat. “Nearly? Why not quite?” she asked more seriously.
 
“She thought I was some young idiot with money,” I replied bitterly, pleased with the effect I had produced. “Vane had told her a pack of lies. When she found out I was only a poor devil, ruined, disgraced, without a sixpence—-” I made a gesture expressive108 of eloquent109 contempt for female nature generally.
 
“I am sorry,” said Norah; “I told you you would fall in love with something real.”
 
Her words irritated me, unreasonably, I confess. “In love!” I replied; “good God, I was never in love with her!”
 
“Then why did you nearly run away with her?”
 
I was wishing now I had not mentioned the matter; it promised to be difficult of explanation. “I don't know,” I replied irritably110. “I thought she was in love with me. She was very beautiful—at least, other people seemed to think she was. Artists are not like ordinary men. You must live—understand life, before you can teach it to others. When a beautiful woman is in love with you—or pretends to be, you—you must say something. You can't stand like a fool and—”
 
Again her laughter interrupted me; this time she made no attempt to hide it. The sparrows chirped111 angrily, and flew off to continue their conversation somewhere where there would be less noise.
 
“You are the biggest baby, Paul,” she said, so soon as she could speak, “I ever heard of.” She seized me by the shoulders, and turned me round. “If you weren't looking so ill and miserable, I would shake you, Paul, till there wasn't a bit of breath left in your body.”
 
“How much money do you owe?” she asked—“to the people in the company and anybody else, I mean—roughly?”
 
“About a hundred and fifty pounds,” I answered.
 
“Then if you rest day or night, Paul, till you have paid that hundred and fifty—every penny of it—I'll think you the meanest cad in London!”
 
Her grey eyes were flashing quite alarmingly. I felt almost afraid of her. She could be so vehement112 at times.
 
“But how can I?” I asked.
 
“Go straight home,” she commanded, “and write something funny: an article, story—anything you like; only mind that it is funny. Post it to me to-morrow, at the latest. Dan is in London, editing a new weekly. I'll have it copied out and sent to him. I shan't say who it is from. I shall merely ask him to read it and reply, at once. If you've a grain of grit113 left in you, you'll write something that he will be glad to have and to pay for. Pawn114 that ring on your finger and get yourself a good breakfast”—it was my mother's wedding-ring, the only piece of dispensable property I had not parted with—“she won't mind helping you. But nobody else is going to—except yourself.”
 
She looked at her watch. “I must be off.” She turned again. “There is something I was forgetting. B—“—she mentioned the name of the dramatist whose play Vane had stolen—“has been looking for you for the last three months. If you hadn't been an idiot you might have saved yourself a good deal of trouble. He is quite certain it was Vane stole the manuscript. He asked the nurse to bring it to him an hour after Vane had left the house, and it couldn't be found. Besides, the man's character is well known. And so is yours. I won't tell it you,” she laughed; “anyhow, it isn't that of a knave115.”
 
She made a step towards me, then changed her mind. “No,” she said, “I shan't shake hands with you till you have paid the last penny that you owe. Then I shall know that you are a man.”
 
She did not look back. I watched her, till the sunlight, streaming in my eyes, raised a golden mist between us.
 
Then I went to my work.

