‘What’s the matter? What’s happened?’ he cried.
‘Gerald!’ he repeated, anxious lines showing in his face. ‘Good heavens, Marcia! What’s happened?’
‘I don’t know; he’s gone,’ she said wildly. ‘Come up here, where Aunt Katherine won’t hear us.’ She led the way up into the hall again and explained in broken sentences.
Sybert turned without a word and strode back to Gerald’s room. He stood upon the threshold, looking at the empty little crib and tossed pillows.
‘It will simply kill Uncle Howard and Aunt Katherina if anything has happened to him,’ Marcia faltered5.
‘Nothing has happened to him,’ Sybert returned shortly. ‘The scoundrels wouldn’t dare steal a child. Every police spy in Italy would be after them. He must be with Bianca somewhere.’
He turned away from the room and went on down the stone passage toward the rear of the house. He paused 228 at the head of the middle staircase, thinking the matter over with frowning brows, while Marcia anxiously studied his face. As they stood there in the dim moonlight that streamed in through the small square window over the stairs they suddenly heard the patter of bare feet in the passage below, and in another moment Gerald himself came scurrying6 up the winding7 stone stairway, looking like a little white rat in the dimness.
Marcia uttered a cry of joy, and Sybert squared his shoulders as if a weight had dropped from them. Their second glance at the child’s face, however, told them that something had happened. His little white nightgown was draggled with dew, his face was twitching8 nervously9, and his eyes were wild with terror. He reached the top step and plunged10 into Marcia’s arms with a burst of sobbing.
‘Gerald, Gerald, what’s the matter? Don’t make such a noise. Hush11, dear; you will frighten mamma. Marcia won’t let anything hurt you. Tell me what’s the matter.’
Gerald clung to her, crying and trembling and pouring out a torrent12 of unintelligible13 Italian. Sybert bent14 down, and taking him in his arms, carried him back to his own room. ‘No one’s going to hurt you. Stop crying and tell us what’s the matter,’ he said peremptorily15.
Gerald caught his breath and told his story in a mixture of English and Italian and sobs16. It had been so hot, and the nightingales had made such a noise, that he couldn’t go to sleep; and he had got up very softly so as not to disturb mamma, and had crept out the back way just to get some cherries. (A group of scrub trees, cherry, almond, and pomegranate, grew close to the villa17 walls in the rear.) While he was sitting under the tree eating cherries, some men came up and stopped in the bushes close by, and he could hear what they said, and one of them was Pietro. Here he began to cry again, and the soothing18 had to be done over.
‘Well, what did they say? Tell us what they said, Gerald,’ Sybert broke in, in his low, insistent19 tones.
‘Vey said my papa was a bad man, an’ vey was going to kill him ‘cause he had veir money in his pocket—an’ I don’t want my papa killed!’ he wailed20.
Marcia’s eyes met Sybert’s in silence, and he emitted a low breath that was half a whistle.
229 ‘What else did they say, Gerald? You needn’t be afraid. We won’t let them hurt your papa, but you must remember everything they said, so that we can catch them.’
‘Pietro said he was going to kill you, too, ‘cause you was here an’ was bad like papa,’ Gerald sobbed21.
‘Go on,’ Sybert urged. ‘What else did they say?’
‘Vey didn’t say nuffin more, but went away in ve grove22. An’ I was scared an’ kept still, an’ it was all nero under ve trees; an’ ven I cwept in pianissimo an’ I found you—an’ I don’t want you killed, an’ I don’t want papa killed.’
‘Don’t be afraid. We won’t let them hurt us. And now try to remember how many men there were.’
‘Pietro an’—some uvers, an’ vey went away in ve trees.’
They questioned him some more, but got merely a variation of the same story; it was evidently all he knew. Marcia called Granton to sit with him and tremulously explained the situation. Granton received the information calmly; it was all she had ever expected in Italy, she said.
Out in the hall again, Marcia looked at Sybert questioningly; she was quite composed. Gerald was safe at least, and they knew what was coming. She felt that her uncle and Sybert would bring things right.
‘What shall we do?’ she asked.
Sybert, with folded arms, was considering the question.
‘It’s evidently a mixture of robbery and revenge and mistaken patriotism23 all rolled into one. It would be convenient if we knew how many there were; Pietro and Gervasio’s stepfather and your man with the crucifix we may safely count upon, but just how many more we have no means of knowing. However, there’s no danger of their beginning operations till they think we’re asleep.’ He looked at his watch. ‘It is a quarter to ten. We have a good two hours still, and we’ll prepare to surprise them. We won’t tell the people downstairs just yet, for it won’t do any good, and their talk and laughter are the best protection we could have. You don’t know where your uncle keeps his revolver, do you?’
