I
I came to live in London, as I shall tell you, when I was nearly twenty-two. Wimblehurst dwindles1 in perspective, is now in this book a little place far off, Bladesover no more than a small pinkish speck2 of frontage among the distant Kentish hills; the scene broadens out, becomes multitudinous and limitless, full of the sense of vast irrelevant3 movement. I do not remember my second coming to London as I do my first, for my early impressions, save that an October memory of softened4 amber5 sunshine stands out, amber sunshine falling on grey house fronts I know not where. That, and a sense of a large tranquillity6.
I could fill a book, I think, with a more or less imaginary account of how I came to apprehend7 London, how first in one aspect and then in another it grew in my mind. Each day my accumulating impressions were added to and qualified8 and brought into relationship with new ones; they fused inseparably with others that were purely9 personal and accidental. I find myself with a certain comprehensive perception of London, complete indeed, incurably10 indistinct in places and yet in some way a whole that began with my first visit and is still being mellowed11 and enriched.
London!
At first, no doubt, it was a chaos12 of streets and people and buildings and reasonless going to and fro. I do not remember that I ever struggled very steadily13 to understand it, or explored it with any but a personal and adventurous14 intention. Yet in time there has grown up in me a kind of theory of London; I do think I see lines of an ordered structure out of which it has grown, detected a process that is something more than a confusion of casual accidents though indeed it may be no more than a process of disease.
I said at the outset of my first book that I find in Bladesover the clue to all England. Well, I certainly imagine it is the clue to the structure of London. There have been no revolutions no deliberate restatements or abandonments of opinion in England since the days of the fine gentry15, since 1688 or thereabouts, the days when Bladesover was built; there have been changes, dissolving forest replacing forest, if you will; but then it was that the broad lines of the English system set firmly. And as I have gone to and fro in London in certain regions constantly the thought has recurred16 this is Bladesover House, this answers to Bladesover House. The fine gentry may have gone; they have indeed largely gone, I think; rich merchants may have replaced them, financial adventurers or what not. That does not matter; the shape is still Bladesover.
I am most reminded of Bladesover and Eastry by all those regions round about the West End parks; for example, estate parks, each more or less in relation to a palace or group of great houses. The roads and back ways of Mayfair and all about St. James’s again, albeit17 perhaps of a later growth in point of time, were of the very spirit and architectural texture18 of the Bladesover passages and yards; they had the same smells, the space, the large cleanest and always going to and fro where one met unmistakable Olympians and even more unmistakable valets, butlers, footmen in mufti. There were moments when I seemed to glimpse down areas the white panelling, the very chintz of my mother’s room again.
I could trace out now on a map what I would call the Great-House region; passing south-westward19 into Belgravia, becoming diffused20 and sporadic21 westward, finding its last systematic22 outbreak round and about Regent’s Park. The Duke of Devonshire’s place in Piccadilly, in all its insolent23 ugliness, pleases me particularly; it is the quintessence of the thing; Apsley House is all in the manner of my theory, Park Lane has its quite typical mansions24, and they run along the border of the Green Park and St. James’s. And I struck out a truth one day in Cromwell Road quite suddenly, as I looked over the Natural History Museum “By Jove,” said I “but this is the little assemblage of cases of stuffed birds and animals upon the Bladesover staircase grown enormous, and yonder as the corresponding thing to the Bladesover curios and porcelain25 is the Art Museume and there in the little observatories26 in Exhibition Road is old Sir Cuthbert’s Gregorian telescope that I hunted out in the storeroom and put together.” And diving into the Art Museum under this inspiration, I came to a little reading-room and found as I had inferred, old brown books!
It was really a good piece of social comparative anatomy27 I did that day; all these museums and libraries that are dotted over London between Piccadilly and West Kensington, and indeed the museum and library movement throughout the world, sprang from the elegant leisure of the gentlemen of taste. Theirs were the first libraries, the first houses of culture; by my rat-like raids into the Bladesover saloon I became, as it were, the last dwindled28 representative of such a man of letters as Swift. But now these things have escaped out of the Great House altogether, and taken on a strange independent life of their own.
It is this idea of escaping parts from the seventeenth century system of Bladesover, of proliferating29 and overgrowing elements from the Estates, that to this day seems to me the best explanation, not simply of London, but of all England. England is a country of great Renascence landed gentlefolk who have been unconsciously outgrown31 and overgrown. The proper shops for Bladesover custom were still to be found in Regent Street and Bond Street in my early London days in those days they had been but lightly touched by the American’s profaning32 hand—and in Piccadilly. I found the doctor’s house of the country village or country town up and down Harley Street, multiplied but not otherwise different, and the family solicitor33 (by the hundred) further eastward34 in the abandoned houses of a previous generation of gentlepeople, and down in Westminster, behind Palladian fronts, the public offices sheltered in large Bladesoverish rooms and looked out on St. James’s Park. The Parliament Houses of lords and gentlemen, the parliament house that was horrified36 when merchants and brewers came thrusting into it a hundred years ago, stood out upon its terrace gathering37 the whole system together into a head.
And the more I have paralleled these things with my Bladesover-Eastry model, the more evident it has become to me that the balance is not the same, and the more evident is the presence of great new forces, blind forces of invasion, of growth. The railway termini on the north side of London have been kept as remote as Eastry had kept the railway-station from Wimblehurst, they stop on the very outskirts38 of the estates, but from the south, the South Eastern railway had butted39 its great stupid rusty40 iron head of Charing41 Cross station, that great head that came smashing down in 1905—clean across the river, between Somerset House and Whitehall. The south side had no protecting estate. Factory chimneys smoke right over against Westminster with an air of carelessly not having permission, and the whole effect of industrial London and of all London east of Temple Bar and of the huge dingy42 immensity of London port is to me of something disproportionately large, something morbidly43 expanded, without plan or intention, dark and sinister44 toward the clean clear social assurance of the West End. And south of this central London, south-east, south-west, far west, north-west, all round the northern hills, are similar disproportionate growths, endless streets of undistinguished houses, undistinguished industries, shabby families, second-rate shops, inexplicable45 people who in a once fashionable phrase do not “exist.” All these aspects have suggested to my mind at times, do suggest to this day, the unorganised, abundant substance of some tumorous46 growth-process, a process which indeed bursts all the outlines of the affected47 carcass and protrudes48 such masses as ignoble49 comfortable Croydon, as tragic50 impoverished51 West Ham. To this day I ask myself will those masses ever become structural52, will they indeed shape into anything new whatever, or is that cancerous image their true and ultimate diagnosis53?...
Moreover, together with this hypertrophy there is an immigration of elements that have never understood and never will understand the great tradition, wedges of foreign settlement embedded54 in the heart of this yeasty English expansion. One day I remember wandering eastward out of pure curiosity—it must have been in my early student days—and discovering a shabbily bright foreign quarter, shops displaying Hebrew placards and weird55, unfamiliar56 commodities and a concourse of bright-eyed, eagle-nosed people talking some incomprehensible gibberish between the shops and the barrows. And soon I became quite familiar with the devious57, vicious, dirtily-pleasant eroticism of Soho. I found those crowded streets a vast relief from the dull grey exterior58 of Brompton where I lodged59 and lived my daily life. In Soho, indeed, I got my first inkling of the factor of replacement60 that is so important in both the English and the American process.
Even in the West End, in Mayfair and the square, about Pall35 Mall, Ewart was presently to remind me the face of the old aristocratic dignity was fairer than its substance; here were actors and actresses, here money lenders and Jews, here bold financial adventurers, and I thought of my uncle’s frayed61 cuff62 as he pointed63 out this house in Park Lane and that. That was so and so’s who made a corner in borax, and that palace belonged to that hero among modern adventurers, Barmentrude, who used to be an I.D.B.,—an illicit64 diamond buyer that is to say. A city of Bladesovers, the capital of a kingdom of Bladesovers, all much shaken and many altogether in decay, parasitically65 occupied, insidiously66 replaced by alien, unsympathetic and irresponsible elements; and with a ruling an adventitious67 and miscellaneous empire of a quarter of this daedal earth complex laws, intricate social necessities, disturbing insatiable suggestions, followed from this. Such was the world into which I had come, into which I had in some way to thrust myself and fit my problem, my temptations, my efforts, my patriotic68 instinct, all my moral instincts, my physical appetites, my dreams and my sanity69.
London! I came up to it, young and without advisers70, rather priggish, rather dangerously open-minded and very open-eyed, and with something—it is, I think, the common gift of imaginative youth, and I claim it unblushingly—fine in me, finer than the world and seeking fine responses. I did not want simply to live or simply to live happily or well; I wanted to serve and do and make—with some nobility. It was in me. It is in half the youth of the world.
