Campton, proffering1 twenty francs to an astonished maid-servant, learned that, yes, to his intimates—and of course Monsieur was one?—the doctor was in, was in fact dining, and did not leave till the next morning.
“Dining—at six o’clock?”
Campton sent in his card. He expected to be received in the so-called “studio,” a lofty room with Chinese hangings, Renaissance3 choir-stalls, organ, grand piano, and post-impressionist paintings, where Fortin-Lescluze received the celebrities4 of the hour. Mme. Fortin never appeared there, and Campton associated the studio with amusing talk, hot-house flowers, and ladies lolling on black velvet5 divans6. He supposed that the physician was separated from his wife, and that she had a home of her own.
When the maid reappeared she did not lead him to the studio, but into a small dining-room with the traditional Henri II sideboard of waxed walnut7, a 67hanging table-lamp under a beaded shade, an India-rubber plant on a plush pedestal, and napkins that were just being restored to their bone rings by the four persons seated about the red-and-white checkered8 table-cloth.
These were: the great man himself, a tall large woman with grey hair, a tiny old lady, her face framed in a peasant’s fluted9 cap, and a plain young man wearing a private’s uniform, who had a nose like the doctor’s and simple light blue eyes.
The two ladies and the young man—so much more interesting to the painter’s eye than the sprawling10 beauties of the studio—were introduced by Fortin-Lescluze as his wife, his mother and his son. Mme. Fortin said, in a deep alto, a word or two about the privilege of meeting the famous painter who had portrayed11 her husband, and the old mother, in a piping voice, exclaimed: “Monsieur, I was at Sedan in 1870. I saw the Germans. I saw the Emperor sitting on a bench. He was crying.”
“My mother’s heard everything, she’s seen everything. There’s no one in the world like my mother!” the physician said, laying his hand on hers.
“You won’t see the Germans again, ma bonne mère!” her daughter-in-law added, smiling.
Campton took coffee with them, bore with a little inevitable12 talk about the war, and then eagerly questioned the son. The young man was a chemist, a 68préparateur in the laboratory of the Institut Pasteur. He was also, it appeared, given to prehistoric13 archæology, and had written a “thesis” on the painted caves of the Dordogne. He seemed extremely serious, and absorbed in questions of science and letters. But it appeared to him perfectly14 simple to be leaving it all in a few hours to join his regiment15. “The war had to come. This sort of thing couldn’t go on,” he said, in the words of Mme. Lebel.
He was to start in an hour, and Campton excused himself for intruding16 on the family, who seemed as happily united, as harmonious17 in their deeper interests, as if no musical studio-parties and exotic dancers had ever absorbed the master of the house.
Campton, looking at the group, felt a pang18 of envy, and thought, for the thousandth time, how frail19 a screen of activity divided him from depths of loneliness he dared not sound. “‘For every man hath business and desire,’” he muttered as he followed the physician.
In the consulting-room he explained: “It’s about my son——”
He had not been able to bring the phrase out in the presence of the young man who must have been just George’s age, and who was leaving in an hour for his regiment. But between Campton and the father there were complicities, and there might therefore be accommodations. In the consulting-room one breathed a lower air.
69It was not that Campton wanted to do anything underhand. He was genuinely anxious about George’s health. After all, tuberculosis20 did not disappear in a month or even a year: his anxiety was justified21. And then George, but for the stupid accident of his birth, would never have been mixed up in the war. Campton felt that he could make his request with his head high.
Fortin-Lescluze seemed to think so too; at any rate he expressed no surprise. But could anything on earth have surprised him, after thirty years in that confessional of a room?
The difficulty was that he did not see his way to doing anything—not immediately, at any rate.
“You must let the boy join his base. He leaves to-morrow? Give me the number of his regiment and the name of the town, and trust me to do what I can.”
“But you’re off yourself?”
“Yes: I’m being sent to a hospital at Lyons. But I’ll leave you my address.”
Campton lingered, unable to take this as final. He looked about him uneasily, and then, for a moment, straight into the physician’s eyes.
“You must know how I feel; your boy is an only son, too.”
“Yes, yes,” the father assented22, in the absent-minded tone of professional sympathy. But Campton felt that he felt the deep difference.
“Well, goodbye—and thanks.”
70As Campton turned to go the physician laid a hand on his shoulder and spoke23 with sudden fierce emotion. “Yes: Jean is an only son—an only child. For his mother and myself it’s not a trifle—having our only son in the war.”
There was no allusion24 to the dancer, no hint that Fortin remembered her; it was Campton who lowered his gaze before the look in the other father’s eyes.
点击收听单词发音
1 proffering | |
v.提供,贡献,提出( proffer的现在分词 ) | |
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2 depot | |
n.仓库,储藏处;公共汽车站;火车站 | |
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3 renaissance | |
n.复活,复兴,文艺复兴 | |
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4 celebrities | |
n.(尤指娱乐界的)名人( celebrity的名词复数 );名流;名声;名誉 | |
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5 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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6 divans | |
n.(可作床用的)矮沙发( divan的名词复数 );(波斯或其他东方诗人的)诗集 | |
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7 walnut | |
n.胡桃,胡桃木,胡桃色,茶色 | |
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8 checkered | |
adj.有方格图案的 | |
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9 fluted | |
a.有凹槽的 | |
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10 sprawling | |
adj.蔓生的,不规则地伸展的v.伸开四肢坐[躺]( sprawl的现在分词 );蔓延;杂乱无序地拓展;四肢伸展坐着(或躺着) | |
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11 portrayed | |
v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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12 inevitable | |
adj.不可避免的,必然发生的 | |
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13 prehistoric | |
adj.(有记载的)历史以前的,史前的,古老的 | |
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14 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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15 regiment | |
n.团,多数,管理;v.组织,编成团,统制 | |
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16 intruding | |
v.侵入,侵扰,打扰( intrude的现在分词);把…强加于 | |
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17 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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18 pang | |
n.剧痛,悲痛,苦闷 | |
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19 frail | |
adj.身体虚弱的;易损坏的 | |
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20 tuberculosis | |
n.结核病,肺结核 | |
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21 justified | |
a.正当的,有理的 | |
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22 assented | |
同意,赞成( assent的过去式和过去分词 ) | |
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23 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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24 allusion | |
n.暗示,间接提示 | |
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