‘Yes; in the top drawer of his writing-table.’ She stepped into Mr. Copley’s room and pulled open the drawer. ‘Why, it’s gone!’
‘I say, the plot thickens!’ and Sybert, too, uttered a short, low laugh, as Copley had done on the terrace.
230 ‘And the rifle’s gone,’ Marcia added, her glance wandering to the corner where the gun-case usually stood.
‘It’s evident that our friend Pietro has been helping24 himself; but if he thinks he’s going to shoot us with our own arms he’s mistaken. We must get word to the soldiers at Palestrina—did you tell me the servants were gone?’
‘I couldn’t find any one but Granton. The whole house is empty.’
‘It’s the Camorra!’ he exclaimed softly.
‘The Camorra?’ Marcia paled a trifle at the name.
‘Ah—it’s plain enough. We should have suspected it before. Pietro is a member and has been acting25 as a spy from the inside. It appears to be a very prettily26 worked out plot. They have waited until they think there’s money in the house; your uncle has just sold a big consignment27 of wheat. They have probably dismissed the servants with their usual formula: “Be silent, and you live; speak, and you die.” The servants would be more afraid of the Camorra than of the police.—How about the stablemen?’
‘Oh, I can’t believe they’d join a plot against us,’ Marcia cried. ‘Angelo and Giovanni I would trust anywhere.’
‘In that case they’ve been silenced; they are where they won’t give testimony28 until it is too late. I dare say the fellows are even planning to ride off on the horses themselves. By morning they would be well into the mountains of the Abruzzi, where the Camorrists are at home. We’ll have to get help from Palestrina. If we could reach those guards at the cross-roads, they would ride in with the message. It’s only two miles away, but——’ He frowned a trifle. ‘I suppose the house is closely watched, and it will be difficult to get out unseen. We’ll have to try it, though.’
‘Whom can we send?’
He was silent a moment. ‘I don’t like to leave you,’ he said slowly, ‘but I’m afraid I’ll have to go.’
‘Oh!’ said Marcia, with a little gasp29. She stood looking down at the floor with troubled eyes, and Sybert watched her, careless that the time was passing.
Marcia suddenly raised her eyes, with an exclamation30 of relief. ‘Gervasio!’ she cried. ‘We can send Gervasio.’
‘Could we trust him?’ he doubted.
‘Anywhere! And he can get away without being seen 231 easier than you could. I am sure he can do it; he is very intelligent.’
‘I’d forgotten him. Yes, I believe that is the best way. You go and wake him, and I’ll write a note to the soldiers.’ Sybert turned to the writing-table as he spoke31, and Marcia hurried back to Gervasio’s room.
The boy was asleep, with the moonlight streaming across his pillow. She bent over him hesitatingly, while her heart reproached her at having to wake him and send him out on such an errand. But the next moment she had reflected that it might be the only chance for him as well as for the rest of them, and she laid her hand gently on his forehead.
‘Gervasio,’ she whispered. ‘Wake up, Gervasio. Sh—silenzio! Dress just as fast as you can. No, you haven’t done anything; don’t be frightened. Signor Siberti is going to tell you a secret—un segreto,’ she repeated impressively. ‘Put on these clothes,’ she added, hunting out a dark suit from his wardrobe. ‘And never mind your shoes and stockings. Dress subito, subito, and then come on tiptoe—pianissimo—to Signor Copley’s room.’
Gervasio was into his clothes and after her almost before she had got back. When undirected by Bianca, his dressing32 was a simple matter.
Sybert drew him across the threshold and closed the door. ‘What shall we tell him?’ he questioned Marcia.
‘Tell him the truth. He can understand, and we can trust him.’ And dropping on her knees beside the boy, she laid her hands on his shoulders. ‘Gervasio,’ she said in her slow Italian, ‘some bad, naughty men are coming here to-night to try to kill us and steal our things. Pietro is one of them’ (Pietro had that very afternoon boxed Gervasio’s ears for stealing sugar from the tea-table), ‘and your stepfather is one, and he will take you back to Castel Vivalanti, and you will never see us again.’
Gervasio listened, with his eyes on her face and his lips parted in horror. Sybert here broke in and explained about the soldiers, and how he was to reach the guard at the corners, and he ended by hiding the note in the front of his blouse. ‘Do you understand?’ he asked, ‘do you think you can do it?’
