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CHAPTER IX
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 The succeeding days in the art school after his first admission revealed many new things to Eugene. He understood now, or thought he did, why artists were different from the rank and file of mankind. This Art Institute atmosphere was something so refreshing1 after his days rambling2 among poor neighborhoods collecting, that he could hardly believe that he, Eugene Witla, belonged there. These were exceptional young people; some of them, anyhow. If they weren't cut out to be good artists they still had imagination—the dream of the artist. They came, as Eugene gradually learned, from all parts of the West and South, from Chicago and St. Louis—from Kansas, Nebraska and Iowa—from Texas and California and Minnesota. One boy was in from Saskatchewan of the Canadian north west, another from the then territory of New Mexico. Because his name was Gill they called him the Gila monster—the difference in the pronunciation of the "G's" not troubling them at all. A boy who came down from Minnesota was a farmer's son, and talked about going back to plow3 and sow and reap during the next spring and summer. Another boy was the son of a Kansas City millionaire.
 
The mechanics of drawing interested Eugene from the first. He learned the first night that there was some defect in his understanding of light and shade as it related to the human form. He could not get any roundness or texture5 in his drawings.
 
"The darkest shadow is always closest to the high light," observed his instructor6 laconically7 on Wednesday evening, looking over his shoulder. "You're making everything a dull, even tone." So that was it.
 
"You're drawing this figure as a bricklayer who isn't an architect might start to build a house. You're laying bricks without having a plan. Where's your plan?" The voice was that of Mr. Boyle looking over his shoulder.
 
Eugene looked up. He had begun to draw the head only.
 
"A plan! A plan!" said his instructor, making a peculiar8 motion with his hands which described the outline of the pose in a single motion. "Get your general lines first. Then you can put in the details afterward9."
 
Eugene saw at once.
 
Another time his instructor was watching him draw the female breast. He was doing it woodenly—without much beauty of contour.
 
"They're round! They're round! I tell you!" exclaimed Boyle. "If you ever see any square ones let me know."
 
This caught Eugene's sense of humor. It made him laugh, even though he flushed painfully, for he knew he had a lot to learn.
 
The cruelest thing he heard this man say was to a boy who was rather thick and fat but conscientious10. "You can't draw," he said roughly. "Take my advice and go home. You'll make more money driving a wagon11."
 
The class winced12, but this man was ugly in his intolerance of futility13. The idea of anybody wasting his time was obnoxious14 to him. He took art as a business man takes business, and he had no time for the misfit, the fool, or the failure. He wanted his class to know that art meant effort.
 
Aside from this brutal15 insistence16 on the significance of art, there was another side to the life which was not so hard and in a way more alluring17. Between the twenty-five minute poses which the model took, there were some four or five minute rests during the course of the evening in which the students talked, relighted their pipes and did much as they pleased. Sometimes students from other classes came in for a few moments.
 
The thing that astonished Eugene though, was the freedom of the model with the students and the freedom of the students with her. After the first few weeks he observed some of those who had been there the year before going up to the platform where the girl sat, and talking with her. She had a little pink gauze veil which she drew around her shoulders or waist that instead of reducing the suggestiveness of her attitudes heightened them.
 
"Say, ain't that enough to make everything go black in front of your eyes," said one boy sitting next to Eugene.
 
"Well, I guess," he laughed. "There's some edge to that."
 
The boys would sit and laugh and jest with this girl, and she would laugh and coquette in return. He saw her strolling about looking at some of the students' drawings of her over their shoulders, standing4 face to face with others—and so calmly. The strong desire which it invariably aroused in Eugene he quelled18 and concealed19, for these things were not to be shown on the surface. Once, while he was looking at some photographs that a student had brought, she came and looked over his shoulder,  this little flower of the streets, her body graced by the thin scarf, her lips and cheeks red with color. She came so close that she leaned against his shoulder and arm with her soft flesh. It pulled him tense, like a great current; but he made no sign, pretending that it was the veriest commonplace. Several times, because the piano was there, and because students would sing and play in the interludes, she came and sat on the piano stool herself, strumming out an accompaniment to which some one or three or four would sing. Somehow this, of all things, seemed most sensuous20 to him—most oriental. It set him wild. He felt his teeth click without volition21 on his part. When she resumed her pose, his passion subsided22, for then the cold, æsthetic value of her beauty became uppermost. It was only the incidental things that upset him.
 
