INTRODUCTION

 It was on the great northern road from York to London, about the beginning of the month of October, and the hour of eight in the evening, that four travellers were, by a violent shower of rain, driven for shelter into a little public-house on the side of the highway, distinguished¹ by a sign which was said to exhibit the figure of a black lion. The kitchen, in which they assembled, was the only room for entertainment in the house, paved with red bricks, remarkably² clean, furnished with three or four Windsor chairs, adorned³ with shining plates of pewter, and copper⁴ saucepans, nicely scoured⁵, that even dazzled the eyes of the beholder⁶; while a cheerful fire of sea-coal blazed in the chimney.

 

It would be hard to find a better beginning for a wholesome⁷ novel of English life, than these first two sentences in The Adventures of Sir Launcelot Greaves. They are full of comfort and promise. They promise that we shall get rapidly into the story; and so we do. They give us the hope, in which we are not to be disappointed, that we shall see a good deal of those English inns which to this day are delightful⁸ in reality, and which to generations of readers, have been delightful in fancy. Truly, English fiction, without its inns, were as much poorer as the English country, without these same hostelries, were less comfortable. For few things in the world has the so-called “Anglo-Saxon” race more reason to be grateful than for good old English inns. Finally there is a third promise in these opening sentences of Sir Launcelot Greaves. “The great northern road!” It was that over which the youthful Smollett made his way to London in 1739; it was that over which, less than nine years later, he sent us travelling in company with Random⁹ and Strap¹⁰ and the queer people whom they met on their way. And so there is the promise that Smollett, after his departure in Count Fathom¹¹ from the field of personal experience which erstwhile he cultivated so successfully, has returned to see if the ground will yield him another rich harvest. Though it must be admitted that in Sir Launcelot Greaves his labours were but partially¹² successful, yet the story possesses a good deal of the lively verisimilitude which Fathom lacked. The very first page, as we have seen, shows that its inns are going to be real. So, too, are most of its highway adventures, and also its portion of those prison scenes of which Smollett seems to have been so fond. As for the description of the parliamentary election, it is by no means the least graphic¹³ of its kind in the fiction of the last two centuries. The speech of Sir Valentine Quickset, the fox-hunting Tory candidate, is excellent, both for its brevity and for its simplicity¹⁴. Any of his bumpkin audience could understand perfectly¹⁵ his principal points: that he spends his estate of “vive thousand clear” at home in old English hospitality; that he comes of pure old English stock; that he hates all foreigners, not excepting those from Hanover; and that if he is elected, he “will cross the ministry¹⁶ in everything, as in duty bound.”

 

In the characters, likewise, though less than in the scenes just spoken of, we recognise something of the old Smollett touch. True, it is not high praise to say of Miss Aurelia Darnel that she is more alive, or rather less lifeless, than Smollett’s heroines have been heretofore. Nor can we give great praise to the characterisation of Sir Launcelot. Yet if less substantial than Smollett’s roystering heroes, he is more distinct than de Melvil in Fathom, the only one of our author’s earlier young men, by the way, (with the possible exception of Godfrey Gauntlet) who can stand beside Greaves in never failing to be a gentleman. It is a pity, when Greaves’s character is so lovable, and save for his knight¹⁷-errantry, so well conceived, that the image is not more distinct. Crowe is distinct enough, however, though not quite consistently drawn¹⁸. There is justice in Scott’s objection [Tobias Smollett in Biographical and Critical Notices of Eminent¹⁹ Novelists] that nothing in the seaman’s “life . . . renders it at all possible that he should have caught” the baronet’s Quixotism. Otherwise, so far from finding fault with the old sailor, we are pleased to see Smollett returning in him to a favourite type. It might be thought that he would have exhausted²⁰ the possibilities of this type in Bowling²¹ and Trunnion and Pipes and Hatchway. In point of fact, Crowe is by no means the equal of the first two of these. And yet, with his heart in the right place, and his application of sea terms to land objects, Captain Samuel Crowe has a good deal of the rough charm of his prototypes. Still more distinct, and among Smollett’s personages a more novel figure, is the Captain’s nephew, the dapper, verbose²², tender-hearted lawyer, Tom Clarke. Apart from the inevitable²³ Smollett exaggeration, a better portrait of a softish young attorney could hardly be painted. Nor, in enumerating²⁴ the characters of Sir Launcelot Greaves who fix themselves in a reader’s memory, should Tom’s inamorata, Dolly, be forgotten, or the malicious²⁵ Ferret, or that precious pair, Justice and Mrs. Gobble, or the Knight’s squire²⁶, Timothy Crabshaw, or that very individual horse, Gilbert, whose lot is to be one moment caressed²⁷, and the next, cursed for a “hard-hearted, unchristian tuoad.”