点击收听单词发音收听单词发音  

1 sneaked fcb2f62c486b1c2ed19664da4b5204be     
v.潜行( sneak的过去式和过去分词 );偷偷溜走;(儿童向成人)打小报告;告状
参考例句:
  • I sneaked up the stairs. 我蹑手蹑脚地上了楼。
  • She sneaked a surreptitious glance at her watch. 她偷偷看了一眼手表。
2 injustice O45yL     
n.非正义,不公正,不公平,侵犯(别人的)权利
参考例句:
  • They complained of injustice in the way they had been treated.他们抱怨受到不公平的对待。
  • All his life he has been struggling against injustice.他一生都在与不公正现象作斗争。
3 knight W2Hxk     
n.骑士,武士;爵士
参考例句:
  • He was made an honourary knight.他被授予荣誉爵士称号。
  • A knight rode on his richly caparisoned steed.一个骑士骑在装饰华丽的马上。
4 indifference k8DxO     
n.不感兴趣,不关心,冷淡,不在乎
参考例句:
  • I was disappointed by his indifference more than somewhat.他的漠不关心使我很失望。
  • He feigned indifference to criticism of his work.他假装毫不在意别人批评他的作品。
5 adorning 059017444879c176351b18c169e7b75b     
修饰,装饰物
参考例句:
  • Many have gems adorning their foreheads, and gold bands on their arms. 许多人在前额上挂着宝石,手臂上戴着金饰。
  • The commandments, or rules, are like pure white pearls adorning the wearer. (喻)戒律洁白,可以庄严人身,好像晶莹可爱的宝珠。
6 recital kAjzI     
n.朗诵,独奏会,独唱会
参考例句:
  • She is going to give a piano recital.她即将举行钢琴独奏会。
  • I had their total attention during the thirty-five minutes that my recital took.在我叙述的35分钟内,他们完全被我吸引了。
7 withered 342a99154d999c47f1fc69d900097df9     
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式
参考例句:
  • The grass had withered in the warm sun. 这些草在温暖的阳光下枯死了。
  • The leaves of this tree have become dry and withered. 这棵树下的叶子干枯了。
8 legitimate L9ZzJ     
adj.合法的,合理的,合乎逻辑的;v.使合法
参考例句:
  • Sickness is a legitimate reason for asking for leave.生病是请假的一个正当的理由。
  • That's a perfectly legitimate fear.怀有这种恐惧完全在情理之中。
9 chicanery 5rIzP     
n.欺诈,欺骗
参考例句:
  • We will continue to see such chicanery in the future.在往后的日子我们仍将看到这样的骗局持续上演。
  • Why do you give me so much chicanery as a explanation?你为什么给我那么多狡辩的解释?
10 astonishment VvjzR     
n.惊奇,惊异
参考例句:
  • They heard him give a loud shout of astonishment.他们听见他惊奇地大叫一声。
  • I was filled with astonishment at her strange action.我对她的奇怪举动不胜惊异。
11 ornaments 2bf24c2bab75a8ff45e650a1e4388dec     
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 )
参考例句:
  • The shelves were chock-a-block with ornaments. 架子上堆满了装饰品。
  • Playing the piano sets up resonance in those glass ornaments. 一弹钢琴那些玻璃饰物就会产生共振。 来自《简明英汉词典》
12 profess iQHxU     
v.声称,冒称,以...为业,正式接受入教,表明信仰
参考例句:
  • I profess that I was surprised at the news.我承认这消息使我惊讶。
  • What religion does he profess?他信仰哪种宗教?
13 exhausted 7taz4r     
adj.极其疲惫的,精疲力尽的
参考例句:
  • It was a long haul home and we arrived exhausted.搬运回家的这段路程特别长,到家时我们已筋疲力尽。
  • Jenny was exhausted by the hustle of city life.珍妮被城市生活的忙乱弄得筋疲力尽。
14 vexed fd1a5654154eed3c0a0820ab54fb90a7     
adj.争论不休的;(指问题等)棘手的;争论不休的问题;烦恼的v.使烦恼( vex的过去式和过去分词 );使苦恼;使生气;详细讨论
参考例句:
  • The conference spent days discussing the vexed question of border controls. 会议花了几天的时间讨论边境关卡这个难题。
  • He was vexed at his failure. 他因失败而懊恼。 来自《现代汉英综合大词典》
15 stammered 76088bc9384c91d5745fd550a9d81721     
v.结巴地说出( stammer的过去式和过去分词 )
参考例句:
  • He stammered most when he was nervous. 他一紧张往往口吃。 来自《现代英汉综合大词典》
  • Barsad leaned back in his chair, and stammered, \"What do you mean?\" 巴萨往椅背上一靠,结结巴巴地说,“你是什么意思?” 来自英汉文学 - 双城记
16 mere rC1xE     
adj.纯粹的;仅仅,只不过
参考例句:
  • That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