In spite of these disturbances23, Eugene was gradually showing improvement as a draughtsman and an artist. He liked to draw the figure. He was not as quick at that as he was at the more varied24 outlines of landscapes and buildings, but he could give lovely sensuous touches to the human form—particularly to the female form—which were beginning to be impressive. He'd got past the place where Boyle had ever to say "They're round." He gave a sweep to his lines that attracted the instructor's attention.
 
"You're getting the thing as a whole, I see," he said quietly, one day. Eugene thrilled with satisfaction. Another Wednesday he said:—"A little colder, my boy, a little colder. There's sex in that. It isn't in the figure. You ought to make a good mural decorator some day, if you have the inclination," Boyle went on; "you've got the sense of beauty." The roots of Eugene's hair tingled25. So art was coming to him. This man saw his capacity. He really had art in him.
 
One evening a paper sign pasted up on the bulletin board bore the significant legend: "Artists! Attention! We eat! We eat! Nov. 16th. at Sofroni's. All those who want to get in give their names to the monitor."
 
Eugene had heard nothing of this, but he judged that it originated in one of the other classes. He spoke26 to the monitor and learned that only seventy-five cents was required of him. Students could bring girls if they wished. Most of them would. He decided27 that he would go. But where to get a girl? Sofroni's was an Italian restaurant in lower Clark Street, which had originally started out as an eating place for Italian laborers28, because it was near an Italian boarding house section. It was located in an old house that was not exactly homely29. A yard  in the back had been set with plain wooden tables, and benches had been placed for use in the summer time and, later, this had been covered with a mouldy tent-cloth to protect the diners from rain. Still later this became glass and was used in winter. The place was clean and the food good. Some struggling craftsman30 in journalism31 and art had found it and by degrees Signor Sofroni had come to realize that he was dealing32 with a better element. He began to exchange greetings with these people to set aside a little corner for them. Finally he entertained a small group of them at dinner—charging them hardly more than cost price—and so he was launched. One student told another. Sofroni now had his yard covered in so that he could entertain a hundred at dinner, even in winter. He could serve several kinds of wines and liquors with a dinner for seventy-five cents a piece. So he was popular.
 
The dinner was the culmination33 of several other class treats. It was the custom of a class, whenever a stranger, or even a new member appeared, to yell "Treat! Treat!" at which the victim or new member was supposed to produce two dollars as a contribution to a beer fund. If the money was not produced—the stranger was apt to be thrown out or some ridiculous trick played upon him—if it was forthcoming, work for the evening ceased. A collection was immediately taken up. Kegs of beer were sent for, with sandwiches and cheese. Drinking, singing, piano playing, jesting followed. Once, to Eugene's utter astonishment34, one of the students—a big, good natured, carousing35 boy from Omaha—lifted the nude36 model to his shoulders, set her astride his neck and proceeded around the room, jigging37 as he went—the girl meantime pulling his black hair, the other students following and shouting uproariously. Some of the girls in an adjoining room, studying in an evening life class, stopped their work to peep through a half dozen small holes which had been punched in the intervening partition. The sight of Showalter carrying the girl so astonished the eavesdroppers that the news of it was soon all over the building. Knowledge of the escapade reached the Secretary and the next day the student was dropped. But the Bacchic dance had been enacted—its impression was left.
 
There were other treats like this in which Eugene was urged to drink, and he did—a very little. He had no taste for beer. He also tried to smoke, but he did not care for it. He could become nervously38 intoxicated39 at times, by the mere40 sight of such revelry, and then he grew witty41, easy in his motions, quick to say bright things. On one of these occasions one of the models  said to him: "Why, you're nicer than I thought. I imagined you were very solemn."
 
"Oh, no," he said, "only at times. You don't know me."
 
He seized her about the waist, but she pushed him away. He wished now that he danced, for he saw that he might have whirled her about the room then and there. He decided to learn at once.
 
The question of a girl for the dinner, troubled him. He knew of no one except Margaret, and he did not know that she danced. There was Miss Blue, of Blackwood—whom he had seen when she made her promised visit to the city—but the thought of her in connection with anything like this was to him incongruous. He wondered what she would think if she saw such scenes as he had witnessed.
 