 

Barring the Gobbles, all these characters are important in the book from first to last. Sir Launcelot Greaves, then, is significant among Smollett’s novels, as indicating a reliance upon the personages for interest quite as much as upon the adventures. If the author failed in a similar intention in Fathom, it was not through lack of clearly conceived characters, but through failure to make them flesh and blood. In that book, however, he put the adventures together more skilfully²⁸ than in Sir Launcelot Greaves, the plot of which is not only rather meagre but also far-fetched. There seems to be no adequate reason for the baronet’s whim²⁹ of becoming an English Don Quixote of the eighteenth century, except the chance it gave Smollett for imitating Cervantes. He was evidently hampered³⁰ from the start by the consciousness that at best the success of such imitation would be doubtful. Probably he expresses his own misgivings³¹ when he makes Ferret exclaim to the hero: “What! . . . you set up for a modern Don Quixote? The scheme is rather too stale and extravagant³². What was a . . . well-timed satire³³ in Spain near two hundred years ago, will . . . appear . . . insipid³⁴ and absurd . . . at this time of day, in a country like England.” Whether from the author’s half-heartedness or from some other cause, there is no denying that the Quixotism in Sir Launcelot Greaves is flat. It is a drawback to the book rather than an aid. The plot could have developed itself just as well, the high-minded young baronet might have had just as entertaining adventures, without his imitation of the fine old Spanish Don.

 

I have remarked on the old Smollett touch in Sir Launcelot Greaves,—the individual touch of which we are continually sensible in Roderick Random and Peregrine Pickle³⁵, but seldom in Count Fathom. With it is a new Smollett touch, indicative of a kindlier feeling towards the world. It is commonly said that the only one of the writer’s novels which contains a sufficient amount of charity and sweetness is Humphry Clinker. The statement is not quite true. Greaves is not so strikingly amiable³⁶ as Smollett’s masterpiece only because it is not so striking in any of its excellences³⁷; their lines are always a little blurred³⁸. Still, it shows that ten years before Clinker, Smollett had learned to combine the contradictory³⁹ elements of life in something like their right proportions. If obscenity and ferocity are found in his fourth novel, they are no longer found in a disproportionate degree.

 

There is little more to say of Sir Launcelot Greaves, except in the way of literary history. The given name of the hero may or may not be significant. It is safe to say that if a Sir Launcelot had appeared in fiction one or two generations earlier, had the fact been recognised (which is not indubitable) that he bore the name of the most celebrated⁴⁰ knight of later Arthurian romance, he would have been nothing but a burlesque⁴¹ figure. But in 1760, literary taste was changing. Romanticism in literature had begun to come to the front again, as Smollett had already shown by his romantic leanings in Count Fathom. With it there came interest in the Middle Ages and in the most popular fiction of the Middle Ages, the “greatest of all poetic⁴² subjects,” according to Tennyson, the stories of Arthur and his Knights⁴³ of the Round Table, which, for the better part of a century, had been deposed⁴⁴ from their old-time place of honour. These stories, however, were as yet so imperfectly known—and only to a few—that the most to be said is that some connection between their reviving popularity and the name of Smollett’s knight-errant hero is not impossible.

 

Apart from this, Sir Launcelot Greaves is interesting historically as ending Smollett’s comparatively long silence in novel-writing after the publication of Fathom in 1753. His next work was the translation of Don Quixote, which he completed in 1755, and which may first have suggested the idea of an English knight, somewhat after the pattern of the Spanish. Be that as it may, before developing the idea, Smollett busied himself with his Complete History of England, and with the comedy, The Reprisal⁴⁵: or the Tars⁴⁶ of Old England, a successful play which at last brought about a reconciliation⁴⁷ with his old enemy, Garrick. Two years later, in 1759, as editor of the Critical Review, Smollett was led into a criticism of Admiral Knowles’s conduct that was judged libellous enough to give its author three months in the King’s Bench prison, during which time, it has been conjectured⁴⁸, he began to mature his plans for the English Quixote. The result was that, in 1760 and 1761, Sir Launcelot Greaves came out in various numbers of the British Magazine. Scott has given his authority to the statement that Smollett wrote many of the instalments in great haste, sometimes, during a visit in Berwickshire, dashing off the necessary amount of manuscript in an hour or so just before the departure of the post. If the story is true, it adds its testimony⁴⁹ to that of his works to the author’s extraordinarily⁵⁰ facile pen. Finally, in 1762, the novel thus hurried off in instalments appeared as a whole. This method of its introduction to the public gives Sir Launcelot Greaves still another claim to interest. It is one of the earliest English novels, indeed the earliest from the pen of a great writer, published in serial⁵¹ form.

