IX INWARD VISIONS

 ACCORDING to all art, all nature, all coherent human thought, we know that order, proportion, form, are essential elements of beauty. Now order, proportion, and form, are palpable to the touch. But beauty and rhythm are deeper than sense. They are like love and faith. They spring out of a spiritual process only slightly dependent upon sensations. Order, proportion, form, cannot generate in the mind the abstract idea of beauty, unless there is already a soul intelligence to breathe life into the elements. Many persons, having perfect eyes, are blind in their perceptions. Many persons, having perfect ears, are emotionally deaf. Yet these are the very ones who dare to set limits to the vision of those who, lacking a sense or two, have will, soul, passion, imagination. Faith is a mockery if it teaches us not that we may construct a world unspeakably more complete and beautiful than the material world. And I, too, may construct my better world, for I am a child of God, an inheritor of a fragment of the Mind that created all worlds.

There is a consonance of all things, a blending of all that we know about the material world and the spiritual. It consists for me of all the impressions, vibrations¹, heat, cold, taste, smell, and the sensations which these convey to the mind, infinitely² combined, interwoven with associated ideas and acquired knowledge. No thoughtful person will believe that what I said about the meaning of footsteps is strictly³ true of mere⁴ jolts⁵ and jars. It is an array of the spiritual in certain natural elements, tactual beats, and an acquired knowledge of physical habits and moral traits of highly organized human beings. What would odours signify if they were not associated with the time of the year, the place I live in, and the people I know?

 

The result of such a blending is sometimes a discordant⁶ trying of strings⁷ far removed from a melody, very far from a symphony. (For the benefit of those who must be reassured⁸, I will say that I have felt a musician tuning⁹ his violin, that I have read about a symphony, and so have a fair intellectual perception of[118] my metaphor¹⁰.) But with training and experience the faculties¹¹ gather up the stray notes and combine them into a full, harmonious¹² whole. If the person who accomplishes this task is peculiarly gifted, we call him a poet. The blind and the deaf are not great poets, it is true. Yet now and again you find one deaf and blind who has attained¹³ to his royal kingdom of beauty.

 

I have a little volume of poems by a deaf-blind lady, Madame Bertha Galeron. Her poetry has versatility¹⁴ of thought. Now it is tender and sweet, now full of tragic¹⁵ passion and the sternness of destiny. Victor Hugo called her "La Grande Voyante." She has written several plays, two of which have been acted in Paris. The French Academy has crowned her work.

 

The infinite wonders of the universe are revealed to us in exact measure as we are capable of receiving them. The keenness of our vision depends not on how much we can see, but on how much we feel. Nor yet does mere knowledge create beauty. Nature sings her most exquisite¹⁶ songs to those who love her. She does not unfold her secrets to those who come only to gratify their desire of analysis, to gather facts, but to those who see in her manifold phenomena¹⁷ suggestions of lofty, delicate sentiments.

 

Am I to be denied the use of such adjectives as "freshness" and "sparkle," "dark" and "gloomy"? I have walked in the fields at early morning. I have felt a rose-bush laden¹⁸ with dew and fragrance¹⁹. I have felt the curves and graces of my kitten at play. I have known the sweet, shy ways of little children. I have known the sad opposites of all these, a ghastly touch picture. Remember, I have sometimes travelled over a dusty road as far as my feet could go. At a sudden turn I have stepped upon starved, ignoble²⁰ weeds, and reaching out my hands, I have touched a fair tree out of which a parasite²¹ had taken the life like a vampire²². I have touched a pretty bird whose soft wings hung limp, whose little heart beat no more. I have wept over the feebleness and deformity of a child, lame²³, or born blind, or, worse still, mindless. If I had the genius of Thomson, I, too, could depict²⁴ a "City of Dreadful Night" from mere touch sensations. From contrasts so irreconcilable²⁵ can we fail to form an idea of beauty and know surely when we meet with loveliness?

