It was not cold that made her shiver, for across the handsomely furnished room an open window gratefully admitted the summer sunshine and the summer breeze. Near the window, where the draught2 came coolest, a middle-aged3 woman in a sober dress sat reading. Alora did not look at this person but kept her gaze fixed5 anxiously upon the doorway6 that led to the corridor, and the spasmodic shudders7 that at times shook her little body seemed due to nervous fear.
The room was so still that every tick of the Dresden clock could be distinctly heard. When Miss Gorham, Alora's governess, turned a page of her book, the rustle9 was appallingly10 audible. And the clock ticked on, and Miss Gorham turned page after page, and still the child sat bowed upon her chair and eagerly eyed the passageway.
It seemed ages before the outer door of the suite finally opened and a man moved softly down the passage and paused at the entrance of the reception room. The man was white-haired, dignified11 and distinguished12 in appearance. Hat in hand, he stood as if undecided while Alora bounded from her seat and came to him, her eyes, big and pleading, reading his face with dramatic intentness.
"May I see my mamma now, Doctor?" she asked.
He shook his head, turning to the table to place his hat and gloves upon it.
"Not just yet, little one," he gently replied, and noting her quick- drawn15 breath of disappointment he added: "Why, I haven't seen her myself, this morning."
"Why do you keep me from her, Doctor Anstruther? Don't you know it's—it's wicked, and cruel?"—a sob4 in her voice.
The old physician looked down upon the child pityingly.
"Mamma is ill—very ill, you know—and to disturb her might—it might—well, it might make her worse," he explained lamely16.
"I won't disturb her. There's a nurse in there, all the time. Why should I disturb my mamma more than a nurse?" asked Alora pleadingly.
"When I have seen your mother," said he, "I may let you go to her for a few minutes. But you must be very quiet, so as not to excite her. We must avoid anything of an exciting nature. You understand that, don't you, Lory?"
She studied his face gravely. When he held out a hand to her she clung to it desperately18 and a shudder8 again shook her from head to foot.
"Tell me, Doctor Anstruther," in low, passionate19 tones, "is my mother dying?"
He gave an involuntary start.
"Who put that notion into your head, Lory?"
"Miss Gorham."
He frowned and glanced reprovingly at the governess, who had lowered her book to her lap and was regarding the scene with stolid20 unconcern.
"You mustn't mind such idle gossip, my dear. I am the doctor, you know, and I am doing all that can be done to save your mother's life. Don't worry until I tell you to, Lory; and now let me go to see my patient."
He withdrew his hand from her clasp and turned into the passage again. The girl listened to his footsteps as he approached her mother's bedchamber, paused a moment, and then softly opened the door and entered. Silence again pervaded21 the reception room. The clock resumed its loud ticking. Miss Gorham raised her book. Alora went back to her chair, trembling.
The front bedchamber was bright and cheery, a big room fitted with every modern luxury. The doctor blinked his eyes as he entered from the dim passage, for here was sunlight and fresh air in plenty. Beside the bed stood a huge vase of roses, their delicate fragrance22 scenting23 the atmosphere. Upon the bed, beneath a costly24 lace coverlid, lay a woman thirty-five years of age, her beautiful face still fresh and unlined, the deep blue eyes turned calmly upon the physician.
"Welcome, Doctor Anstruther," she said. "Do you realize you have kept me waiting?"
"I am sorry, Mrs. Jones," he replied, approaching her. "There are so many demands upon my time that——"
"I know," a little impatiently; "but now that you are here please tell me how I am this morning."
"How do you feel?"
"I do not suffer, but it takes more morphine to quiet the pain. Janet has used the hypodermic four times since midnight," with a glance at the gray-robed nurse who stood silently by the table.
The doctor nodded, thoughtfully looking down her. There was small evidence of illness in her appearance, but he knew that her hours were numbered and that the dread25 disease that had fastened upon her was creeping on with ever increasing activity. She knew it, too, and smiled a grim little smile as she added: "How long can I last, at this rate?"