Gervasio nodded, his eyes now shining with excitement. ‘I’ll bring the soldiers,’ he whispered, ‘sicure, signore, 232sicurissimo! And if they catch me,’ he added, ‘I’ll say the padrone has whipped me and I’m running away.’
‘You’ll do,’ Sybert said with a half-laugh, and taking the boy by the hand, he led the way back to the middle staircase, and the three crept down with as little noise as possible.
They traversed on tiptoe the long brick passageway that led to the kitchen, and paused upon the threshold. The great stone-walled room was empty and quiet and echoing as on the first day they had come to the villa. The doors and windows were swinging wide and the moonlight was streaming in.
Sybert shook his head in a puzzled frown. ‘What I can’t make out,’ he said in a low tone, ‘is why they should leave everything so open. They must have known that we would find out before we went to bed that the servants were missing. Who usually locks up?’
‘Pietro.’
‘You and I will lock up to-night.’ He considered a moment. ‘We mustn’t let him out within sight of the grove. A window on the eastern side of the house would be best, where the shrubbery grows close to the walls.’
Marcia led the way into a little store-room opening from the kitchen, and Sybert gave Gervasio his last directions.
‘Keep well in the shadow of the trees across the driveway and down around the lower terrace. Creep on your hands and knees through the wheat field, and then strike straight for the cross-roads and run every step of the way. Capisci?’
Gervasio nodded, and Marcia bent and kissed him and whispered in his ear, ‘If you bring the soldiers, Gervasio, you may live with us always and be our little boy, just like Gerald.’
He nodded again, fairly trembling with anxiety to get started. Sybert carefully swung the window open, and the little fellow dropped to the ground and crept like a cat into the shadows. They stood by the open window for several minutes, straining their ears to listen, but no sound came back except the peaceful music of a summer night—the murmur33 of insects and the songs of nightingales. Gervasio had got off safely.
‘Now we’ll lock the house,’ Sybert added in an undertone, 233 ‘so that when our friends come to call they will have to come the front way.’
He closed the window softly and examined with approval the inside shutters35. They were made of solid wood with heavy iron bolts and hinges. The villa had been planned in the old days before the police force was as efficient as now, and it was quite prepared to stand a siege.
‘It will take considerable strength to open these, and some noise,’ he remarked as he swung the shutters to and shot the bolts.
They groped their way out and went from room to room, closing and bolting the windows and doors with as little noise as possible. Sybert appeared, to Marcia’s astonished senses, to be in an unusually light-hearted frame of mind. Once or twice he laughed softly, and once, when her hand touched his in the dark, she felt that same warm thrill run through her as on that other moonlight night.
They came last to the big vaulted36 dining-room which had served as chapel37 in the devotional days of the Vivalanti. The three glass doors at the end were open to the moonlight, which flooded the apartment, softening38 the crude outlines of the frescoes39 on the ceiling to the beauty of old masters. Sybert paused with his back to the doors to look up and down approvingly.
‘Do you know, it isn’t half bad in this light,’ he remarked casually40 to Marcia. ‘That old fellow up there,’ he nodded toward Bacchus reclining among the vines in the central panelling, ‘might be a Michelangelo in the moonlight, and in the sunlight he isn’t even a Carlo Dolci.’
Marcia stared. What could he be thinking of to choose this time of all others to be making art criticisms? Never had she heard him express the slightest interest in the subject before. She had been under so great a strain for so long, such a succession of shocks, that she was nearly at the end of her self-control. And then to have Sybert acting in this unprecedented41 way! She looked past him out of the door toward the black shadow of the ilexes, and shuddered42 as she thought of what they might conceal43. The next moment Sybert had stepped out on to the balcony.
‘Mr. Sybert!’ she cried aghast. ‘They may be watching us. Come back.’
He laughed and seated himself sidewise on the iron railing. 234 ‘If they’re watching us, they’re doubtless wondering why we’re closing the house so carefully. We’ll stop here a few minutes and let them see we’re unsuspicious; that we’re just shutting the doors for fear of draughts44 and not of burglars.’
‘They’ll shoot you,’ she gasped45, her eyes upon his white suit, which made a shining target in the moonlight.
‘Nonsense, Miss Marcia! They couldn’t hit me if they tried.’ He marked the distance to the grove with a calculating eye. ‘There’s no danger of their trying, however. They won’t risk giving their plot away just for the sake of nabbing me; I’m not King Humbert. They don’t hate me as much as that.’ He leaned forward with another laugh. ‘Come out and talk to me, Miss Marcia. Let me see how brave you are.’
