“They are right there!” said the man. He gave a short laugh—“Can’t trace them that way—we have tried—They’ve tapped a wire. Central is after them. But they won’t get ’em that way. Sit down and I will talk to you.” He motioned again to the chair and the Greek seated himself, bending forward a little to catch the murmur2 and half-incoherent jerks that the man spoke3.
Now and then the Greek nodded, or his dark face lighted; and once or twice he spoke. But for the most part it was a rapid monologue4, told in breathless words.
The great Philip Harris had no hope that the ignorant man sitting before him could help him. But there was a curious relief in talking to him; and as he talked, he found the story shaping itself in his mind—things related fell into place, and things apart came suddenly together. The story ran back for years—there had been earlier attempts, but the child had been guarded with strictest care; and lately they had come to feel secure. They had thought the band was broken up. The blow had fallen out of a clear sky. They had not the slightest clue—all day the detectives had gathered the great city in their hands—and sifted5 it through careful fingers. A dozen men had been arrested, but there was no clue. The New York men were on the way; they would arrive in the morning, and meantime the great man sat in his bare room, helpless. He looked into the dark eyes opposite him and found a curious comfort there. “The child knew you,” he said.
“Yes—she know me. We love,” said Achilles simply.
The other smiled a little. It would not have occurred to him to say that Betty loved him. He was not sure that she did—as he thought of it. She had always the quick smile for him—and for everyone. But there had been no time for foolishness between him and Betty. He had hardly known her for the last year or two. He shifted a little in his place, shading his eyes from the light, and looked at the Greek.
The Greek rose, and stood before him. “I go now,” he said.
Philip Harris made no reply. He was thinking, behind his hand; and his mind, wrenched6 from its stockyards and its corners and deals, seemed to be groping toward a point of light that glimmered7 somewhere—mistily. He could not focus it. The darkness tricked him, but somehow, vaguely8, the Greek held a clue. He had known the child. “Don’t go,” said Philip Harris, looking up at last.
“I find her,” said Achilles.
Philip Harris shook his head. “You cannot find her.” He said it bitterly. “But you can tell me—sit down.” He leaned forward. “Now, tell me—everything—you know—about her.”
The man smiled. “Yes—go on.”
So the voice of Achilles was loosened and he told of Betty Harris—to her father sitting absorbed and silent. The delight of her walk, her little hands, the very tones of her voice were in his words.
And the big man listened with intent face. Once the telephone rang and he stopped to take down something. “No clue,” he said, “go on.” And Achilles’s voice took up the story again.
His hands reached out in the words, quick gestures made a halo about them, lips and smiles spoke, and ran the words to a laugh that made the child’s presence in the room.
The father listened dumbly. Then silence fell in the room and the clock ticked.
And while the two men sat in silence, something came between them and knit them. And when Achilles rose to go, the great man held out his hand, simply. “You have helped me,” he said.
“I help—yes—” said Achilles. Then he turned his head. A door across the room had opened and a woman stood in it—looking at them.
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1 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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2 murmur | |
n.低语,低声的怨言;v.低语,低声而言 | |
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3 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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4 monologue | |
n.长篇大论,(戏剧等中的)独白 | |
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5 sifted | |
v.筛( sift的过去式和过去分词 );筛滤;细查;详审 | |
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6 wrenched | |
v.(猛力地)扭( wrench的过去式和过去分词 );扭伤;使感到痛苦;使悲痛 | |
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7 glimmered | |
v.发闪光,发微光( glimmer的过去式和过去分词 ) | |
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8 vaguely | |
adv.含糊地,暖昧地 | |
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9 blithely | |
adv.欢乐地,快活地,无挂虑地 | |
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