ON SAWING WOOD

 I do not think this article will be much concerned with the great art of sawing wood; but the theme of it came to me while I was engaged in that task. It was raining hard this morning, and it occurred to me that it was a good opportunity to cut some winter logs in the barn. The raw material of the logs lies at the end of the orchard¹ in the shape of sections of trunks and branches of some old apple trees which David cut down for us last autumn, to enable us to extend the potato-patch by digging up a part of the orchard. I carried some of the sections into the barn and began to saw, but I was out of practice and had forgotten the trick. The saw would go askew², the points would dig in, and the whole operation seemed a clumsy failure.

 

Then I remembered. You are over-doing it, I said. You are making a mess of the job by too much energy—misdirected energy. The trick of sawing wood is to work within your strength. You are starting at it as if you intended to saw through the log at one stroke. It is the mistake the Rumanians have made in Transylvania. They bit off more than they could chew. You are biting off more than you can chew, and you and the log and the saw get at cross purposes, with the results you see. The art of the business is to work easily and with a light hand, to make the incision³ with a firm stroke that hardly touches the surface, to move the saw forward lightly so that it barely touches the wood, to draw it back at a shade higher elevation⁴, and above all to take your time and to avoid too much energy. "Gently does it," is the motto.

 

It is a lesson I am always learning and forgetting. I suppose I am one of those people who are afflicted⁵ with too eager a spirit. We want a thing done, but we cannot wait to do it. We rush at the task with all our might and expect it to surrender on the spot, and when it doesn't surrender we lose patience, complain of our tools, and feel a grievance⁶ against the perversity⁷ of things. It reminds me of the remark which a professional made to me at the practice nets long ago. He was watching a fast bowler⁸ who was slinging⁹ the ball at the batsman like a whirlwind, and with disastrous¹⁰ results for himself. "He would make a good bowler," said the professional, "if he wouldn't try to bowl three balls at once." Recall any really great bowler you have known and you will find that the chief impression he left on the mind was that of ease and reserve power. He was never spending up to the hilt. There was always something left in the bank. I do not speak of the medium-paced bowler, like Lohmann, whose action had a sort of artless grace that masked the most wily and governed strategy; but of the fast bowler, like Tom Richardson or Mold or even Spofforth. With all their physical energy, you felt that their heads were cool and that they had something in hand. There was passion, but it was controlled passion.

 

And if you have tried mowing¹¹ a meadow you will know how much the art consists in working within your powers, easily and rhythmically¹³. The temptation to lay on with all your might is overpowering, and you stab the ground and miss your stroke and exhaust yourself in sheer futility¹⁴. And then you watch John Ruddle at the job and see the whole secret of the art reveal itself. He will mow¹² for three hours on end with never a pause except to sharpen the blade with the whetstone he carries in his hip¹⁵ pocket. What a feeling of reserve there is in the beautiful leisureliness¹⁶ of his action! You could go to sleep watching him, and you feel that he could go to sleep to his own rhythm, as the mother falls asleep to her own swaying and crooning. There is the experience of a lifetime in that masterful technique, but the point is that the secret of the technique is its restraint, its economy of effort, its patience with the task, its avoidance of flurry and hurry, and of the waste and exhaustion¹⁷ of over-emphasis. At the bottom, all that John Ruddle has learned is not to try to bowl three balls at once. He is always master of his job.

 

And if you chance to be a golfer, haven't you generally found that when you are "off your game" it is because you have pitched the key, as it were, too high? You smite¹⁸ and fail, and smite harder and fail, and go on increasing the effort, and as your effort increases so does your futility. You are playing over your strength. You are screaming at the ball instead of talking to it reasonably and sensibly. Then perhaps you remember, cut down your effort to the scope of your powers, and, behold¹⁹, the ball sails away on its errand with just the right flight and just the right direction and just the right length. And you purr to yourself and learn once more that the art of doing things is moderation.