II
I had come to London as a scholar. I had taken the Vincent Bradley scholarship of the Pharmaceutical71 Society, but I threw this up when I found that my work of the Science and Art Department in mathematics, physics and chemistry had given me one of the minor72 Technical Board Scholarships at the Consolidated74 Technical Schools at South Kensington. This latter was in mechanics and metallurgy; and I hesitated between the two. The Vincent Bradley gave me £70 a year and quite the best start-off a pharmaceutical chemist could have; the South Kensington thing was worth about twenty-two shillings a week, and the prospects75 it opened were vague. But it meant far more scientific work than the former, and I was still under the impulse of that great intellectual appetite that is part of the adolescence76 of men of my type. Moreover it seemed to lead towards engineering, in which I imagined—I imagine to this day—my particular use is to be found. I took its greater uncertainty77 as a fair risk. I came up very keen, not doubting that the really hard and steady industry that had carried me through Wimblehurst would go on still in the new surroundings.
Only from the very first it didn’t....
When I look back now at my Wimblehurst days, I still find myself surprised at the amount of steady grinding study, of strenuous78 self-discipline that I maintained throughout my apprenticeship79. In many ways I think that time was the most honourable80 period in my life. I wish I could say with a certain mind that my motives81 in working so well were large and honourable too. To a certain extent they were so; there was a fine sincere curiosity, a desire for the strength and power of scientific knowledge and a passion for intellectual exercise; but I do not think those forces alone would have kept me at it so grimly and closely if Wimblehurst had not been so dull, so limited and so observant. Directly I came into the London atmosphere, tasting freedom, tasting irresponsibility and the pull of new forces altogether, my discipline fell from me like a garment. Wimblehurst to a youngster in my position offered no temptations worth counting, no interests to conflict with study, no vices82—such vices as it offered were coarsely stripped of any imaginative glamourfull drunkenness, clumsy leering shameful83 lust84, no social intercourse85 even to waste one’s time, and on the other hand it would minister greatly to the self-esteem of a conspicuously87 industrious88 student. One was marked as “clever,” one played up to the part, and one’s little accomplishment89 stood out finely in one’s private reckoning against the sunlit small ignorance of that agreeable place. One went with an intent rush across the market square, one took one’s exercise with as dramatic a sense of an ordered day as an Oxford90 don, one burnt the midnight oil quite consciously at the rare respectful, benighted91 passer-by. And one stood out finely in the local paper with one’s unapproachable yearly harvest of certificates. Thus I was not only a genuinely keen student, but also a little of a prig and poseur92 in those days—and the latter kept the former at it, as London made clear.
But I did not realise all this when I came to London, did not perceive how the change of atmosphere began at once to warp94 and distribute my energies. In the first place I became invisible. If I idled for a day, no one except my fellow-students (who evidently had no awe95 for me) remarked it. No one saw my midnight taper96; no one pointed me out as I crossed the street as an astonishing intellectual phenomenon. In the next place I became inconsiderable. In Wimblehurst I felt I stood for Science; nobody there seemed to have so much as I and to have it so fully97 and completely. In London I walked ignorant in an immensity, and it was clear that among my fellow-students from the midlands and the north I was ill-equipped and under-trained. With the utmost exertion98 I should only take a secondary position among them. And finally, in the third place, I was distracted by voluminous new interests; London took hold of me, and Science, which had been the universe, shrank back to the dimensions of tiresome100 little formulae compacted in a book. I came to London in late September, and it was a very different London from that great greyly-overcast101, smoke-stained house-wilderness of my first impressions. I reached it by Victoria and not by Cannon102 Street, and its centre was now in Exhibition Road. It shone, pale amber, blue-grey and tenderly spacious103 and fine under clear autumnal skies, a London of hugely handsome buildings and vistas104 and distances, a London of gardens and labyrinthine105 tall museums, of old trees and remote palaces and artificial waters. I lodged near by in West Brompton at a house in a little square.
So London faced me the second time, making me forget altogether for a while the grey, drizzling106 city visage that had first looked upon me. I settled down and went to and fro to my lectures and laboratory; in the beginning I worked hard, and only slowly did the curiosity that presently possessed107 me to know more of this huge urban province arise, the desire to find something beyond mechanism108 that I could serve, some use other than learning. With this was a growing sense of loneliness, a desire for adventure and intercourse. I found myself in the evenings poring over a map of London I had bought, instead of copying out lecture notes—and on Sundays I made explorations, taking omnibus rides east and west and north and south, and to enlarging and broadening the sense of great swarming109 hinterlands of humanity with whom I had no dealings, of whom I knew nothing....
The whole illimitable place teemed110 with suggestions of indefinite and sometimes outrageous111 possibility, of hidden but magnificent meanings.
It wasn’t simply that I received a vast impression of space and multitude and opportunity; intimate things also were suddenly dragged from neglected, veiled and darkened corners into an acute vividness of perception. Close at hand in the big art museum I came for the first time upon the beauty of nudity, which I had hitherto held to be a shameful secret, flaunted112 and gloried in; I was made aware of beauty as not only permissible114, but desirable and frequent and of a thousand hitherto unsuspected rich aspects of life. One night in a real rapture115, I walked round the upper gallery of the Albert Hall and listened for the first time to great music; I believe now that it was a rendering116 of Beethoven’s Ninth Symphony....
My apprehension117 of spaces and places was reinforced by a quickened apprehension of persons. A constant stream of people passed by me, eyes met and challenged mine and passed—more and more I wanted then to stay—if I went eastward towards Piccadilly, women who seemed then to my boyish inexperience softly splendid and alluring118, murmured to me as they passed. Extraordinarily119 life unveiled. The very hoardings clamoured strangely at one’s senses and curiosities. One bought pamphlets and papers full of strange and daring ideas transcending120 one’s boldest; in the parks one heard men discussing the very existence of God, denying the rights of property, debating a hundred things that one dared not think about in Wimblehurst. And after the ordinary overcast day, after dull mornings, came twilight121, and London lit up and became a thing of white and yellow and red jewels of light and wonderful floods of golden illumination and stupendous and unfathomable shadows—and there were no longer any mean or shabby people—but a great mysterious movement of unaccountable beings....
Always I was coming on the queerest new aspects. Late one Saturday night I found myself one of a great slow-moving crowd between the blazing shops and the flaring122 barrows in the Harrow Road; I got into conversation with two bold-eyed girls, bought them boxes of chocolate, made the acquaintance of father and mother and various younger brothers and sisters, sat in a public-house hilariously123 with them all, standing124 and being stood drinks, and left them in the small hours at the door of “home,” never to see them again. And once I was accosted125 on the outskirts of a Salvation126 Army meeting in one of the parks by a silk-hatted young man of eager and serious discourse127, who argued against scepticism with me, invited me home to tea into a clean and cheerful family of brothers and sisters and friends, and there I spent the evening singing hymns128 to the harmonium (which reminded me of half-forgotten Chatham), and wishing all the sisters were not so obviously engaged....
III
How well I remember the first morning, a bright Sunday morning in early October, when I raided in upon Ewart! I found my old schoolfellow in bed in a room over an oil-shop in a back street at the foot of Highgate Hill. His landlady130, a pleasant, dirty young woman with soft-brown eyes, brought down his message for me to come up; and up I went. The room presented itself as ample and interesting in detail and shabby with a quite commendable131 shabbiness. I had an impression of brown walls—they were papered with brown paper—of a long shelf along one side of the room, with dusty plaster casts and a small cheap lay figure of a horse, of a table and something of grey wax partially132 covered with a cloth, and of scattered133 drawings. There was a gas stove in one corner, and some enameled134 ware113 that had been used for overnight cooking. The oilcloth on the floor was streaked135 with a peculiar136 white dust. Ewart himself was not in the first instance visible, but only a fourfold canvas screen at the end of the room from which shouts proceeded of “Come on!” then his wiry black hair, very much rumpled137, and a staring red-brown eye and his stump138 of a nose came round the edge of this at a height of about three feet from the ground “It’s old Ponderevo!” he said, “the Early bird! And he’s caught the worm! By Jove, but it’s cold this morning! Come round here and sit on the bed!”
He was lying on a small wooden fold-up bed, the scanty140 covering of which was supplemented by an overcoat and an elderly but still cheerful pair of check trousers, and he was wearing pajamas141 of a virulent142 pink and green. His neck seemed longer and more stringy than it had been even in our schooldays, and his upper lip had a wiry black moustache. The rest of his ruddy, knobby countenance143, his erratic144 hair and his general hairy leanness had not even—to my perceptions grown.
“By Jove!” he said, “you’ve got quite decent-looking, Ponderevo! What do you think of me?”
“You’re all right. What are you doing here?”
“Art, my son—sculpture! And incidentally—” He hesitated. “I ply30 a trade. Will you hand me that pipe and those smoking things? So! You can’t make coffee, eh? Well, try your hand. Cast down this screen—no—fold it up and so we’ll go into the other room. I’ll keep in bed all the same. The fire’s a gas stove. Yes. Don’t make it bang. too loud as you light it—I can’t stand it this morning. You won’t smoke ... Well, it does me good to see you again, Ponderevo. Tell me what you’re doing, and how you’re getting on.”
