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Chapter 8
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 Moritz Abel stepped nearer. In the silence Peter grew embarrassed. What he had said would sound without footing since the poet did not understand the trend of his thoughts. He meant to, add what the long night signified, and wanted his saying really known for what it was—an utterance1 of pure passion against the destruction of genius. The other replied, making all explanation unnecessary:
 
“I knew you for one of us. It is the long night, but it is a great honor for us to be here and at work.”
 
“Where are your companions?”
 
The Russian smiled. “They are all about through the dark of the long night. We may only signal in passing. In fact, I must go now—”
 
The surgeon in charge had entered. Peter went to Samarc's cot, steeling himself. “Samarc,” he whispered, without bending, “Samarc—”
 
The wounded man stirred a little, moaned, but did not answer.... In the far corner Boylan was moving cots (occupants and all) closer together for the admission of more. His sleeves were rolled. Near him a little woman, whose waist was no larger than the white revelation of Boylan's forearm, was directing the way, the giant of the Polar Failure struggling to please. Something of ease and uplift had come to Peter from this, and from the passing of Moritz Abel. Silently battling with Dabnitz, with Kohlvihr, with king's desire and the animal of men, was this service-thing greater than all, greater than death.... A soldier called and he went toward the voice. Presently Peter was jockeying him into good humor with low talk.
 
All day the battle tortured the southern distance—the cannonading nearer, as the hours waned3. The Austrians were holding their own or better. It was the fiercest resistance which the Russian columns had as yet encountered. All afternoon wounded were brought back. It became more and more difficult to move among the cots in the building. So it was with all Judenbach that was not in ruins. Twice through the afternoon there were volleys in the court below; and when the two went forth4 for food, they saw a soldier carrying baskets of dirt from the street, and covering the stone flags close to the main building.... And from that grim house a little down the street, came at intervals5, shocking their senses, the hideous6 outcry as of murder taking place.... Boylan went down into the field an hour before sunset, Peter back to the hospital.
 
“I'll see what I can find,” Big Belt remarked. “You're right to go back, Peter. As for me, I can stand it better outdoors.”
 
Crossing the street, it seemed to Peter that he had been in Judenbach certain ages, a reckonable space of eternity—despite the lowering sun which calmly informed him that at this time yesterday the Austrians had found the range of Samarc's battery with a shrapnel or two. Many things had come to him. He wished as never before for a free cable.... Boylan came in at dark and drew him away from Samarc's cot.
 
“I'll be back to-night,” Peter promised.
 
“...There's been no break in the check to-day,” Big Belt reported. “Kohlvihr's division, and the immediate7 forces surrounding, are part of the great right wing, and this right is holding up the whole Russian command. I heard Kohlvihr explaining to the Commander's aide that the Austrians here had been reinforced; that they gave us Judenbach for the taking yesterday, in order to fall back into the hills beyond. The center and left, it appears, is clear, ready to fight on to Berlin or Budapest, but the whole line is held up for this right wing. Kohlvihr is desperate. There'll be a hard pull to get across the hills to-morrow—all hands, Peter.”
 
“This may be our last night in Judenbach then?”
 
“If killing8 a division will start a hole across that range of hills, it's our last night—”
 
“I'll sit it out with Samarc,” Peter said.
 
“Go to it, if you think best. You were a mighty9 sick woman this morning. Something in yonder helped you. I'll see you through for another treatment.”
 
“Boylan, don't you stay up. You've roughed it to-day and been afield. Don't let me spoil your sleep—with a big day ahead. It wasn't lack of sleep that got my nerve this morning—”
 
“Oh, I'll yap around till bedtime,” said the other. “What does Samarc say?”
 
“Something has come over him. Some one came to him last night and seemed to drive a nail right into his thinking—pinned him.”
 
“He's turned against the killing?”
 
“Yes. And he'll be restless to-night, sleeping so much to-day.... At least, he made the appearance of sleeping. I think he was shocked to hear his voice.... His eyes are right enough. But below—”
 
“What made you think he had the appearance of sleeping?”
 
