PREFACE

 "Jean-Christophe" is the history of the development of a musician of genius. The present volume comprises the first four volumes of the original French, viz.: "L'Aube," "Le Matin," "L'Adolescent," and "La Révólte," which are designated in the translation as Part I—The Dawn; Part II—Morning; Part III—Youth; Part IV—Revolt. Parts I and II carry Jean-Christophe from the moment of his birth to the day when, after his first encounter with Woman, at the age of fifteen, he falls back upon a Puritan creed¹. Parts III and IV describe the succeeding five years of his life, when, at the age of twenty, his sincerity², integrity, and unswerving honesty have made existence impossible for him in the little Rhine town of his birth. An act of open revolt against German militarism compels him to cross the frontier and take refuge in Paris, and the remainder of this vast book is devoted³ to the adventures of Jean-Christophe in France.

 

His creator has said that he has always conceived and thought of the life of his hero and of the book as a river. So far as the book has a plan, that is its plan. It has no literary artifice⁴, no "plot." The words of it hang together in defiance⁵ of syntax, just as the thoughts of it follow one on the other in defiance of every system of philosophy. Every phase of the book is pregnant with the next phase. It is as direct and simple as life itself, for life is simple when the truth of it is known, as it was known instinctively⁶ by Jean-Christophe. The river is explored as though it were absolutely uncharted. Nothing that has ever been said or thought of life is accepted without being brought to the test of Jean-Christophe's own life. What is not true for him does not exist; and, as there are very few of the processes of human growth or decay which are not analysed, there is disclosed to the reader the most comprehensive survey of modern life which has appeared in literature in this century.

 

To leave M. Rolland's simile⁷ of the river, and to take another, the book has seemed to me like a, mighty⁸ bridge leading from the world of ideas of the nineteenth century to the world of ideas of the twentieth. The whole thought of the nineteenth century seems to be gathered together to make the starting-point for Jean-Christophe's leap into the future. All that was most religious in that thought seems to be concentrated in Jean-Christophe, and when the history of the book is traced, it appears that M. Rolland has it by direct inheritance.

 

M. Rolland was born in 1866 at Clamecy, in the center of France, of a French family of pure descent, and educated in Paris and Rome. At Rome, in 1890, he met Malwida von Meysenburg, a German lady who had taken refuge in England after the Revolution of 1848, and there knew Kossuth, Mazzini, Herzen, Ledin, Rollin, and Louis Blanc. Later, in Italy, she counted among her friends Wagner, Liszt, Lenbach, Nietzsche, Garibaldi, and Ibsen. She died in 1908. Rolland came to her impregnated with Tolstoyan ideas, and with her wide knowledge of men and movements she helped him to discover his own ideas. In her "Mémoires d'une Idéaliste" she wrote of him: "In this young Frenchman I discovered the same idealism, the same lofty aspiration⁹, the same profound grasp of every great intellectual manifestation¹⁰ that I had already found in the greatest men of other nationalities."

 

The germ of "Jean-Christophe" was conceived during this period—the "Wanderjahre"—of M. Rolland's life. On his return to Paris he became associated with a movement towards the renascence of the theater as a social machine, and wrote several plays. He has since been a musical critic and a lecturer on music and art at the Sorbonne. He has written Lives of Beethoven, Michael Angelo, and Hugo Wolf. Always his endeavor has been the pursuit of the heroic. To him the great men are the men of absolute truth. Jean-Christophe must have the truth and tell the truth, at all costs, in despite of circumstance, in despite of himself, in despite even of life. It is his law. It is M. Rolland's law. The struggle all through the book is between the pure life of Jean-Christophe and the common acceptance of the second-rate and the second-hand¹¹ by the substitution of civic¹² or social morality, which is only a compromise, for individual morality, which demands that every man should be delivered up to the unswerving judgment¹³ of his own soul. Everywhere Jean-Christophe is hurled¹⁴ against compromise and untruth, individual and national. He discovers the German lie very quickly; the French lie grimaces¹⁵ at him as soon as he sets foot in Paris.

 

The book itself breaks down the frontier between France and Germany. If one frontier is broken, all are broken. The truth about anything is universal truth, and the experiences of Jean-Christophe, the adventures of his soul (there are no other adventures), are in a greater or less degree those of every human being who passes through this life from the tyranny of the past to the service of the future.