"Do not anticipate, my dear," he answered gravely. "Let us do all that may be done, and——"
"I must know!" she retorted. "I have certain important arrangements to make that must not be needlessly delayed."
"I can understand that, Mrs. Jones."
"Perhaps a month; possibly less; but——"
"You are not honest with me, Doctor Anstruther! What I wish to know—what I must know—is how soon this disease will be able to kill me. If we manage to defer27 the end somewhat, all the better; but the fiend must not take me unaware28, before I am ready to resign my life."
He seated himself beside the bed and reflected. This was his most interesting patient; he had attended her constantly for more than a year and in this time had learned to admire not only her beauty of person but her "gameness" and wholesome29 mentality30. He knew something of her past life and history, too, as well from her own lips as from common gossip, for this was no ordinary woman and her achievements were familiar to many.
She was the daughter of Captain Bob Seaver, whose remarkable31 career was known to every man in the West. Captain Bob was one "forty-niners" and had made fortunes and lost them with marvelous regularity32. He had a faculty33 for finding gold, but his speculations34 were invariably unwise, so his constant transitions from affluence35 to poverty, and vice36 versa, were the subject of many amusing tales, many no doubt grossly exaggerated. And the last venture of Captain Bob Seaver, before he died, was to buy the discredited38 "Ten-Spot" mine and start to develop it.
At that time he was a widower39 with one motherless child—Antoinette—a girl of eighteen who had been reared partly in mining camps and partly at exclusive girls' schools in the East, according to her father's varying fortunes. "Tony" Seaver, as she was generally called in those days, combined culture and refinement40 with a thorough knowledge of mining, and when her father passed away and left her absolute mistress of the tantalizing41 "Ten-Spot," she set to work to make the mine a success, directing her men in person and displaying such shrewd judgment42 and intelligence, coupled with kindly consideration for her assistants, that she became the idol43 of the miners, all of whom were proud to be known as employees of Tony Seaver's "Ten-Spot" would have died for their beautiful employer if need be.
And the "Ten-Spot" made good. In five years Tony had garnered44 a million or two of well-earned dollars, and then she sold out and retired45 from business. Also, to the chagrin46 of an army of suitors, she married an artist named Jason Jones, whose talent, it was said, was not so great as his luck. So far, his fame rested on his being "Tony Seaver's husband." But Tony's hobby was art, and she had recognized real worth, she claimed, in Jason Jones' creations. On her honeymoon47 she carried her artist husband to Europe and with him studied the works of the masters in all the art centers of the Continent. Then, enthusiastic and eager for Jason's advancement48, she returned with him to New York and set him up in a splendid studio where he had every convenience and incentive49 to work.
So much the world at large knew. It also knew that within three years Mrs. Antoinette Seaver Jones separated from her husband and, with her baby girl, returned West to live. The elaborate Jones studio was abandoned and broken up and the "promising50 young artist" disappeared from the public eye. Mrs. Jones, a thorough business woman, had retained her fortune in her own control and personally attended to her investments. She became noted51 as a liberal patron of the arts and a generous donor52 to worthy53 charities. In spite of her youth, wealth, and beauty, she had no desire to shine in society and lived a somewhat secluded54 life in luxurious55 family hotels, attending with much solicitude56 to the training and education of her daughter Alora.
At first she had made Denver her home, but afterward57 migrated from one middle-west city to another until she came to Chicago, where she had now lived for nearly three years, occupying the most expensive suite of rooms at the very exclusive Hotel Voltaire.
Alora fairly worshipped her beautiful mother and although Mrs. Antoinette Seaver Jones was considered essentially58 cold and unemotional by those who knew her casually59, there was no doubt she prized her child as her dearest possession and lavished60 all the tenderness and love of which she was capable upon her.