“It just occurred to me. He didn't want to take all my time. I whispered his name several times—no answer. Once when I was leaving, his hand reached up and touched my coat.”
 
“Is he hurt badly?”
 
“Not a thing in the body. It's between his throat and his eyes.... You know I saw him last night after the shrapnel as he lifted—it was just a sheet of blood. Afterward10 it was covered in cloth. I don't think he knew until this morning, when he started to talk.”
 
“He was all knit to the little man,” Boylan said. “As good a pair as I ever met afield.... Oh, I say, eat something—”
 
Peter smiled at the big fellow and turned to his soup and black bread. He didn't say what he thought, but it had to do with his own field companion this time.
 
  * * *
...Midnight. Boylan had gone back to quarters. Peter's ward2 was low-lit and still. ...The wounded man's hands waved before his bandage, as if to detract attention from the windy blur11 of his utterance. Samarc wanted to die.
 
“You know it was because of me that he came—” he repeated.
 
“But you mustn't suffer for that. Really, Samarc, a man couldn't have been a better friend than you. Spenski would tell you so if he could. These are times for men to live. I wanted to kill myself this morning. You know I was behind you on the hill, too. That, and the tragedy all about, and then they were murdering spies and martyring real Fatherland men out in the court—as if there wasn't enough death afield. It was too much for me. Old Boylan helped me, but if I hadn't come in to work, I'd have shot my head off. Here—men dying hard and easy; men and women serving; so much to do,—I got better. Death isn't everything. I'm not a genius or a dreamer, man. I'm so slow at dreaming and brotherhood12 and all that, that a woman once ran from me. But I saw to-day that death isn't all. I don't know what else there is, but this is a sort of long night, this war. A few of us are awake. If we are put to sleep—that's all right—I mean knocked out, you know. But so long as we are not, we've got to watch and root for the dawn. God, man, there is much to do. We've got to make our lives count—”
 
He was bending forward talking very low. He thought from the pressure of Samarc's hands that he was gaining ground. It was queer and laughable to himself—this line of talk that came to him. He knew so well the pangs13 of that suicidal suffocation14, that he could talk for the very life of the other. He added:
 
“A little black-whispered man looked up from his soap and towels this morning. His hat fell off, and I saw he had come a long ways. He looked at me again, and I spoke15 to him. Samarc, it was another of these little whirlwinds of human force—a master workman like the man you loved.
 
“It was Moritz Abel who wrote We Are Free....
 
“And there are others—like Spenski and Abel—some of them dead—some to die to-morrow. Do you think the good God would let them die so easily if it wasn't all right? But we mustn't die without making our lives count.”
 
Peter's eyes were covered by slender hands. It was like passing a garden of mignonette in the night, that fleeting16 perfume of the hands.
 
“Oh, Peter, how sweet to see you and hear your voice!”
 
It seemed that he became molten in her presence. A heavenly adagio17 after a prolonged movement of sin and shame and every dissonance. It was as if she had come from a bath of peace to him; another inimitable moment in the life of his romance. He turned to her, holding fast to the hand that was stretched toward him. He cleared his voice.
 
“Excuse me, Samarc,” he said.
 

