In the case of amateur theatricals, a large number of inoffensive people are annoyed simply in order that a mere4 handful of acquaintances may amuse themselves. Usually the whole thing can be laid at the door of the man, the organizer. He is the serpent in the Eden. Before his arrival, the house party were completely happy, and asked for nothing else but to be left alone. Then he arrives. At breakfast on his first morning, he strikes the first blow—casually helping5 himself to scrambled6 eggs the while, with the air of a man uttering some agreeable commonplace. "I say," he remarks, "why not get up some theatricals?" Eve, in the person of some young lady who would be a drawing-room reciter if drawing-room reciters were allowed nowadays, snatches at the apple. "Oh, yes," she says. "It ought to be for a charity," suggests somebody else. "Of course for a charity," says the serpent. Ten minutes later he has revealed the fact that he has brought down a little thing of his own which will just do, and is casting the parts. And after that the man who loves peace and quiet may as well pack up and leave. He will have no more rest in that house.
In the present case, the serpent was a volatile7 young gentleman of the name of Charteris. This indomitable person had the love of the stage ineradicably implanted in him. He wrote plays, and lived in hopes of seeing them staged at the leading theatres. Meanwhile, he was content to bring them out through the medium of amateur performances.
It says much for the basic excellence8 of this man's character that he was popular among his fellows, who, liking9 the man, overlooked the amateur stage manager.
The reign10 of unrest at the abbey was complete by the time Jimmy arrived there. The preliminary rehearsals11 had been gone through with by the company, who, being inexperienced, imagined the worst to be over.
Having hustled13 Jimmy into the vacant part, Charteris gave his energy free play. He conducted rehearsals with a vigor14 which occasionally almost welded the rabble15 which he was coaching into something approaching coherency. He never rested. He painted scenery, and left it about—wet—and people sat on it. He nailed up horseshoes for luck, and they fell on people. He distributed typed parts of the play among the company, and they lost them. But nothing daunted16 him.
"Mr. Charteris," said Lady Blunt after one somewhat energetic rehearsal12, "is indefatigable17. He whirled me about!"
This was perhaps his greatest triumph, that he had induced Lady Blunt to take part in the piece. Her first remark, on being asked, had been to the effect that she despised acting18. Golden eloquence19 on the part of the author-manager had induced her to modify this opinion; and finally she had consented, on the understanding that she was not to be expected to attend every rehearsal, to play a small part.
The only drawback to an otherwise attractive scheme was the fact that she would not be able to wear her jewels. Secretly, she would have given much to have done so; but the scene in which she was to appear was a daylight scene, in which the most expensive necklace would be out of place. So she had given up the idea with a stoicism that showed her to be of the stuff of which heroines are made.
These same jewels had ceased, after their first imperious call, to trouble Jimmy to the extent he had anticipated. It had been a bitter struggle during the first few days of his stay, but gradually he had fought the craving20 down, and now watched them across the dinner table at night with a calm which filled him with self-righteousness. On the other hand, he was uncomfortably alive to the fact that this triumph of his might be merely temporary. There the gems21 were, winking22 and beckoning23 to him across the table. At any moment——. When his thoughts arrived at this point, he would turn them—an effort was sometimes necessary—to Molly. Thinking of her, he forgot the pearls.
But the process of thinking of Molly was not one of unmixed comfort. A great uneasiness had gripped him. More than ever, as the days went by, he knew that he loved her, that now the old easy friendship was a mockery. But on her side he could see no signs that she desired a change in their relationship. She was still the old Molly of the New York days, frank, cheerful unembarrassed. But he found that in this new world of hers the opportunities of getting her to himself for any space of time were infinitesimal. It was her unfortunate conviction, bred of her American upbringing, that the duty of the hostess is to see that her guests enjoy themselves. Lady Jane held the English view that visitors like to be left to themselves. And Molly, noticing her stepmother's lack of enterprise and putting it down as merely another proof of her languid nature, had exerted herself all the more keenly to do the honors.
The consequence was that Jimmy found himself one of a crowd, and disliked the sensation.
The thing was becoming intolerable. Here was he, a young man in love, kept from proposing simply by a series of ridiculous obstacles. It could not go on. He must get her away somewhere by himself, not for a few minutes, as he had been doing up to the present, but for a solid space of time.
It was after a long and particularly irritating rehearsal that the idea of the lake suggested itself to him. The rehearsals took place in one of the upper rooms, and through the window, as he leaned gloomily against the wall, listening to a homily on the drama from Charteris, he could see the waters of the lake, lit up by the afternoon sun. It had been a terribly hot, oppressive day and there was thunder in the air. The rehearsal had bored everybody unspeakably. It would be heavenly on the lake, thought Jimmy. There was a Canadian canoe moored25 to that willow26. If he could only get Molly.