  • It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。
17 playwright 8Ouxo     
n.剧作家,编写剧本的人
参考例句:
  • Gwyn Thomas was a famous playwright.格温·托马斯是著名的剧作家。
  • The playwright was slaughtered by the press.这位剧作家受到新闻界的无情批判。
18 anomalous MwbzI     
adj.反常的;不规则的
参考例句:
  • For years this anomalous behaviour has baffled scientists.几年来这种反常行为让科学家们很困惑。
  • The mechanism of this anomalous vascular response is unknown.此种不规则的血管反应的机制尚不清楚。
19 commendable LXXyw     
adj.值得称赞的
参考例句:
  • The government's action here is highly commendable.政府这样的行动值得高度赞扬。
  • Such carping is not commendable.这样吹毛求疵真不大好。
20 frivolity 7fNzi     
n.轻松的乐事,兴高采烈;轻浮的举止
参考例句:
  • It was just a piece of harmless frivolity. 这仅是无恶意的愚蠢行为。
  • Hedonism and frivolity will diffuse hell tnrough all our days. 享乐主义和轻薄浮佻会将地狱扩展到我们的整个日子之中。 来自辞典例句
21 prone 50bzu     
adj.(to)易于…的,很可能…的;俯卧的
参考例句:
  • Some people are prone to jump to hasty conclusions.有些人往往作出轻率的结论。
  • He is prone to lose his temper when people disagree with him.人家一不同意他的意见,他就发脾气。
22 kindly tpUzhQ     
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地
参考例句:
  • Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
  • A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。
23 forestalled e417c8d9b721dc9db811a1f7f84d8291     
v.先发制人,预先阻止( forestall的过去式和过去分词 )
参考例句:
  • She forestalled their attempt. 她先发制人,阻止了他们的企图。 来自《简明英汉词典》
  • I had my objection all prepared, but Stephens forestalled me. 我已做好准备要提出反对意见,不料斯蒂芬斯却抢先了一步。 来自辞典例句
24 frankly fsXzcf     
adv.坦白地,直率地;坦率地说
参考例句:
  • To speak frankly, I don't like the idea at all.老实说,我一点也不赞成这个主意。
  • Frankly speaking, I'm not opposed to reform.坦率地说,我不反对改革。
25 outrageous MvFyH     
adj.无理的,令人不能容忍的
参考例句:
  • Her outrageous behaviour at the party offended everyone.她在聚会上的无礼行为触怒了每一个人。
  • Charges for local telephone calls are particularly outrageous.本地电话资费贵得出奇。
26 subterfuge 4swwp     
n.诡计;藉口
参考例句:
  • European carping over the phraseology represented a mixture of hypocrisy and subterfuge.欧洲在措词上找岔子的做法既虚伪又狡诈。
  • The Independents tried hard to swallow the wretched subterfuge.独立党的党员们硬着头皮想把这一拙劣的托词信以为真。
27 rogue qCfzo     
n.流氓;v.游手好闲
参考例句:
  • The little rogue had his grandpa's glasses on.这淘气鬼带上了他祖父的眼镜。
  • They defined him as a rogue.他们确定他为骗子。
28 esteem imhyZ     
n.尊敬,尊重;vt.尊重,敬重;把…看作
参考例句:
  • I did not esteem him to be worthy of trust.我认为他不值得信赖。
  • The veteran worker ranks high in public love and esteem.那位老工人深受大伙的爱戴。
29 helping 2rGzDc     
n.食物的一份&adj.帮助人的,辅助的
参考例句:
  • The poor children regularly pony up for a second helping of my hamburger. 那些可怜的孩子们总是要求我把我的汉堡包再给他们一份。
  • By doing this, they may at times be helping to restore competition. 这样一来, 他在某些时候,有助于竞争的加强。
30 feverishly 5ac95dc6539beaf41c678cd0fa6f89c7     
adv. 兴奋地
参考例句:
  • Feverishly he collected his data. 他拼命收集资料。
  • The company is having to cast around feverishly for ways to cut its costs. 公司迫切须要想出各种降低成本的办法。
31 misery G10yi     
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦
参考例句:
  • Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
  • He has rescued me from the mire of misery.他把我从苦海里救了出来。
32 concoction 8Ytyv     
n.调配(物);谎言
参考例句:
  • She enjoyed the concoction of foreign dishes.她喜欢调制外国菜。
  • His story was a sheer concoction.他的故事实在是一纯属捏造之事。
33 dodging dodging     
n.避开,闪过,音调改变v.闪躲( dodge的现在分词 );回避
参考例句:
  • He ran across the road, dodging the traffic. 他躲开来往的车辆跑过马路。