点击收听单词发音收听单词发音  

1 utterance dKczL     
n.用言语表达,话语,言语
参考例句:
  • This utterance of his was greeted with bursts of uproarious laughter.他的讲话引起阵阵哄然大笑。
  • My voice cleaves to my throat,and sob chokes my utterance.我的噪子哽咽,泣不成声。
2 ward LhbwY     
n.守卫,监护,病房,行政区,由监护人或法院保护的人(尤指儿童);vt.守护,躲开
参考例句:
  • The hospital has a medical ward and a surgical ward.这家医院有内科病房和外科病房。
  • During the evening picnic,I'll carry a torch to ward off the bugs.傍晚野餐时,我要点根火把,抵挡蚊虫。
3 waned 8caaa77f3543242d84956fa53609f27c     
v.衰落( wane的过去式和过去分词 );(月)亏;变小;变暗淡
参考例句:
  • However,my enthusiasm waned.The time I spent at exercises gradually diminished. 然而,我的热情减退了。我在做操上花的时间逐渐减少了。 来自《用法词典》
  • The bicycle craze has waned. 自行车热已冷下去了。 来自《现代汉英综合大词典》
4 forth Hzdz2     
adv.向前;向外,往外
参考例句:
  • The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
  • He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。
5 intervals f46c9d8b430e8c86dea610ec56b7cbef     
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息
参考例句:
  • The forecast said there would be sunny intervals and showers. 预报间晴,有阵雨。
  • Meetings take place at fortnightly intervals. 每两周开一次会。
6 hideous 65KyC     
adj.丑陋的,可憎的,可怕的,恐怖的
参考例句:
  • The whole experience had been like some hideous nightmare.整个经历就像一场可怕的噩梦。
  • They're not like dogs,they're hideous brutes.它们不像狗,是丑陋的畜牲。
7 immediate aapxh     
adj.立即的;直接的,最接近的;紧靠的
参考例句:
  • His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
  • We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。
8 killing kpBziQ     
n.巨额利润;突然赚大钱,发大财
参考例句:
  • Investors are set to make a killing from the sell-off.投资者准备清仓以便大赚一笔。
  • Last week my brother made a killing on Wall Street.上个周我兄弟在华尔街赚了一大笔。
9 mighty YDWxl     
adj.强有力的;巨大的
参考例句:
  • A mighty force was about to break loose.一股巨大的力量即将迸发而出。
  • The mighty iceberg came into view.巨大的冰山出现在眼前。
10 afterward fK6y3     
adv.后来;以后
参考例句:
  • Let's go to the theatre first and eat afterward. 让我们先去看戏,然后吃饭。
  • Afterward,the boy became a very famous artist.后来,这男孩成为一个很有名的艺术家。
11 blur JtgzC     
n.模糊不清的事物;vt.使模糊,使看不清楚
参考例句:
  • The houses appeared as a blur in the mist.房子在薄雾中隐隐约约看不清。
  • If you move your eyes and your head,the picture will blur.如果你的眼睛或头动了,图像就会变得模糊不清。
12 brotherhood 1xfz3o     
n.兄弟般的关系,手中情谊
参考例句:
  • They broke up the brotherhood.他们断绝了兄弟关系。
  • They live and work together in complete equality and brotherhood.他们完全平等和兄弟般地在一起生活和工作。
13 pangs 90e966ce71191d0a90f6fec2265e2758     
突然的剧痛( pang的名词复数 ); 悲痛
参考例句:
  • She felt sudden pangs of regret. 她突然感到痛悔不已。
  • With touching pathos he described the pangs of hunger. 他以极具感伤力的笔触描述了饥饿的痛苦。
14 suffocation b834eadeaf680f6ffcb13068245a1fed     
n.窒息
参考例句:
  • The greatest dangers of pyroclastic avalanches are probably heat and suffocation. 火成碎屑崩落的最大危害可能是炽热和窒息作用。 来自辞典例句
  • The room was hot to suffocation. 房间热得闷人。 来自辞典例句
15 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
16 fleeting k7zyS     
adj.短暂的,飞逝的
参考例句:
  • The girls caught only a fleeting glimpse of the driver.女孩们只匆匆瞥了一眼司机。
  • Knowing the life fleeting,she set herself to enjoy if as best as she could.她知道这种日子转瞬即逝,于是让自已尽情地享受。
17 adagio RfUy2     
adj.缓慢的;n.柔板;慢板;adv.缓慢地
参考例句:
  • The tempo marking in most cases is andante,adagio,or largo.大多数第一乐章的速度标记是行板、柔板或广板。
  • Play the adagio since that's the only goddamned thing you know.就弹那首慢板吧,那是你唯一会弹的鬼曲子。


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