"I'm awfully27 sorry, Jimmy," said Molly, as they walked out into the garden. "I should love to come. It would be too perfect. But I've half promised to play tennis."
"Who wants to play?"
"Mr. Wesson."
A correspondent of a London daily paper wrote to his editor not long ago to complain that there was a wave of profanity passing over the country. Jimmy added a silent but heartfelt contribution to that wave.
"Give him the slip," he said earnestly. It was the chance of a lifetime, a unique chance, perhaps his last chance, and it was to be lost for the sake of an ass24 like Wesson.
Molly looked doubtful.
"Well, come down to the water, and have a look at it," said Jimmy.
"That'll be better than nothing."
They walked to the water's edge together in silence, Jimmy in a fever of anxiety. He looked behind him. No signs of Wesson yet. All might still be well.
"It does look nice, Jimmy, doesn't it?" said Molly, placing a foot on the side of the boat and rocking it gently.
Molly looked round hesitatingly.
"Well—oh, bother, there he is. And he's seen me."
Jimmy followed her gaze. The dapper figure of Mr. Wesson was moving down the lawn. He had a tennis racquet in his hand. His face wore an inviting29 smile.
Jimmy glared at him hopelessly.
Mr. Wesson had vanished now behind the great clamp of laurels30 which stood on the lowest terrace. In another moment he would reappear round them.
"Bother!" said Molly again. "Jimmy!" For gently, but with extreme firmness and dispatch, Jimmy, who ought to have known better, had seized her hand on the other side of the waist, swung her off her feet, and placed her carefully on the cushions in the bow of the canoe.
Then he had jumped in himself with a force which made the boat rock, and was now paddling with the silent energy of a dangerous lunatic into the middle of the lake; while Mr. Wesson, who had by this time rounded the laurels, stood transfixed, gazing glassily after the retreating vessel31.
To the casual spectator, he might have seemed stricken dumb.
But at the end of the first ten seconds any fear that the casual spectator might have entertained as to the permanence of the seizure32 would have been relieved.
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1
cozy
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| adj.亲如手足的，密切的，暖和舒服的 | |
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majesty
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| n.雄伟，壮丽，庄严，威严；最高权威，王权 | |
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3
theatricals
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| n.（业余性的）戏剧演出，舞台表演艺术；职业演员；戏剧的( theatrical的名词复数 )；剧场的；炫耀的；戏剧性的 | |
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mere
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| adj.纯粹的；仅仅，只不过 | |
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helping
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| n.食物的一份&adj.帮助人的，辅助的 | |
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scrambled
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| v.快速爬行( scramble的过去式和过去分词 )；攀登；争夺；（军事飞机）紧急起飞 | |
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7
volatile
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| adj.反复无常的，挥发性的，稍纵即逝的，脾气火爆的；n.挥发性物质 | |
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excellence
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| n.优秀，杰出，(pl.)优点，美德 | |
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liking
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| n.爱好；嗜好；喜欢 | |
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reign
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| n.统治时期，统治，支配，盛行；v.占优势 | |
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11
rehearsals
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| n.练习( rehearsal的名词复数 )；排练；复述；重复 | |
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rehearsal
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| n.排练，排演；练习 | |
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13
hustled
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| 催促（hustle的过去式与过去分词形式） | |
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vigor
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| n.活力，精力，元气 | |
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rabble
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| n.乌合之众，暴民；下等人 | |
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daunted
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| 使（某人）气馁，威吓( daunt的过去式和过去分词 ) | |
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indefatigable
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| adj.不知疲倦的，不屈不挠的 | |
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acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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eloquence
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| n.雄辩；口才，修辞 | |
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craving
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| n.渴望,热望 | |
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gems
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| growth； economy； management； and customer satisfaction 增长 | |
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winking
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| n.瞬眼，目语v.使眼色( wink的现在分词 )；递眼色（表示友好或高兴等）；（指光）闪烁；闪亮 | |
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beckoning
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| adj.引诱人的，令人心动的v.（用头或手的动作）示意，召唤( beckon的现在分词 ) | |
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ass
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| n.驴；傻瓜，蠢笨的人 | |
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moored
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| adj. 系泊的 动词moor的过去式和过去分词形式 | |
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willow
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| n.柳树 | |
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awfully
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| adv.可怕地，非常地，极端地 | |
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hoarsely
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| adv.嘶哑地 | |
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inviting
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| adj.诱人的，引人注目的 | |
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laurels
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| n.桂冠，荣誉 | |
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31
vessel
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| n.船舶；容器，器皿；管，导管，血管 | |
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32
seizure
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| n.没收；占有；抵押 | |
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