 

It is so in all things. The man who wins is the man who keeps cool, whose effort is always proportioned to his power, who gives the impression that there is more in him than ever comes out. I have seen many a man lose the argument, not because he had the worse case, but because he was too eager, too impatient, too unrestrained in presenting it. What is the secret of the extraordinary influence which Viscount Grey exercises over the mind but the grave moderation and reserve of his style? There are scores of more eloquent²⁰ speakers, more nimble disputants than he, but there has been no one in our time with the same authority and finality of speech. He conveys the sense of a mind disciplined against passion, austere²¹ in its reserve, implacably honest, understating itself with a certain cold aloofness²² that leaves controversy²³ silent. Take his indictment²⁴ of Germany as an example. It was as though the verdict of the Day of Judgment²⁵ had fallen on Germany. Yet it was a mere²⁶ grave, dispassionate statement of the facts without a word of extravagance or violence. It was the naked truthfulness²⁷ of it that was so terrible and unanswerable.

 

And much the most impressive description I have seen of the horrors of war was in the letter of a German artillery²⁸ officer telling his experiences in the first great battle of the Somme. Yet the characteristic of the letter was its plainness and freedom from any straining after effect. He just left the thing he described to speak for itself in all its bare horror. It was a lesson we people who write would do well to remember. Let us have fewer adjectives, good people, fewer epithets²⁹. Remember, the adjective is the enemy of the noun. It is the scream that drowns the sense, the passion that turns the argument red in the face and makes it unbelievable. Was it not Stendhal who used to read the Code Napoléon once a year to teach him its severity of style?

 

It is still raining. I will return to the barn and practise the philosophy of moderation on those logs.

 

1 orchard   

n.果园，果园里的全部果树，(美俚)棒球场

参考例句：

• My orchard is bearing well this year.今年我的果园果实累累。
• Each bamboo house was surrounded by a thriving orchard.每座竹楼周围都是茂密的果园。

2 askew   

adv.斜地；adj.歪斜的

参考例句：

• His glasses had been knocked askew by the blow.他的眼镜一下子被打歪了。
• Her hat was slightly askew.她的帽子戴得有点斜。

3 incision   

n．切口，切开

参考例句：

• The surgeon made a small incision in the patient's cornea.外科医生在病人的眼角膜上切开一个小口。
• The technique involves making a tiny incision in the skin.这项技术需要在皮肤上切一个小口。

4 elevation   

n.高度；海拔；高地；上升；提高

参考例句：

• The house is at an elevation of 2,000 metres.那幢房子位于海拔两千米的高处。
• His elevation to the position of General Manager was announced yesterday.昨天宣布他晋升总经理职位。

5 afflicted   

使受痛苦，折磨( afflict的过去式和过去分词 )

参考例句：

• About 40% of the country's population is afflicted with the disease. 全国40%左右的人口患有这种疾病。
• A terrible restlessness that was like to hunger afflicted Martin Eden. 一阵可怕的、跟饥饿差不多的不安情绪折磨着马丁·伊登。

6 grievance   

n.怨愤，气恼，委屈

参考例句：

• He will not easily forget his grievance.他不会轻易忘掉他的委屈。
• He had been nursing a grievance against his boss for months.几个月来他对老板一直心怀不满。

7 perversity   

n.任性；刚愎自用

参考例句：

• She's marrying him out of sheer perversity.她嫁给他纯粹是任性。
• The best of us have a spice of perversity in us.在我们最出色的人身上都有任性的一面。

8 bowler   

n.打保龄球的人，（板球的）投（球）手

参考例句：

• The bowler judged it well,timing the ball to perfection.投球手判断准确，对球速的掌握恰到好处。
• The captain decided to take Snow off and try a slower bowler.队长决定把斯诺撤下，换一个动作慢一点的投球手试一试。

9 slinging   

抛( sling的现在分词 )； 吊挂； 遣送； 押往

参考例句：

• You're slinging mud at me -- that's a pack of lies! 你血口喷人，不讲道理。
• The boys were slinging stones into the river. 孩子们当时正往河里投石子。

10 disastrous   

adj.灾难性的，造成灾害的；极坏的，很糟的

参考例句：

• The heavy rainstorm caused a disastrous flood.暴雨成灾。
• Her investment had disastrous consequences.She lost everything she owned.她的投资结果很惨，血本无归。

11 mowing   

n.割草，一次收割量，牧草地v.刈，割( mow的现在分词 )

参考例句：

• The lawn needs mowing. 这草坪的草该割了。 来自《现代汉英综合大词典》
• "Do you use it for mowing?" “你是用它割草么？” 来自汉英文学 - 中国现代小说

