To lend, or to spend, or to give in;
But to beg, or to borrow, or get a man’s own,
’Tis the very worst world, sir, that ever was known.”
—LINES FROM AN INN WINDOW.
LITERARY LIFE
Among the great variety of characters which fall in a traveller’s way, I became acquainted during my sojourn2 in London, with an eccentric personage of the name of Buckthorne. He was a literary man, had lived much in the metropolis3, and had acquired a great deal of curious, though unprofitable knowledge concerning it. He was a great observer of character, and could give the natural history of every odd animal that presented itself in this great wilderness5 of men. Finding me very curious about literary life and literary characters, he took much pains to gratify my curiosity.
“The literary world of England,” said he to me one day, “is made up of a number of little fraternities, each existing merely for itself, and thinking the rest of the world created only to look on and admire. It may be resembled to the firmament7, consisting of a number of systems, each composed of its own central sun with its revolving8 train of moons and satellites, all acting9 in the most harmonious10 concord11; but the comparison fails in part, inasmuch as the literary world has no general concord. Each system acts independently of the rest, and indeed considers all other stars as mere6 exhalations and transient meteors, beaming for awhile with false fires, but doomed12 soon to fall and be forgotten; while its own luminaries13 are the lights of the universe, destined14 to increase in splendor15 and to shine steadily16 on to immortality17.”
“And pray,” said I, “how is a man to get a peep into one of these systems you talk of? I presume an intercourse18 with authors is a kind of intellectual exchange, where one must bring his commodities to barter19, and always give a quid pro4 quo.”
“Pooh, pooh—how you mistake,” said Buckthorne, smiling; “you must never think to become popular among wits by shining. They go into society to shine themselves, not to admire the brilliancy of others. I thought as you do when I first cultivated the society of men of letters, and never went to a blue-stocking coterie20 without studying my part beforehand as diligently21 as an actor. The consequence was, I soon got the name of an intolerable proser, and should in a little while have been completely excommunicated had I not changed my plan of operations. From thenceforth I became a most assiduous listener, or if ever I were eloquent22, it was tête-a-tête with an author in praise of his own works, or what is nearly as acceptable, in disparagement23 of the works of his contemporaries. If ever he spoke24 favorably of the productions of some particular friend, I ventured boldly to dissent25 from him, and to prove that his friend was a blockhead; and much as people say of the pertinacity26 and irritability27 of authors, I never found one to take offence at my contradictions. No, no, sir, authors are particularly candid28 in admitting the faults of their friends.
“Indeed, I was extremely sparing of my remarks on all modern works, excepting to make sarcastic29 observations on the most distinguished30 writers of the day. I never ventured to praise an author that had not been dead at least half a century; and even then I was rather cautious; for you must know that many old writers have been enlisted31 under the banners of different sects32, and their merits have become as complete topics of party prejudice and dispute, as the merits of living statesmen and politicians. Nay33, there have been whole periods of literature absolutely taboo’d, to use a South Sea phrase. It is, for example, as much as a man’s reputation is worth, in some circles, to say a word in praise of any writers of the reign34 of Charles the Second, or even of Queen Anne; they being all declared to be Frenchmen in disguise.”
“And pray, then,” said I, “when am I to know that I am on safe grounds; being totally unacquainted with the literary landmarks35 and the boundary lines of fashionable taste?”
“Oh,” replied he, there is fortunately one tract36 of literature that forms a kind of neutral ground, on which all the literary world meet amicably37; lay down their weapons and even run riot in their excess of good humor, and this is, the reigns38 of Elizabeth and James. Here you may praise away at a venture; here it is ‘cut and come again,’ and the more obscure the author, and the more quaint1 and crabbed39 his style, the more your admiration40 will smack41 of the real relish42 of the connoisseur43; whose taste, like that of an epicure44, is always for game that has an antiquated45 flavor.
“But,” continued he, “as you seem anxious to know something of literary society I will take an opportunity to introduce you to some coterie, where the talents of the day are assembled. I cannot promise you, however, that they will be of the first order. Somehow or other, our great geniuses are not gregarious46, they do not go in flocks, but fly singly in general society. They prefer mingling47, like common men, with the multitude; and are apt to carry nothing of the author about them but the reputation. It is only the inferior orders that herd48 together, acquire strength and importance by their confederacies, and bear all the distinctive49 characteristics of their species.”