  • I crossed the highway, dodging the traffic. 我避开车流穿过了公路。 来自辞典例句
34 constable wppzG     
n.(英国)警察,警官
参考例句:
  • The constable conducted the suspect to the police station.警官把嫌疑犯带到派出所。
  • The constable kept his temper,and would not be provoked.那警察压制着自己的怒气,不肯冒起火来。
35 villain ZL1zA     
n.反派演员,反面人物;恶棍;问题的起因
参考例句:
  • He was cast as the villain in the play.他在戏里扮演反面角色。
  • The man who played the villain acted very well.扮演恶棍的那个男演员演得很好。
36 assorted TyGzop     
adj.各种各样的,各色俱备的
参考例句:
  • There's a bag of assorted sweets on the table.桌子上有一袋什锦糖果。
  • He has always assorted with men of his age.他总是与和他年令相仿的人交往。
37 juvenile OkEy2     
n.青少年,少年读物;adj.青少年的,幼稚的
参考例句:
  • For a grown man he acted in a very juvenile manner.身为成年人,他的行为举止显得十分幼稚。
  • Juvenile crime is increasing at a terrifying rate.青少年犯罪正在以惊人的速度增长。
38 writs 9dea365ff87b204192f0296c0dc1a902     
n.书面命令,令状( writ的名词复数 )
参考例句:
  • Authority thereof shall issue Writs of Election to fill such Vacancies. 管理局须发出令状的选举,以填补这些空缺。 来自互联网
  • Writs of arrest were issued for a thousand students throughout the country. 全国各地有一千名学生被拘捕。 来自互联网
39 shudder JEqy8     
v.战粟,震动,剧烈地摇晃;n.战粟,抖动
参考例句:
  • The sight of the coffin sent a shudder through him.看到那副棺材,他浑身一阵战栗。
  • We all shudder at the thought of the dreadful dirty place.我们一想到那可怕的肮脏地方就浑身战惊。
40 portrayal IPlxy     
n.饰演;描画
参考例句:
  • His novel is a vivid portrayal of life in a mining community.他的小说生动地描绘了矿区的生活。
  • The portrayal of the characters in the novel is lifelike.该书中的人物写得有血有肉。
41 irreproachable yaZzj     
adj.不可指责的,无过失的
参考例句:
  • It emerged that his past behavior was far from irreproachable.事实表明,他过去的行为绝非无可非议。
  • She welcomed her unexpected visitor with irreproachable politeness.她以无可指责的礼仪接待了不速之客。
42 degradation QxKxL     
n.降级;低落;退化;陵削;降解;衰变
参考例句:
  • There are serious problems of land degradation in some arid zones.在一些干旱地带存在严重的土地退化问题。
  • Gambling is always coupled with degradation.赌博总是与堕落相联系。
43 deterioration yvvxj     
n.退化;恶化;变坏
参考例句:
  • Mental and physical deterioration both occur naturally with age. 随着年龄的增长,心智和体力自然衰退。
  • The car's bodywork was already showing signs of deterioration. 这辆车的车身已经显示出了劣化迹象。
44 pretension GShz4     
n.要求;自命,自称;自负
参考例句:
  • I make no pretension to skill as an artist,but I enjoy painting.我并不自命有画家的技巧,但我喜欢绘画。
  • His action is a satire on his boastful pretension.他的行动是对他自我卖弄的一个讽刺。
45 abide UfVyk     
vi.遵守;坚持;vt.忍受
参考例句:
  • You must abide by the results of your mistakes.你必须承担你的错误所造成的后果。
  • If you join the club,you have to abide by its rules.如果你参加俱乐部,你就得遵守它的规章。
46 binding 2yEzWb     
有约束力的,有效的,应遵守的
参考例句:
  • The contract was not signed and has no binding force. 合同没有签署因而没有约束力。
  • Both sides have agreed that the arbitration will be binding. 双方都赞同仲裁具有约束力。
47 tiresome Kgty9     
adj.令人疲劳的,令人厌倦的
参考例句:
  • His doubts and hesitations were tiresome.他的疑惑和犹豫令人厌烦。
  • He was tiresome in contending for the value of his own labors.他老为他自己劳动的价值而争强斗胜,令人生厌。
48 enticed e343c8812ee0e250a29e7b0ccd6b8a2c     
诱惑,怂恿( entice的过去式和过去分词 )
参考例句:
  • He enticed his former employer into another dice game. 他挑逗他原来的老板再赌一次掷骰子。
  • Consumers are courted, enticed, and implored by sellers of goods and services. 消费者受到商品和劳务出售者奉承,劝诱和央求。
49 groves eb036e9192d7e49b8aa52d7b1729f605     
树丛,小树林( grove的名词复数 )
参考例句:
  • The early sun shone serenely on embrowned groves and still green fields. 朝阳宁静地照耀着已经发黄的树丛和还是一片绿色的田地。