Retrospectively, Doctor Anstruther considered this historical revue of his fair patient as he sat facing her. It seemed a most unhappy fate that she should be cut off in the flower of her womanhood, but her case was positively61 hopeless, and she knew it and had accepted the harsh verdict without a murmur62. Bravery had always been Tony Seaver's prime characteristic. To Doctor Anstruther it seemed that she might as well know the truth which she had demanded from his lips.
"This disease is one that accelerates toward the end," he said. "Within the past few days we have noted its more virulent63 tendency. All we can do now is to keep you from suffering until—the end."
"And that will be—when?" she demanded.
"I think I can safely give you a week but——"
"Then I must act at once," she said, as he hesitated. "I must, first of all, make provision for Alora's future, and in this I require your help."
"You know you may depend upon me," he said simply.
"Please telegraph at once to my husband Jason Jones, in New York."
The request startled him, for never before had she mentioned her husband's name in his presence. But he asked, calmly enough:
"What is his address?"
"Hand me that small memorandum-book," pointing to the stand beside him. He obeyed, and as she turned the leaves slowly she said:
"Doctor Anstruther, you have been my good and faithful friend, and you ought to know and to understand why I am now sending for my husband, from whom I have been estranged64 for many years. When I first met Jason Jones he was a true artist and I fell in love with his art rather than with the man. I was ambitious that he should become a great painter, world-famous. He was very poor until he married me, and he had worked industriously65 to succeed, but as soon as I introduced him to a life of comfort—I might even add, of luxury—his ambition to work gradually deserted66 him. With his future provided for, as he thought, he failed to understand the necessity of devoting himself to his brush and palette, but preferred a life of ease—of laziness, if you will. So we quarreled. I tried to force him back to his work, but it was no use; my money had ruined his career. I therefore lost patience and decided13 to abandon him, hoping that when he was again thrown upon his own resources he would earnestly resume his profession and become a master, as I believed him competent to be. We were not divorced: we merely separated. Finding I had withdrawn67 his allowance he was glad to see me go, for my unmerciful scoldings had killed any love he may have had for me. But he loved Lory, and her loss was his hardest trial. I may have been as much to blame as he for our lack of harmony, but I have always acted on my impulses.
"I'll give Jason Jones the credit for not whimpering," she resumed thoughtfully, after a brief pause, "nor has he ever since appealed to me for money. I don't know how well he has succeeded, for we do not correspond, but I have never heard his name mentioned in the art circles I have frequented. He remained in New York, I believe, and so I chose to keep away from New York. A year or two ago, however, I met a man who had known Jason Jones and who gave me his address. Here it is: 1744 East Sixty-seventh street. Will you make a copy of it, Doctor?"
He nodded.
"What shall I say in the telegram?" he asked, writing the address in his notebook.
"Tell him I am dying and seek a reconciliation68 before I pass away. Beg him to come to me at once."
"You must understand," she continued, "that Jason Jones is an honorable man and in many ways a high-minded gentleman. I have lived with him as his wife and I know that he is well fitted to care for our child and to rear her properly. I have left my entire fortune to Alora, but I have made Jason my sole executor, and he is to have control, under certain restrictions71, of all the income until Alora is eighteen. I think he will be glad to accept the responsibility, both on Alora's account and for the money."
"Doubtless, if he has not been a success as an artist since your separation," remarked the doctor, drily.
"The man I spoke72 of said Jason was living in quite modest circumstances. He said that although he had succeeded in selling a few paintings they had brought rather insignificant73 sums—which surprised me, as I know they must have possessed74 a degree of merit. However, I may be mistaken in thinking his talent exceptional. Anyhow, my experiment in leaving him to his own devices seems not to have resulted as I had hoped, and I now am willing he should handle Alora's income and live comfortably while he is educating her. She will probably provide for her father when she comes of age, but I have not included such a request in my will and I have endeavored, in case he proves inclined to neglect her, to require the court to appoint another guardian75. That is, of course, merely a precaution, for I know his nature is gentle and kind, and he adores—or at least he used to adore children."
