On board a vessel3 of war Saturday is regarded as a holiday. Only the necessary work, such as cleaning decks and bright work, is done.
Quarters are held at the usual hour, then Jack’s time is his own. The “smoking lamp” is lighted, and those who care to indulge in a pipe are permitted to do so. In passing it may as well be understood that naval4 cadets are forbidden to smoke, a wise government deeming it unnecessary for their health or pastime.
Clif and his friends set to work immediately after quarters. The forward part of the gun deck was turned over to them, and a stage prepared by the ship’s carpenter. A curtain was extemporized5 of bunting and canvas, and the space about the stage tastefully decorated with flags of all nations.
“Now, fellows,” said the young leader, cheerfully, “we must have just one more rehearsal6 before the grand event.”
“We did until this morning. Come, Toggles, exert yourself. Remember the importance of the occasion. We’ve got to do our level best and turn out a good show or the upper classes will have the laugh on us. Get out your big horn and try that solo again.”
The affair was to be on the lines of a minstrel performance, but with novel features. Instead of the familiar, old-time black faces and negro costumes, Clif had provided different ideas.
“We’ll make it a deep-sea combination,” he had said; “something more appropriate to the raging main than nigger minstrelsy. We’ll have Father Neptune8 and his suite9.”
The idea captured the plebes at once, and they had lost no time in settling on a programme.
Clif, disguised as Neptune, was to occupy the center of the circle. At the ends were to be Trolley10, Toggles, Joy, and another plebe named Grat Wallace. They were to take the parts of bones and tambo, but to be clad in the fantastic garb11 of sea wolves.
Eight other plebes, dressed in cadet uniforms, were to occupy the other chairs. They were supposed to represent eight mortals captured by Neptune and compelled to assist in entertaining him.
The plan was novel, and Clif was very anxious to conceal12 it from outsiders until the curtain rose on Saturday night.
His efforts had proved successful and he was doubly concerned at this last moment to keep the secret. While the company was preparing for the final rehearsal he carefully examined the curtain and saw that the plebe sentries13 were alert.
But he totally forgot several deadlights and two gun ports which opened from the gun deck. They overlooked the sea, and for that reason it probably never occurred to him that they could be utilized14 by prying15 eyes.
When he returned from his tour of investigation16 he found the “Naval Academy Plebe Minstrel Troupe” in their places in full costume.
The orchestra was rather weak. It consisted of two asthmatic fiddles17, a brass18 horn, an old drum, and a peculiar19 instrument Trolley had rigged out of a dishpan and a variety of strings20.
In addition Clif was to perform on musical glasses, an accomplishment21 he had learned at home. This was to come in the olio, or second, part, together with juggling22 by Trolley, tumbling by Toggles, an alleged23 humorous address from Joy, and a boxing match between Nanny Gote and Walters, two of the smallest plebes on board.
The entertainment was to wind up with a skit24 on life at the Naval Academy, which promised to create no end of fun.
Clif and Grat Wallace were the joint25 authors and they had incorporated sly hits and jokes calculated to drive the upper classes into a frenzy26.
Clif was just in the act of rising and ordering his sea wolves to take the unhappy mortals to the darkest coral cavern28 in his realm when he suddenly caught sight of a face at one of the ports.
Clif was shrewd. He knew that it was a spy, and that the slightest alarm would frighten the fellow away. His plan was formed in an instant.
“Let’s try that last song and chorus again, fellows,” he exclaimed, cheerily. “I think one more practice would not hurt it. Now, ready! Let ’er go!”
The drum banged, the violins squeaked29, and Grat Wallace’s rich tenor30 voice rang out in the refrain of “The Cumberland’s Crew.”
While the music was echoing Clif quietly leaned over and whispered to Joy:
“There’s a spy peeping in the port. I think it is Judson Greene. He must not be allowed to get away. See if you can’t nip him.”
Joy gave an extra blast on his bass31 horn, then sprang to his feet and began to caper32 around as if it were part of a grotesque33 dance.
“Good boy!” applauded Clif. “That’s right. That will catch the audience. Now give us the long slide and that will wind it up.”
Joy did give the “long slide,” and it brought him to the port. He was lean and lank34 and agile35, and in the twinkling of an eye had reached out and grasped the spy by the hair.
Clif sprang to his aid, and the two dragged Judson, yelling and struggling, through the port where he was dangling36 from a rope leading to the top of the forecastle. The rope was cut and the end used to make Master Greene secure.
