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CHAPTER VI
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 Eugene collected and reported faithfully every day, and had managed to save a little money. Margaret was now a part of his past. His landlady1, Mrs. Woodruff, had gone to live with a daughter in Sedalia, Missouri, and he had moved to a comparatively nice house in East Twenty-first Street on the South Side. It had taken his eye because of a tree in a fifty foot space of ground before it. Like his other room it cost him little, and he was in a private family. He arranged a twenty cent rate per meal for such meals as he took there, and thus he managed to keep his bare living expenses down to five dollars a week. The remaining nine he spent sparingly for clothes, car-fare, and amusements—almost nothing of the latter. When he saw he had a little money in reserve he began to think of looking up the Art Institute, which had been looming2 up in his mind as an avenue of advancement3, and find out on what condition he could join a night class in drawing. They were very reasonable, he heard, only fifteen dollars a quarter, and he decided4 to begin if the conditions were not too severe. He was beginning to be convinced that he was born to be an artist—how soon he could not tell.
 
The old Art Institute, which preceded the present impressive structure, was located at Michigan Avenue and Monroe Street, and presented an atmosphere of distinction which was not present in most of the structures representing the public taste of the period. It was a large six storey building of brown stone, and contained a number of studios for painters, sculptors5, and music teachers, besides the exhibition rooms and the rooms for the classes. There were both day and evening classes, and even at that time a large number of students. The western soul, to a certain extent, was fired by the wonder of art. There was so little of it in the life of the people—the fame of those who could accomplish things in this field and live in a more refined atmosphere was great. To go to Paris! To be a student in any one of the great ateliers of that city! Or of Munich or Rome, to know the character of the artistic6 treasures of Europe—the life of the Art quarter—that was something. There was what might have been termed a wild desire in the breast of many an untutored boy and girl to get out of the ranks of the commonplace; to assume the character and the habiliments of the artistic temperament7 as they were then supposed to be; to have a refined, semi-languorous, semi-indifferent manner; to live in a studio, to have a certain freedom in morals and temperament not accorded to the ordinary person—these were the great things to do and be. Of course, art composition was a part of this. You were supposed ultimately to paint great pictures or do noble sculptures, but in the meanwhile you could and should live the life of the artist. And that was beautiful and wonderful and free.
 
Eugene had long had some sense of this. He was aware that there were studios in Chicago; that certain men were supposed to be doing good work—he saw it in the papers. There were mentions now and then of exhibitions, mostly free, which the public attended but sparingly. Once there was an exhibition of some of the war pictures of Verestchagin, a great Russian painter who had come West for some purpose. Eugene saw them one Sunday afternoon, and was enthralled8 by the magnificence of their grasp of the elements of battle; the wonder of color; the truth of character; the dramatic quality; the sense of force and danger and horror and suffering which was somehow around and in and through everything that was shown. This man had virility9 and insight; stupendous imagination and temperament. Eugene stood and stared, wondering how such things could be done. Ever afterward10 the name of Verestchagin was like a great call to his imagination; that was the kind of an artist to be if you were going to be one.
 
Another picture came there once, which appealed to another side of his nature, although primarily the basis of its appeal was artistic. It was a great, warm tinted11 nude12 by Bouguereau, a French artist who was startling his day with his daring portrayal13 of the nude. The types he depicted14 were not namby-pamby little slim-bodied women with spindling qualities of strength and passion, but great, full-blown women whose voluptuous15 contour of neck and arms and torso and hip16 and thigh17 was enough to set the blood of youth at fever heat. The man obviously understood and had passion, love of form, love of desire, love of beauty. He painted with a sense of the bridal bed in the background; of motherhood and of fat, growing babies, joyously18 nursed. These women stood up big in their sense of beauty and magnetism19, the soft lure20 of desire in their eyes, their full lips parted, their cheeks flushed with the blood of health. As such they were anathema21 to the conservative and puritanical22 in mind, the religious in temperament, the cautious in training or taste. The very bringing of this picture to Chicago as a product for sale was enough to create a furore of objection. Such pictures should not be painted, was the cry of the press; or if painted, not exhibited. Bouguereau was conceived of by many as one of those dastards of art who were endeavoring to corrupt23 by their talent the morals of the world; there was a cry raised that the thing should be suppressed; and as is always the case in all such outbursts of special class opposition24, the interest of the general public was aroused.
 