 

Here is a sonnet²⁶ eloquent²⁷ of a blind man's power of vision:

 

 

 

THE MOUNTAIN TO THE PINE

 

Thou tall, majestic²⁸ monarch²⁹ of the wood,

That standest where no wild vines dare to creep,

Men call thee old, and say that thou hast stood

A century upon my rugged³⁰ steep;

Yet unto me thy life is but a day,

When I recall the things that I have seen,—

The forest monarchs³¹ that have passed away

Upon the spot where first I saw thy green;

For I am older than the age of man,

Or all the living things that crawl or creep,

Or birds of air, or creatures of the deep;

I was the first dim outline of God's plan:

Only the waters of the restless sea

And the infinite stars in heaven are old to me.

 

 

I am glad my friend Mr. Stedman knew that poem while he was making his Anthology, for knowing it, so fine a poet and critic could not fail to give it a place in his treasure-house of American poetry. The poet, Mr. Clarence Hawkes, has been blind since childhood; yet he finds in nature hints of combinations for his mental pictures. Out of the knowledge and impressions that come to him he constructs a masterpiece which hangs upon the walls of his thought. And into the poet's house come all the true spirits of the world.

 

It was a rare poet who thought of the mountain as "the first dim outline of God's plan." That is the real wonder of the poem, and not that a blind man should speak so confidently of sky and sea. Our ideas of the sky are an accumulation of touch-glimpses, literary allusions³², and the observations of others, with an emotional blending of all. My face feels only a tiny portion of the atmosphere; but I go through continuous space and feel the air at every point, every instant. I have been told about the distances from our earth to the sun, to the other planets, and to the fixed³³ stars. I multiply a thousand times the utmost height and width that my touch compasses, and thus I gain a deep sense of the sky's immensity.

 

Move me along constantly over water, water, nothing but water, and you give me the solitude³⁴, the vastness of ocean which fills the eye. I have been in a little sail-boat on the sea, when the rising tide swept it toward the shore. May I not understand the poet's figure: "The green of spring overflows³⁵ the earth like a tide"? I have felt the flame of a candle blow and flutter in the breeze. May I not, then, say: "Myriads³⁶ of fireflies flit hither and thither³⁷ in the dew-wet grass like little fluttering tapers"?

 

Combine the endless space of air, the sun's warmth, the clouds that are described to my understanding spirit, the frequent breaking through the soil of a brook³⁸ or the expanse of the wind-ruffled lake, the tactual undulation of the hills, which I recall when I am far away from them, the towering trees upon trees as I walk by them, the bearings that I try to keep while others tell me the directions of the various points of the scenery, and you will begin to feel surer of my mental landscape. The utmost bound to which my thought will go with clearness is the horizon of my mind. From this horizon I imagine the one which the eye marks.

 

Touch cannot bridge distance,—it is fit only for the contact of surfaces,—but thought leaps the chasm³⁹. For this reason I am able to use words descriptive of objects distant from my senses. I have felt the rondure of the infant's tender form. I can apply this perception to the landscape and to the far-off hills.

 

1 vibrations   

n.摆动( vibration的名词复数 )；震动；感受；（偏离平衡位置的）一次性往复振动

参考例句：

• We could feel the vibrations from the trucks passing outside. 我们可以感到外面卡车经过时的颤动。
• I am drawn to that girl; I get good vibrations from her. 我被那女孩吸引住了，她使我产生良好的感觉。 来自《简明英汉词典》

2 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

3 strictly   

adv.严厉地，严格地；严密地

参考例句：

• His doctor is dieting him strictly.他的医生严格规定他的饮食。
• The guests were seated strictly in order of precedence.客人严格按照地位高低就座。

4 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

5 jolts   

（使）摇动， （使）震惊( jolt的名词复数 )

参考例句：

• He found that out when he got a few terrific jolts, but he wouldn't give up. 被狠狠地撞回来几次后，他发觉了这一点，但他决不因此罢休。
• Some power bars are loaded with carbohydrates or caffeine for quick jolts. 有些能量条中包含大量的碳水化合物和咖啡因，以达到快速提神的效果。

6 discordant   

adj.不调和的

参考例句：

• Leonato thought they would make a discordant pair.里奥那托认为他们不适宜作夫妻。
• For when we are deeply mournful discordant above all others is the voice of mirth.因为当我们极度悲伤的时候，欢乐的声音会比其他一切声音都更显得不谐调。