It chanced that one day when he was in the members' room, he met Miss Kenny, the girl whom he had seen posing the night he had entered the school. Eugene remembered her fascination42, for she was the first nude model he had ever seen and she was pretty. She was also the one who had come and stood by him when she was posing. He had not seen her since then. She had liked Eugene, but he had seemed a little distant and, at first, a little commonplace. Lately he had taken to a loose, flowing tie and a soft round hat which became him. He turned his hair back loosely and emulated43 the independent swing of Mr. Temple Boyle. That man was a sort of god to him—strong and successful. To be like that!
 
The girl noted44 a change for what she deemed the better. He was so nice now, she thought, so white-skinned and clear-eyed and keen.
 
She pretended to be looking at the drawing of a nude when she saw him.
 
"How are you?" he asked, smiling, venturing to speak to her because he was lonely and because he knew no other girl.
 
She turned gaily45, and returned the question, facing him with smiling lips and genial46 eyes.
 
"I haven't seen you for some time," he said. "Are you back here now?"
 
"For this week," she said. "I'm doing studio work. I don't care for classes when I can get the other."
 
"I thought you liked them!" he replied, recalling her gaiety of mood.
 
"Oh, I don't dislike it. Only, studio work is better."
 
"We've missed you," he said. "The others haven't been nearly as nice."
 "Aren't you complimentary," she laughed, her black eyes looking into his with a twinkle.
 
"No, it's so," he returned, and then asked hopefully, "Are you going to the dinner on the 16th?"
 
"Maybe," she said. "I haven't made up my mind. It all depends."
 
"On what?"
 
"On how I feel and who asks me."
 
"I shouldn't think there'd be any trouble about that," he observed. "If I had a girl I'd go," he went on, making a terrific effort to reach the point where he could ask her. She saw his intention.
 
"Well?" she laughed.
 
"Would you go with me?" he ventured, thus so shamelessly assisted.
 
"Sure!" she said, for she liked him.
 
"That's fine!" he exclaimed. "Where do you live? I'll want to know that." He searched for a pencil.
 
She gave him her number on West Fifty-seventh Street.
 
Because of his collecting he knew the neighborhood. It was a street of shabby frame houses far out on the South Side. He remembered great mazes47 of trade near it, and unpaved streets and open stretches of wet prairie land. Somehow it seemed fitting to him that this little flower of the muck and coal yard area should be a model.
 
"I'll be sure and get you," he laughed. "You won't forget, will you, Miss—"
 
"Just Ruby48," she interrupted. "Ruby Kenny."
 
"It's a pretty name, isn't it?" he said. "It's euphonious49. You wouldn't let me come out some Sunday and see just where it is?"
 
"Yes, you may," she replied, pleased by his comment on her name. "I'm home most every Sunday. Come out next Sunday afternoon, if you want to."
 
"I will," said Eugene.
 
He walked out to the street with her in a very buoyant mood.
 