Marcia flattened46 herself against the wall. ‘I’m not brave. Please come back, Mr. Sybert. We must tell Uncle Howard.’
If Marcia did not know Sybert to-night, he did not know himself. He was under a greater strain than she. He had sworn that he would not see her again, and he had weakly come to-night; he had promised himself that he would not talk to her, that he would not by the slightest sign betray his feelings, and he found himself thrown with her under the most intimate conditions. They shared a secret; they were in danger together. It was within the realms of possibility that he would be killed to-night. The Camorrists had attempted it before; they might succeed this time. He actually did not care; he almost welcomed the notion. Ambition was dead within him; he had nothing to live for and he was reckless. He thought that Marcia was in love with another man, but he dimly divined his own influence over her. Once at least, he told himself—once, before she went back to the boy she had chosen, she should acknowledge his power; she should bend her will to his. He knew that she was frightened, but she should conquer her fear. She should come out into the moonlight and stand beside him, hand in hand, facing the shadows of the ilex grove.
He bent forward, watching her as she stood in her white evening gown outlined against the dark tapestry47 of the wall, her face surrounded by glowing hair, her grey eyes big with amazement48 and fear.
235 He stretched out his hand toward her. ‘Marcia,’ he called in a low, insistent tone. ‘Come here, Marcia. Come out here and stand beside me, or I shall think you are a coward.’
She turned aside with a little shuddering49 gasp and hid her head against the wall. What if they should shoot him in the back as he sat there?
Sybert suddenly came to himself and sprang forward with an apology. ‘Oh, I beg your pardon, Miss Marcia; I didn’t mean to frighten you. I don’t know what I’m saying.’
He began closing the doors and shutters farthest away. As he reached her side he paused and looked at her. Her eyes were shut and she did not move. He closed and barred the last shutter34, and they stood silent in the dark. Marcia was struggling to control herself. ‘I shall think you a coward,’ was ringing in her ears. She had borne a great deal to-day, from the moment when she had first seen the man asleep in the grass; and now, as she opened her eyes in the darkness, a sudden rush of fear swept over her such as she had experienced in the old wine-cellar. It was not fear of any definite thing; she could be as brave as any one in the face of visible danger. It was merely a wild, unreasoning sensation of physical terror, bred of the dark and overwrought nerves. She stretched out her hand and touched Sybert to be sure he was there. The next moment she was beyond herself. ‘I’m afraid,’ she sobbed out, and she clung to him convulsively.
She felt him put his arm around her. ‘Marcia! My dear little girl. There’s nothing to be afraid of. When they find we are on our guard they won’t dare molest50 us. Nothing can hurt you.’ It was so exactly his tone to Gerald, she would have laughed had she not been crying too hard to stop. Then suddenly his arms tightened51 about her. ‘Marcia,’ he whispered hoarsely52, ‘Marcia,’ and he bent his head until his lips touched hers. They stood for an instant without moving; then she felt him become quickly rigid53 as he dropped his arms and gently loosened her hands. They groped their way into the hall without a word, and neither looked at the other. They were both ashamed. The tears still stood in Marcia’s eyes, but her cheeks were scarlet54. And Sybert was pale beneath the olive of his skin.
236 He stepped to the threshold of the salon55. ‘Ah, Copley,’ he said in a low tone. ‘Are you nearly through? I want to tell you something.’
Copley waved him off without looking up. ‘Sh—it’s a crucial moment. Don’t interrupt. The scores are even and only one hand more to play. I’ll be out in a few minutes.’
Marcia sat down in a chair on the loggia. It was on the opposite side of the house from the ilex grove, and besides, her spasm56 of fear had passed. Everything was blotted57 out of her mind except what had just happened. Her thoughts, her feelings, were in wild commotion58; but one thing stood out clearly. She had thrown herself into his arms and he had kissed her; and then—he had unloosed her hands. She shut her eyes and winced59 at the thought; she felt that she could never face him again.
And on the other end of the loggia Sybert was pacing up and down, lighting60 cigarettes and throwing them away. He, too, was fiercely calling himself names. He had frightened her when he knew that she was beside herself with nervousness; he had taken advantage of the fact that she did not know what she was doing; he knew that she was engaged to Paul Dessart, and he had forgotten that he was a gentleman. With a quick glance toward the salon, he threw away his cigarette, and crossing the loggia, he sat down in a chair at Marcia’s side. She shrank back quickly, and he leaned forward with his elbows on his knees and his eyes on the brick floor.