  • The trees grew more and more in groves and dotted with old yews. 那里的树木越来越多地长成了一簇簇的小丛林,还点缀着几棵老紫杉树。
50 epithet QZHzY     
n.(用于褒贬人物等的)表述形容词,修饰语
参考例句:
  • In "Alfred the Great","the Great"is an epithet.“阿尔弗雷德大帝”中的“大帝”是个称号。
  • It is an epithet that sums up my feelings.这是一个简洁地表达了我思想感情的形容词。
51 repression zVyxX     
n.镇压,抑制,抑压
参考例句:
  • The repression of your true feelings is harmful to your health.压抑你的真实感情有害健康。
  • This touched off a new storm against violent repression.这引起了反对暴力镇压的新风暴。
52 joyous d3sxB     
adj.充满快乐的;令人高兴的
参考例句:
  • The lively dance heightened the joyous atmosphere of the scene.轻快的舞蹈给这场戏渲染了欢乐气氛。
  • They conveyed the joyous news to us soon.他们把这一佳音很快地传递给我们。
53 advancement tzgziL     
n.前进,促进,提升
参考例句:
  • His new contribution to the advancement of physiology was well appreciated.他对生理学发展的新贡献获得高度赞赏。
  • The aim of a university should be the advancement of learning.大学的目标应是促进学术。
54 aesthetic px8zm     
adj.美学的,审美的,有美感
参考例句:
  • My aesthetic standards are quite different from his.我的审美标准与他的大不相同。
  • The professor advanced a new aesthetic theory.那位教授提出了新的美学理论。
55 delightful 6xzxT     
adj.令人高兴的,使人快乐的
参考例句:
  • We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
  • Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。
56 bondage 0NtzR     
n.奴役,束缚
参考例句:
  • Masters sometimes allowed their slaves to buy their way out of bondage.奴隶主们有时允许奴隶为自己赎身。
  • They aim to deliver the people who are in bondage to superstitious belief.他们的目的在于解脱那些受迷信束缚的人。
57 inhuman F7NxW     
adj.残忍的,不人道的,无人性的
参考例句:
  • We must unite the workers in fighting against inhuman conditions.我们必须使工人们团结起来反对那些难以忍受的工作条件。
  • It was inhuman to refuse him permission to see his wife.不容许他去看自己的妻子是太不近人情了。
58 bestow 9t3zo     
v.把…赠与,把…授予;花费
参考例句:
  • He wished to bestow great honors upon the hero.他希望将那些伟大的荣誉授予这位英雄。
  • What great inspiration wiII you bestow on me?你有什么伟大的灵感能馈赠给我?
59 unreasonably 7b139a7b80379aa34c95638d4a789e5f     
adv. 不合理地
参考例句:
  • He was also petty, unreasonably querulous, and mean. 他还是个气量狭窄,无事生非,平庸刻薄的人。
  • Food in that restaurant is unreasonably priced. 那家饭店价格不公道。
60 repented c24481167c6695923be1511247ed3c08     
对(自己的所为)感到懊悔或忏悔( repent的过去式和过去分词 )
参考例句:
  • He repented his thoughtlessness. 他后悔自己的轻率。
  • Darren repented having shot the bird. 达伦后悔射杀了那只鸟。
61 appreciably hNKyx     
adv.相当大地
参考例句:
  • The index adds appreciably to the usefulness of the book. 索引明显地增加了这本书的实用价值。
  • Otherwise the daily mean is perturbed appreciably by the lunar constituents. 否则,日平均值就会明显地受到太阳分潮的干扰。
62 admiration afpyA     
n.钦佩,赞美,羡慕
参考例句:
  • He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
  • We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。
63 liking mpXzQ5     
n.爱好;嗜好;喜欢
参考例句:
  • The word palate also means taste or liking.Palate这个词也有“口味”或“嗜好”的意思。
  • I must admit I have no liking for exaggeration.我必须承认我不喜欢夸大其词。
64 accomplishment 2Jkyo     
n.完成,成就,(pl.)造诣,技能
参考例句:
  • The series of paintings is quite an accomplishment.这一系列的绘画真是了不起的成就。
  • Money will be crucial to the accomplishment of our objectives.要实现我们的目标,钱是至关重要的。
65 painstakingly painstakingly     
adv. 费力地 苦心地
参考例句:
  • Every aspect of the original has been closely studied and painstakingly reconstructed. 原作的每一细节都经过了仔细研究,费尽苦心才得以重现。
  • The cause they contrived so painstakingly also ended in failure. 他们惨淡经营的事业也以失败而告终。