点击收听单词发音收听单词发音  

1 refreshing HkozPQ     
adj.使精神振作的,使人清爽的,使人喜欢的
参考例句:
  • I find it'so refreshing to work with young people in this department.我发现和这一部门的青年一起工作令人精神振奋。
  • The water was cold and wonderfully refreshing.水很涼,特别解乏提神。
2 rambling MTfxg     
adj.[建]凌乱的,杂乱的
参考例句:
  • We spent the summer rambling in Ireland. 我们花了一个夏天漫游爱尔兰。
  • It was easy to get lost in the rambling house. 在布局凌乱的大房子里容易迷路。
3 plow eu5yE     
n.犁,耕地,犁过的地;v.犁,费力地前进[英]plough
参考例句:
  • At this time of the year farmers plow their fields.每年这个时候农民们都在耕地。
  • We will plow the field soon after the last frost.最后一场霜过后,我们将马上耕田。
4 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
5 texture kpmwQ     
n.(织物)质地;(材料)构造;结构;肌理
参考例句:
  • We could feel the smooth texture of silk.我们能感觉出丝绸的光滑质地。
  • Her skin has a fine texture.她的皮肤细腻。
6 instructor D6GxY     
n.指导者,教员,教练
参考例句:
  • The college jumped him from instructor to full professor.大学突然把他从讲师提升为正教授。
  • The skiing instructor was a tall,sunburnt man.滑雪教练是一个高高个子晒得黑黑的男子。
7 laconically 09acdfe4bad4e976c830505804da4d5b     
adv.简短地,简洁地
参考例句:
  • "I have a key,'said Rhett laconically, and his eyes met Melanie's evenly. "我有钥匙,"瑞德直截了当说。他和媚兰的眼光正好相遇。 来自飘(部分)
  • 'says he's sick,'said Johnnie laconically. "他说他有玻"约翰尼要理不理的说。 来自飘(部分)
8 peculiar cinyo     
adj.古怪的,异常的;特殊的,特有的
参考例句:
  • He walks in a peculiar fashion.他走路的样子很奇特。
  • He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。
9 afterward fK6y3     
adv.后来;以后
参考例句:
  • Let's go to the theatre first and eat afterward. 让我们先去看戏,然后吃饭。
  • Afterward,the boy became a very famous artist.后来,这男孩成为一个很有名的艺术家。
10 conscientious mYmzr     
adj.审慎正直的,认真的,本着良心的
参考例句:
  • He is a conscientious man and knows his job.他很认真负责,也很懂行。
  • He is very conscientious in the performance of his duties.他非常认真地履行职责。
11 wagon XhUwP     
n.四轮马车,手推车,面包车;无盖运货列车
参考例句:
  • We have to fork the hay into the wagon.我们得把干草用叉子挑进马车里去。
  • The muddy road bemired the wagon.马车陷入了泥泞的道路。
12 winced 7be9a27cb0995f7f6019956af354c6e4     
赶紧避开,畏缩( wince的过去式和过去分词 )
参考例句:
  • He winced as the dog nipped his ankle. 狗咬了他的脚腕子,疼得他龇牙咧嘴。
  • He winced as a sharp pain shot through his left leg. 他左腿一阵剧痛疼得他直龇牙咧嘴。
13 futility IznyJ     
n.无用
参考例句:
  • She could see the utter futility of trying to protest. 她明白抗议是完全无用的。
  • The sheer futility of it all exasperates her. 它毫无用处,这让她很生气。
14 obnoxious t5dzG     
adj.极恼人的,讨人厌的,可憎的
参考例句:
  • These fires produce really obnoxious fumes and smoke.这些火炉冒出来的烟气确实很难闻。
  • He is the most obnoxious man I know.他是我认识的最可憎的人。
15 brutal bSFyb     
adj.残忍的,野蛮的,不讲理的
参考例句:
  • She has to face the brutal reality.她不得不去面对冷酷的现实。
  • They're brutal people behind their civilised veneer.他们表面上温文有礼,骨子里却是野蛮残忍。
16 insistence A6qxB     
n.坚持;强调;坚决主张
参考例句:
  • They were united in their insistence that she should go to college.他们一致坚持她应上大学。
  • His insistence upon strict obedience is correct.他坚持绝对服从是对的。
17 alluring zzUz1U     
adj.吸引人的,迷人的
参考例句:
  • The life in a big city is alluring for the young people. 大都市的生活对年轻人颇具诱惑力。
  • Lisette's large red mouth broke into a most alluring smile. 莉莎特的鲜红的大嘴露出了一副极为诱人的微笑。
18 quelled cfdbdf53cdf11a965953b115ee1d3e67     
v.(用武力)制止,结束,镇压( quell的过去式和过去分词 )
参考例句:
  • Thanks to Kao Sung-nien's skill, the turmoil had been quelled. 亏高松年有本领,弹压下去。 来自汉英文学 - 围城
  • Mr. Atkinson was duly quelled. 阿特金森先生被及时地将了一军。 来自辞典例句
19 concealed 0v3zxG     
a.隐藏的,隐蔽的
参考例句:
  • The paintings were concealed beneath a thick layer of plaster. 那些画被隐藏在厚厚的灰泥层下面。
  • I think he had a gun concealed about his person. 我认为他当时身上藏有一支枪。
20 sensuous pzcwc     
adj.激发美感的;感官的,感觉上的
参考例句:
  • Don't get the idea that value of music is commensurate with its sensuous appeal.不要以为音乐的价值与其美的感染力相等。
  • The flowers that wreathed his parlor stifled him with their sensuous perfume.包围著客厅的花以其刺激人的香味使他窒息。
21 volition cLkzS     
n.意志;决意
参考例句:
  • We like to think that everything we do and everything we think is a product of our volition.我们常常认为我们所做和所想的一切都出自自己的意愿。
  • Makin said Mr Coombes had gone to the police of his own volition.梅金说库姆斯先生是主动去投案的。
22 subsided 1bda21cef31764468020a8c83598cc0d     
v.(土地)下陷(因在地下采矿)( subside的过去式和过去分词 );减弱;下降至较低或正常水平;一下子坐在椅子等上
参考例句:
  • After the heavy rains part of the road subsided. 大雨过后,部分公路塌陷了。 来自《简明英汉词典》
  • By evening the storm had subsided and all was quiet again. 傍晚, 暴风雨已经过去,四周开始沉寂下来。 来自《现代汉英综合大词典》
23 disturbances a0726bd74d4516cd6fbe05e362bc74af     
n.骚乱( disturbance的名词复数 );打扰;困扰;障碍
参考例句:
  • The government has set up a commission of inquiry into the disturbances at the prison. 政府成立了一个委员会来调查监狱骚乱事件。
  • Extra police were called in to quell the disturbances. 已调集了增援警力来平定骚乱。
24 varied giIw9     
adj.多样的,多变化的
参考例句:
  • The forms of art are many and varied.艺术的形式是多种多样的。
  • The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。
25 tingled d46614d7855cc022a9bf1ac8573024be     
v.有刺痛感( tingle的过去式和过去分词 )
参考例句:
  • My cheeks tingled with the cold. 我的脸颊冻得有点刺痛。 来自《简明英汉词典》
  • The crowd tingled with excitement. 群众大为兴奋。 来自《现代英汉综合大词典》
26 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
27 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
28 laborers c8c6422086151d6c0ae2a95777108e3c     
n.体力劳动者,工人( laborer的名词复数 );(熟练工人的)辅助工
参考例句:
  • Laborers were trained to handle 50-ton compactors and giant cranes. 工人们接受操作五十吨压土机和巨型起重机的训练。 来自《现代英汉综合大词典》
  • Wage-labour rests exclusively on competition between the laborers. 雇佣劳动完全是建立在工人的自相竞争之上的。 来自英汉非文学 - 共产党宣言
29 homely Ecdxo     
adj.家常的,简朴的;不漂亮的
参考例句:
  • We had a homely meal of bread and cheese.我们吃了一顿面包加乳酪的家常便餐。
  • Come and have a homely meal with us,will you?来和我们一起吃顿家常便饭,好吗?
30 craftsman ozyxB     
n.技工,精于一门工艺的匠人
参考例句:
  • A cabinet maker must be a master craftsman.家具木工必须是技艺高超的手艺人。
  • The craftsman is working up the mass of clay into a toy figure.艺人把一团泥捏成玩具形状。
31 journalism kpZzu8     
n.新闻工作,报业
参考例句:
  • He's a teacher but he does some journalism on the side.他是教师,可还兼职做一些新闻工作。
  • He had an aptitude for journalism.他有从事新闻工作的才能。
32 dealing NvjzWP     
n.经商方法,待人态度
参考例句:
  • This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
  • His fair dealing earned our confidence.他的诚实的行为获得我们的信任。
33 culmination 9ycxq     
n.顶点;最高潮
参考例句:
  • The space race reached its culmination in the first moon walk.太空竞争以第一次在月球行走而达到顶峰。
  • It may truly be regarded as the culmination of classical Greek geometry.这确实可以看成是古典希腊几何的登峰造级之作。
34 astonishment VvjzR     
n.惊奇,惊异
参考例句:
  • They heard him give a loud shout of astonishment.他们听见他惊奇地大叫一声。