“Now, you confounded traitor37!” cried Clif, “we’ve got you in a place from which you won’t escape in a hurry. You will spy on us, eh?”
“I’ve got the right to look in a port if I want to,” sullenly38 retorted the prisoner. “Let me go, or I’ll tell the captain.”
“Let him go? Not much!” chattered39 Nanny, excitedly. “He’s in the pay of the upper classes. I know it because I saw him talking to Ferguson and his gang. Let’s lick him.”
“No. A whipping would be altogether too good for him,” replied Clif, sternly. “We’ll gag the traitor and stow him under the stage until the performance is over.”
Judson set up a yell, but he was effectually squelched40 by Trolley and Toggles. A couple of towels were brought into use and he was speedily gagged and thrust into a corner.
“Nanny, you and Walters can stand guard over him until evening,” directed Clif, “then we’ll stow him under the stage. He won’t be missed without Ferguson tumbles to the racket.”
If Judson Greene had the power of speech he might have said something that would have made Clif rather uneasy. He could think, though, and he did. And his thoughts took this form.
“Clif Faraday, you think you are clever, but you’ll find out there are others on earth. Before ten o’clock you will not only have your show busted41 up, but you’ll be in disgrace, too!”
点击收听单词发音
1 promising | |
adj.有希望的,有前途的 | |
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2 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
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3 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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4 naval | |
adj.海军的,军舰的,船的 | |
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5 extemporized | |
v.即兴创作,即席演奏( extemporize的过去式和过去分词 ) | |
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6 rehearsal | |
n.排练,排演;练习 | |
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7 grumbled | |
抱怨( grumble的过去式和过去分词 ); 发牢骚; 咕哝; 发哼声 | |
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8 Neptune | |
n.海王星 | |
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9 suite | |
n.一套(家具);套房;随从人员 | |
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10 trolley | |
n.手推车,台车;无轨电车;有轨电车 | |
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11 garb | |
n.服装,装束 | |
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12 conceal | |
v.隐藏,隐瞒,隐蔽 | |
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13 sentries | |
哨兵,步兵( sentry的名词复数 ) | |
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14 utilized | |
v.利用,使用( utilize的过去式和过去分词 ) | |
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15 prying | |
adj.爱打听的v.打听,刺探(他人的私事)( pry的现在分词 );撬开 | |
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16 investigation | |
n.调查,调查研究 | |
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17 fiddles | |
n.小提琴( fiddle的名词复数 );欺诈;(需要运用手指功夫的)细巧活动;当第二把手v.伪造( fiddle的第三人称单数 );篡改;骗取;修理或稍作改动 | |
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18 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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19 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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20 strings | |
n.弦 | |
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21 accomplishment | |
n.完成,成就,(pl.)造诣,技能 | |
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22 juggling | |
n. 欺骗, 杂耍(=jugglery) adj. 欺骗的, 欺诈的 动词juggle的现在分词 | |
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23 alleged | |
a.被指控的,嫌疑的 | |
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24 skit | |
n.滑稽短剧;一群 | |
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25 joint | |
adj.联合的,共同的;n.关节,接合处;v.连接,贴合 | |
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26 frenzy | |
n.疯狂,狂热,极度的激动 | |
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27 hitch | |
v.免费搭(车旅行);系住;急提;n.故障;急拉 | |
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28 cavern | |
n.洞穴,大山洞 | |
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29 squeaked | |
v.短促地尖叫( squeak的过去式和过去分词 );吱吱叫;告密;充当告密者 | |
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30 tenor | |
n.男高音(歌手),次中音(乐器),要旨,大意 | |
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31 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
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32 caper | |
v.雀跃,欢蹦;n.雀跃,跳跃;续随子,刺山柑花蕾;嬉戏 | |
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33 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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34 lank | |
adj.瘦削的;稀疏的 | |
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35 agile | |
adj.敏捷的,灵活的 | |
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36 dangling | |
悬吊着( dangle的现在分词 ); 摆动不定; 用某事物诱惑…; 吊胃口 | |
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37 traitor | |
n.叛徒,卖国贼 | |
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38 sullenly | |
不高兴地,绷着脸,忧郁地 | |
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39 chattered | |
(人)喋喋不休( chatter的过去式 ); 唠叨; (牙齿)打战; (机器)震颤 | |
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40 squelched | |
v.发吧唧声,发扑哧声( squelch的过去式和过去分词 );制止;压制;遏制 | |
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41 busted | |
adj. 破产了的,失败了的,被降级的,被逮捕的,被抓到的 动词bust的过去式和过去分词 | |
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