 

The book contains a host of characters who become as friends, or, at least, as interesting neighbors, to the reader. Jean-Christophe gathers people in his progress, and as they are all brought to the test of his genius, they appear clearly for what they are. Even the most unpleasant of them is human, and demands sympathy.

 

The recognition of Jean-Christophe as a book which marks a stage in progress was instantaneous in France. It is hardly possible yet to judge it. It is impossible to deny its vitality¹⁶. It exists. Christophe is as real as the gentlemen whose portraits are posted outside the Queen's Hall, and much more real than many of them. The book clears the air. An open mind coming to it cannot fail to be refreshed and strengthened by its voyage down the river of a man's life, and if the book is followed to its end, the voyager will discover with Christophe that there is joy beneath sorrow, joy through sorrow ("Durch Leiden Freude").

 

Those are the last words of M. Rolland's life of Beethoven; they are words of Beethoven himself: "La devise de tout¹⁷ âme héroïque."

 

In his preface, "To the Friends of Christophe," which precedes the seventh volume, "Dans la Maison," M. Rolland writes:

 

"I was isolated¹⁸: like so many others in France I was stifling¹⁹ in a world morally inimical to me: I wanted air: I wanted to react against an unhealthy civilization, against ideas corrupted²⁰ by a sham²¹ élite: I wanted to say to them: 'You lie! You do not represent France!' To do so I needed a hero with a pure heart and unclouded vision, whose soul would be stainless²² enough for him to have the right to speak; one whose voice would be loud enough for him to gain a hearing, I have patiently begotten²³ this hero. The work was in conception for many years before I set myself to write a word of it. Christophe only set out on his journey when I had been able to see the end of it for him."

 

If M. Rolland's act of faith in writing Jean-Christophe were only concerned with France, if the polemic²⁴ of it were not directed against a universal evil, there would be no reason for translation. But, like Zarathustra, it is a book for all and none. M. Rolland has written what he believes to be the truth, and as Dr. Johnson observed: "Every man has a right to utter what he thinks truth, and every other man has a right to knock him down for it…."

 

By its truth and its absolute integrity—since Tolstoy I know of no writing so crystal clear—"Jean-Christophe" is the first great book of the twentieth century. In a sense it begins the twentieth century. It bridges transition, and shows us where we stand. It reveals the past and the present, and leaves the future open to us….

1 creed   

n.信条；信念，纲领

参考例句：

• They offended against every article of his creed.他们触犯了他的每一条戒律。
• Our creed has always been that business is business.我们的信条一直是公私分明。

2 sincerity   

n.真诚，诚意；真实

参考例句：

• His sincerity added much more authority to the story.他的真诚更增加了故事的说服力。
• He tried hard to satisfy me of his sincerity.他竭力让我了解他的诚意。

3 devoted   

adj.忠诚的，忠实的，热心的，献身于...的

参考例句：

• He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
• We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。

4 artifice   

n.妙计，高明的手段；狡诈，诡计

参考例句：

• The use of mirrors in a room is an artifice to make the room look larger.利用镜子装饰房间是使房间显得大一点的巧妙办法。
• He displayed a great deal of artifice in decorating his new house.他在布置新房子中表现出富有的技巧。

5 defiance   

n.挑战，挑衅，蔑视，违抗

参考例句：

• He climbed the ladder in defiance of the warning.他无视警告爬上了那架梯子。
• He slammed the door in a spirit of defiance.他以挑衅性的态度把门砰地一下关上。

6 instinctively   

adv.本能地

参考例句：

• As he leaned towards her she instinctively recoiled. 他向她靠近，她本能地往后缩。 来自《简明英汉词典》
• He knew instinctively where he would find her. 他本能地知道在哪儿能找到她。 来自《简明英汉词典》

7 simile   

n.直喻，明喻

参考例句：

• I believe this simile largely speaks the truth.我相信这种比拟在很大程度上道出了真实。
• It is a trite simile to compare her teeth to pearls.把她的牙齿比做珍珠是陈腐的比喻。

8 mighty   

adj.强有力的；巨大的

参考例句：

• A mighty force was about to break loose.一股巨大的力量即将迸发而出。
• The mighty iceberg came into view.巨大的冰山出现在眼前。

