Griffith laughed, but not heartily1. In truth, Mrs. Gaunt's religious fervour knew no bounds. Absorbed in pious2 schemes and religious duties, she had little time, and much distaste, for frivolous3 society; invited none but the devout4, and found polite excuses for not dining abroad. She sent her husband into the world alone, and laden5 with apologies. "My wife is turned saint. 'Tis a sin to dance, a sin to hunt, a sin to enjoy ourselves. We are here to fast and pray, and build schools, and go to church twice a day."
And so he went about publishing his household ill; but, to tell the truth, a secret satisfaction peeped through his lugubrious6 accents. An ugly saint is an unmixed calamity7 to jolly fellows; but to be lord and master, and possessor of a beautiful saint, was not without its piquant8 charm. His jealousy9 was dormant10, not extinct; and Kate's piety11 tickled12 that foible, not wounded it. He found himself the rival of heaven; and the successful rival; for, let her be ever so strict, ever so devout, she must give her husband many comforts she could not give to heaven.
This soft and piquant phase of the passion did not last long. All things are progressive.
Brother Leonard was director now as well as confessor; his visits became frequent; and Mrs. Gaunt often quoted his authority for her acts or her sentiments. So Griffith began to suspect that the change in his wife was entirely13 due to Leonard; and that with all her eloquence14 and fervour she was but a priest's echo. This galled15 him. To be sure Leonard was only an ecclesiastic16; but, if he had been a woman, Griffith was the man to wince17. His wife to lean so on another: his wife to withdraw from the social pleasures she had hitherto shared with him; and all because another human creature disapproved18 them. He writhed19 in silence a while, and then remonstrated20. He was met at first with ridicule21: "Are you going to be jealous of my confessor?" and, on repeating the offence, with a kind, but grave admonition, that silenced him for the time, but did not cure him, nor even convince him.
The facts were too strong: Kate was no longer to him the genial22 companion she had been; gone was the ready sympathy with which she had listened to all his little earthly concerns; and, as for his hay-making, he might as well talk about it to an iceberg23 as to the partner of his bosom24.
He was genial by nature, and could not live without sympathy. He sought it in the parlour of the "Red Lion."
Mrs. Gaunt's high-bred nostrils25 told her where he haunted, and it caused her dismay. Woman-like, instead of opening her battery at once, she wore a gloomy and displeased26 air, which a few months ago would have served her turn and brought about an explanation at once; but Griffith took it for a stronger dose of religious sentiment, and trundled off to the "Red Lion," all the more.
So then at last she spoke27 her mind; and asked him how he could lower himself so, and afflict28 her.
"Oh!" said he, doggedly29, "this house is too cold for me now. My mate is priest-rid. Plague on the knave30 that hath put coldness 'twixt thee and me."
Mrs. Gaunt froze visibly, and said no more at that time.
One bit of sunshine remained in the house and shone brighter than ever on its chilled master; shone through two black, seducing31 eyes.
Some three months before the date we have now reached, Caroline Ryder's two boxes were packed and corded ready to go next day. She had quietly persisted in her resolution to leave, and Mrs. Gaunt, though secretly angry, had been just and magnanimous enough to give her a good character.
Now female domestics are like the little birds; if that great hawk32, their mistress, follows them about, it is a deadly grievance33; but if she does not, they follow her about, and pester34 her with idle questions, and invite the beak35 and claws of petty tyranny and needless interference.
So the afternoon before she was to leave, Caroline Ryder came to her mistress's room on some imaginary business. She was not there. Ryder, forgetting that it did not matter a straw, proceeded to hunt her everywhere; and at last ran out with only her cap on to "the Dame's Haunt," and there she was; but not alone: she was walking up and down with Brother Leonard. Their backs were turned, and Ryder came up behind them. Leonard was pacing gravely, with his head gently drooping36 as usual. Mrs. Gaunt was walking elastically37, and discoursing38 with great fire and animation39.
Ryder glided40 after, noiseless as a serpent, more bent41 on wondering and watching now than on overtaking; for inside the house her mistress showed none of this charming vivacity42.
Presently the keen black eyes observed a "trifle light as air" that made them shine again.
She turned and wound herself amongst the trees, and disappeared. Soon after she was in her own room, a changed woman. With glowing cheeks, sparkling eyes, and nimble fingers, she uncorded her boxes, unpacked43 her things, and placed them neatly44 in the drawers.
What more had she seen than I have indicated?
Only this: Mrs. Gaunt, in the warmth of discourse45, laid her hand lightly for a moment on the priest's elbow: that was nothing, she had laid the same hand on Ryder; for, in fact, it was a little womanly way she had, and a hand that settled like down. But this time, as she withdrew it again, that delicate hand seemed to speak; it did not leave Leonard's elbow all at once, it glided slowly away, first the palm, then the fingers, and so parted lingeringly.
