"Where do I put my name?"
"But you must read them first."
"I shouldn't understand them a bit," she said; "and what is the use of employing a lawyer, if one is put to the trouble of reading everything one signs?"
"Well—please yourself. To-morrow you will have to go before a commissioner4 for oaths and swear that certain things are true; you'll be compelled to read the affidavits5."
"That I won't! I shall just swear."
"But you simply must."
"Sha'n't. If I swear to fibs, it will be your fault."
"Suppose I read them out to you?"
"Yes, that would be nicer; but not now, after supper."
For a few moments there was silence. She stood up and drew her finger in fanciful curves across the window-pane. Richard watched her, with a smile of luxurious6 content. It appeared to him that all her movements, every inflection of her voice, her least word, had the authenticity7 and the intrinsic grace of natural phenomena8. If she turned her head or tapped her foot, the gesture was right,—having the propriety9 which springs from absolute self-unconsciousness. Her mere10 existence from one moment to the next seemed in some mysterious way to suggest a possible solution of the riddle11 of life. She illustrated12 nature. She was for him intimately a part of nature, the great Nature which hides itself from cities. To look at her afforded him a delight curiously13 similar to that which the townsman derives14 from a rural landscape. Her face had little conventional beauty; her conversation contained no hint either of intellectual powers or of a capacity for deep feeling. But in her case, according to his view, these things were unnecessary, would in fact have been superfluous15. She was and that sufficed.
Mingled16 with the pleasure which her nearness gave him, there were subordinate but distinct sensations. Except his sister Mary, he had never before been upon terms of close familiarity with any woman, and he realised with elation17 that now for the first time the latencies of manhood were aroused. His friendship—if indeed it were nothing else—with this gracious, inscrutable creature seemed a thing to be very proud of, to gloat upon in secret, to contemplate18 with a dark smile as one walked along the street or sat in a bus.... And then, with a shock of joyful19, half-incredulous surprise, he made the discovery that she—she—had found some attractiveness in himself.
Their loneliness gave zest20 and piquancy21 to the situation. On neither side were there relatives or friends who might obtrude22, or whom it would be proper to consult. They had only themselves to consider. Not a soul in London, with the exception of Lottie, knew of their intimacy,—the visit to Littlehampton, their plans for visiting the theatres, her touching23 reliance upon him. Ah, that confiding24 feminine trust! He read it frequently in her glance, and it gave him a sense of protective possession. He had approached no closer than to shake her hand, and yet, as he looked at the slight frame, the fragile fingers, the tufts of hair which escaped over her ears,—these things seemed to be his. Surely she had donned that beautiful dress for him; surely she moved gracefully25 for him, talked softly for him!
He left his chair, quietly lighted the candles at the piano, and began to turn over some songs.
"What are you doing?" she asked, from the window.
"I want you to sing."
"Must I?"
"Certainly. Let me find something with an easy accompaniment."
She came towards him, took up a song, opened it, and bade him look at it.
She laid it aside obediently.
"Well, this?"
"Yes. Let us try that."
She moved nearer to him, to miss the reflection of the candles on the paper, and put her hands behind her back. She cleared her throat. He knew she was nervous, but he had no such feeling himself.
"Ready?" he asked, glancing round and up into her face. She smiled timidly, flushing, and then nodded.
"No," she exclaimed the next second, as he boldly struck the first chord. "I don't think I'll sing. I can't."
"Oh, yes, you will—yes, you will."
"Very well." She resigned herself.
The first few notes were tremulous, but quickly she gained courage. The song was a mediocre27 drawing-room ballad28, and she did not sing with much expression, but to Richard's ear her weak contralto floated out above the accompaniment with a rich, passionate29 quality full of intimate meanings. When his own part of the performance was not too exacting30, he watched from the corner of his eye the rise and fall of her breast, and thought of Keats's sonnet31; and then he suddenly quaked in fear that all this happiness might crumble32 at the touch of some adverse33 fate.
"I suppose you call that a poor song," she said when it was finished.
"I liked it very much."
"You did? I am so fond of it, and I'm glad you like it. Shall we try another?" She offered the suggestion with a gentle diffidence which made Richard desire to abase34 himself before her, to ask what in the name of heaven she meant by looking to him as an authority, a person whose will was to be consulted and whose humours were law.
Again she put her hands behind her back, cleared her throat, and began to sing.... He had glimpses of mystic, emotional deeps in her spirit hitherto unsuspected.
Lottie came in with a lamp.
"You would like supper?" Adeline said. "Lottie, let us have supper at once."
Richard remembered that when Mr. Aked was alive, Adeline had been accustomed to go into the kitchen and attend to the meals herself; but evidently this arrangement was now altered. She extinguished the candles on the piano, and took the easy-chair with a question about Schubert. Supper was to be served without the aid of the mistress of the house. She had been training Lottie,—that was clear. He looked round. The furniture was unchanged, but everything had an unwonted air of comfort and neatness, and Adeline's beautiful dress scarcely seemed out of keeping with the general aspect of the room. He gathered that she had social aspirations35. He had social aspirations himself. His fancy delighted to busy itself with fine clothes, fine furniture, fine food, and fine manners. That his own manners had remained inelegant was due to the fact that the tireless effort and vigilance which any amelioration of their original crudity36 would have necessitated37, were beyond his tenacity38 of purpose.
