The posthumous5 child of Richard Aked's brother, Adeline, who had no recollection of her mother, lived at first with her maternal6 grandparents and two uncles. She slept alone at the top of the house, and when she arose in the morning from the big bed with its red curtains and yellow tassels7, she always ran to the window. Immediately below here were the leads which roofed the great projecting windows of the shop. It was her practice at night to scatter8 crumbs9 on the leads, and sometimes she would be early enough to watch the sparrows pecking them; more often all the crumbs had vanished while she was yet asleep. The Square never failed to interest her in the morning. In the afternoon it seemed torpid10 and morose11; but before dinner, more especially on Saturdays and Mondays, it was gaily12 alert—full of canvas-covered stalls, and horses and carts, and heaped piles of vegetables, and pigs grunting13 amidst straw, and rough rosy-faced men, their trousers tied at the knees with string, who walked about heavily, cracking whips. These things arrived mysteriously, before the sun, and in the afternoon they dwindled14 imperceptibly away; the stalls were unthatched, the carts jolted15 off one by one, and the pigs departed squeaking16, until at five o'clock the littered Square was left deserted17 and forlorn. Now and again a new stall, unfolding vivid white canvas, stood out brightly amid its soiled companions; then Adeline would run downstairs to her favourite uncle, who had breakfast at 7.30 so that he might be in charge of the shop while the rest were at table: "Uncle Mark, Uncle Mark, there is a new stall up at the top of the Square, near the New Inn!" "Perhaps it is only an old one with its face washed," Uncle Mark would say; and Adeline, raising her right shoulder, would put her head on it and laugh, screwing up her eyes.
In those days she was like a little Puritan girl, with her plain frocks and prim18 gait. Her black hair, confined by a semicircular comb which stretched from ear to ear over the top of her head, was brushed straight away from her forehead, and fell across the entire width of her shoulders in glossy19, wavy20 lines. Her grey eyes were rather large, except when she laughed, and they surveyed people with a frank, inquiring look which frightened some of the commercial travellers who came into the shop and gave her threepenny bits; it seemed as if all one's secret shames stood revealed to that artless gaze. Her nose was short and flattened21, but her mouth happened to be perfect, of exactly the classic form and size, with delectable22 lips half hiding the small white teeth.
To her the house appeared to be of immense proportions; she had been told that once, before she was born, it was three houses. Certainly it possessed23 more than the usual number of staircases, and one of these, with the single room to which it gave access, was always closed. From the Square, the window of the disused chamber24, obscured and bare, contrasted strangely with the clear panes25, white blinds, and red pads of the others. This room was next to her own, the two staircases running parallel; and the thought of its dread26 emptiness awed27 her at nights. One Saturday night in bed she discovered that grandma, who had been plaiting her hair for Sunday, had left a comb sticking in it. She called aloud to grandma, to Uncle Mark, to Uncle Luke, in vain. None of them came to her; but she distinctly heard an answering cry from the shut room. She ceased to call, and lay fearfully quiet for a while; then it was morning, and the comb had slipped out of her hair and down into the bed.
Beneath the house were many cellars. One served for kitchen, and Adeline had a swing there, hung from a beam; two others were larders28; a fourth held coal, and in a fifth ashes were thrown. There were yet two more under the shop, to be reached by a separate flight of stone steps. Uncle Mark went down those steps every afternoon to turn on the gas, but he would never allow Adeline to go with him. Grandma, indeed, was very cross if, when the door leading to the steps happened to be open, Adeline approached within a yard of it. Often, chattering29 to the shop-girls, who at quiet times of the day clustered round the stove with their sewing, she would suddenly think of the cellars below, and her heart would seem to stop.
If the shutters30 were up, the shop was even more terribly mysterious than either the cellars or the disused room. On Sunday afternoons, when grandpa snored behind a red and yellow handkerchief in the breakfast-room, it was necessary for Adeline to go through the shop and up the show-room staircase, in order to reach the drawing-room, because to get to the house staircase would involve disturbing the sleeper31. How strange the shop looked as she hurried timorously32 across! A dim twilight33, worse than total darkness, filtered through the cracks of the shutters, showing faintly the sallow dust-sheets which covered the merinos and the chairs on the counters, and she always reached the show-room, which had two large, unobstructed windows, with a sob34 of relief. Very few customers were asked into the show-room; Adeline employed it on weekdays as a nursery; here she nursed her dolls, flew kites, and read "Little Wideawake," a book given to her by a commercial traveller; there was a cheval glass near the front window in which she contemplated35 herself long and seriously.
