The dance at Byron Lyall's was in full swing. Toff Leclerc, the best fiddler in three counties, was enthroned on the kitchen table and from the glossy1 brown violin, which his grandfather brought from Grand Pré, was conjuring2 music which made even stiff old Aunt Phemy want to show her steps. Around the kitchen sat a row of young men and women, and the open sitting-room3 doorway4 was crowded with the faces of non-dancing guests who wanted to watch the sets.
An eight-hand reel had just been danced and the girls, giddy from the much swinging of the final figure, had been led back to their seats. Mattie Lyall came out with a dipper of water and sprinkled the floor, from which a fine dust was rising. Toff's violin purred under his hands as he waited for the next set to form. The dancers were slow about it. There was not the rush for the floor that there had been earlier in the evening, for the supper table was now spread in the dining-room and most of the guests were hungry.
After a moment Paul King led out Joan Shelley from the shadowy corner where they had been sitting. They had already danced several sets together; Joan had not danced with anybody else that evening. As they stood together under the light from the lamp on the shelf above them, many curious and disapproving6 eyes watched them. Connor Mitchell, who had been standing7 in the open outer doorway with the moonlight behind him, turned abruptly8 on his heel and went out.
Paul King leaned his head against the wall and watched the watchers with a smiling, defiant9 face as they waited for the set to form. He was a handsome fellow, with the easy, winning ways that women love. His hair curled in bronze masses about his head; his dark eyes were long and drowsy10 and laughing; there was a swarthy bloom on his round cheeks; and his lips were as red and beguiling11 as a girl's. A bad egg was Paul King, with a bad past and a bad future. He was shiftless and drunken; ugly tales were told of him. Not a man in Lyall's house that night but grudged12 him the privilege of standing up with Joan Shelley.
Joan was a slight, blossom-like girl in white, looking much like the pale, sweet-scented house rose she wore in her dark hair. Her face was colourless and young, very pure and softly curved. She had wonderfully sweet, dark blue eyes, generally dropped down, with notably13 long black lashes14. There were many showier girls in the groups around her, but none half so lovely. She made all the rosy-cheeked beauties seem coarse and over-blown.
She left in Paul's clasp the hand by which he had led her out on the floor. Now and then he shifted his gaze from the faces before him to hers. When he did, she always looked up and they exchanged glances as if they had been utterly15 alone. Three other couples gradually took the floor and the reel began. Joan drifted through the figures with the grace of a wind-blown leaf. Paul danced with rollicking abandon, seldom taking his eyes from Joan's face. When the last mad whirl was over, Joan's brother came up and told her in an angry tone to go into the next room and dance no more, since she would dance with only one man. Joan looked at Paul. That look meant that she would do as he, and none other, told her. Paul nodded easily—he did not want any fuss just then—and the girl went obediently into the room. As she turned from him, Paul coolly reached out his hand and took the rose from her hair; then, with a triumphant16 glance around the room, he went out.
The autumn night was very clear and chill, with a faint, moaning wind blowing up from the northwest over the sea that lay shimmering17 before the door. Out beyond the cove18 the boats were nodding and curtsying on the swell19, and over the shore fields the great red star of the lighthouse flared20 out against the silvery sky. Paul, with a whistle, sauntered down the sandy lane, thinking of Joan. How mightily21 he loved her—he, Paul King, who had made a mock of so many women and had never loved before! Ah, and she loved him. She had never said so in words, but eyes and tones had said it—she, Joan Shelley, the pick and pride of the Harbour girls, whom so many men had wooed, winning their trouble for their pains. He had won her; she was his and his only, for the asking. His heart was seething22 with pride and triumph and passion as he strode down to the shore and flung himself on the cold sand in the black shadow of Michael Brown's beached boat.
Byron Lyall, a grizzled, elderly man, half farmer, half fisherman, and Maxwell Holmes, the Prospect23 schoolteacher, came up to the boat presently. Paul lay softly and listened to what they were saying. He was not troubled by any sense of dishonour24. Honour was something Paul King could not lose since it was something he had never possessed25. They were talking of him and Joan.
"What a shame that a girl like Joan Shelley should throw herself away on a man like that," Holmes said.