‘Marcia,’ he said in a tone so low that it was barely audible, ‘I love you. I know you don’t care for me; I know you are engaged to another man. I didn’t mean to see you again; most of all I didn’t mean to tell you. I had no right to take advantage of you when you were off your guard, but—I couldn’t help it; I’m not so strong as I thought I was. Please forgive me and forget about it.’
Marcia drew a deep breath and shut her eyes. Her throat suddenly felt hot and dry. The rush of joy that swept over her made her feel that she could face anything. She had but to say, ‘I am not engaged to another man,’ and all would come right. She raised her head and looked back into Sybert’s deep eyes. It was he this time who dropped his gaze.
237 ‘Mr. Sybert——’ she whispered.
A shadow suddenly fell between them, and they both sprang to their feet with a little exclamation. A man was standing61 before them as unexpectedly as though he had risen from the earth or dropped from the sky. He was short and thick-set, with coarsely accentuated62 features; he wore a loose white shirt and a red cotton sash, and though the shirt was fastened at the throat, Marcia could see the mark of the crucifix on his brown skin as plainly as if it were visible.
‘It’s the tattooed63 man!’ she gasped out, but as she felt Sybert’s restraining touch on her arm she calmed herself.
The man took off his hat with a polite bow and an impertinent smile.
‘Buona sera, signorina,’ he murmured. ‘Buona sera, Friend of the Poor. I’m sorry to interrupt you, but I come on business molto urgente.’
‘What is your business?’ Sybert asked sharply.
‘My business is with Signor Copley.’
‘What is this? Some one to see me?’ Copley asked, appearing in the doorway. ‘Well, my man,’ he added in Italian, ‘what can I do for you?’
‘Uncle Howard, don’t speak to him! It’s the tattooed man,’ Marcia cried. ‘There’s a plot. He wants to kill you.’
An expression approaching amusement flitted over Mr. Copley’s face as he looked his visitor over.
‘I wish to speak to the signore alone, in private, on urgent business,’ the man reiterated64, looking scowlingly from one face to the other. He did not understand the foreign language they spoke among themselves, and he felt that it gave them an advantage.
‘Don’t speak to him alone,’ Sybert warned. ‘He’s dangerous.’
‘Well, what do you want?’ Copley demanded peremptorily. ‘Say whatever you have to say here.’
The man glanced at Marcia and Sybert, and then, shrugging his shoulders in true Italian fashion, turned to Copley.
‘I wish the money of the poor,’ he said.
‘The money of the poor? I haven’t any money of the poor.’
‘Si, si, signore. The money you stole from the mouths of the poor—the wheat money.’
238 Marcia shuddered at the word ‘wheat.’ It seemed to her that it would follow her to her dying day.
‘Ah! So it’s the wheat money, is it? Well, my good man, that happens to be my money. I didn’t steal it from the mouths of the poor. I bought the wheat myself to give to the poor, and I sold it for half as much as I paid for it; and with the money I intend to buy more wheat. In the meantime, however, I shall keep it in my own hands.’
‘You don’t remember me, signore, but I remember you. We met in Naples.’
Copley bowed. ‘On which occasion I put you in jail—a pleasure I shall avail myself of a second time if you trouble me any further.’
‘I have come for the money.’
‘You fool! Do you think I carry thirty thousand lire around in my pockets? The money is in the Banca d’Italia in Rome. You may call there if you wish it.’
The man put his hands to his mouth and whistled.
‘Ah! It’s a plot, is it!’ Copley exclaimed.
‘Si, signore. It is a plot, and there are those who will carry it out.’
He turned with an angry snarl65, and before Sybert could spring forward to stop him he had snatched a stiletto from his girdle. Copley threw up his arm to protect himself, and received the blow in the shoulder. Before the man could strike again, Sybert was upon him and had thrown him backward across the balustrade. At the same moment half a dozen men burst from the ilex grove and ran across the terrace; and one of them—it was Pietro—levelled the stolen rifle as he ran.
‘Back into the house!’ Sybert shouted, ‘and bar the salon windows.’ He himself sprang back to the threshold and snatched out his revolver. ‘You fools!’ he cried to the Italians in front. ‘We’re all armed men. We’ll shoot you like dogs.’
For answer Pietro fired the rifle, and the glass of an upper window crashed.
Sybert closed the door and dropped the bar across it. He faced the excited group in the hall with a little laugh. ‘If that’s a specimen66 of his marksmanship, we haven’t much to fear from Pietro.’
