There is tangible12 delight in other instruments, too. The violin seems beautifully alive as it responds to the lightest wish of the master. The distinction between its notes is more delicate than between the notes of the piano.
I enjoy the music of the piano most when I touch the instrument. If I keep my hand on the piano-case, I detect tiny quavers, returns of melody, and the hush13 that follows. This explains to me how sound can die away to the listening ear:
... How thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
I am able to follow the dominant14 spirit and mood of the music. I catch the joyous15 dance as it bounds over the keys, the slow dirge16, the reverie. I thrill to the fiery17 sweep of notes crossed by thunderous tones in the "Walküre," where Wotan kindles18 the dread19 flames that guard the sleeping Brunhild. How wonderful is the instrument on which a great musician sings with his hands! I have never succeeded in distinguishing one composition from another. I think this is impossible; but the concentration and strain upon my attention would be so great that I doubt if the pleasure derived20 would be commensurate to the effort.
Nor can I distinguish easily a tune21 that is sung. But by placing my hand on another's throat and cheek, I enjoy the changes of the voice. I know when it is low or high, clear or muffled, sad or cheery. The thin, quavering sensation of an old voice differs in my touch from the sensation of a young voice. A Southerner's drawl is quite unlike the Yankee twang. Sometimes the flow and ebb22 of a voice is so enchanting23 that my fingers quiver with exquisite24 pleasure, even if I do not understand a word that is spoken.
On the other hand, I am exceedingly sensitive to the harshness of noises like grinding, scraping, and the hoarse26 creak of rusty27 locks. Fog-whistles are my vibratory nightmares. I have stood near a bridge in process of construction, and felt the tactual din25, the rattle28 of heavy masses of stone, the roll of loosened earth, the rumble29 of engines, the dumping of dirt-cars, the triple blows of vulcan hammers. I can also smell the fire-pots, the tar30 and cement. So I have a vivid idea of mighty31 labours in steel and stone, and I believe that I am acquainted with all the fiendish noises which can be made by man or machinery32. The whack33 of heavy falling bodies, the sudden shivering splinter of chopped logs, the crystal shatter of pounded ice, the crash of a tree hurled34 to the earth by a hurricane, the irrational35, persistent36 chaos37 of noise made by switching freight-trains, the explosion of gas, the blasting of stone, and the terrific grinding of rock upon rock which precedes the collapse—all these have been in my touch-experience, and contribute to my idea of Bedlam38, of a battle, a waterspout, an earthquake, and other enormous accumulations of sound.
Touch brings me into contact with the traffic and manifold activity of the city. Besides the bustle39 and crowding of people and the nondescript grating and electric howling of street-cars, I am conscious of exhalations from many different kinds of shops; from automobiles40, drays, horses, fruit stands, and many varieties of smoke.
Odours strange and musty,
The air sharp and dusty
With lime and with sand,
That no one can stand,
Make the street impassable,
The people irascible,
Until every one cries,
As he trembling goes
With the sight of his eyes
Quite stopped—or at least much diminished—
"Gracious! when will this city be finished?"[B]
The city is interesting; but the tactual silence of the country is always most welcome after the din of town and the irritating concussions42 of the train. How noiseless and undisturbing are the demolition43, the repairs and the alterations44, of nature! With no sound of hammer or saw or stone severed45 from stone, but a music of rustles46 and ripe thumps48 on the grass come the fluttering leaves and mellow49 fruits which the wind tumbles all day from the branches. Silently all droops50, all withers51, all is poured back into the earth that it may recreate; all sleeps while the busy architects of day and night ply52 their silent work elsewhere. The same serenity53 reigns54 when all at once the soil yields up a newly wrought55 creation. Softly the ocean of grass, moss56, and flowers rolls surge upon surge across the earth. Curtains of foliage57 drape the bare branches. Great trees make ready in their sturdy hearts to receive again birds which occupy their spacious58 chambers59 to the south and west. Nay60, there is no place so lowly that it may not lodge61 some happy creature. The meadow brook62 undoes63 its icy fetters64 with rippling65 notes, gurgles, and runs free. And all this is wrought in less than two months to the music of nature's orchestra, in the midst of balmy incense66.
The thousand soft voices of the earth have truly found their way to me—the small rustle47 in tufts of grass, the silky swish of leaves, the buzz of insects, the hum of bees in blossoms I have plucked, the flutter of a bird's wings after his bath, and the slender rippling vibration4 of water running over pebbles67. Once having been felt, these loved voices rustle, buzz, hum, flutter, and ripple68 in my thought forever, an undying part of happy memories.
Between my experiences and the experiences of others there is no gulf69 of mute space which I may not bridge. For I have endlessly varied, instructive contacts with all the world, with life, with the atmosphere whose radiant activity enfolds us all. The thrilling energy of the all-encasing air is warm and rapturous. Heat-waves and sound-waves play upon my face in infinite variety and combination, until I am able to surmise70 what must be the myriad71 sounds that my senseless ears have not heard.
