He had to travel in a loose semicircle, for there were two points which he must reach on the ride, the town of Alder6, where lived the seventh man who must die for Grey Molly, and the Cumberland ranch7, last of all, where he would take Joan. Very early after his start he reached the plateau where he had lived all those years with Kate, and he found it already sinking back to ruin, with nothing in the corrals, and the front door swinging to and fro idly in the wind, just as Joan had often played with it. Inside, he knew, the rooms were empty; a current of air down the chimney had scattered8 the ashes from the hearth9 all about the living room. Here must be a chair overturned, and there the sand had drifted through the open door. All this he saw clearly enough with his mind's eye, and urged Satan forward. For a chill like the falling of sudden night had swept over him, and he shrugged10 his shoulders with relief when he swept past the house. Yet when he came to the long down-slope which pitched into the valley so far below him, he called Satan to a halt again, and swung to look at the house. He could hear the clatter11 of the front door as it swung; it seemed to be waving a farewell to him.
It was all the work of a moment, to ride back, gather a quantity of paper and readily inflammable materials, soak them in oil, and scratch a match. The flames swept up the sides of the logs and caught on the ceiling first of all, and Dan Barry stood in the center of the room until the terrified whining12 of Black Bart and the teeth of the wolf-dog at his trousers made him turn and leave the house. Outside, he found Satan trembling between two temptations, the first to run as far and as fast as he could from that most terrible thing—fire; and the second to gallop13 straight into the blaze. The voice of the master, a touch quieted him, and Black Bart lay down at the feet of the master and looked up into his face.
By this time the fire had licked away a passage through the roof and through this it sent up a yellow hand that flicked14 up and down like a signal, or a beckoning15, and then shot up a tall, steady, growing, roaring column of red. No man could say what went through the mind of Dan Barry as he stood there watching the house of his building burn, but now he turned and threw his arms over the neck and back of Satan, and dropped his forehead against the withers16 of the black. It troubled the stallion. He turned his head, and nosed the shoulder of the master gently, and Black Bart, in an agony of anxiety, reared up beside Dan and brought his head almost up to the head of the man; there he whined17 pleadingly for never before had he seen the master hide his face.
A deep, short report made the master stand away from Satan. The fire had reached a small stock of powder, and the shock of the explosion was followed by a great crashing and rending18 as an inner wall went down. That fall washed a solid mass of yellow flame across the front door, but the fire fell back, and then Dan saw the doll which he himself had made for Joan; it had been thrown by the smashing of the wall squarely in front of the door, and now the fire reached after it—long arms across the floor. It was an odd contrivance, singularly made of carved wood and with arms and legs fastened on by means of bits of strong sinew, and Joan prized it above all the rosy19 faced dolls which Kate had bought for her. For an instant Dan stood watching the progress of the fire, then he leaped through the door, swerved20 back as an arm of fire shot out at him, ran forward again, caught up the doll and was outside rubbing away the singed21 portions of brows and lashes22.
He did not wait until the house was consumed, but when the flames stood towering above the roof, shaking out to one side with a roar when the wind struck them, he mounted Satan once more, and made for the valley.
He wanted to reach Alder at dark, and he gauged23 the time of his ride so accurately24 that when he pulled out of the mouth of Murphy's Pass, the last light of the day was still on the mountains and in the pass, but it was already dark in the village, and a score of lights twinkled up at him like eyes.
He left Satan and Bart well outside the town, for even in the dark they might easily be recognized, and then walked straight down the street of Alder. It was a bold thing to do, but he knew that the first thing which is seen and suspected is the skulker25 who approaches from covert26 to covert. They knew he had ridden into Alder before in the middle of the night and they might suspect the danger of such another attack, but they surely would not have fear of a solitary27 pedestrian unless a telltale light were thrown upon his face.