Eugene was one of those who noted25 the discussion. He had never seen a picture by Bouguereau or, indeed, an original nude by any other artist. Being usually at liberty after three o'clock, he was free to visit some of these things, and having found it possible to do his work in good clothes he had come to wear his best suit every day. He was a fairly presentable youth with a solemn mien26, and his request to be shown anything in any art store would have aroused no surprise. He looked as though he belonged to the intellectual and artistic classes.
 
Not being sure of what reception would be accorded one so young—he was now nearing twenty—he nevertheless ventured to stop at the gallery where the Bouguereau was being exhibited and ask to see it. The attendant in charge eyed him curiously27, but led him back to a room hung in dark red, and turning on a burst of incandescent28 bulbs set in the ceiling of a red plush hung cabinet, pulled back the curtain revealing the picture. Eugene had never seen such a figure and face. It was a dream of beauty—his ideal come to life. He studied the face and neck, the soft mass of brown, sensuous29 hair massed at the back of the head, the flowerlike lips and soft cheeks. He marveled at the suggestion of the breasts and the abdomen30, that potentiality of motherhood that is so firing to the male. He could have stood there hours dreaming, luxuriating, but the attendant who had left him alone with it for a few minutes returned.
 
"What is the price of this?" Eugene asked.
 
"Ten thousand dollars," was the reply.
 
He smiled solemnly. "It's a wonderful thing," he said, and turned to go. The attendant put out the light.
 
This picture, like those of Verestchagin, made a sharp impression on him. Curiously he had no longing31 to paint anything of this kind. He only rejoiced to look at it. It spoke32 to him of his present ideal of womanhood—physical beauty, and he longed with all his heart to find a creature like that who would look on him with favor.
 
There were other exhibitions—one containing a genuine Rembrandt—which impressed him, but none like these that had definitely stirred him. His interest in art was becoming eager. He wanted to find out all about it—to do something himself. One day he ventured to call at the Art Institute building and consult the secretary, who explained to him what the charges were. He learned from her, for she was a woman of a practical, clerical turn, that the classes ran from October to May, that he could enter a life or antique class or both, though the antique alone was advisable for the time, and a class in illustration, where costumes of different periods were presented on different models. He found that each class had an instructor33 of supposed note, whom it was not necessary for him to see. Each class had a monitor and each student was supposed to work faithfully for his own benefit. Eugene did not get to see the class rooms, but he gained a sense of the art of it all, nevertheless, for the halls and offices were decorated in an artistic way, and there were many plaster casts of arms, legs, busts34, and thighs35 and heads. It was as though one stood in an open doorway36 and looked out upon a new world. The one thing that gratified him was that he could study pen and ink or brush in the illustration class, and that he could also join a sketch37 class from five to six every afternoon without extra charges if he preferred to devote his evening hours to studying drawing in the life class. He was a little astonished to learn from a printed prospectus38 given him that the life class meant nude models to work from—both men and women. He was surely approaching a different world now. It seemed necessary and natural enough, and yet there was an aloof39 atmosphere about it, something that suggested the inner precincts of a shrine40, to which only talent was admitted. Was he talented? Wait! He would show the world, even if he was a raw country boy.
 
The classes which he decided to enter were first a life class which convened41 Monday, Wednesday and Friday evenings at seven in one of the study rooms and remained in session until ten o'clock, and second a sketch class which met from five to six every afternoon. Eugene felt that he knew little or nothing about figure and anatomy42 and had better work at that. Costume and illustration would have to wait, and as for the landscapes, or rather city-scapes, of which he was so fond, he could afford to defer44 those until he learned something of the fundamentals of art.
 
Heretofore he had rarely attempted the drawing of a face or figure except in miniature and as details of a larger scene. Now he was confronted with the necessity of sketching45 in charcoal46  the head or body of a living person, and it frightened him a little. He knew that he would be in a class with fifteen or twenty other male students. They would be able to see and comment on what he was doing. Twice a week an instructor would come around and pass upon his work. There were honors for those who did the best work during any one month, he learned from the prospectus, namely: first choice of seats around the model at the beginning of each new pose. The class instructors47 must be of considerable significance in the American art world, he thought, for they were N. A.'s, and that meant National Academicians. He little knew with what contempt this honor was received in some quarters, or he would not have attached so much significance to it.
 