The air varies in different regions, at different seasons of the year, and even different hours of the day. The odorous, fresh sea-breezes are distinct from the fitful breezes along river banks, which are humid and freighted with inland smells. The bracing72, light, dry air of the mountains can never be mistaken for the pungent73 salt air of the ocean. The air of winter is dense74, hard, compressed. In the spring it has new vitality75. It is light, mobile, and laden76 with a thousand palpitating odours from earth, grass, and sprouting77 leaves. The air of midsummer is dense, saturated78, or dry and burning, as if it came from a furnace. When a cool breeze brushes the sultry stillness, it brings fewer odours than in May, and frequently the odour of a coming tempest. The avalanche of coolness which sweeps through the low-hanging air bears little resemblance to the stinging coolness of winter.
The rain of winter is raw, without odour, and dismal79. The rain of spring is brisk, fragrant80, charged with life-giving warmth. I welcome it delightedly as it visits the earth, enriches the streams, waters the hills abundantly, makes the furrows81 soft with showers for the seed, elicits82 a perfume which I cannot breathe deep enough. Spring rain is beautiful, impartial83, lovable. With pearly drops it washes every leaf on tree and bush, ministers equally to salutary herbs and noxious84 growths, searches out every living thing that needs its beneficence.
The senses assist and reinforce each other to such an extent that I am not sure whether touch or smell tells me the most about the world. Everywhere the river of touch is joined by the brooks85 of odour-perception. Each season has its distinctive86 odours. The spring is earthy and full of sap. July is rich with the odour of ripening87 grain and hay. As the season advances, a crisp, dry, mature odour predominates, and golden-rod, tansy, and everlastings88 mark the onward89 march of the year. In autumn, soft, alluring90 scents91 fill the air, floating from thicket92, grass, flower, and tree, and they tell me of time and change, of death and life's renewal93, desire and its fulfilment.
点击收听单词发音
1 jolts | |
(使)摇动, (使)震惊( jolt的名词复数 ) | |
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2 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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3 vibrations | |
n.摆动( vibration的名词复数 );震动;感受;(偏离平衡位置的)一次性往复振动 | |
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4 vibration | |
n.颤动,振动;摆动 | |
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5 varied | |
adj.多样的,多变化的 | |
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6 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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7 muffled | |
adj.(声音)被隔的;听不太清的;(衣服)裹严的;蒙住的v.压抑,捂住( muffle的过去式和过去分词 );用厚厚的衣帽包着(自己) | |
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8 avalanche | |
n.雪崩,大量涌来 | |
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9 lighter | |
n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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10 interspersed | |
adj.[医]散开的;点缀的v.intersperse的过去式和过去分词 | |
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11 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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12 tangible | |
adj.有形的,可触摸的,确凿的,实际的 | |
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13 hush | |
int.嘘,别出声;n.沉默,静寂;v.使安静 | |
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14 dominant | |
adj.支配的,统治的;占优势的;显性的;n.主因,要素,主要的人(或物);显性基因 | |
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15 joyous | |
adj.充满快乐的;令人高兴的 | |
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16 dirge | |
n.哀乐,挽歌,庄重悲哀的乐曲 | |
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17 fiery | |
adj.燃烧着的,火红的;暴躁的;激烈的 | |
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18 kindles | |
(使某物)燃烧,着火( kindle的第三人称单数 ); 激起(感情等); 发亮,放光 | |
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19 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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20 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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21 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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22 ebb | |
vi.衰退,减退;n.处于低潮,处于衰退状态 | |
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23 enchanting | |
a.讨人喜欢的 | |
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24 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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25 din | |
n.喧闹声,嘈杂声 | |
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26 hoarse | |
adj.嘶哑的,沙哑的 | |
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27 rusty | |
adj.生锈的;锈色的;荒废了的 | |
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28 rattle | |
v.飞奔,碰响;激怒;n.碰撞声;拨浪鼓 | |
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29 rumble | |
n.隆隆声;吵嚷;v.隆隆响;低沉地说 | |
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30 tar | |
n.柏油,焦油;vt.涂或浇柏油/焦油于 | |
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31 mighty | |
adj.强有力的;巨大的 | |
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32 machinery | |
n.(总称)机械,机器;机构 | |
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33 whack | |
v.敲击,重打,瓜分;n.重击,重打,尝试,一份 | |
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34 hurled | |
v.猛投,用力掷( hurl的过去式和过去分词 );大声叫骂 | |
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35 irrational | |
adj.无理性的,失去理性的 | |