66 applied Tz2zXA     
adj.应用的;v.应用,适用
参考例句:
  • She plans to take a course in applied linguistics.她打算学习应用语言学课程。
  • This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。
67 cultivation cnfzl     
n.耕作,培养,栽培(法),养成
参考例句:
  • The cultivation in good taste is our main objective.培养高雅情趣是我们的主要目标。
  • The land is not fertile enough to repay cultivation.这块土地不够肥沃,不值得耕种。
68 fictional ckEx0     
adj.小说的,虚构的
参考例句:
  • The names of the shops are entirely fictional.那些商店的名字完全是虚构的。
  • The two authors represent the opposite poles of fictional genius.这两位作者代表了天才小说家两个极端。
69 temperament 7INzf     
n.气质,性格,性情
参考例句:
  • The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
  • Success often depends on temperament.成功常常取决于一个人的性格。
70 inclination Gkwyj     
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好
参考例句:
  • She greeted us with a slight inclination of the head.她微微点头向我们致意。
  • I did not feel the slightest inclination to hurry.我没有丝毫着急的意思。
71 languishing vpCz2c     
a. 衰弱下去的
参考例句:
  • He is languishing for home. 他苦思家乡。
  • How long will she go on languishing for her red-haired boy? 为想见到她的红头发的儿子,她还将为此烦恼多久呢?
72 covert voxz0     
adj.隐藏的;暗地里的
参考例句:
  • We should learn to fight with enemy in an overt and covert way.我们应学会同敌人做公开和隐蔽的斗争。
  • The army carried out covert surveillance of the building for several months.军队对这座建筑物进行了数月的秘密监视。
73 profligacy d368c1db67127748cbef7c5970753fbe     
n.放荡,不检点,肆意挥霍
参考例句:
  • Subsequently, this statement was quoted widely in the colony as an evidence of profligacy. 结果这句话成为肆意挥霍的一个例证在那块领地里传开了。 来自辞典例句
  • Recession, they reason, must be a penance for past profligacy. 经济衰退,他们推断,肯定是对过去大肆挥霍的赎罪。 来自互联网
74 ragged KC0y8     
adj.衣衫褴褛的,粗糙的,刺耳的
参考例句:
  • A ragged shout went up from the small crowd.这一小群人发出了刺耳的喊叫。
  • Ragged clothing infers poverty.破衣烂衫意味着贫穷。
75 entanglement HoExt     
n.纠缠,牵累
参考例句:
  • This entanglement made Carrie anxious for a change of some sort.这种纠葛弄得嘉莉急于改变一下。
  • There is some uncertainty about this entanglement with the city treasurer which you say exists.对于你所说的与市财政局长之间的纠葛,大家有些疑惑。
76 replete BBBzd     
adj.饱满的,塞满的;n.贮蜜蚁
参考例句:
  • He was replete with food and drink.他吃喝得饱饱的。
  • This immense space may be replete with happiness and glory.这巨大的空间可能充满了幸福和光荣。
77 rumour 1SYzZ     
n.谣言,谣传,传闻
参考例句:
  • I should like to know who put that rumour about.我想知道是谁散布了那谣言。
  • There has been a rumour mill on him for years.几年来,一直有谣言产生,对他进行中伤。
78 contrived ivBzmO     
adj.不自然的,做作的;虚构的
参考例句:
  • There was nothing contrived or calculated about what he said.他说的话里没有任何蓄意捏造的成分。
  • The plot seems contrived.情节看起来不真实。
79 sufficiently 0htzMB     
adv.足够地,充分地
参考例句:
  • It turned out he had not insured the house sufficiently.原来他没有给房屋投足保险。
  • The new policy was sufficiently elastic to accommodate both views.新政策充分灵活地适用两种观点。
80 apathy BMlyA     
n.漠不关心,无动于衷;冷淡
参考例句:
  • He was sunk in apathy after his failure.他失败后心恢意冷。
  • She heard the story with apathy.她听了这个故事无动于衷。
81 alterations c8302d4e0b3c212bc802c7294057f1cb     
n.改动( alteration的名词复数 );更改;变化;改变
参考例句:
  • Any alterations should be written in neatly to the left side. 改动部分应书写清晰,插在正文的左侧。 来自《简明英汉词典》
  • Gene mutations are alterations in the DNA code. 基因突变是指DNA 密码的改变。 来自《简明英汉词典》
82 virtuous upCyI     
adj.有品德的,善良的,贞洁的,有效力的
参考例句:
  • She was such a virtuous woman that everybody respected her.她是个有道德的女性,人人都尊敬她。