He glanced quickly from one to the other. Marcia, in 239 the salon, was slamming the shutters down. Mrs. Melville and Mrs. Copley were standing in the doorway with white faces, too amazed to move. Copley, in the middle of the hall, with his right arm hanging limp, was dripping blood on the marble pavement while he loudly called for a pistol; and Melville was standing on a chair hastily tearing from the wall a collection of fourteenth-century Florentine arms.
‘Pietro’s got your pistol,’ Sybert said. ‘But I’ve got five shots in mine, and we’ll do for the sixth man with one of those bludgeons. I ought to have shot that tattooed fellow when I had the chance—he’s the leader—but I’ll make up for it yet.’
A storm of blows on the door behind him brought out another laugh. ‘That door is as solid as the side of the house. They can hammer on it all night without getting in.’
The assailants had evidently arrived at the same conclusion, for the blows ceased while they consulted. A crash of glass in the salon followed, and Sybert sprang in there, calling to Melville to guard the hall window. The shutters held against the first impact of the men’s bodies, and they drew off for a minute and then redoubled the blows. They were evidently using the butt67 of the rifle as a battering-ram, and the stoutest68 of hinges could not long withstand such usage. With a groan69 one side of the shutter gave way and swung inward on a single hinge.
‘Put out the lights,’ Sybert called over his shoulder to Marcia, and he fired a shot through the aperture70. The assailants fell back with groans71 and curses, but the next moment, raising the cry, ‘Avanti! Avanti!’ they came on with a rush, the Camorrist leading with the stolen revolver in his hand. Sybert took deliberate aim and fired. The man slowly sank to his knees and fell forward on his face. His comrades dragged him back.
Marcia, in the darkness behind, shut her eyes and clenched72 her hands. It was the first time she had ever seen a person die, and the sight was sickening. The men withdrew from the window and those waiting inside heard them consulting in low, angry guttural tones. The next moment there was a crash of glass at the hall window which opened into the loggia, and again the rifle as a battering-ram.
‘Ah!’ said Sybert under his breath, and he thrust the revolver into Marcia’s hand. ‘Quick, take that to Melville 240 and bring me one of those spiked73 truncheons. We’ll make ’em think we’ve got a regular arsenal74 in here.’
Marcia obeyed without a word, and the next moment shots and cries rang out in the hall. She had scarcely placed the unwieldy weapon in Sybert’s hands when another man thrust himself into the salon opening. They had evidently determined75 to divide their forces and attack the two breaches76 at once. Both Marcia and Sybert recognized the man instantly. It was Tarquinio, the son of Domenico, the baker77 of Castel Vivalanti.
‘Tarquinio! You fool! Go back,’ Sybert cried.
‘Ah-h—Signor Siberti!’ the young fellow cried as he lunged forward with a stiletto. ‘You have betrayed us!’
Sybert shut his lips, and reversing the truncheon, struck him with the handle a ringing blow on the head. Tarquinio fell forward into the darkness of the room, and the moonlight streamed in on his bloody78 face.
Sybert bent over him a moment with white lips. ‘You poor fool!’ he muttered. ‘I had to do it.’
‘Listen!’
A silence of ten seconds followed, while both besieged80 and besiegers held their breath. The sound was unmistakable—a shout far down the avenue and the beat of galloping81 hoofs82.
‘The soldiers!’ she cried, and the men outside, as if they had understood the word, echoed the cry.
‘I soldati! I soldati!’
The next moment a dozen carabinieri swept into sight, the moonlight gleaming brightly on their white cross-belts and polished mountings. The men on the loggia dropped their weapons and dashed for cover, while the soldiers leaped from their horses and with spiked muskets83 chased them into the trees.
Sybert hastily bent over Tarquinio and dragged him back into the shadow.
‘Is he alive?’ Marcia whispered.
‘He’s only stunned84. And, poor fellow, he doesn’t know any better; he was nothing but their dupe. It’s a pity to send him to the galleys85 for life.’
They dropped a rug over the man and turned into the 241 hall, which was hot with the smell of powder and smoking candles. Sybert threw the door wide and let the moonlight stream in. It was a queer sight it looked upon. Copley, weak from his wound, had collapsed86 into a tall carved chair, while the two ladies, in blood-stained evening dresses, were anxiously bending over him. Melville, with the still smoking revolver in his hand and a jewelled dagger87 sticking from his pocket, was frenziedly inquiring, ‘For the Lord’s sake, has any one got any whisky?’ Gerald, in his white nightgown and little bare legs, was howling dismally88 on the stairway; while Granton, from the landing, looked grimly down upon the scene with the air of an avenging89 Nemesis90. The next moment the soldiers had come trooping in, and everything was a babel of cries and ejaculations and excited questions. In the midst of the confusion Mrs. Copley suddenly drew herself up and pronounced her ultimatum91.