She never had the companionship of other children, nor did she desire it. Other children, she understood, were rude and dirty; although Uncle Mark and Uncle Luke taught in the Sunday-school, and grandpa had once actually been superintendent36, she was not allowed to go there, simply because the children were rude and dirty. But she went to morning chapel37, sitting alone with grandpa on the red cushions of the broad pew, that creaked every time she moved; Uncle Mark and Uncle Luke sat away up in the gallery with the rude and dirty Sunday-school children; grandma seldom went to chapel; the ministers called to see her instead. Once to her amazement38 Uncle Luke had ascended39 the pulpit stairs, looking just as if he was walking in his sleep, and preached. It seemed so strange, and afterwards the religious truths which she had been taught somehow lost their awfulness and some of their reality. On Sunday evenings she celebrated40 her own private service, in which she was preacher, choir41, organist, and congregation. Her extempore prayers were the secret admiration42 of grandma, who alone heard them. Adeline stayed up for supper on Sundays. When the meal was over, grandpa opened the big Bible, and in his rich, heavy voice read that Shem begat Arphaxad and Arphaxad begat Salah and Salah begat Eber and Eber begat Pelag, and about the Ammonites and the Jebusites and the Canaanites and the Moabites; and then they knelt, and he prayed for them that rule over us, and widows and orphans43; and at the word "orphans," grandma, who didn't kneel like the others but sat upright in her rocking-chair with one hand over her eyes, would say "Amen, Amen," under her breath. And after it was all over Adeline would choose whether Uncle Mark or Uncle Luke should carry her to bed.
Grandpa died, and then grandma, and Aunt Grace (who was not an aunt at all, but a cousin) came to stay with Adeline and her uncles, and one day the shutters of the shop were put up and not taken down again. Adeline learnt that Uncle Mark and Uncle Luke were going a long way off, to America, and that she was to live in future with Aunt Grace in a large and splendid house full of coloured pictures and statues and books. It seemed odd that Aunt Grace, whose dresses were rather shabby, should have a finer house than grandpa's, until Uncle Mark explained that the house did not really belong to Aunt Grace; Aunt Grace merely kept it in order for a rich young gentleman who had fifteen servants.
When she had recovered from the parting with her uncles, Adeline accepted the change with docility44. Long inured45 as she was to spiritual solitude46 (for the closest friendship that can exist between a child and an adult comprises little more than an affectionate tolerance47 on either side, and certainly knows nothing of those intimate psychic48 affinities49 which attract child to child or man to man), she could not, indeed, have easily found much hardship in the conditions of her new life. One matter troubled her at first, namely, that Aunt Grace never prayed or read the Bible or went to chapel; nor, so far as Adeline knew, did anyone else at the Abbey. But she soon became reconciled to this state of things. For a time she continued to repeat her prayers; then the habit ceased.
The picture-gallery, of which she had heard a great deal, fascinated her at once. It was a long but not very lofty apartment, receiving daylight from a hidden source, hung with the finest examples of the four great Italian schools which flourished during the first half of the sixteenth century: the Venetian, a revel50 of colour; the Roman, dignified51 and even sedate52; the Florentine, nobly grandiose53; and the school of Parma, mysteriously delicate. Opportunity serving, she spent much of her time here, talking busily to the madonnas, the Christs, the martyred saints, the monarchs54, the knights55, the lovely ladies, and all the naïve mediæval crowd, giving each of them a part in her own infantile romances. When she grew older, she copied—who shall say whether consciously or unconsciously?—the attitudes and gestures of the women; and perhaps in time there passed into Adeline, by some ineffable56 channel, at least a portion of their demure57 grace and contented58 quietude. There were pictures also in the square library, examples of quite modern English and French work, sagaciously chosen by one whose critical faculty59 had descended60 to him through four generations of collectors; but Adeline had no eyes for these. The books, however, gorgeous prisoners in glass, were her good friends, though she might never touch them, and though the narrow, conventional girl's education assiduously bestowed61 upon her by her aunt in person, stifled62 rather than fostered curiosity with regard to their contents.
When Adeline was about nineteen, her guardian63 became engaged to be married to a middle-aged64 farmer, a tenant65 of the Abbey, who made it clear that in espousing66 Aunt Grace he was not eager to espouse67 Aunt Grace's protégée also. A serious question arose as to her future. She had only one other relative in England, Mr. Aked, and she passively accepted his timely suggestion that she should go to London and keep house for him.