One Monday evening in October, armed with the several sheets of paper which he had been told to purchase by his all-informing prospectus, he began his work. He was a little nervous at sight of the brightly lighted halls and class rooms, and the moving crowd of young men and women did not tend to allay48 his fears. He was struck at once with the quality of gaiety, determination and easy grace which marked the different members of this company. The boys struck him as interesting, virile49, in many cases good looking; the girls as graceful50, rather dashing and confident. One or two whom he noted were beautiful in a dark way. This was a wonderful world.
 
The rooms too, were exceptional. They were old enough in use to be almost completely covered, as to the walls, with the accumulation of paint scraped from the palettes. There were no easels or other paraphernalia51, but simply chairs and little stools—the former, as Eugene learned, to be turned upside down for easels, the latter for the students to sit on. In the center of the room was a platform, the height of an ordinary table, for the model to pose on, and in one corner a screen which constituted a dressing52 room. There were no pictures or statuary—just the bare walls—but curiously, in one corner, a piano. Out in the halls and in the general lounging center were pictures of nude figures or parts of figures posed in all sorts of ways which Eugene, in his raw, youthful way, thought suggestive. He secretly rejoiced to look at them but he felt that he must not say anything about what he thought. An art student, he felt sure, must appear to be indifferent to such suggestion—to be above such desire. They were here to work, not to dream of women.
 
When the time came for the classes to assemble there was a scurrying53 to and fro, conferring between different students, and  then the men found themselves in one set of rooms and the women in another. Eugene saw a young girl in his room, sitting up near the screen, idly gazing about. She was pretty, of a slightly Irish cast of countenance54, with black hair and black eyes. She wore a cap that was an imitation of the Polish national head-dress, and a red cape43. Eugene assumed her to be the class model and secretly wondered if he was really to see her in the nude. In a few minutes all the students were gathered, and then there was a stir as there strolled in a rather vigorous and picturesque55 man of thirty-six or thereabouts, who sauntered to the front of the room and called the class to order. He was clad in a shabby suit of grey tweed and crowned with a little brown hat, shoved rakishly over one ear, which he did not trouble to take off. He wore a soft blue hickory shirt without collar or tie, and looked immensely self-sufficient. He was tall and lean and raw-boned, with a face which was long and narrow; his eyes were large and wide set, his mouth big and firm in its lines; he had big hands and feet, and an almost rolling gait. Eugene assumed instinctively56 that this was Mr. Temple Boyle, N. A., the class instructor, and he imagined there would be an opening address of some kind. But the instructor merely announced that Mr. William Ray had been appointed monitor and that he hoped that there would be no disorder57 or wasting of time. There would be regular criticism days by him—Wednesdays and Fridays. He hoped that each pupil would be able to show marked improvement. The class would now begin work. Then he strolled out.
 
Eugene soon learned from one of the students that this really was Mr. Boyle. The young Irish girl had gone behind the screen. Eugene could see partially58, from where he was sitting, that she was disrobing. It shocked him a little, but he kept his courage and his countenance because of the presence of so many others. He turned a chair upside down as he saw the others do, and sat down on a stool. His charcoal was lying in a little box beside him. He straightened his paper on its board and fidgeted, keeping as still as he could. Some of the students were talking. Suddenly he saw the girl divest59 herself of a thin, gauze shirt, and the next moment she came out, naked and composed, to step upon the platform and stand perfectly60 erect61, her arms by her side, her head thrown back. Eugene tingled62 and blushed and was almost afraid to look directly at her. Then he took a stick of charcoal and began sketching feebly, attempting to convey something of this personality and this pose to paper. It seemed a wonderful thing for him to be  doing—to be in this room, to see this girl posing so; in short, to be an art student. So this was what it was, a world absolutely different from anything he had ever known. And he was self-called to be a member of it.