The supper was trimly laid on a very white tablecloth39, and chairs were drawn40 up. Lottie stood in the background for a few moments; Adeline called her for some trifling41 service, and then dismissed her.
"Won't you have some whisky? I know men always like whisky at night."
She touched a bell on the table.
"The whisky, Lottie—you forgot it."
Richard was almost awed42 by her demeanour. Where could she have learnt it? He felt not unlike a bumpkin, and secretly determined43 to live up to the standard of deportment which she had set.
"You may smoke," she said, when Lottie had cleared the table after supper; "I like it. Here are some cigarettes—'Three Castles'—will they do?" Laughing, she produced a box from the sideboard, and handed it to him. He went to the sofa, and she stood with one elbow resting on the mantelpiece.
"About going to the theatre—" she began.
"May I take you? Let us go to the Comedy."
"And you will book seats, the dress circle?"
"Yes. What night?"
"Let us say Friday.... And now you may read me those documents."
When that business was transacted44, Richard felt somehow that he must depart, and began to take his leave. Adeline stood erect45, facing him in front of the mantelpiece.
"Next time you come, you will bring those Schubert songs, will you not?"
Then she rang the bell, shook hands, and sat down. He went out; Lottie was waiting in the passage with his hat and stick.
该作者的其它作品
《老妇人的故事 The Old Wives' Tale》
《Clayhanger克雷亨格》
该作者的其它作品
《老妇人的故事 The Old Wives' Tale》
《Clayhanger克雷亨格》
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1 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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2 adviser | |
n.劝告者,顾问 | |
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3 solicitors | |
初级律师( solicitor的名词复数 ) | |
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4 commissioner | |
n.(政府厅、局、处等部门)专员,长官,委员 | |
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5 affidavits | |
n.宣誓书,(经陈述者宣誓在法律上可采作证据的)书面陈述( affidavit的名词复数 ) | |
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6 luxurious | |
adj.精美而昂贵的;豪华的 | |
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7 authenticity | |
n.真实性 | |
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8 phenomena | |
n.现象 | |
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9 propriety | |
n.正当行为;正当;适当 | |
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10 mere | |
adj.纯粹的;仅仅,只不过 | |
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11 riddle | |
n.谜,谜语,粗筛;vt.解谜,给…出谜,筛,检查,鉴定,非难,充满于;vi.出谜 | |
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12 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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13 curiously | |
adv.有求知欲地;好问地;奇特地 | |
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14 derives | |
v.得到( derive的第三人称单数 );(从…中)得到获得;源于;(从…中)提取 | |
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15 superfluous | |
adj.过多的,过剩的,多余的 | |
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16 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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17 elation | |
n.兴高采烈,洋洋得意 | |
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18 contemplate | |
vt.盘算,计议;周密考虑;注视,凝视 | |
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19 joyful | |
adj.欢乐的,令人欢欣的 | |
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20 zest | |
n.乐趣;滋味,风味;兴趣 | |
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21 piquancy | |
n.辛辣,辣味,痛快 | |
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22 obtrude | |
v.闯入;侵入;打扰 | |
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23 touching | |
adj.动人的,使人感伤的 | |
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24 confiding | |
adj.相信人的,易于相信的v.吐露(秘密,心事等)( confide的现在分词 );(向某人)吐露(隐私、秘密等) | |
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25 gracefully | |
ad.大大方方地;优美地 | |
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26 abruptly | |
adv.突然地,出其不意地 | |
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27 mediocre | |
adj.平常的,普通的 | |
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28 ballad | |
n.歌谣,民谣,流行爱情歌曲 | |
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29 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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30 exacting | |
adj.苛求的,要求严格的 | |
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31 sonnet | |
n.十四行诗 | |
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32 crumble | |
vi.碎裂,崩溃;vt.弄碎,摧毁 | |
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33 adverse | |
adj.不利的;有害的;敌对的,不友好的 | |
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34 abase | |
v.降低,贬抑 | |
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35 aspirations | |
强烈的愿望( aspiration的名词复数 ); 志向; 发送气音; 发 h 音 | |
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36 crudity | |
n.粗糙,生硬;adj.粗略的 | |
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37 necessitated | |
使…成为必要,需要( necessitate的过去式和过去分词 ) | |
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38 tenacity | |
n.坚韧 | |
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39 tablecloth | |
n.桌布,台布 | |
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40 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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41 trifling | |
adj.微不足道的;没什么价值的 | |
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42 awed | |
adj.充满敬畏的,表示敬畏的v.使敬畏,使惊惧( awe的过去式和过去分词 ) | |
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43 determined | |
adj.坚定的;有决心的 | |
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44 transacted | |
v.办理(业务等)( transact的过去式和过去分词 );交易,谈判 | |
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45 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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