"Darned shame," he agreed. "That girl's life will be ruined if she marries him, plum' ruined, and marry him she will. He's bewitched her—darned if I can understand it. A dozen better men have wanted her—Connor Mitchell for one. And he's a honest, steady fellow with a good home to offer her. If King had left her alone, she'd have taken Connor. She used to like him well enough. But that's all over. She's infatuated with King, the worthless scamp. She'll marry him and be sorry for it to her last day. He's bad clear through and always will be. Why, look you, Teacher, most men pull up a bit when they're courting a girl, no matter how wild they've been and will be again. Paul hasn't. It hasn't made any difference. He was dead drunk night afore last at the Harbour head, and he hasn't done a stroke of work for a month. And yet Joan Shelley'll take him."
"What are her people thinking of to let her go with him?" asked Holmes.
"She hasn't any but her brother. He's against Paul, of course, but it won't matter. The girl's fancy's caught and she'll go her own gait to ruin. Ruin, I tell ye. If she marries that handsome ne'er-do-well, she'll be a wretched woman all her days and none to pity her."
The two moved away then, and Paul lay motionless, face downward on the sand, his lips pressed against Joan's sweet, crushed rose. He felt no anger over Byron Lyall's unsparing condemnation27. He knew it was true, every word of it. He was a worthless scamp and always would be. He knew that perfectly28 well. It was in his blood. None of his race had ever been respectable and he was worse than them all. He had no intention of trying to reform because he could not and because he did not even want to. He was not fit to touch Joan's hand. Yet he had meant to marry her!
But to spoil her life! Would it do that? Yes, it surely would. And if he were out of the way, taking his baleful charm out of her life, Connor Mitchell might and doubtless would win her yet and give her all he could not.
The man suddenly felt his eyes wet with tears. He had never shed a tear in his daredevil life before, but they came hot and stinging now. Something he had never known or thought of before entered into his passion and purified it. He loved Joan. Did he love her well enough to stand aside and let another take the sweetness and grace that was now his own? Did he love her well enough to save her from the poverty-stricken, shamed life she must lead with him? Did he love her better than himself?
"I ain't fit to think of her," he groaned29. "I never did a decent thing in my life, as they say. But how can I give her up—God, how can I?"
He lay still a long time after that, until the moonlight crept around the boat and drove away the shadow. Then he got up and went slowly down to the water's edge with Joan's rose, all wet with his unaccustomed tears, in his hands. Slowly and reverently30 he plucked off the petals31 and scattered32 them on the ripples33, where they drifted lightly off like fairy shallops on moonshine. When the last one had fluttered from his fingers, he went back to the house and hunted up Captain Alec Matheson, who was smoking his pipe in a corner of the verandah and watching the young folks dancing through the open door. The two men talked together for some time.
When the dance broke up and the guests straggled homeward, Paul sought Joan. Rob Shelley had his own girl to see home and relinquished34 the guardianship35 of his sister with a scowl36. Paul strode out of the kitchen and down the steps at the side of Joan, smiling with his usual daredeviltry. He whistled noisily all the way up the lane.
"Great little dance," he said. "My last in Prospect for a spell, I guess."
"Why?" asked Joan wonderingly.
"Oh, I'm going to take a run down to South America in Matheson's schooner37. Lord knows when I'll come back. This old place has got too deadly dull to suit me. I'm going to look for something livelier."
Joan's lips turned ashen38 under the fringes of her white fascinator. She trembled violently and put one of her small brown hands up to her throat. "You—you are not coming back?" she said faintly.
"Not likely. I'm pretty well tired of Prospect and I haven't got anything to hold me here. Things'll be livelier down south."
Joan said nothing more. They walked along the spruce-fringed roads where the moonbeams laughed down through the thick, softly swaying boughs39. Paul whistled one rollicking tune40 after another. The girl bit her lips and clenched41 her hands. He cared nothing for her—he had been making a mock of her as of others. Hurt pride and wounded love fought each other in her soul. Pride conquered. She would not let him, or anyone, see that she cared. She would not care!
At her gate Paul held out his hand.
"Well, good-bye, Joan. I'm sailing tomorrow so I won't see you again—not for years likely. You will be some sober old married woman when I come back to Prospect, if I ever do."