‘On the very first steamer that sails, we are going back to America to live!’
Marcia uttered a little hysterical92 laugh, and Melville joined in.
‘And I think you’d better go with them, my boy,’ he said, laying a grimy hand on Sybert’s arm. ‘I suspect that your goose is pretty thoroughly93 cooked in Italy.’
Sybert shook the elder man’s hand off, with a short laugh that was not very mirthful.
‘I’ve suspected that for some time.’ And he turned on his heel and strode out to the loggia, where he began talking with the soldiers.
‘Poor fellow!’ Melville glanced at Marcia and shook his head. ‘It’s a bad dose!’ he murmured. ‘I have a curiosity to see with what grace he swallows it.’
Marcia looked after Sybert with eyes that were filled with sympathy. She realized that it was a bitter time for him, though she did not know just why; but she had seen the spasm that crossed his face at Tarquinio’s cry, ‘You have betrayed us!’ She half started to follow him, and then she drew back quickly. Through the open door she had caught a glimpse of Sybert and a soldier bending over the Camorrist’s body. They had opened his shirt in front, and she had seen the purple crucifix covered with blood. She leaned back against the wall, faint at the sight. It 242 seemed as if the impressions of this dreadful day could never leave her!
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sufficiently
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doorway
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| n.门口，(喻)入门；门路，途径 | |
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leisurely
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| adj.悠闲的；从容的，慢慢的 | |
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4
sobbing
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| <主方>Ⅰ adj.湿透的 | |
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5
faltered
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| （嗓音）颤抖( falter的过去式和过去分词 )； 支吾其词； 蹒跚； 摇晃 | |
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6
scurrying
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| v.急匆匆地走( scurry的现在分词 ) | |
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7
winding
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| n.绕，缠，绕组，线圈 | |
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8
twitching
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| n.颤搐 | |
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nervously
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| adv.神情激动地，不安地 | |
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plunged
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| v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降 | |
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hush
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| int.嘘，别出声；n.沉默，静寂；v.使安静 | |
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12
torrent
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| n.激流，洪流；爆发，(话语等的)连发 | |
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13
unintelligible
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| adj.无法了解的，难解的，莫明其妙的 | |
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bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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peremptorily
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| adv.紧急地，不容分说地，专横地 | |
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16
sobs
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| 啜泣（声），呜咽（声）( sob的名词复数 ) | |
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villa
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| n.别墅，城郊小屋 | |
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18
soothing
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| adj.慰藉的；使人宽心的；镇静的 | |
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19
insistent
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| adj.迫切的，坚持的 | |
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20
wailed
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| v.哭叫，哀号( wail的过去式和过去分词 ) | |
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21
sobbed
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| 哭泣，啜泣( sob的过去式和过去分词 )； 哭诉，呜咽地说 | |
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22
grove
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| n.林子，小树林，园林 | |
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23
patriotism
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| n.爱国精神，爱国心，爱国主义 | |
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24
helping
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| n.食物的一份&adj.帮助人的，辅助的 | |
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acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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prettily
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| adv.优美地；可爱地 | |
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consignment
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| n.寄售；发货；委托；交运货物 | |
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testimony
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| n.证词；见证，证明 | |
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29
gasp
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| n.喘息，气喘；v.喘息；气吁吁他说 | |
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exclamation
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| n.感叹号，惊呼，惊叹词 | |
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31
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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dressing
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| n.(食物)调料；包扎伤口的用品，敷料 | |
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murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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34
shutter
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| n.百叶窗；(照相机)快门；关闭装置 | |
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shutters
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| 百叶窗( shutter的名词复数 )； （照相机的）快门 | |
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vaulted
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| adj.拱状的 | |
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37
chapel
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| n.小教堂，殡仪馆 | |
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38
softening
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| 变软，软化 | |
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39
frescoes
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| n.壁画( fresco的名词复数 )；温壁画技法，湿壁画 | |
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casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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41
unprecedented
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| adj.无前例的，新奇的 | |
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42
shuddered
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| v.战栗( shudder的过去式和过去分词 )；发抖；（机器、车辆等）突然震动；颤动 | |
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43
conceal
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| v.隐藏，隐瞒，隐蔽 | |
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44