点击收听单词发音收听单词发音  

1 landlady t2ZxE     
n.女房东,女地主
参考例句:
  • I heard my landlady creeping stealthily up to my door.我听到我的女房东偷偷地来到我的门前。
  • The landlady came over to serve me.女店主过来接待我。
2 looming 1060bc05c0969cf209c57545a22ee156     
n.上现蜃景(光通过低层大气发生异常折射形成的一种海市蜃楼)v.隐约出现,阴森地逼近( loom的现在分词 );隐约出现,阴森地逼近
参考例句:
  • The foothills were looming ahead through the haze. 丘陵地带透过薄雾朦胧地出现在眼前。 来自《简明英汉词典》
  • Then they looked up. Looming above them was Mount Proteome. 接着他们往上看,在其上隐约看到的是蛋白质组山。 来自英汉非文学 - 生命科学 - 回顾与展望
3 advancement tzgziL     
n.前进,促进,提升
参考例句:
  • His new contribution to the advancement of physiology was well appreciated.他对生理学发展的新贡献获得高度赞赏。
  • The aim of a university should be the advancement of learning.大学的目标应是促进学术。
4 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
5 sculptors 55fe6a2a17f97fa90175d8545e7fd3e2     
雕刻家,雕塑家( sculptor的名词复数 ); [天]玉夫座
参考例句:
  • He is one of Britain's best-known sculptors. 他是英国最有名的雕塑家之一。
  • Painters and sculptors are indexed separately. 画家和雕刻家被分开,分别做了索引。
6 artistic IeWyG     
adj.艺术(家)的,美术(家)的;善于艺术创作的
参考例句:
  • The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
  • These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。
7 temperament 7INzf     
n.气质,性格,性情
参考例句:
  • The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
  • Success often depends on temperament.成功常常取决于一个人的性格。
8 enthralled 59934577218800a7e5faa20d3f119524     
迷住,吸引住( enthrall的过去式和过去分词 ); 使感到非常愉快
参考例句:
  • The child watched, enthralled by the bright moving images. 这孩子看着那明亮的移动的影像,被迷住了。
  • The children listened enthralled as the storyteller unfolded her tale. 讲故事的人一步步展开故事情节,孩子们都听得入迷了。
9 virility JUKzS     
n.雄劲,丈夫气
参考例句:
  • He wanted his sons to become strong,virile,and athletic like himself.他希望他的儿子们能长得像他一样强壮、阳刚而又健美。
  • He is a tall,virile man with rugged good looks.他是个身材高大、体魄健壮、相貌粗犷英俊的男子。
10 afterward fK6y3     
adv.后来;以后
参考例句:
  • Let's go to the theatre first and eat afterward. 让我们先去看戏,然后吃饭。
  • Afterward,the boy became a very famous artist.后来,这男孩成为一个很有名的艺术家。
11 tinted tinted     
adj. 带色彩的 动词tint的过去式和过去分词
参考例句:
  • a pair of glasses with tinted lenses 一副有色镜片眼镜
  • a rose-tinted vision of the world 对世界的理想化看法
12 nude CHLxF     
adj.裸体的;n.裸体者,裸体艺术品
参考例句:
  • It's a painting of the Duchess of Alba in the nude.这是一幅阿尔巴公爵夫人的裸体肖像画。
  • She doesn't like nude swimming.她不喜欢裸泳。
13 portrayal IPlxy     
n.饰演;描画
参考例句:
  • His novel is a vivid portrayal of life in a mining community.他的小说生动地描绘了矿区的生活。
  • The portrayal of the characters in the novel is lifelike.该书中的人物写得有血有肉。
14 depicted f657dbe7a96d326c889c083bf5fcaf24     
描绘,描画( depict的过去式和过去分词 ); 描述
参考例句:
  • Other animals were depicted on the periphery of the group. 其他动物在群像的外围加以修饰。
  • They depicted the thrilling situation to us in great detail. 他们向我们详细地描述了那激动人心的场面。
15 voluptuous lLQzV     
adj.肉欲的,骄奢淫逸的
参考例句:
  • The nobility led voluptuous lives.贵族阶层过着骄奢淫逸的生活。
  • The dancer's movements were slow and voluptuous.舞女的动作缓慢而富挑逗性。
16 hip 1dOxX     
n.臀部,髋;屋脊
参考例句:
  • The thigh bone is connected to the hip bone.股骨连着髋骨。