He directed me in the service of his simple hospitality, and presently I came back to his bed and sat down and smiled at him there, smoking comfortably, with his hands under his head, surveying me.
“How’s Life’s Morning, Ponderevo? By Jove, it must be nearly six years since we met! They’ve got moustaches. We’ve fleshed ourselves a bit, eh? And you?”
I felt a pipe was becoming after all, and that lit, I gave him a favourable145 sketch146 of my career.
“Science! And you’ve worked like that! While I’ve been potting round doing odd jobs for stone-masons and people, and trying to get to sculpture. I’ve a sort of feeling that the chisel—I began with painting, Ponderevo, and found I was colour-blind, colour-blind enough to stop it. I’ve drawn147 about and thought about—thought more particularly. I give myself three days a week as an art student, and the rest of the time I’ve a sort of trade that keeps me. And we’re still in the beginning of things, young men starting. Do you remember the old times at Goudhurst, our doll’s-house island, the Retreat of the Ten Thousand Young Holmes and the rabbits, eh? It’s surprising, if you think of it, to find we are still young. And we used to talk of what we would be, and we used to talk of love! I suppose you know all about that now, Ponderevo?”
I finished and hesitated on some vague foolish lie, “No,” I said, a little ashamed of the truth. “Do you? I’ve been too busy.”
“I’m just beginning—just as we were then. Things happen.”
He sucked at his pipe for a space and stared at the plaster cast of a flayed148 hand that hung on the wall.
“The fact is, Ponderevo, I’m beginning to find life a most extraordinary queer set-out; the things that pull one, the things that don’t. The wants—This business of sex. It’s a net. No end to it, no way out of it, no sense in it. There are times when women take possession of me, when my mind is like a painted ceiling at Hampton Court with the pride of the flesh sprawling149 all over it. Why>?... And then again sometimes when I have to encounter a woman, I am overwhelmed by a terror of tantalising boredom—I fly, I hide, I do anything. You’ve got your scientific explanations perhaps; what’s Nature and the universe up to in that matter?”
“It’s her way, I gather, of securing the continuity of the species.”
“But it doesn’t,” said Ewart. “That’s just it! No. I have succumbed150 to—dissipation—down the hill there. Euston Road way. And it was damned ugly and mean, and I hate having done it. And the continuity of the species—Lord!... And why does Nature make a man so infernally ready for drinks? There’s no sense in that anyhow.” He sat up in bed, to put this question with the greater earnestness. “And why has she given me a most violent desire towards sculpture and an equally violent desire to leave off work directly I begin it, eh?... Let’s have some more coffee. I put it to you, these things puzzle me, Ponderevo. They dishearten me. They keep me in bed.”
He had an air of having saved up these difficulties for me for some time. He sat with his chin almost touching151 his knees, sucking at his pipe.
“That’s what I mean,” he went on, “when I say life is getting on to me as extraordinarily queer, I don’t see my game, nor why I was invited. And I don’t make anything of the world outside either. What do you make of it?”
“London,” I began. “It’s—so enormous!”
“Isn’t it! And it’s all up to nothing. You find chaps keeping grocers’ shops—why the devil, Ponderevo, do they keep grocers’ shops? They all do it very carefully, very steadily, very meanly. You find people running about and doing the most remarkable152 things being policemen, for example, and burglars. They go about these businesses quite gravely and earnestly. I somehow—can’t go about mine. Is there any sense in it at all—anywhere?”
“There must be sense in it,” I said. “We’re young.”
“We’re young—yes. But one must inquire. The grocer’s a grocer because, I suppose, he sees he comes in there. Feels that on the whole it amounts to a call.... But the bother is I don’t see where I come in at all. Do you?”
“Where you come in?”
“No, where you come in.”
“Not exactly, yet,” I said. “I want to do some good in the world—something—something effectual, before I die. I have a sort of idea my scientific work—I don’t know.”
“Yes,” he mused153. “And I’ve got a sort of idea my sculpture,—but how it is to come in and why,—I’ve no idea at all.” He hugged his knees for a space. “That’s what puzzles me, Ponderevo, no end.”
He became animated154. “If you will look in that cupboard,” he said, “you will find an old respectable looking roll on a plate and a knife somewhere and a gallipot containing butter. You give them me and I’ll make my breakfast, and then if you don’t mind watching me paddle about at my simple toilet I’ll get up. Then we’ll go for a walk and talk about this affair of life further. And about Art and Literature and anything else that crops up on the way.... Yes, that’s the gallipot. Cockroach156 got in it? Chuck him out—damned interloper....”
So in the first five minutes of our talk, as I seem to remember it now, old Ewart struck the note that ran through all that morning’s intercourse....
To me it was a most memorable157 talk because it opened out quite new horizons of thought. I’d been working rather close and out of touch with Ewart’s free gesticulating way. He was pessimistic that day and sceptical to the very root of things. He made me feel clearly, what I had not felt at all before, the general adventurousness158 of life, particularly of life at the stage we had reached, and also the absence of definite objects, of any concerted purpose in the lives that were going on all round us. He made me feel, too, how ready I was to take up commonplace assumptions. Just as I had always imagined that somewhere in social arrangements there was certainly a Head-Master who would intervene if one went too far, so I had always had a sort of implicit159 belief that in our England there were somewhere people who understood what we were all, as a nation, about. That crumpled160 into his pit of doubt and vanished.
He brought out, sharply cut and certain, the immense effect of purposelessness in London that I was already indistinctly feeling. We found ourselves at last returning through Highgate Cemetery161 and Waterlow Park—and Ewart was talking.
“Look at it there,” he said, stopping and pointing to the great vale of London spreading wide and far. “It’s like a sea—and we swim in it. And at last down we go, and then up we come—washed up here.” He swung his arms to the long slopes about us, tombs and headstones in long perspectives, in limitless rows.
“We’re young, Ponderevo, but sooner or later our whitened memories will wash up on one of these beaches, on some such beach as this. George Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at the rows of ’em!”
He paused. “Do you see that hand? The hand, I mean, pointing upward, on the top of a blunted obelisk162. Yes. Well, that’s what I do for a living—when I’m not thinking, or drinking, or prowling, or making love, or pretending I’m trying to be a sculptor163 without either the money or the morals for a model. See? And I do those hearts afire and those pensive164 angel guardians165 with the palm of peace. Damned well I do ’em and damned cheap! I’m a sweated victim, Ponderevo...”
That was the way of it, anyhow. I drank deep of talk that day; we went into theology, into philosophy; I had my first glimpse of socialism. I felt as though I had been silent in a silence since I and he had parted. At the thought of socialism Ewart’s moods changed for a time to a sort of energy. “After all, all this confounded vagueness might be altered. If you could get men to work together...”
It was a good talk that rambled166 through all the universe. I thought I was giving my mind refreshment167, but indeed it was dissipation. All sorts of ideas, even now, carry me back as it were to a fountain-head, to Waterlow Park and my resuscitated168 Ewart. There stretches away south of us long garden slopes and white gravestones and the wide expanse of London, and somewhere in the picture is a red old wall, sun-warmed, and a great blaze of Michaelmas daisies set off with late golden sunflowers and a drift of mottled, blood-red, fallen leaves. It was with me that day as though I had lifted my head suddenly out of dull and immediate169 things and looked at life altogether.... But it played the very devil with the copying up of my arrears170 of notes to which I had vowed171 the latter half of that day.
After that reunion Ewart and I met much and talked much, and in our subsequent encounters his monologue172 was interrupted and I took my share. He had exercised me so greatly that I lay awake at nights thinking him over, and discoursed173 and answered him in my head as I went in the morning to the College. I am by nature a doer and only by the way a critic; his philosophical174 assertion of the incalculable vagueness of life which fitted his natural indolence roused my more irritable175 and energetic nature to active protests. “It’s all so pointless,” I said, “because people are slack and because it’s in the ebb176 of an age. But you’re a socialist177. Well, let’s bring that about! And there’s a purpose. There you are!”
Ewart gave me all my first conceptions of socialism; in a little while I was an enthusiastic socialist and he was a passive resister to the practical exposition of the theories he had taught me. “We must join some organisation,” I said. “We ought to do things.... We ought to go and speak at street corners. People don’t know.”
You must figure me a rather ill-dressed young man in a state of great earnestness, standing up in that shabby studio of his and saying these things, perhaps with some gesticulations, and Ewart with a clay-smudged face, dressed perhaps in a flannel178 shirt and trousers, with a pipe in his mouth, squatting179 philosophically180 at a table, working at some chunk181 of clay that never got beyond suggestion.
“I wonder why one doesn’t want to,” he said.
It was only very slowly I came to gauge182 Ewart’s real position in the scheme of things, to understand how deliberate and complete was this detachment of his from the moral condemnation183 and responsibilities that played so fine a part in his talk. His was essentially184 the nature of an artistic185 appreciator; he could find interest and beauty in endless aspects of things that I marked as evil, or at least as not negotiable; and the impulse I had towards self-deception, to sustained and consistent self-devotion, disturbed and detached and pointless as it was at that time, he had indeed a sort of admiration186 for but no sympathy. Like many fantastic and ample talkers he was at bottom secretive, and he gave me a series of little shocks of discovery throughout our intercourse.
