Its highest results need hardly be described; they are seen in all our great public gardens; our London and many other city parks show them in the shape of beds filled with vast quantities of flowers, covering the ground frequently in a showy way, or in a repulsively7 gaudy8 manner: nearly every private garden is taken possession of by the same things. I will not here enter into the question of the merits of this system; it is enough to state that even on its votaries9 it is beginning to pall10. Some are looking back with regret to the old mixed–border gardens; others are endeavouring to soften11 the harshness of the bedding system by the introduction of fine–leaved plants, but all are agreed that a great mistake has been made in destroying all our old flowers, from Lilies to Hepaticas, though very few persons indeed have any idea of the numbers of beautiful subjects in this way which we may gather from every northern and temperate12 clime to adorn13 our gardens under a more artistic14 system.
My object in the Wild Garden is now to show how we[3] may have more of the varied15 beauty of hardy flowers than the most ardent16 admirer of the old style of garden ever dreams of, by naturalising innumerable beautiful natives of many regions of the earth in our woods and copses, rougher parts of pleasure grounds, and in unoccupied places in almost every kind of garden.
I allude17 not to the wood and brake flora18 of any one country, but to that which finds its home in the vast fields of the whole northern world, and that of the hill–ground that falls in furrowed19 folds from beneath the hoary20 heads of all the great mountain chains of the world, whether they rise from hot Indian plains or green European pastures. The Palm and sacred Fig21, as well as the Wheat and the Vine, are separated from the stemless plants that cushion under the snow for half the year, by a zone of hardier22 and not less beautiful life, varied as the breezes that whisper on the mountain sides, and as the rills that seam them. They are the Lilies, and Bluebells23, and Foxgloves, and Irises25, and Windflowers, and Columbines, and Rock–roses, and Violets, and Cranesbills, and countless26 Pea–flowers, and mountain Avens, and Brambles, and Cinquefoils, and Evening Primroses27, and Clematis, and Honeysuckles, and Michaelmas Daisies, and Wood–hyacinths, and Daffodils, and Bindweeds, and Forget–me–nots, and blue–eyed Omphalodes, and Primroses, and Day Lilies, and Asphodels, and St. Bruno’s Lilies, and the almost innumerable plants which form the flora of the northern and temperate portions of vast continents.
It is beyond the power of pen or pencil to picture the beauty of these plants. Innumerable and infinitely29 varied scenes occur in the wilder parts of all northern and temperate[4] regions, at many different elevations30. The loveliness and ceaselessly varying charms of such scenes are indeed difficult to describe or imagine; the essential thing to bear in mind is that the plants that go to form them are hardy, and will thrive in our climate as well as native plants.
Such beauty may be realised in every wood and copse and shrubbery that screens our “trim gardens.” Naturally our woods and wilds have no little loveliness in spring; we have here and there the Lily–of–the–valley and the Snowdrop, and everywhere the Primrose28 and Cowslip; the Bluebell24 and the Foxglove sometimes take nearly complete possession of whole woods; but, with all our treasures in this way, we have no attractions in or near our gardens compared to what it is within our power to create. There are many countries with winters as cold as, or colder than, our own, possessing a rich flora; and by taking the best hardy exotics and establishing them in wild or half–wild spots, we may produce beautiful pictures in such places. To most people a pretty plant in a free state is more attractive than any garden denizen32. It is taking care of itself; and, moreover, it is usually surrounded by some degree of graceful33 wild spray—the green above, and the moss34 and brambles and grass around.
By the means presently to be explained, numbers of plants of the highest order of beauty and fragrance35, and clothed with pleasant associations, may be seen perfectly36 at home in the spaces now devoted to rank grass and weeds, and by wood walks in our shrubberies and ornamental37 plantations38.
Among my reasons for advocating this system are the following:—
First, because hundreds of the finest hardy flowers will thrive much better in rough and wild places than ever they did in the old–fashioned border. Even comparatively small ones, like the ivy–leaved Cyclamen, a beautiful plant that we rarely find in perfection in gardens, I have seen perfectly naturalised and spread all over the mossy surface of a thin wood.