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36 persistent | |
adj.坚持不懈的,执意的;持续的 | |
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37 chaos | |
n.混乱,无秩序 | |
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38 bedlam | |
n.混乱,骚乱;疯人院 | |
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39 bustle | |
v.喧扰地忙乱,匆忙,奔忙;n.忙碌;喧闹 | |
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40 automobiles | |
n.汽车( automobile的名词复数 ) | |
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41 scent | |
n.气味,香味,香水,线索,嗅觉;v.嗅,发觉 | |
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42 concussions | |
n.震荡( concussion的名词复数 );脑震荡;冲击;震动 | |
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43 demolition | |
n.破坏,毁坏,毁坏之遗迹 | |
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44 alterations | |
n.改动( alteration的名词复数 );更改;变化;改变 | |
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45 severed | |
v.切断,断绝( sever的过去式和过去分词 );断,裂 | |
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46 rustles | |
n.发出沙沙的声音( rustle的名词复数 )v.发出沙沙的声音( rustle的第三人称单数 ) | |
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47 rustle | |
v.沙沙作响;偷盗(牛、马等);n.沙沙声声 | |
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48 thumps | |
n.猪肺病;砰的重击声( thump的名词复数 )v.重击, (指心脏)急速跳动( thump的第三人称单数 ) | |
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49 mellow | |
adj.柔和的;熟透的;v.变柔和;(使)成熟 | |
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50 droops | |
弯曲或下垂,发蔫( droop的名词复数 ) | |
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51 withers | |
马肩隆 | |
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52 ply | |
v.(搬运工等)等候顾客,弯曲 | |
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53 serenity | |
n.宁静,沉着,晴朗 | |
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54 reigns | |
n.君主的统治( reign的名词复数 );君主统治时期;任期;当政期 | |
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55 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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56 moss | |
n.苔,藓,地衣 | |
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57 foliage | |
n.叶子,树叶,簇叶 | |
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58 spacious | |
adj.广阔的,宽敞的 | |
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59 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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60 nay | |
adv.不;n.反对票,投反对票者 | |
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61 lodge | |
v.临时住宿,寄宿,寄存,容纳;n.传达室,小旅馆 | |
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62 brook | |
n.小河,溪;v.忍受,容让 | |
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63 undoes | |
松开( undo的第三人称单数 ); 解开; 毁灭; 败坏 | |
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64 fetters | |
n.脚镣( fetter的名词复数 );束缚v.给…上脚镣,束缚( fetter的第三人称单数 ) | |
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65 rippling | |
起涟漪的,潺潺流水般声音的 | |
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66 incense | |
v.激怒;n.香,焚香时的烟,香气 | |
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67 pebbles | |
[复数]鹅卵石; 沙砾; 卵石,小圆石( pebble的名词复数 ) | |
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68 ripple | |
n.涟波,涟漪,波纹,粗钢梳;vt.使...起涟漪,使起波纹; vi.呈波浪状,起伏前进 | |
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69 gulf | |
n.海湾;深渊,鸿沟;分歧,隔阂 | |
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70 surmise | |
v./n.猜想,推测 | |
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71 myriad | |
adj.无数的;n.无数,极大数量 | |
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72 bracing | |
adj.令人振奋的 | |
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73 pungent | |
adj.(气味、味道)刺激性的,辛辣的;尖锐的 | |
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74 dense | |
a.密集的,稠密的,浓密的;密度大的 | |
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75 vitality | |
n.活力,生命力,效力 | |
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76 laden | |
adj.装满了的;充满了的;负了重担的;苦恼的 | |
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77 sprouting | |
v.发芽( sprout的现在分词 );抽芽;出现;(使)涌现出 | |
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78 saturated | |
a.饱和的,充满的 | |
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79 dismal | |
adj.阴沉的,凄凉的,令人忧郁的,差劲的 | |
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80 fragrant | |
adj.芬香的,馥郁的,愉快的 | |
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81 furrows | |
n.犁沟( furrow的名词复数 );(脸上的)皱纹v.犁田,开沟( furrow的第三人称单数 ) | |
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82 elicits | |
引出,探出( elicit的第三人称单数 ) | |
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83 impartial | |
adj.(in,to)公正的,无偏见的 | |
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84 noxious | |
adj.有害的,有毒的;使道德败坏的,讨厌的 | |
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85 brooks | |
n.小溪( brook的名词复数 ) | |
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86 distinctive | |
adj.特别的,有特色的,与众不同的 | |
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87 ripening | |
v.成熟,使熟( ripen的现在分词 );熟化;熟成 | |
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88 everlastings | |
永久,无穷(everlasting的复数形式) | |
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89 onward | |
adj.向前的,前进的;adv.向前,前进,在先 | |
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90 alluring | |
adj.吸引人的,迷人的 | |
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91 scents | |
n.香水( scent的名词复数 );气味;(动物的)臭迹;(尤指狗的)嗅觉 | |
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92 thicket | |
n.灌木丛,树林 | |
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93 renewal | |
adj.(契约)延期,续订,更新,复活,重来 | |
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