The other woman saw this subtle touch of womanhood, coupled it with Mrs. Gaunt's vivacity and the air of happiness that seemed to inspire her whole eloquent46 person, and formed a harsh judgment47 on the spot, though she could not see the lady's face.
When Mrs. Gaunt came in she met her, and addressed her thus: "If you please, ma'am, have you any one coming in my place?"
"Then, if it is agreeable to you, ma'am, I will stay. To be sure the place is dull; but I have got a good mistress-and——"
"That will do, Ryder: a servant has always her own reasons, and never tells them to her mistress. You can stay this time; but the next, you go; and once for all. I am not to be trifled with."
Ryder called up a look all submission49, and retired50 with an obeisance51. But, once out of sight, she threw off the mask and expanded with insolent52 triumph. "Yes, I have my own reasons," said she. "Keep you the priest, and I'll take the man."
From that hour Caroline Ryder watched her mistress like a lynx, and hovered53 about her master, and poisoned him slowly with vague insidious54 hints.
该作者其它作品
《The Cloister and the Hearth回廊与壁炉》
该作者其它作品
《The Cloister and the Hearth回廊与壁炉》
点击收听单词发音
1 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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2 pious | |
adj.虔诚的;道貌岸然的 | |
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3 frivolous | |
adj.轻薄的;轻率的 | |
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4 devout | |
adj.虔诚的,虔敬的,衷心的 (n.devoutness) | |
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5 laden | |
adj.装满了的;充满了的;负了重担的;苦恼的 | |
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6 lugubrious | |
adj.悲哀的,忧郁的 | |
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7 calamity | |
n.灾害,祸患,不幸事件 | |
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8 piquant | |
adj.辛辣的,开胃的,令人兴奋的 | |
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9 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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10 dormant | |
adj.暂停活动的;休眠的;潜伏的 | |
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11 piety | |
n.虔诚,虔敬 | |
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12 tickled | |
(使)发痒( tickle的过去式和过去分词 ); (使)愉快,逗乐 | |
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13 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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14 eloquence | |
n.雄辩;口才,修辞 | |
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15 galled | |
v.使…擦痛( gall的过去式和过去分词 );擦伤;烦扰;侮辱 | |
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16 ecclesiastic | |
n.教士,基督教会;adj.神职者的,牧师的,教会的 | |
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17 wince | |
n.畏缩,退避,(因痛苦,苦恼等)面部肌肉抽动;v.畏缩,退缩,退避 | |
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18 disapproved | |
v.不赞成( disapprove的过去式和过去分词 ) | |
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19 writhed | |
(因极度痛苦而)扭动或翻滚( writhe的过去式和过去分词 ) | |
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20 remonstrated | |
v.抗议( remonstrate的过去式和过去分词 );告诫 | |
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21 ridicule | |
v.讥讽,挖苦;n.嘲弄 | |
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22 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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23 iceberg | |
n.冰山,流冰,冷冰冰的人 | |
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24 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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25 nostrils | |
鼻孔( nostril的名词复数 ) | |
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26 displeased | |
a.不快的 | |
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27 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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28 afflict | |
vt.使身体或精神受痛苦,折磨 | |
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29 doggedly | |
adv.顽强地,固执地 | |
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30 knave | |
n.流氓;(纸牌中的)杰克 | |
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31 seducing | |
诱奸( seduce的现在分词 ); 勾引; 诱使堕落; 使入迷 | |
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32 hawk | |
n.鹰,骗子;鹰派成员 | |
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33 grievance | |
n.怨愤,气恼,委屈 | |
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34 pester | |
v.纠缠,强求 | |
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35 beak | |
n.鸟嘴,茶壶嘴,钩形鼻 | |
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36 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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37 elastically | |
adv.有弹性地,伸缩自如地 | |
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38 discoursing | |
演说(discourse的现在分词形式) | |
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39 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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40 glided | |
v.滑动( glide的过去式和过去分词 );掠过;(鸟或飞机 ) 滑翔 | |
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41 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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42 vivacity | |
n.快活,活泼,精神充沛 | |
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43 unpacked | |
v.从(包裹等)中取出(所装的东西),打开行李取出( unpack的过去式和过去分词 );拆包;解除…的负担;吐露(心事等) | |
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44 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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45 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
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46 eloquent | |
adj.雄辩的,口才流利的;明白显示出的 | |
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47 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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48 haughtily | |
adv. 傲慢地, 高傲地 | |
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49 submission | |
n.服从,投降;温顺,谦虚;提出 | |
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50 retired | |
adj.隐退的,退休的,退役的 | |
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51 obeisance | |
n.鞠躬,敬礼 | |
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52 insolent | |
adj.傲慢的,无理的 | |
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53 hovered | |
鸟( hover的过去式和过去分词 ); 靠近(某事物); (人)徘徊; 犹豫 | |
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54 insidious | |
adj.阴险的,隐匿的,暗中为害的,(疾病)不知不觉之间加剧 | |
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