Secondly39, because they will look infinitely better than ever they did in gardens, in consequence of fine–leaved plant, fern, and flower, and climber, grass and trailing shrub31, relieving each other in ways innumerable and delightful40. Any one of a thousand combinations will prove as far superior to any aspect of the old mixed border, or the ordinary type of modern flower–garden, as is a lovely mountain valley to a piece of the “black country.”
Thirdly, because, arranged as I propose, no disagreeable effects result from decay. The raggedness41 of the old mixed border after the first flush of spring and early summer bloom had passed was intolerable, bundles of decayed stems tied to sticks, making the place look like the parade–ground of a number of crossing–sweepers. When Lilies are sparsely[6] dotted through masses of shrubs42, their flowers are admired more than if they were in isolated43 showy masses; when they pass out of bloom they are unnoticed amidst the vegetation, and not eyesores, as when in rigid44 unrelieved tufts in borders, etc. In a wild or semi–wild state the beauty of individual species will proclaim itself when at its height; and when out of bloom they will be succeeded by other kinds, or lost among the numerous objects around.
Fourthly, because it will enable us to grow many plants that have never yet obtained a place in our “trim gardens.” I allude to the multitudes of plants which, not being so showy as those usually considered worthy45 of a place in gardens, are never seen therein. The flowers of many of these are of the highest order of beauty, especially when seen in numbers. An isolated tuft of one of these, seen in a formal border, may not be considered worthy of its place, while in some wild glade46, in a wood, as a little colony, grouped naturally, or associated with like subjects, its effect may be exquisite47. Among the subjects usually considered unfit for garden cultivation48 may be included a goodly number that, grown in gardens, are no addition to them; subjects like the American Asters, Golden Rods, and like plants, which merely[7] overrun the choicer and more beautiful border–flowers when planted amongst them. These coarse subjects would be quite at home in copses and woody places, where their blossoms might be seen or gathered in due season, and their vigorous vegetation form a covert49 welcome to the game–preserver. To these two groups might be added subjects like the winter Heliotrope50, the handsome British Willow51 herb, and many other plants which, while attractive in the garden, are apt to spread about so rapidly as to become a nuisance there. Clearly these should only be planted in wild and semi–wild places.
Fifthly, because we may in this way settle also the question of spring flowers, and the spring garden, as well as that of hardy flowers generally. In the way I suggest, many parts of every country garden, and many suburban52 ones, may be made alive with spring flowers, without interfering53 at least with the geometrical beds that have been the worthless stock–in–trade of the so–called landscape–gardener for centuries. The blue stars of the Apennine Anemone54 will be seen to greater advantage “wild,” in shady or half–shady bare places, under trees, than in any conceivable formal arrangement, and it is but one of hundreds of sweet spring flowers that will succeed perfectly in the way I propose.
Sixthly, because there can be few more agreeable phases of communion with nature than naturalising the natives of countries in which we are infinitely more interested than in those of which greenhouse or stove plants are native. From the Roman ruin—home of many flowers, the prairies of the New World, the woods and meadows of all the great mountains of Europe; from Greece and Italy and Spain, from the[8] sunny hills of Asia Minor55; from the alpine56 regions of the great continents—in a word, from almost every interesting region the traveller may bring seeds or plants, and establish near his home the pleasantest souvenirs of the various scenes he has visited.
Moreover, the great merit of permanence belongs to this delightful phase of gardening. select a wild rough slope, and embellish57 it with the handsomest and hardiest58 climbing plants,—say the noble mountain Clematis from Nepal, the sweet C. Flammula from Southern Europe, “Virginian creepers” in variety, the Nootka Bramble (Rubus nutkanus and R. odoratus), various species of hardy vines, Jasmines, Honeysuckles—British and European, and wild Roses. Arranged with some judgment59 at first, such a colony might be left to take care of itself; time would but add to its attractions, and the happy owner might go away for years, and find it beautiful on his return.