The first of these came in the realisation that he quite seriously meant to do nothing in the world at all towards reforming the evils he laid bare in so easy and dexterous187 a manner. The next came in the sudden appearance of a person called “Milly”—I’ve forgotten her surname—whom I found in his room one evening, simply attired188 in a blue wrap—the rest of her costume behind the screen—smoking cigarettes and sharing a flagon of an amazingly cheap and self-assertive grocer’s wine Ewart affected, called “Canary Sack.” “Hullo!” said Ewart, as I came in. “This is Milly, you know. She’s been being a model—she IS a model really.... (keep calm, Ponderevo!) Have some sack?”
Milly was a woman of thirty, perhaps, with a broad, rather pretty face, a placid189 disposition190, a bad accent and delightful191 blond hair that waved off her head with an irrepressible variety of charm; and whenever Ewart spoke192 she beamed at him. Ewart was always sketching193 this hair of hers and embarking194 upon clay statuettes of her that were never finished. She was, I know now, a woman of the streets, whom Ewart had picked up in the most casual manner, and who had fallen in love with him, but my inexperience in those days was too great for me to place her then, and Ewart offered no elucidations. She came to him, he went to her, they took holidays together in the country when certainly she sustained her fair share of their expenditure195. I suspect him now even of taking money from her. Odd old Ewart! It was a relationship so alien to my orderly conceptions of honour, to what I could imagine any friend of mine doing, that I really hardly saw it with it there under my nose. But I see it and I think I understand it now....
Before I fully grasped the discursive196 manner in which Ewart was committed to his particular way in life, I did, I say, as the broad constructive197 ideas of socialism took hold of me, try to get him to work with me in some definite fashion as a socialist.
“We ought to join on to other socialists198,” I said.
“They’ve got something.”
“Let’s go and look at some first.”
After some pains we discovered the office of the Fabian Society, lurking199 in a cellar in Clement’s Inn; and we went and interviewed a rather discouraging secretary who stood astraddle in front of a fire and questioned us severely200 and seemed to doubt the integrity of our intentions profoundly. He advised us to attend the next open meeting in Clifford’s Inn and gave us the necessary data. We both contrived201 to get to the affair, and heard a discursive gritty paper on Trusts and one of the most inconclusive discussions you can imagine. Three-quarters of the speakers seemed under some jocular obsession202 which took the form of pretending to be conceited203. It was a sort of family joke, and as strangers to the family we did not like it.... As we came out through the narrow passage from Clifford’s Inn to the Strand204, Ewart suddenly pitched upon a wizened205, spectacled little man in a vast felt hat and a large orange tie.
“How many members are there in this Fabian Society of yours?” he asked.
“About seven hundred,” he said; “perhaps eight.”
“Like—like the ones here?”
The little man gave a nervous self-satisfied laugh. “I suppose they’re up to sample,” he said.
The little man dropped out of existence and we emerged upon the Strand. Ewart twisted his arm into a queerly eloquent207 gesture that gathered up all the tall façades of the banks, the business places, the projecting clock and towers of the Law Courts, the advertisements, the luminous99 signs, into one social immensity, into a capitalistic system gigantic and invincible208.
“These socialists have no sense of proportion,” he said. “What can you expect of them?”
IV
Ewart, as the embodiment of talk, was certainly a leading factor in my conspicuous86 failure to go on studying. Social theory in its first crude form of Democratic Socialism gripped my intelligence more and more powerfully. I argued in the laboratory with the man who shared my bench until we quarreled and did not speak and also I fell in love.
The ferment209 of sex had been creeping into my being like a slowly advancing tide through all my Wimblehurst days, the stimulus210 of London was like the rising of a wind out of the sea that brings the waves in fast and high. Ewart had his share in that. More and more acutely and unmistakably did my perception of beauty, form and sound, my desire for adventure, my desire for intercourse, converge211 on this central and commanding business of the individual life. I had to get me a mate.
I began to fall in love faintly with girls I passed in the street, with women who sat before me in trains, with girl fellow-students, with ladies in passing carriages, with loiterers at the corners, with neat-handed waitresses in shops and tea-rooms, with pictures even of girls and women. On my rare visits to the theatre I always became exalted212, and found the actresses and even the spectators about me mysterious, attractive, creatures of deep interest and desire. I had a stronger and stronger sense that among these glancing, passing multitudes there was somewhere one who was for me. And in spite of every antagonistic213 force in the world, there was something in my very marrow214 that insisted: “Stop! Look at this one! Think of her! Won’t she do? This signifies—this before all things signifies! Stop! Why are you hurrying by? This may be the predestined person—before all others.”
It is odd that I can’t remember when first I saw Marion, who became my wife—whom I was to make wretched, who was to make me wretched, who was to pluck that fine generalised possibility of love out of my early manhood and make it a personal conflict. I became aware of her as one of a number of interesting attractive figures that moved about in my world, that glanced back at my eyes, that flitted by with a kind of averted215 watchfulness216. I would meet her coming through the Art Museum, which was my short cut to the Brompton Road, or see her sitting, reading as I thought, in one of the bays of the Education Library. But really, as I found out afterwards, she never read. She used to come there to eat a bun in quiet. She was a very gracefully218-moving figure of a girl then, very plainly dressed, with dark brown hair I remember, in a knot low on her neck behind that confessed the pretty roundness of her head and harmonised with the admirable lines of ears and cheek, the grave serenity219 of mouth and brow.
She stood out among the other girls very distinctly because they dressed more than she did, struck emphatic220 notes of colour, startled one by novelties in hats and bows and things. I’ve always hated the rustle221, the disconcerting colour boundaries, the smart unnatural222 angles of women’s clothes. Her plain black dress gave her a starkness223....
I do remember, though, how one afternoon I discovered the peculiar appeal of her form for me. I had been restless with my work and had finally slipped out of the Laboratory and come over to the Art Museum to lounge among the pictures. I came upon her in an odd corner of the Sheepshanks gallery, intently copying something from a picture that hung high. I had just been in the gallery of casts from the antique, my mind was all alive with my newly awakened224 sense of line, and there she stood with face upturned, her body drooping225 forward from the hips73 just a little—memorably graceful—feminine.
After that I know I sought to see her, felt a distinctive226 emotion at her presence, began to imagine things about her. I no longer thought of generalised womanhood or of this casual person or that. I thought of her.
An accident brought us together. I found myself one Monday morning in an omnibus staggering westward from Victoria—I was returning from a Sunday I’d spent at Wimblehurst in response to a unique freak of hospitality on the part of Mr. Mantell. She was the sole other inside passenger. And when the time came to pay her fare, she became an extremely scared, disconcerted and fumbling227 young woman; she had left her purse at home.
Luckily I had some money.
She looked at me with startled, troubled brown eyes; she permitted my proffered228 payment to the conductor with a certain ungraciousness that seemed a part of her shyness, and then as she rose to go, she thanked me with an obvious affectation of ease.
“Thank you so much,” she said in a pleasant soft voice; and then less gracefully, “Awfully kind of you, you know.”
I fancy I made polite noises. But just then I wasn’t disposed to be critical. I was full of the sense of her presence; her arm was stretched out over me as she moved past me, the gracious slenderness of her body was near me. The words we used didn’t seem very greatly to matter. I had vague ideas of getting out with her—and I didn’t.
That encounter, I have no doubt, exercised me enormously. I lay awake at night rehearsing it, and wondering about the next phase of our relationship. That took the form of the return of my twopence. I was in the Science Library, digging something out of the Encyclopædia Britannica, when she appeared beside me and placed on the open page an evidently premeditated thin envelope, bulgingly230 confessing the coins within.
“It was so very kind of you,” she said, “the other day. I don’t know what I should have done, Mr.—”
I supplied my name. “I knew,” I said, “you were a student here.”
“Not exactly a student. I—”
“Well, anyhow, I knew you were here frequently. And I’m a student myself at the Consolidated Technical Schools.”
I plunged231 into autobiography232 and questionings, and so entangled233 her in a conversation that got a quality of intimacy234 through the fact that, out of deference235 to our fellow-readers, we were obliged to speak in undertones. And I have no doubt that in substance it was singularly banal236. Indeed I have an impression that all our early conversations were incredibly banal. We met several times in a manner half-accidental, half furtive237 and wholly awkward. Mentally I didn’t take hold of her. I never did take hold of her mentally. Her talk, I now know all too clearly, was shallow, pretentious238, evasive. Only—even to this day—I don’t remember it as in any way vulgar. She was, I could see quite clearly, anxious to overstate or conceal239 her real social status, a little desirous to be taken for a student in the art school and a little ashamed that she wasn’t. She came to the museum to “copy things,” and this, I gathered, had something to do with some way of partially earning her living that I wasn’t to inquire into. I told her things about myself, vain things that I felt might appeal to her, but that I learnt long afterwards made her think me “conceited.” We talked of books, but there she was very much on her guard and secretive, and rather more freely of pictures. She “liked” pictures. I think from the outset I appreciated and did not for a moment resent that hers was a commonplace mind, that she was the unconscious custodian240 of something that had gripped my most intimate instinct, that she embodied241 the hope of a possibility, was the careless proprietor242 of a physical quality that had turned my head like strong wine. I felt I had to stick to our acquaintance, flat as it was. Presently we should get through these irrelevant exterior things, and come to the reality of love beneath.