The doctor sat, notebook in hand, musing37. The matter-of-fact, businesslike way in which she referred to her marital76 relations and her assumed unconcern over her own dreadful fate impressed the good man as extraordinary. But he was relieved to know that little Alora, of whom he had grown quite fond, was to have the guardianship77 of a parent, and glad that the character of Jason Jones was above reproach. The man's failure to succeed as an artist, while it might have been a source of chagrin to his art-loving wife, did not lower him to any extent in Dr. Anstruther's opinion.
"I suppose Alora does not remember her father?" he presently remarked.
"She was about two years old when we separated."
"And you say your will is already drawn?"
"Judge Bernsted, my lawyer, has attended to it. It is now in his possession, properly signed and witnessed."
"If Bernsted drew the will, it is doubtless legal and in accordance with your wishes. But who witnessed it?"
"My nurse, Janet."
He glanced at the motionless figure of the attendant, who had remained so inert78 at her post by the window that he had quite forgotten her presence. She was a young woman, perhaps thirty years of age, and not unprepossessing in appearance, in spite of her modest uniform.
Janet's one peculiarity79 was her downcast eyes. They were good eyes, bright and intelligent, but she kept them veiled by their long lashes80 and drooping81 lids. Dr. Anstruther attached no significance to this trait, doubtless a habit of modest reserve acquired in her profession. He had himself recommended the woman to Mrs. Jones, having frequently employed her on other cases and found her deft82, skillful and thoroughly83 reliable. Janet Orme's signature to the will he regarded as satisfactory, since Judge Bernsted had accepted it.
A moan from his patient suddenly aroused the doctor. Her face was beginning to twitch84 spasmodically with pain. In an instant Janet was at her side, hypodermic needle in hand, and the opiate was soon administered.
"Send the telegram," muttered Mrs. Jones, still breathing hard; "and, as you go out, Doctor, send Alora to me. I shall have relief in a few moments."
"To be sure," he said, rising. "Lory has been begging to see you, and I'll attend to the telegram at once."
点击收听单词发音
1 suite | |
n.一套(家具);套房;随从人员 | |
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2 draught | |
n.拉,牵引,拖;一网(饮,吸,阵);顿服药量,通风;v.起草,设计 | |
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3 middle-aged | |
adj.中年的 | |
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4 sob | |
n.空间轨道的轰炸机;呜咽,哭泣 | |
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5 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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6 doorway | |
n.门口,(喻)入门;门路,途径 | |
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7 shudders | |
n.颤动,打颤,战栗( shudder的名词复数 )v.战栗( shudder的第三人称单数 );发抖;(机器、车辆等)突然震动;颤动 | |
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8 shudder | |
v.战粟,震动,剧烈地摇晃;n.战粟,抖动 | |
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9 rustle | |
v.沙沙作响;偷盗(牛、马等);n.沙沙声声 | |
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10 appallingly | |
毛骨悚然地 | |
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11 dignified | |
a.可敬的,高贵的 | |
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12 distinguished | |
adj.卓越的,杰出的,著名的 | |
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13 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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14 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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15 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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16 lamely | |
一瘸一拐地,不完全地 | |
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17 evaded | |
逃避( evade的过去式和过去分词 ); 避开; 回避; 想不出 | |
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18 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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19 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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20 stolid | |
adj.无动于衷的,感情麻木的 | |
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21 pervaded | |
v.遍及,弥漫( pervade的过去式和过去分词 ) | |
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22 fragrance | |
n.芬芳,香味,香气 | |
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23 scenting | |
vt.闻到(scent的现在分词形式) | |
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24 costly | |
adj.昂贵的,价值高的,豪华的 | |
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25 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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26 frankly | |
adv.坦白地,直率地;坦率地说 | |
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27 defer | |
vt.推迟,拖延;vi.(to)遵从,听从,服从 | |
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28 unaware | |
a.不知道的,未意识到的 | |
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29 wholesome | |
adj.适合;卫生的;有益健康的;显示身心健康的 | |
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30 mentality | |
n.心理,思想,脑力 | |