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1 elusive | |
adj.难以表达(捉摸)的;令人困惑的;逃避的 | |
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2 alluring | |
adj.吸引人的,迷人的 | |
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3 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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4 quaintness | |
n.离奇有趣,古怪的事物 | |
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5 posthumous | |
adj.遗腹的;父亡后出生的;死后的,身后的 | |
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6 maternal | |
adj.母亲的,母亲般的,母系的,母方的 | |
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7 tassels | |
n.穗( tassel的名词复数 );流苏状物;(植物的)穗;玉蜀黍的穗状雄花v.抽穗, (玉米)长穗须( tassel的第三人称单数 );使抽穗, (为了使作物茁壮生长)摘去穗状雄花;用流苏装饰 | |
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8 scatter | |
vt.撒,驱散,散开;散布/播;vi.分散,消散 | |
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9 crumbs | |
int. (表示惊讶)哎呀 n. 碎屑 名词crumb的复数形式 | |
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10 torpid | |
adj.麻痹的,麻木的,迟钝的 | |
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11 morose | |
adj.脾气坏的,不高兴的 | |
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12 gaily | |
adv.欢乐地,高兴地 | |
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13 grunting | |
咕哝的,呼噜的 | |
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14 dwindled | |
v.逐渐变少或变小( dwindle的过去式和过去分词 ) | |
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15 jolted | |
(使)摇动, (使)震惊( jolt的过去式和过去分词 ) | |
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16 squeaking | |
v.短促地尖叫( squeak的现在分词 );吱吱叫;告密;充当告密者 | |
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17 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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18 prim | |
adj.拘泥形式的,一本正经的;n.循规蹈矩,整洁;adv.循规蹈矩地,整洁地 | |
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19 glossy | |
adj.平滑的;有光泽的 | |
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20 wavy | |
adj.有波浪的,多浪的,波浪状的,波动的,不稳定的 | |
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21 flattened | |
[医](水)平扁的,弄平的 | |
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22 delectable | |
adj.使人愉快的;美味的 | |
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23 possessed | |
adj.疯狂的;拥有的,占有的 | |
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24 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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25 panes | |
窗玻璃( pane的名词复数 ) | |
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26 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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27 awed | |
adj.充满敬畏的,表示敬畏的v.使敬畏,使惊惧( awe的过去式和过去分词 ) | |
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28 larders | |
n.(家中的)食物贮藏室,食物橱( larder的名词复数 ) | |
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29 chattering | |
n. (机器振动发出的)咔嗒声,(鸟等)鸣,啁啾 adj. 喋喋不休的,啾啾声的 动词chatter的现在分词形式 | |
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30 shutters | |
百叶窗( shutter的名词复数 ); (照相机的)快门 | |
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31 sleeper | |
n.睡眠者,卧车,卧铺 | |
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32 timorously | |
adv.胆怯地,羞怯地 | |
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33 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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34 sob | |
n.空间轨道的轰炸机;呜咽,哭泣 | |
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35 contemplated | |
adj. 预期的 动词contemplate的过去分词形式 | |
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36 superintendent | |
n.监督人,主管,总监;(英国)警务长 | |
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37 chapel | |
n.小教堂,殡仪馆 | |
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38 amazement | |
n.惊奇,惊讶 | |
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39 ascended | |
v.上升,攀登( ascend的过去式和过去分词 ) | |
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40 celebrated | |
adj.有名的,声誉卓著的 | |
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41 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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42 admiration | |
n.钦佩,赞美,羡慕 | |
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43 orphans | |
孤儿( orphan的名词复数 ) | |
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44 docility | |
n.容易教,易驾驶,驯服 | |
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45 inured | |
adj.坚强的,习惯的 | |
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46 solitude | |
n. 孤独; 独居,荒僻之地,幽静的地方 | |
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47 tolerance | |
n.宽容;容忍,忍受;耐药力;公差 | |
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48 psychic | |
n.对超自然力敏感的人;adj.有超自然力的 | |
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49 affinities | |
n.密切关系( affinity的名词复数 );亲近;(生性)喜爱;类同 | |
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50 revel | |
vi.狂欢作乐,陶醉;n.作乐,狂欢 | |
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51 dignified | |
a.可敬的,高贵的 | |
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52 sedate | |
adj.沉着的,镇静的,安静的 | |
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53 grandiose | |
adj.宏伟的,宏大的,堂皇的,铺张的 | |
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54 monarchs | |
君主,帝王( monarch的名词复数 ) | |
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55 knights | |
骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马 | |
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56 ineffable | |
adj.无法表达的,不可言喻的 | |
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57 demure | |
adj.严肃的;端庄的 | |
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58 contented | |
adj.满意的,安心的,知足的 | |
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59 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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60 descended | |
a.为...后裔的,出身于...的 | |
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61 bestowed | |
赠给,授予( bestow的过去式和过去分词 ) | |
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62 stifled | |
(使)窒息, (使)窒闷( stifle的过去式和过去分词 ); 镇压,遏制; 堵 | |
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63 guardian | |
n.监护人;守卫者,保护者 | |
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64 middle-aged | |
adj.中年的 | |
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65 tenant | |
n.承租人;房客;佃户;v.租借,租用 | |
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66 espousing | |
v.(决定)支持,拥护(目标、主张等)( espouse的现在分词 ) | |
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67 espouse | |
v.支持,赞成,嫁娶 | |
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