 

G. H. MAYNADIER.

 

1 distinguished   

adj.卓越的，杰出的，著名的

参考例句：

• Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
• A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。

2 remarkably   

ad.不同寻常地，相当地

参考例句：

• I thought she was remarkably restrained in the circumstances. 我认为她在那种情况下非常克制。
• He made a remarkably swift recovery. 他康复得相当快。

3 adorned   

[计]被修饰的

参考例句：

• The walls were adorned with paintings. 墙上装饰了绘画。
• And his coat was adorned with a flamboyant bunch of flowers. 他的外套上面装饰着一束艳丽刺目的鲜花。

4 copper   

n.铜；铜币；铜器；adj.铜(制)的；(紫)铜色的

参考例句：

• The students are asked to prove the purity of copper.要求学生们检验铜的纯度。
• Copper is a good medium for the conduction of heat and electricity.铜是热和电的良导体。

5 scoured   

走遍（某地）搜寻（人或物）( scour的过去式和过去分词 )； （用力）刷； 擦净； 擦亮

参考例句：

• We scoured the area for somewhere to pitch our tent. 我们四处查看，想找一个搭帐篷的地方。
• The torrents scoured out a channel down the hill side. 急流沿着山腰冲刷出一条水沟。

6 beholder   

n.观看者，旁观者

参考例句：

• Beauty is in the eye of the beholder. 看起来觉得美就是美。 来自《简明英汉词典》
• It has been said that art is a tryst, for in the joy of it maker and beholder meet. 有人说艺术是一种幽会，因为艺术家和欣赏者可在幽会的乐趣中相遇在一起。 来自《简明英汉词典》

7 wholesome   

adj.适合；卫生的；有益健康的；显示身心健康的

参考例句：

• In actual fact the things I like doing are mostly wholesome.实际上我喜欢做的事大都是有助于增进身体健康的。
• It is not wholesome to eat without washing your hands.不洗手吃饭是不卫生的。

8 delightful   

adj.令人高兴的，使人快乐的

参考例句：

• We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
• Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。

9 random   

adj.随机的；任意的；n.偶然的(或随便的)行动

参考例句：

• The list is arranged in a random order.名单排列不分先后。
• On random inspection the meat was found to be bad.经抽查，发现肉变质了。

10 strap   

n.皮带，带子；v.用带扣住，束牢；用绷带包扎

参考例句：

• She held onto a strap to steady herself.她抓住拉手吊带以便站稳。
• The nurse will strap up your wound.护士会绑扎你的伤口。

11 fathom   

v.领悟，彻底了解

参考例句：

• I really couldn't fathom what he was talking about.我真搞不懂他在说些什么。
• What these people hoped to achieve is hard to fathom.这些人希望实现些什么目标难以揣测。

12 partially   

adv.部分地，从某些方面讲

参考例句：

• The door was partially concealed by the drapes.门有一部分被门帘遮住了。
• The police managed to restore calm and the curfew was partially lifted.警方设法恢复了平静，宵禁部分解除。

13 graphic   

adj.生动的，形象的，绘画的，文字的，图表的

参考例句：

• The book gave a graphic description of the war.这本书生动地描述了战争的情况。
• Distinguish important text items in lists with graphic icons.用图标来区分重要的文本项。

14 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

15 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

16 ministry   

n.(政府的)部；牧师

参考例句：

• They sent a deputation to the ministry to complain.他们派了一个代表团到部里投诉。
• We probed the Air Ministry statements.我们调查了空军部的记录。

17 knight   

n.骑士，武士；爵士

参考例句：

• He was made an honourary knight.他被授予荣誉爵士称号。
• A knight rode on his richly caparisoned steed.一个骑士骑在装饰华丽的马上。