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1 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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2 annually | |
adv.一年一次,每年 | |
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3 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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4 uncommon | |
adj.罕见的,非凡的,不平常的 | |
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5 hardy | |
adj.勇敢的,果断的,吃苦的;耐寒的 | |
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6 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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7 repulsively | |
adv.冷淡地 | |
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8 gaudy | |
adj.华而不实的;俗丽的 | |
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9 votaries | |
n.信徒( votary的名词复数 );追随者;(天主教)修士;修女 | |
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10 pall | |
v.覆盖,使平淡无味;n.柩衣,棺罩;棺材;帷幕 | |
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11 soften | |
v.(使)变柔软;(使)变柔和 | |
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12 temperate | |
adj.温和的,温带的,自我克制的,不过分的 | |
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13 adorn | |
vt.使美化,装饰 | |
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14 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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15 varied | |
adj.多样的,多变化的 | |
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16 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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17 allude | |
v.提及,暗指 | |
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18 flora | |
n.(某一地区的)植物群 | |
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19 furrowed | |
v.犁田,开沟( furrow的过去式和过去分词 ) | |
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20 hoary | |
adj.古老的;鬓发斑白的 | |
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21 fig | |
n.无花果(树) | |
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22 hardier | |
能吃苦耐劳的,坚强的( hardy的比较级 ); (植物等)耐寒的 | |
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23 bluebells | |
n.圆叶风铃草( bluebell的名词复数 ) | |
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24 bluebell | |
n.风铃草 | |
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25 irises | |
n.虹( iris的名词复数 );虹膜;虹彩;鸢尾(花) | |
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26 countless | |
adj.无数的,多得不计其数的 | |
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27 primroses | |
n.报春花( primrose的名词复数 );淡黄色;追求享乐(招至恶果) | |
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28 primrose | |
n.樱草,最佳部分, | |
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29 infinitely | |
adv.无限地,无穷地 | |
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30 elevations | |
(水平或数量)提高( elevation的名词复数 ); 高地; 海拔; 提升 | |
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31 shrub | |
n.灌木,灌木丛 | |
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32 denizen | |
n.居民,外籍居民 | |
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33 graceful | |
adj.优美的,优雅的;得体的 | |
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34 moss | |
n.苔,藓,地衣 | |
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35 fragrance | |
n.芬芳,香味,香气 | |
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36 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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37 ornamental | |
adj.装饰的;作装饰用的;n.装饰品;观赏植物 | |
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38 plantations | |
n.种植园,大农场( plantation的名词复数 ) | |
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39 secondly | |
adv.第二,其次 | |
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40 delightful | |
adj.令人高兴的,使人快乐的 | |
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41 raggedness | |
破烂,粗糙 | |
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42 shrubs | |
灌木( shrub的名词复数 ) | |
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43 isolated | |
adj.与世隔绝的 | |
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44 rigid | |
adj.严格的,死板的;刚硬的,僵硬的 | |
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45 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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46 glade | |
n.林间空地,一片表面有草的沼泽低地 | |
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47 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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48 cultivation | |
n.耕作,培养,栽培(法),养成 | |
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49 covert | |
adj.隐藏的;暗地里的 | |
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50 heliotrope | |
n.天芥菜;淡紫色 | |
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51 willow | |
n.柳树 | |
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52 suburban | |
adj.城郊的,在郊区的 | |
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53 interfering | |
adj. 妨碍的 动词interfere的现在分词 | |
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54 anemone | |
n.海葵 | |
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55 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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56 alpine | |
adj.高山的;n.高山植物 | |
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57 embellish | |
v.装饰,布置;给…添加细节,润饰 | |
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58 hardiest | |
能吃苦耐劳的,坚强的( hardy的最高级 ); (植物等)耐寒的 | |
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59 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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