点击收听单词发音
1 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
参考例句: |
|
|
2 sojourn | |
v./n.旅居,寄居;逗留 | |
参考例句: |
|
|
3 metropolis | |
n.首府;大城市 | |
参考例句: |
|
|
4 pro | |
n.赞成,赞成的意见,赞成者 | |
参考例句: |
|
|
5 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
参考例句: |
|
|
6 mere | |
adj.纯粹的;仅仅,只不过 | |
参考例句: |
|
|
7 firmament | |
n.苍穹;最高层 | |
参考例句: |
|
|
8 revolving | |
adj.旋转的,轮转式的;循环的v.(使)旋转( revolve的现在分词 );细想 | |
参考例句: |
|
|
9 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
参考例句: |
|
|
10 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
参考例句: |
|
|
11 concord | |
n.和谐;协调 | |
参考例句: |
|
|
12 doomed | |
命定的 | |
参考例句: |
|
|
13 luminaries | |
n.杰出人物,名人(luminary的复数形式) | |
参考例句: |
|
|
14 destined | |
adj.命中注定的;(for)以…为目的地的 | |
参考例句: |
|
|
15 splendor | |
n.光彩;壮丽,华丽;显赫,辉煌 | |
参考例句: |
|
|
16 steadily | |
adv.稳定地;不变地;持续地 | |
参考例句: |
|
|
17 immortality | |
n.不死,不朽 | |
参考例句: |
|
|
18 intercourse | |
n.性交;交流,交往,交际 | |
参考例句: |
|
|
19 barter | |
n.物物交换,以货易货,实物交易 | |
参考例句: |
|
|
20 coterie | |
n.(有共同兴趣的)小团体,小圈子 | |
参考例句: |
|
|
21 diligently | |
ad.industriously;carefully | |
参考例句: |
|
|
22 eloquent | |
adj.雄辩的,口才流利的;明白显示出的 | |
参考例句: |
|
|
23 disparagement | |
n.轻视,轻蔑 | |
参考例句: |
|
|
24 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
参考例句: |
|
|
25 dissent | |
n./v.不同意,持异议 | |
参考例句: |
|
|
26 pertinacity | |
n.执拗,顽固 | |
参考例句: |
|
|
27 irritability | |
n.易怒 | |
参考例句: |
|
|
28 candid | |
adj.公正的,正直的;坦率的 | |
参考例句: |
|
|
29 sarcastic | |
adj.讥讽的,讽刺的,嘲弄的 | |
参考例句: |
|
|
30 distinguished | |
adj.卓越的,杰出的,著名的 | |
参考例句: |
|
|
31 enlisted | |
adj.应募入伍的v.(使)入伍, (使)参军( enlist的过去式和过去分词 );获得(帮助或支持) | |
参考例句: |
|
|
32 sects | |
n.宗派,教派( sect的名词复数 ) | |
参考例句: |
|
|
33 nay | |
adv.不;n.反对票,投反对票者 | |
参考例句: |
|
|
34 reign | |
n.统治时期,统治,支配,盛行;v.占优势 | |
参考例句: |
|
|
35 landmarks | |
n.陆标( landmark的名词复数 );目标;(标志重要阶段的)里程碑 ~ (in sth);有历史意义的建筑物(或遗址) | |
参考例句: |
|
|
36 tract | |
n.传单,小册子,大片(土地或森林) | |
参考例句: |
|
|
37 amicably | |
adv.友善地 | |
参考例句: |
|
|
38 reigns | |
n.君主的统治( reign的名词复数 );君主统治时期;任期;当政期 | |
参考例句: |
|
|
39 crabbed | |
adj.脾气坏的;易怒的;(指字迹)难辨认的;(字迹等)难辨认的v.捕蟹( crab的过去式和过去分词 ) | |
参考例句: |
|
|
40 admiration | |
n.钦佩,赞美,羡慕 | |
参考例句: |
|
|
41 smack | |
vt.拍,打,掴;咂嘴;vi.含有…意味;n.拍 | |
参考例句: |
|
|
42 relish | |
n.滋味,享受,爱好,调味品;vt.加调味料,享受,品味;vi.有滋味 | |
参考例句: |
|
|
43 connoisseur | |
n.鉴赏家,行家,内行 | |
参考例句: |
|
|
44 epicure | |
n.行家,美食家 | |
参考例句: |
|
|
45 antiquated | |
adj.陈旧的,过时的 | |
参考例句: |
|
|
46 gregarious | |
adj.群居的,喜好群居的 | |
参考例句: |
|
|
47 mingling | |
adj.混合的 | |
参考例句: |
|
|
48 herd | |
n.兽群,牧群;vt.使集中,把…赶在一起 | |
参考例句: |
|
|
49 distinctive | |
adj.特别的,有特色的,与众不同的 | |
参考例句: |
|
|
欢迎访问英文小说网 |