18 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

19 eminent   

adj.显赫的，杰出的，有名的，优良的

参考例句：

• We are expecting the arrival of an eminent scientist.我们正期待一位著名科学家的来访。
• He is an eminent citizen of China.他是一个杰出的中国公民。

20 exhausted   

adj.极其疲惫的，精疲力尽的

参考例句：

• It was a long haul home and we arrived exhausted.搬运回家的这段路程特别长，到家时我们已筋疲力尽。
• Jenny was exhausted by the hustle of city life.珍妮被城市生活的忙乱弄得筋疲力尽。

21 bowling   

n.保龄球运动

参考例句：

• Bowling is a popular sport with young and old.保龄球是老少都爱的运动。
• Which sport do you 1ike most,golf or bowling?你最喜欢什么运动，高尔夫还是保龄球？

22 verbose   

adj.用字多的；冗长的；累赘的

参考例句：

• His writing is difficult and often verbose.他的文章很晦涩，而且往往篇幅冗长。
• Your report is too long and verbose.你的报告太长太罗嗦了。

23 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

24 enumerating   

v.列举，枚举，数( enumerate的现在分词 )

参考例句：

• There is no enumerating the evils of dishonesty here. 欺诈的罪恶在这里难以（无法）一一列举。 来自互联网
• What she used to be most adept at was enumerating. 从前，她最拿手的是数落。 来自互联网

25 malicious   

adj.有恶意的，心怀恶意的

参考例句：

• You ought to kick back at such malicious slander. 你应当反击这种恶毒的污蔑。
• Their talk was slightly malicious.他们的谈话有点儿心怀不轨。

26 squire   

n.护卫, 侍从, 乡绅

参考例句：

• I told him the squire was the most liberal of men.我告诉他乡绅是世界上最宽宏大量的人。
• The squire was hard at work at Bristol.乡绅在布里斯托尔热衷于他的工作。

27 caressed   

爱抚或抚摸…( caress的过去式和过去分词 )

参考例句：

• His fingers caressed the back of her neck. 他的手指抚摩着她的后颈。
• He caressed his wife lovingly. 他怜爱万分地抚摸着妻子。

28 skilfully   

adv. (美skillfully)熟练地

参考例句：

• Hall skilfully weaves the historical research into a gripping narrative. 霍尔巧妙地把历史研究揉进了扣人心弦的故事叙述。
• Enthusiasm alone won't do. You've got to work skilfully. 不能光靠傻劲儿，得找窍门。

29 whim   

n.一时的兴致，突然的念头；奇想，幻想

参考例句：

• I bought the encyclopedia on a whim.我凭一时的兴致买了这本百科全书。
• He had a sudden whim to go sailing today.今天他突然想要去航海。

30 hampered   

妨碍，束缚，限制( hamper的过去式和过去分词 )

参考例句：

• The search was hampered by appalling weather conditions. 恶劣的天气妨碍了搜寻工作。
• So thought every harassed, hampered, respectable boy in St. Petersburg. 圣彼德堡镇的那些受折磨、受拘束的体面孩子们个个都是这么想的。

31 misgivings   

n.疑虑，担忧，害怕；疑虑，担心，恐惧( misgiving的名词复数 )；疑惧

参考例句：

• I had grave misgivings about making the trip. 对于这次旅行我有过极大的顾虑。
• Don't be overtaken by misgivings and fear. Just go full stream ahead! 不要瞻前顾后， 畏首畏尾。甩开膀子干吧！ 来自《现代汉英综合大词典》

32 extravagant   

adj.奢侈的；过分的；(言行等)放肆的

参考例句：

• They tried to please him with fulsome compliments and extravagant gifts.他们想用溢美之词和奢华的礼品来取悦他。
• He is extravagant in behaviour.他行为放肆。

33 satire   

n.讽刺，讽刺文学，讽刺作品

参考例句：

• The movie is a clever satire on the advertising industry.那部影片是关于广告业的一部巧妙的讽刺作品。
• Satire is often a form of protest against injustice.讽刺往往是一种对不公正的抗议形式。

34 insipid   

adj.无味的，枯燥乏味的，单调的

参考例句：

• The food was rather insipid and needed gingering up.这食物缺少味道，需要加点作料。
• She said she was a good cook,but the food she cooked is insipid.她说她是个好厨师，但她做的食物却是无味道的。