"Good-bye," said Joan steadily42. She gave him her cold hand and looked calmly into his face without quailing43. She had loved him with all her heart, but now a fatal scorn of him was already mingling44 with her love. He was what they said he was, a scamp without principle or honour.
Paul whistled himself out of the Shelley lane and over the hill. Then he flung himself down under the spruces, crushed his face into the spicy45 frosted ferns, and had his black hour alone.
But when Captain Alec's schooner sailed out of the harbour the next day, Paul King was on board of her, the wildest and most hilarious46 of a wild and hilarious crew. Prospect people nodded their satisfaction.
"Good riddance," they said. "Paul King is black to the core. He never did a decent thing in his life."
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1
glossy
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| adj.平滑的；有光泽的 | |
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conjuring
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| n.魔术 | |
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sitting-room
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| n.（BrE）客厅，起居室 | |
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doorway
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| n.门口，(喻)入门；门路，途径 | |
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gals
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| abbr.gallons （复数）加仑（液量单位）n.女孩，少女( gal的名词复数 ) | |
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6
disapproving
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| adj.不满的，反对的v.不赞成( disapprove的现在分词 ) | |
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7
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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abruptly
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| adv.突然地，出其不意地 | |
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defiant
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| adj.无礼的，挑战的 | |
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drowsy
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| adj.昏昏欲睡的，令人发困的 | |
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11
beguiling
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| adj.欺骗的，诱人的v.欺骗( beguile的现在分词 )；使陶醉；使高兴；消磨（时间等） | |
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12
grudged
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| 怀恨（grudge的过去式与过去分词形式） | |
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notably
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| adv.值得注意地，显著地，尤其地，特别地 | |
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14
lashes
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| n.鞭挞( lash的名词复数 )；鞭子；突然猛烈的一击；急速挥动v.鞭打( lash的第三人称单数 )；煽动；紧系；怒斥 | |
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utterly
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| adv.完全地，绝对地 | |
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triumphant
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| adj.胜利的，成功的；狂欢的，喜悦的 | |
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17
shimmering
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| v.闪闪发光，发微光( shimmer的现在分词 ) | |
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cove
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| n.小海湾，小峡谷 | |
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19
swell
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| vi.膨胀，肿胀；增长，增强 | |
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Flared
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| adj. 端部张开的, 爆发的, 加宽的, 漏斗式的 动词flare的过去式和过去分词 | |
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mightily
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| ad.强烈地；非常地 | |
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seething
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| 沸腾的，火热的 | |
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prospect
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| n.前景，前途；景色，视野 | |
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dishonour
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| n./vt.拒付（支票、汇票、票据等）；vt.凌辱，使丢脸；n.不名誉，耻辱，不光彩 | |
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possessed
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| adj.疯狂的；拥有的，占有的 | |
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spat
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| n.口角，掌击；v.发出呼噜呼噜声 | |
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condemnation
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| n.谴责; 定罪 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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29
groaned
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| v.呻吟( groan的过去式和过去分词 )；发牢骚；抱怨；受苦 | |
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reverently
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| adv.虔诚地 | |
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petals
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| n.花瓣( petal的名词复数 ) | |
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32
scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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ripples
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| 逐渐扩散的感觉( ripple的名词复数 ) | |
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relinquished
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| 交出，让给( relinquish的过去式和过去分词 )； 放弃 | |
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guardianship
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| n. 监护, 保护, 守护 | |
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scowl
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| vi.(at)生气地皱眉，沉下脸，怒视；n.怒容 | |
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schooner
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| n.纵帆船 | |
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ashen
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| adj.灰的 | |
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39
boughs
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| 大树枝( bough的名词复数 ) | |
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tune
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| n.调子；和谐，协调；v.调音，调节，调整 | |
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41
clenched
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| v.紧握，抓紧，咬紧( clench的过去式和过去分词 ) | |
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42
steadily
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| adv.稳定地；不变地；持续地 | |
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43
quailing
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| 害怕，发抖，畏缩( quail的现在分词 ) | |
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44
mingling
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| adj.混合的 | |
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45
spicy
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| adj.加香料的；辛辣的，有风味的 | |
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46
hilarious
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| adj.充满笑声的，欢闹的；[反]depressed | |
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