I saw her in dreams released, as it were, from herself, beautiful, worshipful, glowing. And sometimes when we were together, we would come on silences through sheer lack of matter, and then my eyes would feast on her, and the silence seemed like the drawing back of a curtain—her superficial self. Odd, I confess. Odd, particularly, the enormous hold of certain things about her upon me, a certain slight rounded duskiness of skin, a certain perfection of modelling in her lips, her brow, a certain fine flow about the shoulders. She wasn’t indeed beautiful to many people—these things are beyond explaining. She had manifest defects of form and feature, and they didn’t matter at all. Her complexion243 was bad, but I don’t think it would have mattered if it had been positively244 unwholesome. I had extraordinarily limited, extraordinarily painful, desires. I longed intolerably to kiss her lips.
V
The affair was immensely serious and commanding to me. I don’t remember that in these earlier phases I had any thought of turning back at all. It was clear to me that she regarded me with an eye entirely245 more critical than I had for her, that she didn’t like my scholarly untidiness, my want of even the most commonplace style. “Why do you wear collars like that?” she said, and sent me in pursuit of gentlemanly neckwear. I remember when she invited me a little abruptly246 one day to come to tea at her home on the following Sunday and meet her father and mother and aunt, that I immediately doubted whether my hitherto unsuspected best clothes would create the impression she desired me to make on her belongings247. I put off the encounter until the Sunday after, to get myself in order. I had a morning coat made and I bought a silk hat, and had my reward in the first glance of admiration she ever gave me. I wonder how many of my sex are as preposterous248. I was, you see, abandoning all my beliefs, my conventions unasked. I was forgetting myself immensely. And there was a conscious shame in it all. Never a word—did I breathe to Ewart—to any living soul of what was going on.
Her father and mother and aunt struck me as the dismalest of people, and her home in Walham Green was chiefly notable for its black and amber tapestry249 carpets and curtains and table-cloths, and the age and irrelevance250 of its books, mostly books with faded gilt251 on the covers. The windows were fortified252 against the intrusive253 eye by cheap lace curtains and an “art pot” upon an unstable254 octagonal table. Several framed Art School drawings of Marion’s, bearing official South Kensington marks of approval, adorned255 the room, and there was a black and gilt piano with a hymn-book on the top of it. There were draped mirrors over all the mantels, and above the sideboard in the dining-room in which we sat at tea was a portrait of her father, villainously truthful256 after the manner of such works. I couldn’t see a trace of the beauty I found in her in either parent, yet she somehow contrived to be like them both.
These people pretended in a way that reminded me of the Three Great Women in my mother’s room, but they had not nearly so much social knowledge and did not do it nearly so well. Also, I remarked, they did it with an eye on Marion. They had wanted to thank me, they said, for the kindness to their daughter in the matter of the ‘bus fare, and so accounted for anything unusual in their invitation. They posed as simple gentlefolk, a little hostile to the rush and gadding-about of London, preferring a secluded257 and unpretentious quiet.
When Marion got out the white table-cloth from the sideboard-drawer for tea, a card bearing the word “APARTMENTS” fell to the floor. I picked it up and gave it to her before I realised from her quickened colour that I should not have seen it; that probably had been removed from the window in honour of my coming.
Her father spoke once in a large remote way of he claims of business engagements, and it was only long afterwards I realised that he was a supernumerary clerk in the Walham Green Gas Works and otherwise a useful man at home. He was a large, loose, fattish man with unintelligent brown eyes magnified by spectacles; he wore an ill-fitting frock-coat and a paper collar, and he showed me, as his great treasure and interest, a large Bible which he had grangerised with photographs of pictures. Also he cultivated the little garden-yard behind the house, and he had a small greenhouse with tomatoes. “I wish I ’ad ’eat,” he said. “One can do such a lot with ’eat. But I suppose you can’t ’ave everything you want in this world.”
Both he and Marion’s mother treated her with a deference that struck me as the most natural thing in the world. Her own manner changed, became more authoritative258 and watchful217, her shyness disappeared. She had taken a line of her own I gathered, draped the mirror, got the second-hand259 piano, and broken her parents in.
Her mother must once have been a pretty woman; she had regular features and Marion’s hair without its lustre260, but she was thin and careworn261. The aunt, Miss Ramboat, was a large, abnormally shy person very like her brother, and I don’t recall anything she said on this occasion.
To begin with there was a good deal of tension, Marion was frightfully nervous and every one was under the necessity of behaving in a mysteriously unreal fashion until I plunged, became talkative and made a certain ease and interest. I told them of the schools, of my lodgings262, of Wimblehurst and my apprenticeship days. “There’s a lot of this Science about nowadays,” Mr. Ramboat reflected; “but I sometimes wonder a bit what good it is?”
I was young enough to be led into what he called “a bit of a discussion,” which Marion truncated263 before our voices became unduly264 raised. “I dare say,” she said, “there’s much to be said on both sides.”
I remember Marion’s mother asked me what church I attended, and that I replied evasively. After tea there was music and we sang hymns. I doubted if I had a voice when this was proposed, but that was held to be a trivial objection, and I found sitting close beside the sweep of hair from Marion’s brow had many compensations. I discovered her mother sitting in the horsehair armchair and regarding us sentimentally265. I went for a walk with Marion towards Putney Bridge, and then there was more singing and a supper of cold bacon and pie, after which Mr. Ramboat and I smoked. During that walk, I remember, she told me the import of her sketchings and copyings in the museum. A cousin of a friend of hers whom she spoke of as Smithie, had developed an original business in a sort of tea-gown garment which she called a Persian Robe, a plain sort of wrap with a gaily266 embroidered267 yoke268, and Marion went there and worked in the busy times. In the times that weren’t busy she designed novelties in yokes269 by an assiduous use of eyes and note-book in the museum, and went home and traced out the captured forms on the foundation material. “I don’t get much,” said Marion, “but it’s interesting, and in the busy times we work all day. Of course the workgirls are dreadfully common, but we don’t say much to them. And Smithie talks enough for ten.”
I quite understood the workgirls were dreadfully common.
I don’t remember that the Walham Green ménage and the quality of these people, nor the light they threw on Marion, detracted in the slightest degree at that time from the intent resolve that held me to make her mine. I didn’t like them. But I took them as part of the affair. Indeed, on the whole, I think they threw her up by an effect of contrast; she was so obviously controlling them, so consciously superior to them.
More and more of my time did I give to this passion that possessed me. I began to think chiefly of ways of pleasing Marion, of acts of devotion, of treats, of sumptuous270 presents for her, of appeals she would understand. If at times she was manifestly unintelligent, in her ignorance became indisputable, I told myself her simple instincts were worth all the education and intelligence in the world. And to this day I think I wasn’t really wrong about her. There was something extraordinarily fine about her, something simple and high, that flickered271 in and out of her ignorance and commonness and limitations like the tongue from the mouth of a snake....
One night I was privileged to meet her and bring her home from an entertainment at the Birkbeck Institute. We came back on the underground railway and we travelled first-class—that being the highest class available. We were alone in the carriage, and for the first time I ventured to put my arm about her.
“You mustn’t,” she said feebly.
“I love you,” I whispered suddenly with my heart beating wildly, drew her to me, drew all her beauty to me and kissed her cool and unresisting lips.
“Love me?” she said, struggling away from me, “Don’t!” and then, as the train ran into a station, “You must tell no one.... I don’t know.... You shouldn’t have done that....”
Then two other people got in with us and terminated my wooing for a time.
When we found ourselves alone together, walking towards Battersea, she had decided272 to be offended. I parted from her unforgiven and terribly distressed273.
When we met again, she told me I must never say “that” again.
I had dreamt that to kiss her lips was ultimate satisfaction. But it was indeed only the beginning of desires. I told her my one ambition was to marry her.
“But,” she said, “you’re not in a position—What’s the good of talking like that?”
I stared at her. “I mean to,” I said.
“You can’t,” she answered. “It will be years”
“But I love you,” I insisted.
I stood not a yard from the sweet lips I had kissed; I stood within arm’s length of the inanimate beauty I desired to quicken, and I saw opening between us a gulf274 of years, toil155, waiting, disappointments and an immense uncertainty.
“I love you,” I said. “Don’t you love me?”
She looked me in the face with grave irresponsive eyes.