He passed Captain Lorrimer's saloon. Even in this short interval28 it had fallen into ill-repute after the killing29 at Alder. And a shanty30 farther down the street now did the liquor business of the town; Captain Lorrimer's was closed, and the window nailed across with slats. He went on. Partly by instinct, and partly because it was aflame with lights, he moved straight to the house at which he had learned tidings of three men he sought on his last visit to Alder. Now there were more lights showing from the windows of that place than there were in all the rest of Alder; at the hitching31 racks in front, horses stood tethered in long double rows, and a noise of voices rolled out and up and down the street. Undoubtedly33, there was a festival there, and all Alder would turn out to such an affair. All Alder, including Vic Gregg, the seventh man. A group came down the street for the widow's house; they were laughing and shouting, and they carried lanterns; away from them Barry slipped like a ghost and stood in the shadow of the house.
There might be other such crowds, and they were dangerous to Barry, so now he hunted for a means of breaking into the house of the widow unseen. The windows, as he went down the side of the building, he noted34 to be high, but not too high to be reached by a skillful, noiseless climber. In the back of the house he saw the kitchen door, illumined indeed, but the room, as far as he could see, empty.
Then very suddenly a wave of silence began somewhere in a side of the house and swept across it, dying to a murmur35 at the edges. Barry waited for no more maneuvers36, but walked boldly up the back stairs and entered the house, hat in hand.
The moment he passed the door he was alert, balanced. He could have swung to either side, or whirled and shot behind him with the precision of a leisurely37 marksman, and as he walked he smiled, happily with his head held high. He seemed so young, then, that one would have said he had just come in gaily38 from some game with the other youths of Alder.
Out of the kitchen he passed into the hall, and there he understood the meaning of the silence, for both the doors to the front room were open, and through the doors he heard a single voice, deep and solemn, and through the doors he saw the crowd standing39 motionless. Their heads did not stir,—heads on which the hair was plastered smoothly40 down—and when some one raised a hand to touch an itching32 ear, or nose, he moved his arm with such caution that it seemed he feared to set a magazine of powder on fire. All their backs were towards Barry, where he stood in the hall, and as he glided41 toward them, he heard the deep voice stop, and then the trembling voice of a girl speak in reply.
At the first entrance he paused, for the whole scene unrolled before him. It was a wedding. Just in front of him, on chairs and even on benches, sat the majority of adult Alder,—facing these stood the wedding pair with the minister just in front of them. He could see the girl to one side of the minister's back, and she was very pretty, very femininely appealing, now, in a dress which was a cloudy effect of white; but Barry gave her only one sharp glance. His attention was for the men of the crowd. And although there were only backs of heads, and side glimpses of faces he hunted swiftly for Vic Gregg.
But Gregg was not there. He surveyed the assembly twice, incredulous, for surely the tall man should be here, but when he was on the very point of turning on his heel and slinking down the hall to pursue his hunt in other quarters, the voice of the minister stopped, and the deep tone of Vic himself rolled through the room.
It startled Barry like a voice out of the sky; he stared about, bewildered, and then as the minister shifted his position a little he saw that it was Gregg who stood there beside the girl in white,—it was Gregg being married. And at the same moment, the eyes of Vic lifted, wandered, fell upon the face which stood there framed in the dark of the doorway42. Dan saw the flush die out, saw the narrow, single-purposed face of Gregg turn white, saw his eyes widen, and his own hand closed on his gun. Another instant; the minister turned his head, seemed to be waiting, and then Gregg spoke43 in answer: “I will!”
A thousand pictures rushed through the mind of Barry, and he remembered first and last the wounded man on the gray horse who he had saved, and the long, hard ride carrying that limp body to the cabin in the mountains. The man would fight. By the motion of Gregg's hand, Dan knew that he had gone even to his wedding armed. He had only to show his own gun to bring on the crisis, and in the meantime the eyes of Vic held steadily44 upon him past the shoulder of the minister, without fear, desperately45. In spite of himself Dan's hand could not move his gun. In spite of himself he looked to the confused happy face of the girl. And he felt as he had felt when he set fire to his house up there in the hills. The wavering lasted only a moment longer; then he turned and slipped noiselessly down the hall, and the seventh man who should have died for Grey Molly was still alive.