7 strings   

n.弦

参考例句：

• He sat on the bed,idly plucking the strings of his guitar.他坐在床上，随意地拨着吉他的弦。
• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。

8 reassured   

adj.使消除疑虑的；使放心的v.再保证，恢复信心( reassure的过去式和过去分词)

参考例句：

• The captain's confidence during the storm reassured the passengers. 在风暴中船长的信念使旅客们恢复了信心。 来自《现代英汉综合大词典》
• The doctor reassured the old lady. 医生叫那位老妇人放心。 来自《简明英汉词典》

9 tuning   

n.调谐，调整，调音v.调音( tune的现在分词 )；调整；（给收音机、电视等）调谐；使协调

参考例句：

• They are tuning up a plane on the flight line. 他们正在机场的飞机跑道上调试一架飞机。 来自《简明英汉词典》
• The orchestra are tuning up. 管弦乐队在定弦。 来自《现代汉英综合大词典》

10 metaphor   

n.隐喻，暗喻

参考例句：

• Using metaphor,we say that computers have senses and a memory.打个比方，我们可以说计算机有感觉和记忆力。
• In poetry the rose is often a metaphor for love.玫瑰在诗中通常作为爱的象征。

11 faculties   

n.能力( faculty的名词复数 )；全体教职员；技巧；院

参考例句：

• Although he's ninety, his mental faculties remain unimpaired. 他虽年届九旬，但头脑仍然清晰。
• All your faculties have come into play in your work. 在你的工作中，你的全部才能已起到了作用。 来自《简明英汉词典》

12 harmonious   

adj.和睦的，调和的，和谐的，协调的

参考例句：

• Their harmonious relationship resulted in part from their similar goals.他们关系融洽的部分原因是他们有着相似的目标。
• The room was painted in harmonious colors.房间油漆得色彩调和。

13 attained   

（通常经过努力）实现( attain的过去式和过去分词 )； 达到； 获得； 达到（某年龄、水平、状况）

参考例句：

• She has attained the degree of Master of Arts. 她已获得文学硕士学位。
• Lu Hsun attained a high position in the republic of letters. 鲁迅在文坛上获得崇高的地位。

14 versatility   

n.多才多艺，多样性，多功能

参考例句：

• Versatility is another of your strong points,but don't overdo it by having too many irons in the fire.你还有一个长处是多才多艺，但不要揽事太多而太露锋芒。
• This versatility comes from a dual weather influence.这种多样性是由于双重的气候影响而形成的。

15 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

16 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

17 phenomena   

n.现象

参考例句：

• Ade couldn't relate the phenomena with any theory he knew.艾德无法用他所知道的任何理论来解释这种现象。
• The object of these experiments was to find the connection,if any,between the two phenomena.这些实验的目的就是探索这两种现象之间的联系，如果存在着任何联系的话。

18 laden   

adj.装满了的；充满了的；负了重担的；苦恼的

参考例句：

• He is laden with heavy responsibility.他肩负重任。
• Dragging the fully laden boat across the sand dunes was no mean feat.将满载货物的船拖过沙丘是一件了不起的事。

19 fragrance   

n.芬芳，香味，香气

参考例句：

• The apple blossoms filled the air with their fragrance.苹果花使空气充满香味。
• The fragrance of lavender filled the room.房间里充满了薰衣草的香味。

20 ignoble   

adj.不光彩的，卑鄙的；可耻的

参考例句：

• There's something cowardly and ignoble about such an attitude.这种态度有点怯懦可鄙。
• Some very great men have come from ignoble families.有些伟人出身低微。

21 parasite   

n.寄生虫；寄生菌；食客

参考例句：

• The lazy man was a parasite on his family.那懒汉是家里的寄生虫。
• I don't want to be a parasite.I must earn my own way in life.我不想做寄生虫，我要自己养活自己。

22 vampire   

n.吸血鬼

参考例句：

• It wasn't a wife waiting there for him but a blood sucking vampire!家里的不是个老婆，而是个吸人血的妖精！
• Children were afraid to go to sleep at night because of the many legends of vampire.由于听过许多有关吸血鬼的传说，孩子们晚上不敢去睡觉。