“I don’t know,” she said. “I like you, of course.... One has to be sensibl...”
I can remember now my sense of frustration275 by her unresilient reply. I should have perceived then that for her my ardour had no quickening fire. But how was I to know? I had let myself come to want her, my imagination endowed her with infinite possibilities. I wanted her and wanted her, stupidly and instinctively276....
“But,” I said “Love—!”
“One has to be sensible,” she replied. “I like going about with you. Can’t we keep as we are?’”
VI
Well, you begin to understand my breakdown277 now, I have been copious278 enough with these apologia. My work got more and more spiritless, my behaviour degenerated279, my punctuality declined; I was more and more outclassed in the steady grind by my fellow-students. Such supplies of moral energy as I still had at command shaped now in the direction of serving Marion rather than science.
I fell away dreadfully, more and more I shirked and skulked280; the humped men from the north, the pale men with thin, clenched281 minds, the intent, hard-breathing students I found against me, fell at last from keen rivalry282 to moral contempt. Even a girl got above me upon one of the lists. Then indeed I made it a point of honour to show by my public disregard of every rule that I really did not even pretend to try.
So one day I found myself sitting in a mood of considerable astonishment283 in Kensington Gardens, reacting on a recent heated interview with the school Registrar284 in which I had displayed more spirit than sense. I was astonished chiefly at my stupendous falling away from all the militant285 ideals of unflinching study I had brought up from Wimblehurst. I had displayed myself, as the Registrar put it, “an unmitigated rotter.” My failure to get marks in the written examination had only been equalled by the insufficiency of my practical work.
“I ask you,” the Registrar had said, “what will become of you when your scholarship runs out?”
It certainly was an interesting question. What was going to become of me?
It was clear there would be nothing for me in the schools as I had once dared to hope; there seemed, indeed, scarcely anything in the world except an illpaid assistantship in some provincial286 organized Science School or grammar school. I knew that for that sort of work, without a degree or any qualification, one earned hardly a bare living and had little leisure to struggle up to anything better. If only I had even as little as fifty pounds I might hold out in London and take my B.Sc. degree, and quadruple my chances! My bitterness against my uncle returned at the thought. After all, he had some of my money still, or ought to have. Why shouldn’t I act within my rights, threaten to ‘take proceedings’? I meditated229 for a space on the idea, and then returned to the Science Library and wrote him a very considerable and occasionally pungent287 letter.
That letter to my uncle was the nadir288 of my failure. Its remarkable consequences, which ended my student days altogether, I will tell in the next chapter.
I say “my failure.” Yet there are times when I can even doubt whether that period was a failure at all, when I become defensively critical of those exacting289 courses I did not follow, the encyclopaedic process of scientific exhaustion290 from which I was distracted. My mind was not inactive, even if it fed on forbidden food. I did not learn what my professors and demonstrators had resolved I should learn, but I learnt many things. My mind learnt to swing wide and to swing by itself.
After all, those other fellows who took high places in the College examinations and were the professor’s model boys haven’t done so amazingly. Some are professors themselves, some technical experts; not one can show things done such as I, following my own interest, have achieved. For I have built boats that smack291 across the water like whiplashes; no one ever dreamt of such boats until I built them; and I have surprised three secrets that are more than technical discoveries, in the unexpected hiding-places of Nature. I have come nearer flying than any man has done. Could I have done as much if I had had a turn for obeying those rather mediocre292 professors at the college who proposed to train my mind? If I had been trained in research—that ridiculous contradiction in terms—should I have done more than produce additions to the existing store of little papers with blunted conclusions, of which there are already too many? I see no sense in mock modesty293 upon this matter. Even by the standards of worldly success I am, by the side of my fellow-students, no failure. I had my F.R.S. by the time I was thirty-seven, and if I am not very wealthy poverty is as far from me as the Spanish Inquisition. Suppose I had stamped down on the head of my wandering curiosity, locked my imagination in a box just when it wanted to grow out to things, worked by so-and-so’s excellent method and so-and-so’s indications, where should I be now?
I may be all wrong in this. It may be I should be a far more efficient man than I am if I had cut off all those divergent expenditures294 of energy, plugged up my curiosity about society with more currently acceptable rubbish or other, abandoned Ewart, evaded295 Marion instead of pursuing her, concentrated. But I don’t believe it!
However, I certainly believed it completely and was filled with remorse296 on that afternoon when I sat dejectedly in Kensington Gardens and reviewed, in the light of the Registrar’s pertinent297 questions my first two years in London.
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1 dwindles | |
v.逐渐变少或变小( dwindle的第三人称单数 ) | |
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2 speck | |
n.微粒,小污点,小斑点 | |
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3 irrelevant | |
adj.不恰当的,无关系的,不相干的 | |
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4 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
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5 amber | |
n.琥珀;琥珀色;adj.琥珀制的 | |
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6 tranquillity | |
n. 平静, 安静 | |
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7 apprehend | |
vt.理解,领悟,逮捕,拘捕,忧虑 | |
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8 qualified | |
adj.合格的,有资格的,胜任的,有限制的 | |
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10 incurably | |
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11 mellowed | |
(使)成熟( mellow的过去式和过去分词 ); 使色彩更加柔和,使酒更加醇香 | |
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12 chaos | |
n.混乱,无秩序 | |
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adv.稳定地;不变地;持续地 | |
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14 adventurous | |
adj.爱冒险的;惊心动魄的,惊险的,刺激的 | |
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15 gentry | |
n.绅士阶级,上层阶级 | |
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16 recurred | |
再发生,复发( recur的过去式和过去分词 ); 治愈 | |
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17 albeit | |
conj.即使;纵使;虽然 | |
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18 texture | |
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19 westward | |
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20 diffused | |
散布的,普及的,扩散的 | |
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22 systematic | |
adj.有系统的,有计划的,有方法的 | |
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23 insolent | |
adj.傲慢的,无理的 | |
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24 mansions | |
n.宅第,公馆,大厦( mansion的名词复数 ) | |
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25 porcelain | |
n.瓷;adj.瓷的,瓷制的 | |
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26 observatories | |
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27 anatomy | |
n.解剖学,解剖;功能,结构,组织 | |
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28 dwindled | |
v.逐渐变少或变小( dwindle的过去式和过去分词 ) | |
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29 proliferating | |
激增( proliferate的现在分词 ); (迅速)繁殖; 增生; 扩散 | |
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30 ply | |
v.(搬运工等)等候顾客,弯曲 | |
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31 outgrown | |
长[发展] 得超过(某物)的范围( outgrow的过去分词 ); 长[发展]得不能再要(某物); 长得比…快; 生长速度超过 | |
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32 profaning | |
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33 solicitor | |
n.初级律师,事务律师 | |
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34 eastward | |
adv.向东;adj.向东的;n.东方,东部 | |
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35 pall | |
v.覆盖,使平淡无味;n.柩衣,棺罩;棺材;帷幕 | |
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36 horrified | |
a.(表现出)恐惧的 | |
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37 gathering | |
n.集会,聚会,聚集 | |
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38 outskirts | |
n.郊外,郊区 | |
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39 butted | |
对接的 | |
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40 rusty | |
adj.生锈的;锈色的;荒废了的 | |
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41 charing | |
n.炭化v.把…烧成炭,把…烧焦( char的现在分词 );烧成炭,烧焦;做杂役女佣 | |
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42 dingy | |
adj.昏暗的,肮脏的 | |
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43 morbidly | |
adv.病态地 | |
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44 sinister | |
adj.不吉利的,凶恶的,左边的 | |
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45 inexplicable | |
adj.无法解释的,难理解的 | |
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46 tumorous | |
肿胀的; 肿瘤性的; 浮华的; 浮夸的 | |
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47 affected | |
adj.不自然的,假装的 | |
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48 protrudes | |
v.(使某物)伸出,(使某物)突出( protrude的第三人称单数 ) | |
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49 ignoble | |
adj.不光彩的,卑鄙的;可耻的 | |
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50 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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51 impoverished | |
adj.穷困的,无力的,用尽了的v.使(某人)贫穷( impoverish的过去式和过去分词 );使(某物)贫瘠或恶化 | |
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52 structural | |
adj.构造的,组织的,建筑(用)的 | |
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53 diagnosis | |
n.诊断,诊断结果,调查分析,判断 | |
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54 embedded | |
a.扎牢的 | |
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55 weird | |
adj.古怪的,离奇的;怪诞的,神秘而可怕的 | |
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56 unfamiliar | |
adj.陌生的,不熟悉的 | |
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57 devious | |
adj.不坦率的,狡猾的;迂回的,曲折的 | |
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58 exterior | |
adj.外部的,外在的;表面的 | |
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59 lodged | |
v.存放( lodge的过去式和过去分词 );暂住;埋入;(权利、权威等)归属 | |
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60 replacement | |
n.取代,替换,交换;替代品,代用品 | |
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61 frayed | |
adj.磨损的v.(使布、绳等)磨损,磨破( fray的过去式和过去分词 ) | |
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62 cuff | |
n.袖口;手铐;护腕;vt.用手铐铐;上袖口 | |
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63 pointed | |
adj.尖的,直截了当的 | |
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64 illicit | |
adj.非法的,禁止的,不正当的 | |
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65 parasitically | |