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31 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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32 regularity | |
n.规律性,规则性;匀称,整齐 | |
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33 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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34 speculations | |
n.投机买卖( speculation的名词复数 );思考;投机活动;推断 | |
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35 affluence | |
n.充裕,富足 | |
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36 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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37 musing | |
n. 沉思,冥想 adj. 沉思的, 冥想的 动词muse的现在分词形式 | |
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38 discredited | |
不足信的,不名誉的 | |
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39 widower | |
n.鳏夫 | |
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40 refinement | |
n.文雅;高尚;精美;精制;精炼 | |
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41 tantalizing | |
adj.逗人的;惹弄人的;撩人的;煽情的v.逗弄,引诱,折磨( tantalize的现在分词 ) | |
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42 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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43 idol | |
n.偶像,红人,宠儿 | |
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44 garnered | |
v.收集并(通常)贮藏(某物),取得,获得( garner的过去式和过去分词 ) | |
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45 retired | |
adj.隐退的,退休的,退役的 | |
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46 chagrin | |
n.懊恼;气愤;委屈 | |
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47 honeymoon | |
n.蜜月(假期);vi.度蜜月 | |
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48 advancement | |
n.前进,促进,提升 | |
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49 incentive | |
n.刺激;动力;鼓励;诱因;动机 | |
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50 promising | |
adj.有希望的,有前途的 | |
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51 noted | |
adj.著名的,知名的 | |
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52 donor | |
n.捐献者;赠送人;(组织、器官等的)供体 | |
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53 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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54 secluded | |
adj.与世隔绝的;隐退的;偏僻的v.使隔开,使隐退( seclude的过去式和过去分词) | |
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55 luxurious | |
adj.精美而昂贵的;豪华的 | |
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56 solicitude | |
n.焦虑 | |
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57 afterward | |
adv.后来;以后 | |
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58 essentially | |
adv.本质上,实质上,基本上 | |
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59 casually | |
adv.漠不关心地,无动于衷地,不负责任地 | |
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60 lavished | |
v.过分给予,滥施( lavish的过去式和过去分词 ) | |
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61 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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62 murmur | |
n.低语,低声的怨言;v.低语,低声而言 | |
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63 virulent | |
adj.有毒的,有恶意的,充满敌意的 | |
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64 estranged | |
adj.疏远的,分离的 | |
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65 industriously | |
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66 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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67 withdrawn | |
vt.收回;使退出;vi.撤退,退出 | |
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68 reconciliation | |
n.和解,和谐,一致 | |
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69 jotted | |
v.匆忙记下( jot的过去式和过去分词 );草草记下,匆匆记下 | |
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70 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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71 restrictions | |
约束( restriction的名词复数 ); 管制; 制约因素; 带限制性的条件(或规则) | |
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72 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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73 insignificant | |
adj.无关紧要的,可忽略的,无意义的 | |
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74 possessed | |
adj.疯狂的;拥有的,占有的 | |
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75 guardian | |
n.监护人;守卫者,保护者 | |
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76 marital | |
adj.婚姻的,夫妻的 | |
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77 guardianship | |
n. 监护, 保护, 守护 | |
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78 inert | |
adj.无活动能力的,惰性的;迟钝的 | |
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79 peculiarity | |
n.独特性,特色;特殊的东西;怪癖 | |
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80 lashes | |
n.鞭挞( lash的名词复数 );鞭子;突然猛烈的一击;急速挥动v.鞭打( lash的第三人称单数 );煽动;紧系;怒斥 | |
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81 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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82 deft | |
adj.灵巧的,熟练的(a deft hand 能手) | |
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83 thoroughly | |
adv.完全地,彻底地,十足地 | |
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84 twitch | |
v.急拉,抽动,痉挛,抽搐;n.扯,阵痛,痉挛 | |
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