9 aspiration   

n.志向，志趣抱负；渴望；(语)送气音；吸出

参考例句：

• Man's aspiration should be as lofty as the stars.人的志气应当象天上的星星那么高。
• Young Addison had a strong aspiration to be an inventor.年幼的爱迪生渴望成为一名发明家。

10 manifestation   

n.表现形式；表明；现象

参考例句：

• Her smile is a manifestation of joy.她的微笑是她快乐的表现。
• What we call mass is only another manifestation of energy.我们称之为质量的东西只是能量的另一种表现形态。

11 second-hand   

adj.用过的，旧的，二手的

参考例句：

• I got this book by chance at a second-hand bookshop.我赶巧在一家旧书店里买到这本书。
• They will put all these second-hand goods up for sale.他们将把这些旧货全部公开出售。

12 civic   

adj.城市的，都市的，市民的，公民的

参考例句：

• I feel it is my civic duty to vote.我认为投票选举是我作为公民的义务。
• The civic leaders helped to forward the project.市政府领导者协助促进工程的进展。

13 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

14 hurled   

v.猛投，用力掷( hurl的过去式和过去分词 )；大声叫骂

参考例句：

• He hurled a brick through the window. 他往窗户里扔了块砖。
• The strong wind hurled down bits of the roof. 大风把屋顶的瓦片刮了下来。 来自《简明英汉词典》

15 grimaces   

n.（表蔑视、厌恶等）面部扭曲，鬼脸( grimace的名词复数 )v.扮鬼相，做鬼脸( grimace的第三人称单数 )

参考例句：

• Mr. Clark winked at the rude child making grimaces. 克拉克先生假装没有看见那个野孩子做鬼脸。 来自辞典例句
• The most ridiculous grimaces were purposely or unconsciously indulged in. 故意或者无心地扮出最滑稽可笑的鬼脸。 来自辞典例句

16 vitality   

n.活力，生命力，效力

参考例句：

• He came back from his holiday bursting with vitality and good health.他度假归来之后，身强体壮，充满活力。
• He is an ambitious young man full of enthusiasm and vitality.他是个充满热情与活力的有远大抱负的青年。

17 tout   

v.推销，招徕；兜售；吹捧，劝诱

参考例句：

• They say it will let them tout progress in the war.他们称这将有助于鼓吹他们在战争中的成果。
• If your case studies just tout results,don't bother requiring registration to view them.如果你的案例研究只是吹捧结果，就别烦扰别人来注册访问了。

18 isolated   

adj.与世隔绝的

参考例句：

• His bad behaviour was just an isolated incident. 他的不良行为只是个别事件。
• Patients with the disease should be isolated. 这种病的患者应予以隔离。

19 stifling   

a.令人窒息的

参考例句：

• The weather is stifling. It looks like rain. 今天太闷热，光景是要下雨。
• We were stifling in that hot room with all the windows closed. 我们在那间关着窗户的热屋子里，简直透不过气来。

20 corrupted   

（使）败坏( corrupt的过去式和过去分词 )； （使）腐化； 引起（计算机文件等的）错误； 破坏

参考例句：

• The body corrupted quite quickly. 尸体很快腐烂了。
• The text was corrupted by careless copyists. 原文因抄写员粗心而有讹误。

21 sham   

n./adj.假冒(的)，虚伪(的)

参考例句：

• They cunningly played the game of sham peace.他们狡滑地玩弄假和平的把戏。
• His love was a mere sham.他的爱情是虚假的。

22 stainless   

adj.无瑕疵的，不锈的

参考例句：

• I have a set of stainless knives and forks.我有一套不锈钢刀叉。
• Before the recent political scandal,her reputation had been stainless.在最近的政治丑闻之前，她的名声是无懈可击的。

23 begotten   

v.为…之生父( beget的过去分词 )；产生，引起

参考例句：

• The fact that he had begotten a child made him vain. 想起自己也生过孩子，他得意了。 来自辞典例句
• In due course she bore the son begotten on her by Thyestes. 过了一定的时候，她生下了堤厄斯式斯使她怀上的儿子。 来自辞典例句

24 polemic   

n.争论，论战

参考例句：

• He launched into a fierce polemic against the government's policies.他猛烈地抨击政府的政策。
• He wrote a splendid polemic in my favour.他写了一篇出色的文章为我辩护。