adv.寄生地,由寄生虫引起地 | |
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66 insidiously | |
潜在地,隐伏地,阴险地 | |
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67 adventitious | |
adj.偶然的 | |
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68 patriotic | |
adj.爱国的,有爱国心的 | |
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69 sanity | |
n.心智健全,神智正常,判断正确 | |
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70 advisers | |
顾问,劝告者( adviser的名词复数 ); (指导大学新生学科问题等的)指导教授 | |
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71 pharmaceutical | |
adj.药学的,药物的;药用的,药剂师的 | |
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72 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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73 hips | |
abbr.high impact polystyrene 高冲击强度聚苯乙烯,耐冲性聚苯乙烯n.臀部( hip的名词复数 );[建筑学]屋脊;臀围(尺寸);臀部…的 | |
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74 consolidated | |
a.联合的 | |
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75 prospects | |
n.希望,前途(恒为复数) | |
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76 adolescence | |
n.青春期,青少年 | |
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77 uncertainty | |
n.易变,靠不住,不确知,不确定的事物 | |
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78 strenuous | |
adj.奋发的,使劲的;紧张的;热烈的,狂热的 | |
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79 apprenticeship | |
n.学徒身份;学徒期 | |
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80 honourable | |
adj.可敬的;荣誉的,光荣的 | |
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81 motives | |
n.动机,目的( motive的名词复数 ) | |
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82 vices | |
缺陷( vice的名词复数 ); 恶习; 不道德行为; 台钳 | |
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83 shameful | |
adj.可耻的,不道德的 | |
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84 lust | |
n.性(淫)欲;渴(欲)望;vi.对…有强烈的欲望 | |
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85 intercourse | |
n.性交;交流,交往,交际 | |
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86 conspicuous | |
adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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87 conspicuously | |
ad.明显地,惹人注目地 | |
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88 industrious | |
adj.勤劳的,刻苦的,奋发的 | |
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89 accomplishment | |
n.完成,成就,(pl.)造诣,技能 | |
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90 Oxford | |
n.牛津(英国城市) | |
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91 benighted | |
adj.蒙昧的 | |
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92 poseur | |
n.装模作样的人 | |
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93 outlet | |
n.出口/路;销路;批发商店;通风口;发泄 | |
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94 warp | |
vt.弄歪,使翘曲,使不正常,歪曲,使有偏见 | |
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95 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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96 taper | |
n.小蜡烛,尖细,渐弱;adj.尖细的;v.逐渐变小 | |
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97 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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98 exertion | |
n.尽力,努力 | |
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99 luminous | |
adj.发光的,发亮的;光明的;明白易懂的;有启发的 | |
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100 tiresome | |
adj.令人疲劳的,令人厌倦的 | |
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101 overcast | |
adj.阴天的,阴暗的,愁闷的;v.遮盖,(使)变暗,包边缝;n.覆盖,阴天 | |
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102 cannon | |
n.大炮,火炮;飞机上的机关炮 | |
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103 spacious | |
adj.广阔的,宽敞的 | |
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104 vistas | |
长条形景色( vista的名词复数 ); 回顾; 展望; (未来可能发生的)一系列情景 | |
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105 labyrinthine | |
adj.如迷宫的;复杂的 | |
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106 drizzling | |
下蒙蒙细雨,下毛毛雨( drizzle的现在分词 ) | |
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107 possessed | |
adj.疯狂的;拥有的,占有的 | |
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108 mechanism | |
n.机械装置;机构,结构 | |
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109 swarming | |
密集( swarm的现在分词 ); 云集; 成群地移动; 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
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110 teemed | |
v.充满( teem的过去式和过去分词 );到处都是;(指水、雨等)暴降;倾注 | |
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111 outrageous | |
adj.无理的,令人不能容忍的 | |
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112 flaunted | |
v.炫耀,夸耀( flaunt的过去式和过去分词 );有什么能耐就施展出来 | |
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113 ware | |
n.(常用复数)商品,货物 | |
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114 permissible | |
adj.可允许的,许可的 | |
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115 rapture | |
n.狂喜;全神贯注;着迷;v.使狂喜 | |
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116 rendering | |
n.表现,描写 | |
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117 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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118 alluring | |
adj.吸引人的,迷人的 | |
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119 extraordinarily | |
adv.格外地;极端地 | |
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120 transcending | |
超出或超越(经验、信念、描写能力等)的范围( transcend的现在分词 ); 优于或胜过… | |
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121 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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122 flaring | |
a.火焰摇曳的,过份艳丽的 | |
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123 hilariously | |
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124 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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125 accosted | |
v.走过去跟…讲话( accost的过去式和过去分词 );跟…搭讪;(乞丐等)上前向…乞讨;(妓女等)勾搭 | |
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126 salvation | |
n.(尤指基督)救世,超度,拯救,解困 | |
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127 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
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128 hymns | |
n.赞美诗,圣歌,颂歌( hymn的名词复数 ) | |
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129 boundless | |
adj.无限的;无边无际的;巨大的 | |
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130 landlady | |
n.女房东,女地主 | |
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131 commendable | |
adj.值得称赞的 | |
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132 partially | |
adv.部分地,从某些方面讲 | |
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133 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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134 enameled | |
涂瓷釉于,给…上瓷漆,给…上彩饰( enamel的过去式和过去分词 ) | |
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135 streaked | |
adj.有条斑纹的,不安的v.快速移动( streak的过去式和过去分词 );使布满条纹 | |
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136 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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137 rumpled | |
v.弄皱,使凌乱( rumple的过去式和过去分词 ) | |
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138 stump | |
n.残株,烟蒂,讲演台;v.砍断,蹒跚而走 | |
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139 wrung | |
绞( wring的过去式和过去分词 ); 握紧(尤指别人的手); 把(湿衣服)拧干; 绞掉(水) | |
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140 scanty | |
adj.缺乏的,仅有的,节省的,狭小的,不够的 | |
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141 pajamas | |
n.睡衣裤 | |
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142 virulent | |
adj.有毒的,有恶意的,充满敌意的 | |
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143 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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144 erratic | |
adj.古怪的,反复无常的,不稳定的 | |
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145 favourable | |
adj.赞成的,称赞的,有利的,良好的,顺利的 | |
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146 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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147 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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148 flayed | |
v.痛打( flay的过去式和过去分词 );把…打得皮开肉绽;剥(通常指动物)的皮;严厉批评 | |
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149 sprawling | |
adj.蔓生的,不规则地伸展的v.伸开四肢坐[躺]( sprawl的现在分词 );蔓延;杂乱无序地拓展;四肢伸展坐着(或躺着) | |
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150 succumbed | |
不再抵抗(诱惑、疾病、攻击等)( succumb的过去式和过去分词 ); 屈从; 被压垮; 死 | |
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151 touching | |
adj.动人的,使人感伤的 | |
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152 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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153 mused | |
v.沉思,冥想( muse的过去式和过去分词 );沉思自语说(某事) | |
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154 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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155 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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156 cockroach | |
n.蟑螂 | |
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157 memorable | |
adj.值得回忆的,难忘的,特别的,显著的 | |
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158 adventurousness | |
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159 implicit | |
a.暗示的,含蓄的,不明晰的,绝对的 | |
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160 crumpled | |
adj. 弯扭的, 变皱的 动词crumple的过去式和过去分词形式 | |
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161 cemetery | |
n.坟墓,墓地,坟场 | |
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162 obelisk | |
n.方尖塔 | |
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163 sculptor | |
n.雕刻家,雕刻家 | |
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164 pensive | |
a.沉思的,哀思的,忧沉的 | |
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165 guardians | |
监护人( guardian的名词复数 ); 保护者,维护者 | |
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166 rambled | |
(无目的地)漫游( ramble的过去式和过去分词 ); (喻)漫谈; 扯淡; 长篇大论 | |
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167 refreshment | |
n.恢复,精神爽快,提神之事物;(复数)refreshments:点心,茶点 | |
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168 resuscitated | |
v.使(某人或某物)恢复知觉,苏醒( resuscitate的过去式和过去分词 ) | |
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169 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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170 arrears | |
n.到期未付之债,拖欠的款项;待做的工作 | |
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171 vowed | |
起誓,发誓(vow的过去式与过去分词形式) | |
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172 monologue | |
n.长篇大论,(戏剧等中的)独白 | |
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173 discoursed | |
演说(discourse的过去式与过去分词形式) | |
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174 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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175 irritable | |
adj.急躁的;过敏的;易怒的 | |
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176 ebb | |
vi.衰退,减退;n.处于低潮,处于衰退状态 | |
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177 socialist | |
n.社会主义者;adj.社会主义的 | |
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178 flannel | |
n.法兰绒;法兰绒衣服 | |
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179 squatting | |