  • The new coats blouse gracefully above the hip line.新外套在臀围线上优美地打着褶皱。
17 thigh RItzO     
n.大腿;股骨
参考例句:
  • He is suffering from a strained thigh muscle.他的大腿肌肉拉伤了,疼得很。
  • The thigh bone is connected to the hip bone.股骨连着髋骨。
18 joyously 1p4zu0     
ad.快乐地, 高兴地
参考例句:
  • She opened the door for me and threw herself in my arms, screaming joyously and demanding that we decorate the tree immediately. 她打开门,直扑我的怀抱,欣喜地喊叫着要马上装饰圣诞树。
  • They came running, crying out joyously in trilling girlish voices. 她们边跑边喊,那少女的颤音好不欢快。 来自名作英译部分
19 magnetism zkxyW     
n.磁性,吸引力,磁学
参考例句:
  • We know about magnetism by the way magnets act.我们通过磁铁的作用知道磁性是怎么一回事。
  • His success showed his magnetism of courage and devotion.他的成功表现了他的胆量和热诚的魅力。
20 lure l8Gz2     
n.吸引人的东西,诱惑物;vt.引诱,吸引
参考例句:
  • Life in big cities is a lure for many country boys.大城市的生活吸引着许多乡下小伙子。
  • He couldn't resist the lure of money.他不能抵制金钱的诱惑。
21 anathema ILMyU     
n.诅咒;被诅咒的人(物),十分讨厌的人(物)
参考例句:
  • Independence for the Kurds is anathema to Turkey and Iran.库尔德人的独立对土耳其和伊朗来说将是一场梦魇。
  • Her views are ( an ) anathema to me.她的观点真叫我讨厌。
22 puritanical viYyM     
adj.极端拘谨的;道德严格的
参考例句:
  • He has a puritanical attitude towards sex.他在性问题上主张克制,反对纵欲。
  • Puritanical grandfather is very strict with his children.古板严厉的祖父对子女要求非常严格。
23 corrupt 4zTxn     
v.贿赂,收买;adj.腐败的,贪污的
参考例句:
  • The newspaper alleged the mayor's corrupt practices.那家报纸断言市长有舞弊行为。
  • This judge is corrupt.这个法官贪污。
24 opposition eIUxU     
n.反对,敌对
参考例句:
  • The party leader is facing opposition in his own backyard.该党领袖在自己的党內遇到了反对。
  • The police tried to break down the prisoner's opposition.警察设法制住了那个囚犯的反抗。
25 noted 5n4zXc     
adj.著名的,知名的
参考例句:
  • The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
  • Jim is noted for arriving late for work.吉姆上班迟到出了名。
26 mien oDOxl     
n.风采;态度
参考例句:
  • He was a Vietnam veteran with a haunted mien.他是个越战老兵,举止总有些惶然。
  • It was impossible to tell from his mien whether he was offended.从他的神态中难以看出他是否生气了。
27 curiously 3v0zIc     
adv.有求知欲地;好问地;奇特地
参考例句:
  • He looked curiously at the people.他好奇地看着那些人。
  • He took long stealthy strides. His hands were curiously cold.他迈着悄没声息的大步。他的双手出奇地冷。
28 incandescent T9jxI     
adj.遇热发光的, 白炽的,感情强烈的
参考例句:
  • The incandescent lamp we use in daily life was invented by Edison.我们日常生活中用的白炽灯,是爱迪生发明的。
  • The incandescent quality of his words illuminated the courage of his countrymen.他炽热的语言点燃了他本国同胞的勇气。
29 sensuous pzcwc     
adj.激发美感的;感官的,感觉上的
参考例句:
  • Don't get the idea that value of music is commensurate with its sensuous appeal.不要以为音乐的价值与其美的感染力相等。
  • The flowers that wreathed his parlor stifled him with their sensuous perfume.包围著客厅的花以其刺激人的香味使他窒息。
30 abdomen MfXym     
n.腹,下腹(胸部到腿部的部分)
参考例句:
  • How to know to there is ascarid inside abdomen?怎样知道肚子里面有蛔虫?
  • He was anxious about an off-and-on pain the abdomen.他因时隐时现的腹痛而焦虑。
31 longing 98bzd     
n.(for)渴望
参考例句:
  • Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
  • His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。