draughts
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| n. <英>国际跳棋 | |
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45
gasped
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| v.喘气( gasp的过去式和过去分词 )；喘息；倒抽气；很想要 | |
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46
flattened
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| [医]（水）平扁的，弄平的 | |
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47
tapestry
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| n.挂毯，丰富多采的画面 | |
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amazement
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| n.惊奇，惊讶 | |
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shuddering
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| v.战栗( shudder的现在分词 )；发抖；（机器、车辆等）突然震动；颤动 | |
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molest
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| vt.骚扰，干扰，调戏 | |
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51
tightened
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| 收紧( tighten的过去式和过去分词 )； （使）变紧； （使）绷紧； 加紧 | |
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hoarsely
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| adv.嘶哑地 | |
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53
rigid
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| adj.严格的，死板的；刚硬的，僵硬的 | |
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54
scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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55
salon
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| n.[法]沙龙；客厅；营业性的高级服务室 | |
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56
spasm
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| n.痉挛，抽搐；一阵发作 | |
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57
blotted
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| 涂污( blot的过去式和过去分词 )； （用吸墨纸）吸干 | |
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58
commotion
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| n.骚动，动乱 | |
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59
winced
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| 赶紧避开，畏缩( wince的过去式和过去分词 ) | |
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lighting
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| n.照明，光线的明暗，舞台灯光 | |
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61
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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62
accentuated
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| v.重读( accentuate的过去式和过去分词 )；使突出；使恶化；加重音符号于 | |
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63
tattooed
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| v.刺青，文身( tattoo的过去式和过去分词 )；连续有节奏地敲击；作连续有节奏的敲击 | |
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reiterated
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| 反复地说，重申( reiterate的过去式和过去分词 ) | |
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65
snarl
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| v.吼叫，怒骂，纠缠，混乱；n.混乱，缠结，咆哮 | |
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66
specimen
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| n.样本，标本 | |
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67
butt
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| n.笑柄；烟蒂；枪托；臀部；v.用头撞或顶 | |
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68
stoutest
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| 粗壮的( stout的最高级 )； 结实的； 坚固的； 坚定的 | |
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69
groan
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| vi./n.呻吟，抱怨；(发出)呻吟般的声音 | |
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70
aperture
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| n.孔，隙，窄的缺口 | |
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71
groans
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| n.呻吟，叹息( groan的名词复数 )；呻吟般的声音v.呻吟( groan的第三人称单数 )；发牢骚；抱怨；受苦 | |
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clenched
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| v.紧握，抓紧，咬紧( clench的过去式和过去分词 ) | |
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73
spiked
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| adj.有穗的；成锥形的；有尖顶的 | |
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74
arsenal
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| n.兵工厂，军械库 | |
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75
determined
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| adj.坚定的；有决心的 | |
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76
breaches
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| 破坏( breach的名词复数 )； 破裂； 缺口； 违背 | |
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77
baker
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| n.面包师 | |
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78
bloody
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| adj.非常的的；流血的；残忍的；adv.很；vt.血染 | |
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joyous
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| adj.充满快乐的；令人高兴的 | |
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80
besieged
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| 包围，围困，围攻( besiege的过去式和过去分词 ) | |
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81
galloping
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| adj. 飞驰的, 急性的 动词gallop的现在分词形式 | |
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82
hoofs
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| n.（兽的）蹄，马蹄( hoof的名词复数 )v.（兽的）蹄，马蹄( hoof的第三人称单数 ) | |
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83
muskets
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| n.火枪，（尤指）滑膛枪( musket的名词复数 ) | |
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84
stunned
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| adj. 震惊的，惊讶的 动词stun的过去式和过去分词 | |
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85
galleys
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| n.平底大船，战舰( galley的名词复数 )；（船上或航空器上的）厨房 | |
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86
collapsed
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| adj.倒塌的 | |
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87
dagger
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| n.匕首，短剑，剑号 | |
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88
dismally
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| adv.阴暗地，沉闷地 | |
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89
avenging
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| adj.报仇的，复仇的v.为…复仇，报…之仇( avenge的现在分词 )；为…报复 | |
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90
nemesis
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| n.给以报应者，复仇者，难以对付的敌手 | |
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91
ultimatum
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| n.最后通牒 | |
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92
hysterical
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| adj.情绪异常激动的，歇斯底里般的 | |
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93
thoroughly
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| adv.完全地，彻底地，十足地 | |
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