  • I was filled with astonishment at her strange action.我对她的奇怪举动不胜惊异。
35 carousing b010797b2c65f4c563ad2ffac1045fdd     
v.痛饮,闹饮欢宴( carouse的现在分词 )
参考例句:
  • During the next nine years he alternated between service in several armies and carousing in Paris. 在那以后的九年里,他时而在几个军队中服役,时而在巴黎狂欢作乐。 来自辞典例句
  • In his youth George W. Bush had a reputation for carousing. 小布什在年轻时有好玩的名声。 来自互联网
36 nude CHLxF     
adj.裸体的;n.裸体者,裸体艺术品
参考例句:
  • It's a painting of the Duchess of Alba in the nude.这是一幅阿尔巴公爵夫人的裸体肖像画。
  • She doesn't like nude swimming.她不喜欢裸泳。
37 jigging 4dbbdcc624a8a41110e3d84d32525630     
n.跳汰选,簸选v.(使)上下急动( jig的现在分词 )
参考例句:
  • They were jigging up and down to the music. 他们随着音乐的节拍轻快地上下跳着。 来自互联网
  • She hopped about on stage, jigging her feet. 她在舞台上用脚跳来跳去。 来自互联网
38 nervously tn6zFp     
adv.神情激动地,不安地
参考例句:
  • He bit his lip nervously,trying not to cry.他紧张地咬着唇,努力忍着不哭出来。
  • He paced nervously up and down on the platform.他在站台上情绪不安地走来走去。
39 intoxicated 350bfb35af86e3867ed55bb2af85135f     
喝醉的,极其兴奋的
参考例句:
  • She was intoxicated with success. 她为成功所陶醉。
  • They became deeply intoxicated and totally disoriented. 他们酩酊大醉,东南西北全然不辨。
40 mere rC1xE     
adj.纯粹的;仅仅,只不过
参考例句:
  • That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
  • It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。
41 witty GMmz0     
adj.机智的,风趣的
参考例句:
  • Her witty remarks added a little salt to the conversation.她的妙语使谈话增添了一些风趣。
  • He scored a bull's-eye in their argument with that witty retort.在他们的辩论中他那一句机智的反驳击中了要害。
42 fascination FlHxO     
n.令人着迷的事物,魅力,迷恋
参考例句:
  • He had a deep fascination with all forms of transport.他对所有的运输工具都很着迷。
  • His letters have been a source of fascination to a wide audience.广大观众一直迷恋于他的来信。
43 emulated d12d4cd97f25e155dbe03aa4d4d56e5b     
v.与…竞争( emulate的过去式和过去分词 );努力赶上;计算机程序等仿真;模仿
参考例句:
  • The havoc that months had previously wrought was now emulated by the inroads of hours. 前几个月已经使他垮下来,如今更是一小时一小时地在恶化。 来自辞典例句
  • The key technology emulated by CAD and the circuit is showed. 对关键技术进行了仿真,给出了电路实现形式。 来自互联网
44 noted 5n4zXc     
adj.著名的,知名的
参考例句:
  • The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
  • Jim is noted for arriving late for work.吉姆上班迟到出了名。
45 gaily lfPzC     
adv.欢乐地,高兴地
参考例句:
  • The children sing gaily.孩子们欢唱着。
  • She waved goodbye very gaily.她欢快地挥手告别。
46 genial egaxm     
adj.亲切的,和蔼的,愉快的,脾气好的
参考例句:
  • Orlando is a genial man.奥兰多是一位和蔼可亲的人。
  • He was a warm-hearted friend and genial host.他是个热心的朋友,也是友善待客的主人。
47 mazes 01f00574323c5f5c055dbab44afc33b9     
迷宫( maze的名词复数 ); 纷繁复杂的规则; 复杂难懂的细节; 迷宫图
参考例句:
  • The mazes of the dance were ecstatic. 跳舞那种错综曲折,叫人快乐得如登九天。
  • For two hours did this singlehearted and simpleminded girl toil through the mazes of the forest. 这位心地单纯的傻姑娘在林间曲径中艰难地走了两个来小时。
48 ruby iXixS     
n.红宝石,红宝石色
参考例句:
  • She is wearing a small ruby earring.她戴着一枚红宝石小耳环。
  • On the handle of his sword sat the biggest ruby in the world.他的剑柄上镶有一颗世上最大的红宝石。
49 euphonious 8iwzF     
adj.好听的,悦耳的,和谐的
参考例句:
  • He was enchanted with the euphonious music.他陶醉在那悦耳的音乐中。
  • The euphonious sound of Carrie's cello playing always puts me at ease.嘉莉悦耳的大提琴演奏总让我心旷神怡。


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