12 mow   

v.割（草、麦等），扫射，皱眉；n.草堆，谷物堆

参考例句：

• He hired a man to mow the lawn.他雇人割草。
• We shall have to mow down the tall grass in the big field.我们得把大田里的高草割掉。

13 rhythmically   

adv.有节奏地

参考例句：

• A pigeon strutted along the roof, cooing rhythmically. 一只鸽子沿着屋顶大摇大摆地走，有节奏地咕咕叫。 来自《简明英汉词典》
• Exposures of rhythmically banded protore are common in the workings. 在工作面中常见有韵律条带“原矿石”。 来自辞典例句

14 futility   

n.无用

参考例句：

• She could see the utter futility of trying to protest. 她明白抗议是完全无用的。
• The sheer futility of it all exasperates her. 它毫无用处，这让她很生气。

15 hip   

n.臀部，髋；屋脊

参考例句：

• The thigh bone is connected to the hip bone.股骨连着髋骨。
• The new coats blouse gracefully above the hip line.新外套在臀围线上优美地打着褶皱。

16 leisureliness   

n.悠然，从容

参考例句：

• We need more leisureliness and confidence. 我们需要的是多一份从容，多一点自信。 来自辞典例句
• The young butterfly flies earnestly. In the quiet leisureliness returns some broad-minded selfhood. 幼蝶认真地飞着，安静里的从容中又回归了几分豁达的自我。 来自互联网

17 exhaustion   

n.耗尽枯竭，疲惫，筋疲力尽，竭尽，详尽无遗的论述

参考例句：

• She slept the sleep of exhaustion.她因疲劳而酣睡。
• His exhaustion was obvious when he fell asleep standing.他站着睡着了，显然是太累了。

18 smite   

v.重击；彻底击败；n.打；尝试；一点儿

参考例句：

• The wise know how to teach,the fool how to smite.智者知道如何教导，愚者知道怎样破坏。
• God will smite our enemies.上帝将击溃我们的敌人。

19 behold   

v.看，注视，看到

参考例句：

• The industry of these little ants is wonderful to behold.这些小蚂蚁辛勤劳动的样子看上去真令人惊叹。
• The sunrise at the seaside was quite a sight to behold.海滨日出真是个奇景。

20 eloquent   

adj.雄辩的，口才流利的；明白显示出的

参考例句：

• He was so eloquent that he cut down the finest orator.他能言善辩，胜过最好的演说家。
• These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。

21 austere   

adj.艰苦的；朴素的，朴实无华的；严峻的

参考例句：

• His way of life is rather austere.他的生活方式相当简朴。
• The room was furnished in austere style.这间屋子的陈设都很简单朴素。

22 aloofness   

超然态度

参考例句：

• Why should I have treated him with such sharp aloofness? 但我为什么要给人一些严厉，一些端庄呢？ 来自汉英文学 - 中国现代小说
• He had an air of haughty aloofness. 他有一种高傲的神情。 来自辞典例句

23 controversy   

n.争论，辩论，争吵

参考例句：

• That is a fact beyond controversy.那是一个无可争论的事实。
• We ran the risk of becoming the butt of every controversy.我们要冒使自己在所有的纷争中都成为众矢之的的风险。

24 indictment   

n.起诉；诉状

参考例句：

• He handed up the indictment to the supreme court.他把起诉书送交最高法院。
• They issued an indictment against them.他们起诉了他们。

25 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

26 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

27 truthfulness   

n. 符合实际

参考例句：

• Among her many virtues are loyalty, courage, and truthfulness. 她有许多的美德，如忠诚、勇敢和诚实。
• I fired a hundred questions concerning the truthfulness of his statement. 我对他发言的真实性提出一连串质问。

28 artillery   

n.(军)火炮，大炮；炮兵(部队)

参考例句：

• This is a heavy artillery piece.这是一门重炮。
• The artillery has more firepower than the infantry.炮兵火力比步兵大。

29 epithets   

n.（表示性质、特征等的）词语( epithet的名词复数 )

参考例句：

• He insulted me, using rude epithets. 他用粗话诅咒我。 来自《简明英汉词典》
• He cursed me, using a lot of rude epithets. 他用上许多粗鲁的修饰词来诅咒我。 来自辞典例句