32 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
33 instructor D6GxY     
n.指导者,教员,教练
参考例句:
  • The college jumped him from instructor to full professor.大学突然把他从讲师提升为正教授。
  • The skiing instructor was a tall,sunburnt man.滑雪教练是一个高高个子晒得黑黑的男子。
34 busts c82730a2a9e358c892a6a70d6cedc709     
半身雕塑像( bust的名词复数 ); 妇女的胸部; 胸围; 突击搜捕
参考例句:
  • Dey bags swells up and busts. 那奶袋快胀破了。
  • Marble busts all looked like a cemetery. 大理石的半身象,简直就象是坟山。
35 thighs e4741ffc827755fcb63c8b296150ab4e     
n.股,大腿( thigh的名词复数 );食用的鸡(等的)腿
参考例句:
  • He's gone to London for skin grafts on his thighs. 他去伦敦做大腿植皮手术了。 来自《简明英汉词典》
  • The water came up to the fisherman's thighs. 水没到了渔夫的大腿。 来自《简明英汉词典》
36 doorway 2s0xK     
n.门口,(喻)入门;门路,途径
参考例句:
  • They huddled in the shop doorway to shelter from the rain.他们挤在商店门口躲雨。
  • Mary suddenly appeared in the doorway.玛丽突然出现在门口。
37 sketch UEyyG     
n.草图;梗概;素描;v.素描;概述
参考例句:
  • My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
  • I will send you a slight sketch of the house.我将给你寄去房屋的草图。
38 prospectus e0Hzm     
n.计划书;说明书;慕股书
参考例句:
  • An order form was included with the prospectus.订单附在说明书上。
  • The prospectus is the most important instrument of legal document.招股说明书是上市公司信息披露制度最重要法律文件。
39 aloof wxpzN     
adj.远离的;冷淡的,漠不关心的
参考例句:
  • Never stand aloof from the masses.千万不可脱离群众。
  • On the evening the girl kept herself timidly aloof from the crowd.这小女孩在晚会上一直胆怯地远离人群。
40 shrine 0yfw7     
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣
参考例句:
  • The shrine was an object of pilgrimage.这处圣地是人们朝圣的目的地。
  • They bowed down before the shrine.他们在神龛前鞠躬示敬。
41 convened fbc66e55ebdef2d409f2794046df6cf1     
召开( convene的过去式 ); 召集; (为正式会议而)聚集; 集合
参考例句:
  • The chairman convened the committee to put the issue to a vote. 主席召集委员们开会对这个问题进行表决。
  • The governor convened his troops to put down the revolt. 总督召集他的部队去镇压叛乱。
42 anatomy Cwgzh     
n.解剖学,解剖;功能,结构,组织
参考例句:
  • He found out a great deal about the anatomy of animals.在动物解剖学方面,他有过许多发现。
  • The hurricane's anatomy was powerful and complex.对飓风的剖析是一项庞大而复杂的工作。
43 cape ITEy6     
n.海角,岬;披肩,短披风
参考例句:
  • I long for a trip to the Cape of Good Hope.我渴望到好望角去旅行。
  • She was wearing a cape over her dress.她在外套上披着一件披肩。
44 defer KnYzZ     
vt.推迟,拖延;vi.(to)遵从,听从,服从
参考例句:
  • We wish to defer our decision until next week.我们希望推迟到下星期再作出决定。
  • We will defer to whatever the committee decides.我们遵从委员会作出的任何决定。
45 sketching 2df579f3d044331e74dce85d6a365dd7     
n.草图
参考例句:
  • They are sketching out proposals for a new road. 他们正在草拟修建新路的计划。 来自《简明英汉词典》
  • "Imagination is busy sketching rose-tinted pictures of joy. “飞舞驰骋的想象描绘出一幅幅玫瑰色欢乐的场景。 来自英汉文学 - 汤姆历险
46 charcoal prgzJ     
n.炭,木炭,生物炭
参考例句:
  • We need to get some more charcoal for the barbecue.我们烧烤需要更多的碳。
  • Charcoal is used to filter water.木炭是用来过滤水的。
47 instructors 5ea75ff41aa7350c0e6ef0bd07031aa4     
指导者,教师( instructor的名词复数 )
参考例句:
  • The instructors were slacking on the job. 教员们对工作松松垮垮。
  • He was invited to sit on the rostrum as a representative of extramural instructors. 他以校外辅导员身份,被邀请到主席台上。