35 pickle   

n.腌汁，泡菜；v.腌，泡

参考例句：

• Mother used to pickle onions.妈妈过去常腌制洋葱。
• Meat can be preserved in pickle.肉可以保存在卤水里。

36 amiable   

adj.和蔼可亲的，友善的，亲切的

参考例句：

• She was a very kind and amiable old woman.她是个善良和气的老太太。
• We have a very amiable companionship.我们之间存在一种友好的关系。

37 excellences   

n.卓越( excellence的名词复数 )；（只用于所修饰的名词后）杰出的；卓越的；出类拔萃的

参考例句：

• Excellences do not depend on a single man's pleasure. 某人某物是否优异不取决于一人的好恶。 来自互联网
• They do not recognize her many excellences. 他们无视她的各种长处。 来自互联网

38 blurred   

v.（使）变模糊( blur的过去式和过去分词 )；（使）难以区分；模模糊糊；迷离

参考例句：

• She suffered from dizziness and blurred vision. 她饱受头晕目眩之苦。
• Their lazy, blurred voices fell pleasantly on his ears. 他们那种慢吞吞、含糊不清的声音在他听起来却很悦耳。 来自《简明英汉词典》

39 contradictory   

adj.反驳的，反对的，抗辩的；n.正反对，矛盾对立

参考例句：

• The argument is internally contradictory.论据本身自相矛盾。
• What he said was self-contradictory.他讲话前后不符。

40 celebrated   

adj.有名的，声誉卓著的

参考例句：

• He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
• The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。

41 burlesque   

v.嘲弄，戏仿；n.嘲弄，取笑，滑稽模仿

参考例句：

• Our comic play was a burlesque of a Shakespearean tragedy.我们的喜剧是对莎士比亚一出悲剧的讽刺性模仿。
• He shouldn't burlesque the elder.他不应模仿那长者。

42 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

43 knights   

骑士； （中古时代的）武士( knight的名词复数 )； 骑士； 爵士； （国际象棋中）马

参考例句：

• stories of knights and fair maidens 关于骑士和美女的故事
• He wove a fascinating tale of knights in shining armour. 他编了一个穿着明亮盔甲的骑士的迷人故事。

44 deposed   

v.罢免( depose的过去式和过去分词 )；（在法庭上）宣誓作证

参考例句：

• The president was deposed in a military coup. 总统在军事政变中被废黜。
• The head of state was deposed by the army. 国家元首被军队罢免了。 来自《简明英汉词典》

45 reprisal   

n.报复，报仇，报复性劫掠

参考例句：

• There is no political alternative but a big reprisal.政治上没有旁的选择只能是大规模报复。
• They bombed civilian targets in reprisal.他们炮轰平民目标作为报复。

46 tars   

焦油，沥青，柏油( tar的名词复数 )

参考例句：

• Around 280 degrees C, Volatile gases and flammable tars are released. 在大约摄氏280度，挥发性的气体和可燃焦被放出。
• Tars could be seen walking towards the harbor. 可以看到水手正在走向港口。

47 reconciliation   

n.和解，和谐，一致

参考例句：

• He was taken up with the reconciliation of husband and wife.他忙于做夫妻间的调解工作。
• Their handshake appeared to be a gesture of reconciliation.他们的握手似乎是和解的表示。

48 conjectured   

推测，猜测，猜想( conjecture的过去式和过去分词 )

参考例句：

• The old peasant conjectured that it would be an unusually cold winter. 那老汉推测冬天将会异常地寒冷。
• The general conjectured that the enemy only had about five days' supply of food left. 将军推测敌人只剩下五天的粮食给养。

49 testimony   

n.证词；见证，证明

参考例句：

• The testimony given by him is dubious.他所作的证据是可疑的。
• He was called in to bear testimony to what the police officer said.他被传入为警官所说的话作证。

50 extraordinarily   

adv.格外地；极端地

参考例句：

• She is an extraordinarily beautiful girl.她是个美丽非凡的姑娘。
• The sea was extraordinarily calm that morning.那天清晨，大海出奇地宁静。

51 serial   

n.连本影片，连本电视节目；adj.连续的

参考例句：

• A new serial is starting on television tonight.今晚电视开播一部新的电视连续剧。
• Can you account for the serial failures in our experiment?你能解释我们实验屡屡失败的原因吗？