23 lame   

adj.跛的，(辩解、论据等)无说服力的

参考例句：

• The lame man needs a stick when he walks.那跛脚男子走路时需借助拐棍。
• I don't believe his story.It'sounds a bit lame.我不信他讲的那一套。他的话听起来有些靠不住。

24 depict   

vt.描画，描绘；描写，描述

参考例句：

• I don't care to see plays or films that depict murders or violence.我不喜欢看描写谋杀或暴力的戏剧或电影。
• Children's books often depict farmyard animals as gentle,lovable creatures.儿童图书常常把农场的动物描写得温和而可爱。

25 irreconcilable   

adj.（指人）难和解的，势不两立的

参考例句：

• These practices are irreconcilable with the law of the Church.这种做法与教规是相悖的。
• These old concepts are irreconcilable with modern life.这些陈旧的观念与现代生活格格不入。

26 sonnet   

n.十四行诗

参考例句：

• The composer set a sonnet to music.作曲家为一首十四行诗谱了曲。
• He wrote a sonnet to his beloved.他写了一首十四行诗，献给他心爱的人。

27 eloquent   

adj.雄辩的，口才流利的；明白显示出的

参考例句：

• He was so eloquent that he cut down the finest orator.他能言善辩，胜过最好的演说家。
• These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。

28 majestic   

adj.雄伟的，壮丽的，庄严的，威严的，崇高的

参考例句：

• In the distance rose the majestic Alps.远处耸立着雄伟的阿尔卑斯山。
• He looks majestic in uniform.他穿上军装显得很威风。

29 monarch   

n.帝王，君主，最高统治者

参考例句：

• The monarch's role is purely ceremonial.君主纯粹是个礼仪职位。
• I think myself happier now than the greatest monarch upon earth.我觉得这个时候比世界上什么帝王都快乐。

30 rugged   

adj.高低不平的，粗糙的，粗壮的，强健的

参考例句：

• Football players must be rugged.足球运动员必须健壮。
• The Rocky Mountains have rugged mountains and roads.落基山脉有崇山峻岭和崎岖不平的道路。

31 monarchs   

君主，帝王( monarch的名词复数 )

参考例句：

• Monarchs ruled England for centuries. 世袭君主统治英格兰有许多世纪。
• Serving six monarchs of his native Great Britain, he has served all men's freedom and dignity. 他在大不列颠本国为六位君王服务，也为全人类的自由和尊严服务。 来自演讲部分

32 allusions   

暗指，间接提到( allusion的名词复数 )

参考例句：

• We should not use proverbs and allusions indiscriminately. 不要滥用成语典故。
• The background lent itself to allusions to European scenes. 眼前的情景容易使人联想到欧洲风光。

33 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

34 solitude   

n. 孤独; 独居,荒僻之地,幽静的地方

参考例句：

• People need a chance to reflect on spiritual matters in solitude. 人们需要独处的机会来反思精神上的事情。
• They searched for a place where they could live in solitude. 他们寻找一个可以过隐居生活的地方。

35 overflows   

v.溢出，淹没( overflow的第三人称单数 )；充满；挤满了人；扩展出界，过度延伸

参考例句：

• He always fills his glass till it overflows. 他总是把杯子斟得很满。 来自《简明英汉词典》
• A distributary overflows its banks. 分流水溢出河岸。 来自辞典例句

36 myriads   

n.无数，极大数量( myriad的名词复数 )

参考例句：

• Each galaxy contains myriads of stars. 每一星系都有无数的恒星。 来自《简明英汉词典》
• The sky was set with myriads of stars. 无数星星点缀着夜空。 来自《现代英汉综合大词典》

37 thither   

adv.向那里；adj.在那边的，对岸的

参考例句：

• He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
• He tramped hither and thither.他到处流浪。

38 brook   

n.小河，溪；v.忍受，容让

参考例句：

• In our room we could hear the murmur of a distant brook.在我们房间能听到远处小溪汩汩的流水声。
• The brook trickled through the valley.小溪涓涓流过峡谷。

39 chasm   

n.深坑，断层，裂口，大分岐，利害冲突

参考例句：

• There's a chasm between rich and poor in that society.那社会中存在着贫富差距。
• A huge chasm gaped before them.他们面前有个巨大的裂痕。