48 allay zxIzJ     
v.消除,减轻(恐惧、怀疑等)
参考例句:
  • The police tried to allay her fears but failed.警察力图减轻她的恐惧,但是没有收到什么效果。
  • They are trying to allay public fears about the spread of the disease.他们正竭力减轻公众对这种疾病传播的恐惧。
49 virile JUrzR     
adj.男性的;有男性生殖力的;有男子气概的;强有力的
参考例句:
  • She loved the virile young swimmer.她爱上了那个有男子气概的年轻游泳运动员。
  • He wanted his sons to become strong,virile,and athletic like himself.他希望他的儿子们能长得像他一样强壮、阳刚而又健美。
50 graceful deHza     
adj.优美的,优雅的;得体的
参考例句:
  • His movements on the parallel bars were very graceful.他的双杠动作可帅了!
  • The ballet dancer is so graceful.芭蕾舞演员的姿态是如此的优美。
51 paraphernalia AvqyU     
n.装备;随身用品
参考例句:
  • Can you move all your paraphernalia out of the way?你可以把所有的随身物品移开吗?
  • All my fishing paraphernalia is in the car.我的鱼具都在汽车里。
52 dressing 1uOzJG     
n.(食物)调料;包扎伤口的用品,敷料
参考例句:
  • Don't spend such a lot of time in dressing yourself.别花那么多时间来打扮自己。
  • The children enjoy dressing up in mother's old clothes.孩子们喜欢穿上妈妈旧时的衣服玩。
53 scurrying 294847ddc818208bf7d590895cd0b7c9     
v.急匆匆地走( scurry的现在分词 )
参考例句:
  • We could hear the mice scurrying about in the walls. 我们能听见老鼠在墙里乱跑。 来自《现代英汉综合大词典》
  • We were scurrying about until the last minute before the party. 聚会开始前我们一直不停地忙忙碌碌。 来自辞典例句
54 countenance iztxc     
n.脸色,面容;面部表情;vt.支持,赞同
参考例句:
  • At the sight of this photograph he changed his countenance.他一看见这张照片脸色就变了。
  • I made a fierce countenance as if I would eat him alive.我脸色恶狠狠地,仿佛要把他活生生地吞下去。
55 picturesque qlSzeJ     
adj.美丽如画的,(语言)生动的,绘声绘色的
参考例句:
  • You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
  • That was a picturesque phrase.那是一个形象化的说法。
56 instinctively 2qezD2     
adv.本能地
参考例句:
  • As he leaned towards her she instinctively recoiled. 他向她靠近,她本能地往后缩。 来自《简明英汉词典》
  • He knew instinctively where he would find her. 他本能地知道在哪儿能找到她。 来自《简明英汉词典》
57 disorder Et1x4     
n.紊乱,混乱;骚动,骚乱;疾病,失调
参考例句:
  • When returning back,he discovered the room to be in disorder.回家后,他发现屋子里乱七八糟。
  • It contained a vast number of letters in great disorder.里面七零八落地装着许多信件。
58 partially yL7xm     
adv.部分地,从某些方面讲
参考例句:
  • The door was partially concealed by the drapes.门有一部分被门帘遮住了。
  • The police managed to restore calm and the curfew was partially lifted.警方设法恢复了平静,宵禁部分解除。
59 divest 9kKzx     
v.脱去,剥除
参考例句:
  • I cannot divest myself of the idea.我无法消除那个念头。
  • He attempted to divest himself of all responsibilities for the decision.他力图摆脱掉作出该项决定的一切责任。
60 perfectly 8Mzxb     
adv.完美地,无可非议地,彻底地
参考例句:
  • The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
  • Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。
61 erect 4iLzm     
n./v.树立,建立,使竖立;adj.直立的,垂直的
参考例句:
  • She held her head erect and her back straight.她昂着头,把背挺得笔直。
  • Soldiers are trained to stand erect.士兵们训练站得笔直。
62 tingled d46614d7855cc022a9bf1ac8573024be     
v.有刺痛感( tingle的过去式和过去分词 )
参考例句:
  • My cheeks tingled with the cold. 我的脸颊冻得有点刺痛。 来自《简明英汉词典》
  • The crowd tingled with excitement. 群众大为兴奋。 来自《现代英汉综合大词典》


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