  • My uncle is always proud of having a virtuous wife.叔叔一直为娶到一位贤德的妻子而骄傲。
83 lodging wRgz9     
n.寄宿,住所;(大学生的)校外宿舍
参考例句:
  • The bill is inclusive of the food and lodging. 账单包括吃、住费用。
  • Where can you find lodging for the night? 你今晚在哪里借宿?
84 lodgings f12f6c99e9a4f01e5e08b1197f095e6e     
n. 出租的房舍, 寄宿舍
参考例句:
  • When he reached his lodgings the sun had set. 他到达公寓房间时,太阳已下山了。
  • I'm on the hunt for lodgings. 我正在寻找住所。
85 acting czRzoc     
n.演戏,行为,假装;adj.代理的,临时的,演出用的
参考例句:
  • Ignore her,she's just acting.别理她,她只是假装的。
  • During the seventies,her acting career was in eclipse.在七十年代,她的表演生涯黯然失色。
86 accomplice XJsyq     
n.从犯,帮凶,同谋
参考例句:
  • She was her husband's accomplice in murdering a rich old man.她是她丈夫谋杀一个老富翁的帮凶。
  • He is suspected as an accomplice of the murder.他涉嫌为这次凶杀案的同谋。
87 fishy ysgzzF     
adj. 值得怀疑的
参考例句:
  • It all sounds very fishy to me.所有这些在我听起来都很可疑。
  • There was definitely something fishy going on.肯定当时有可疑的事情在进行中。
88 second-hand second-hand     
adj.用过的,旧的,二手的
参考例句:
  • I got this book by chance at a second-hand bookshop.我赶巧在一家旧书店里买到这本书。
  • They will put all these second-hand goods up for sale.他们将把这些旧货全部公开出售。
89 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
90 vista jLVzN     
n.远景,深景,展望,回想
参考例句:
  • From my bedroom window I looked out on a crowded vista of hills and rooftops.我从卧室窗口望去,远处尽是连绵的山峦和屋顶。
  • These uprisings come from desperation and a vista of a future without hope.发生这些暴动是因为人们被逼上了绝路,未来看不到一点儿希望。
91 farces 91cc88dd69b5bb3e29c8688e007e560e     
n.笑剧( farce的名词复数 );闹剧;笑剧剧目;作假的可笑场面
参考例句:
  • Its repertoire includes historical plays, comedies, tragedies and farces. 京剧的曲目包括历史剧、喜剧、悲剧和笑剧。 来自互联网
  • He likes to watch farces at weekends to relax himself. 他喜欢在周末看滑稽剧来放松自己。 来自互联网
92 teeming 855ef2b5bd20950d32245ec965891e4a     
adj.丰富的v.充满( teem的现在分词 );到处都是;(指水、雨等)暴降;倾注
参考例句:
  • The rain was teeming down. 大雨倾盆而下。
  • the teeming streets of the city 熙熙攘攘的城市街道
93 dwellings aa496e58d8528ad0edee827cf0b9b095     
n.住处,处所( dwelling的名词复数 )
参考例句:
  • The development will consist of 66 dwellings and a number of offices. 新建楼区将由66栋住房和一些办公用房组成。
  • The hovels which passed for dwellings are being pulled down. 过去用作住室的陋屋正在被拆除。 来自《简明英汉词典》
94 shrill EEize     
adj.尖声的;刺耳的;v尖叫
参考例句:
  • Whistles began to shrill outside the barn.哨声开始在谷仓外面尖叫。
  • The shrill ringing of a bell broke up the card game on the cutter.刺耳的铃声打散了小汽艇的牌局。
95 pint 1NNxL     
n.品脱
参考例句:
  • I'll have a pint of beer and a packet of crisps, please.我要一品脱啤酒和一袋炸马铃薯片。
  • In the old days you could get a pint of beer for a shilling.从前,花一先令就可以买到一品脱啤酒。
96 descending descending     
n. 下行 adj. 下降的
参考例句:
  • The results are expressed in descending numerical order . 结果按数字降序列出。
  • The climbers stopped to orient themselves before descending the mountain. 登山者先停下来确定所在的位置,然后再下山。
97 unfamiliar uk6w4     
adj.陌生的,不熟悉的
参考例句:
  • I am unfamiliar with the place and the people here.我在这儿人地生疏。
  • The man seemed unfamiliar to me.这人很面生。
98 scrambled 2e4a1c533c25a82f8e80e696225a73f2     
v.快速爬行( scramble的过去式和过去分词 );攀登;争夺;(军事飞机)紧急起飞
参考例句:
  • Each scrambled for the football at the football ground. 足球场上你争我夺。 来自《现代汉英综合大词典》
  • He scrambled awkwardly to his feet. 他笨拙地爬起身来。 来自《简明英汉词典》
99 joyously 1p4zu0     
ad.快乐地, 高兴地
参考例句:
  • She opened the door for me and threw herself in my arms, screaming joyously and demanding that we decorate the tree immediately. 她打开门,直扑我的怀抱,欣喜地喊叫着要马上装饰圣诞树。
  • They came running, crying out joyously in trilling girlish voices. 她们边跑边喊,那少女的颤音好不欢快。 来自名作英译部分
100 mingled fdf34efd22095ed7e00f43ccc823abdf     
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系]
参考例句:
  • The sounds of laughter and singing mingled in the evening air. 笑声和歌声交织在夜空中。
  • The man and the woman mingled as everyone started to relax. 当大家开始放松的时候,这一男一女就开始交往了。
101 savagely 902f52b3c682f478ddd5202b40afefb9     
adv. 野蛮地,残酷地
参考例句:
  • The roses had been pruned back savagely. 玫瑰被狠狠地修剪了一番。
  • He snarled savagely at her. 他向她狂吼起来。
102 discomfort cuvxN     
n.不舒服,不安,难过,困难,不方便
参考例句:
  • One has to bear a little discomfort while travelling.旅行中总要忍受一点不便。
  • She turned red with discomfort when the teacher spoke.老师讲话时她不好意思地红着脸。
103 miserable g18yk     
adj.悲惨的,痛苦的;可怜的,糟糕的
参考例句:
  • It was miserable of you to make fun of him.你取笑他,这是可耻的。
  • Her past life was miserable.她过去的生活很苦。
104 chirping 9ea89833a9fe2c98371e55f169aa3044     
鸟叫,虫鸣( chirp的现在分词 )
参考例句:
  • The birds,chirping relentlessly,woke us up at daybreak. 破晓时鸟儿不断吱吱地叫,把我们吵醒了。
  • The birds are chirping merrily. 鸟儿在欢快地鸣叫着。
105 smothered b9bebf478c8f7045d977e80734a8ed1d     
(使)窒息, (使)透不过气( smother的过去式和过去分词 ); 覆盖; 忍住; 抑制
参考例句:
  • He smothered the baby with a pillow. 他用枕头把婴儿闷死了。
  • The fire is smothered by ashes. 火被灰闷熄了。
106 possessed xuyyQ     
adj.疯狂的;拥有的,占有的
参考例句:
  • He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
  • He behaved like someone possessed.他行为举止像是魔怔了。
107 awfully MPkym     
adv.可怕地,非常地,极端地
参考例句:
  • Agriculture was awfully neglected in the past.过去农业遭到严重忽视。
  • I've been feeling awfully bad about it.对这我一直感到很难受。
108 expressive shwz4     
adj.表现的,表达…的,富于表情的
参考例句:
  • Black English can be more expressive than standard English.黑人所使用的英语可能比正式英语更有表现力。
  • He had a mobile,expressive,animated face.他有一张多变的,富于表情的,生动活泼的脸。
109 eloquent ymLyN     
adj.雄辩的,口才流利的;明白显示出的
参考例句:
  • He was so eloquent that he cut down the finest orator.他能言善辩,胜过最好的演说家。
  • These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。
110 irritably e3uxw     
ad.易生气地
参考例句:
  • He lost his temper and snapped irritably at the children. 他发火了,暴躁地斥责孩子们。
  • On this account the silence was irritably broken by a reproof. 为了这件事,他妻子大声斥责,令人恼火地打破了宁静。 来自英汉文学 - 嘉莉妹妹
111 chirped 2d76a8bfe4602c9719744234606acfc8     
鸟叫,虫鸣( chirp的过去式 )
参考例句:
  • So chirped fiber gratings have broad reflection bandwidth. 所以chirped光纤光栅具有宽的反射带宽,在反射带宽内具有渐变的群时延等其它类型的光纤光栅所不具备的特点。
  • The crickets chirped faster and louder. 蟋蟀叫得更欢了。
112 vehement EL4zy     
adj.感情强烈的;热烈的;(人)有强烈感情的
参考例句:
  • She made a vehement attack on the government's policies.她强烈谴责政府的政策。
  • His proposal met with vehement opposition.他的倡导遭到了激烈的反对。
113 grit LlMyH     
n.沙粒,决心,勇气;v.下定决心,咬紧牙关
参考例句:
  • The soldiers showed that they had plenty of grit. 士兵们表现得很有勇气。
  • I've got some grit in my shoe.我的鞋子里弄进了一些砂子。
114 pawn 8ixyq     
n.典当,抵押,小人物,走卒;v.典当,抵押
参考例句:
  • He is contemplating pawning his watch.他正在考虑抵押他的手表。
  • It looks as though he is being used as a political pawn by the President.看起来他似乎被总统当作了政治卒子。
115 knave oxsy2     
n.流氓;(纸牌中的)杰克
参考例句:
  • Better be a fool than a knave.宁做傻瓜,不做无赖。
  • Once a knave,ever a knave.一次成无赖,永远是无赖。


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