v.像动物一样蹲下( squat的现在分词 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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180 philosophically | |
adv.哲学上;富有哲理性地;贤明地;冷静地 | |
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181 chunk | |
n.厚片,大块,相当大的部分(数量) | |
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182 gauge | |
v.精确计量;估计;n.标准度量;计量器 | |
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183 condemnation | |
n.谴责; 定罪 | |
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184 essentially | |
adv.本质上,实质上,基本上 | |
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185 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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186 admiration | |
n.钦佩,赞美,羡慕 | |
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187 dexterous | |
adj.灵敏的;灵巧的 | |
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188 attired | |
adj.穿着整齐的v.使穿上衣服,使穿上盛装( attire的过去式和过去分词 ) | |
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189 placid | |
adj.安静的,平和的 | |
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190 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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191 delightful | |
adj.令人高兴的,使人快乐的 | |
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192 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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193 sketching | |
n.草图 | |
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194 embarking | |
乘船( embark的现在分词 ); 装载; 从事 | |
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195 expenditure | |
n.(时间、劳力、金钱等)支出;使用,消耗 | |
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196 discursive | |
adj.离题的,无层次的 | |
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197 constructive | |
adj.建设的,建设性的 | |
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198 socialists | |
社会主义者( socialist的名词复数 ) | |
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199 lurking | |
潜在 | |
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200 severely | |
adv.严格地;严厉地;非常恶劣地 | |
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201 contrived | |
adj.不自然的,做作的;虚构的 | |
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202 obsession | |
n.困扰,无法摆脱的思想(或情感) | |
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203 conceited | |
adj.自负的,骄傲自满的 | |
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204 strand | |
vt.使(船)搁浅,使(某人)困于(某地) | |
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205 wizened | |
adj.凋谢的;枯槁的 | |
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206 defensive | |
adj.防御的;防卫的;防守的 | |
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207 eloquent | |
adj.雄辩的,口才流利的;明白显示出的 | |
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208 invincible | |
adj.不可征服的,难以制服的 | |
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209 ferment | |
vt.使发酵;n./vt.(使)激动,(使)动乱 | |
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210 stimulus | |
n.刺激,刺激物,促进因素,引起兴奋的事物 | |
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211 converge | |
vi.会合;聚集,集中;(思想、观点等)趋近 | |
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212 exalted | |
adj.(地位等)高的,崇高的;尊贵的,高尚的 | |
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213 antagonistic | |
adj.敌对的 | |
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214 marrow | |
n.骨髓;精华;活力 | |
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215 averted | |
防止,避免( avert的过去式和过去分词 ); 转移 | |
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216 watchfulness | |
警惕,留心; 警觉(性) | |
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217 watchful | |
adj.注意的,警惕的 | |
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218 gracefully | |
ad.大大方方地;优美地 | |
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219 serenity | |
n.宁静,沉着,晴朗 | |
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220 emphatic | |
adj.强调的,着重的;无可置疑的,明显的 | |
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221 rustle | |
v.沙沙作响;偷盗(牛、马等);n.沙沙声声 | |
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222 unnatural | |
adj.不自然的;反常的 | |
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223 starkness | |
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224 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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225 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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226 distinctive | |
adj.特别的,有特色的,与众不同的 | |
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227 fumbling | |
n. 摸索,漏接 v. 摸索,摸弄,笨拙的处理 | |
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228 proffered | |
v.提供,贡献,提出( proffer的过去式和过去分词 ) | |
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229 meditated | |
深思,沉思,冥想( meditate的过去式和过去分词 ); 内心策划,考虑 | |
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230 bulgingly | |
膨胀; 凸出(部); 打气; 折皱 | |
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231 plunged | |
v.颠簸( plunge的过去式和过去分词 );暴跌;骤降;突降 | |
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232 autobiography | |
n.自传 | |
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233 entangled | |
adj.卷入的;陷入的;被缠住的;缠在一起的v.使某人(某物/自己)缠绕,纠缠于(某物中),使某人(自己)陷入(困难或复杂的环境中)( entangle的过去式和过去分词 ) | |
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234 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
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235 deference | |
n.尊重,顺从;敬意 | |
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236 banal | |
adj.陈腐的,平庸的 | |
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237 furtive | |
adj.鬼鬼崇崇的,偷偷摸摸的 | |
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238 pretentious | |
adj.自命不凡的,自负的,炫耀的 | |
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239 conceal | |
v.隐藏,隐瞒,隐蔽 | |
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240 custodian | |
n.保管人,监护人;公共建筑看守 | |
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241 embodied | |
v.表现( embody的过去式和过去分词 );象征;包括;包含 | |
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242 proprietor | |
n.所有人;业主;经营者 | |
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243 complexion | |
n.肤色;情况,局面;气质,性格 | |
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244 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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245 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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246 abruptly | |
adv.突然地,出其不意地 | |
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247 belongings | |
n.私人物品,私人财物 | |
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248 preposterous | |
adj.荒谬的,可笑的 | |
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249 tapestry | |
n.挂毯,丰富多采的画面 | |
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250 irrelevance | |
n.无关紧要;不相关;不相关的事物 | |
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251 gilt | |
adj.镀金的;n.金边证券 | |
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252 fortified | |
adj. 加强的 | |
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253 intrusive | |
adj.打搅的;侵扰的 | |
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254 unstable | |
adj.不稳定的,易变的 | |
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255 adorned | |
[计]被修饰的 | |
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256 truthful | |
adj.真实的,说实话的,诚实的 | |
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257 secluded | |
adj.与世隔绝的;隐退的;偏僻的v.使隔开,使隐退( seclude的过去式和过去分词) | |
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258 authoritative | |
adj.有权威的,可相信的;命令式的;官方的 | |
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259 second-hand | |
adj.用过的,旧的,二手的 | |
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260 lustre | |
n.光亮,光泽;荣誉 | |
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261 careworn | |
adj.疲倦的,饱经忧患的 | |
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262 lodgings | |
n. 出租的房舍, 寄宿舍 | |
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263 truncated | |
adj.切去顶端的,缩短了的,被删节的v.截面的( truncate的过去式和过去分词 );截头的;缩短了的;截去顶端或末端 | |
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264 unduly | |
adv.过度地,不适当地 | |
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265 sentimentally | |
adv.富情感地 | |
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266 gaily | |
adv.欢乐地,高兴地 | |
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267 embroidered | |
adj.绣花的 | |
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268 yoke | |
n.轭;支配;v.给...上轭,连接,使成配偶 | |
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269 yokes | |
轭( yoke的名词复数 ); 奴役; 轭形扁担; 上衣抵肩 | |
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270 sumptuous | |
adj.豪华的,奢侈的,华丽的 | |
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271 flickered | |
(通常指灯光)闪烁,摇曳( flicker的过去式和过去分词 ) | |
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272 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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273 distressed | |
痛苦的 | |
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274 gulf | |
n.海湾;深渊,鸿沟;分歧,隔阂 | |
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275 frustration | |
n.挫折,失败,失效,落空 | |
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276 instinctively | |
adv.本能地 | |
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277 breakdown | |
n.垮,衰竭;损坏,故障,倒塌 | |
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278 copious | |
adj.丰富的,大量的 | |
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279 degenerated | |
衰退,堕落,退化( degenerate的过去式和过去分词 ) | |
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280 skulked | |
v.潜伏,偷偷摸摸地走动,鬼鬼祟祟地活动( skulk的过去式和过去分词 ) | |
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281 clenched | |
v.紧握,抓紧,咬紧( clench的过去式和过去分词 ) | |
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282 rivalry | |
n.竞争,竞赛,对抗 | |
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283 astonishment | |
n.惊奇,惊异 | |
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284 registrar | |
n.记录员,登记员;(大学的)注册主任 | |
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285 militant | |
adj.激进的,好斗的;n.激进分子,斗士 | |
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286 provincial | |
adj.省的,地方的;n.外省人,乡下人 | |
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287 pungent | |
adj.(气味、味道)刺激性的,辛辣的;尖锐的 | |
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288 nadir | |
n.最低点,无底 | |
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289 exacting | |
adj.苛求的,要求严格的 | |
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290 exhaustion | |
n.耗尽枯竭,疲惫,筋疲力尽,竭尽,详尽无遗的论述 | |
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291 smack | |
vt.拍,打,掴;咂嘴;vi.含有…意味;n.拍 | |
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292 mediocre | |
adj.平常的,普通的 | |
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293 modesty | |
n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
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294 expenditures | |
n.花费( expenditure的名词复数 );使用;(尤指金钱的)支出额;(精力、时间、材料等的)耗费 | |
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295 evaded | |
逃避( evade的过去式和过去分词 ); 避开; 回避; 想不出 | |
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296 remorse | |
n.痛恨,悔恨,自责 | |
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297 pertinent | |
adj.恰当的;贴切的;中肯的;有关的;相干的 | |
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