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1 outfit | |
n.(为特殊用途的)全套装备,全套服装 | |
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2 strap | |
n.皮带,带子;v.用带扣住,束牢;用绷带包扎 | |
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3 meditative | |
adj.沉思的,冥想的 | |
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4 odds | |
n.让步,机率,可能性,比率;胜败优劣之别 | |
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5 gravel | |
n.砂跞;砂砾层;结石 | |
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6 alder | |
n.赤杨树 | |
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7 ranch | |
n.大牧场,大农场 | |
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8 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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9 hearth | |
n.壁炉炉床,壁炉地面 | |
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10 shrugged | |
vt.耸肩(shrug的过去式与过去分词形式) | |
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11 clatter | |
v./n.(使)发出连续而清脆的撞击声 | |
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12 whining | |
n. 抱怨,牢骚 v. 哭诉,发牢骚 | |
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13 gallop | |
v./n.(马或骑马等)飞奔;飞速发展 | |
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14 flicked | |
(尤指用手指或手快速地)轻击( flick的过去式和过去分词 ); (用…)轻挥; (快速地)按开关; 向…笑了一下(或瞥了一眼等) | |
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15 beckoning | |
adj.引诱人的,令人心动的v.(用头或手的动作)示意,召唤( beckon的现在分词 ) | |
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16 withers | |
马肩隆 | |
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17 whined | |
v.哀号( whine的过去式和过去分词 );哀诉,诉怨 | |
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18 rending | |
v.撕碎( rend的现在分词 );分裂;(因愤怒、痛苦等而)揪扯(衣服或头发等);(声音等)刺破 | |
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19 rosy | |
adj.美好的,乐观的,玫瑰色的 | |
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20 swerved | |
v.(使)改变方向,改变目的( swerve的过去式和过去分词 ) | |
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21 singed | |
v.浅表烧焦( singe的过去式和过去分词 );(毛发)燎,烧焦尖端[边儿] | |
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22 lashes | |
n.鞭挞( lash的名词复数 );鞭子;突然猛烈的一击;急速挥动v.鞭打( lash的第三人称单数 );煽动;紧系;怒斥 | |
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23 gauged | |
adj.校准的;标准的;量规的;量计的v.(用仪器)测量( gauge的过去式和过去分词 );估计;计量;划分 | |
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24 accurately | |
adv.准确地,精确地 | |
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25 skulker | |
n.偷偷隐躲起来的人,偷懒的人 | |
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26 covert | |
adj.隐藏的;暗地里的 | |
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27 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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28 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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29 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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30 shanty | |
n.小屋,棚屋;船工号子 | |
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31 hitching | |
搭乘; (免费)搭乘他人之车( hitch的现在分词 ); 搭便车; 攀上; 跃上 | |
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32 itching | |
adj.贪得的,痒的,渴望的v.发痒( itch的现在分词 ) | |
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33 undoubtedly | |
adv.确实地,无疑地 | |
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34 noted | |
adj.著名的,知名的 | |
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35 murmur | |
n.低语,低声的怨言;v.低语,低声而言 | |
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36 maneuvers | |
n.策略,谋略,花招( maneuver的名词复数 ) | |
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37 leisurely | |
adj.悠闲的;从容的,慢慢的 | |
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38 gaily | |
adv.欢乐地,高兴地 | |
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39 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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40 smoothly | |
adv.平滑地,顺利地,流利地,流畅地 | |
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41 glided | |
v.滑动( glide的过去式和过去分词 );掠过;(鸟或飞机 ) 滑翔 | |
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42 doorway | |
n.门口,(喻)入门;门路,途径 | |
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43 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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44 steadily | |
adv.稳定地;不变地;持续地 | |
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45 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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