A VILLAGE STRADIVARIUS.

 I.

 

     “Goodfellow, Puck and goblins,

     Know more than any book.

     Down with your doleful problems,

     And court the sunny brook¹.

     The south-winds are quick-witted,

     The schools are sad and slow,

     The masters quite omitted

     The lore² we care to know.”

 

     Emerson's April.

“Find the 317th page, Davy, and begin at the top of the right-hand column.”

 

The boy turned the leaves of the old instruction book obediently, and then began to read in a sing-song, monotonous³ tone:—

 

“'One of Pag-pag'”—

 

“Pag-a-ni-ni's.”

 

“'One of Paggernyner's' (I wish all the fellers in your stories didn't have such tough old names!) 'most dis-as-ter-ous triumphs he had when playing at Lord Holland's.' (Who was Lord Holland, uncle Tony?) 'Some one asked him to im-pro-vise on the violin the story of a son who kills his father, runs a-way, becomes a highway-man, falls in love with a girl who will not listen to him; so he leads her to a wild country site, suddenly jumping with her from a rock into an a-b-y-double-s'”—

 

“Abyss.”

 

“'—a—rock—into—an—abyss, were they disappear forever. Paggernyner listened quietly, and when the story was at an end he asked that all the lights should be distinguished⁵.'”

 

“Look closer, Davy.”

 

“'Should be extinguished. He then began playing, and so terrible was the musical in-ter-pre-ta-tion of the idea which had been given him that several of the ladies fainted, and the sal-salon-salon, when relighted, looked like a battle-field.' Cracky! Wouldn't you like to have been there, uncle Tony? But I don't believe anybody ever played that way, do you?”

 

“Yes,” said the listener, dreamily raising his sightless eyes to the elm-tree that grew by the kitchen door. “I believe it, and I can hear it myself when you read the story to me. I feel that the secret of everything in the world that is beautiful, or true, or terrible, is hidden in the strings⁶ of my violin, Davy, but only a master can draw it from captivity⁷.”

 

“You make stories on your violin, too, uncle Tony, even if the ladies don't faint away in heaps, and if the kitchen doesn't look like a battle-field when you 've finished. I'm glad it doesn't, for my part, for I should have more housework to do than ever.”

 

“Poor Davy! you couldn't hate housework any worse if you were a woman; but it is all done for to-day. Now paint me one of your pictures, laddie; make me see with your eyes.”

 

The boy put down the book and leaped out of the open door, barely touching⁸ the old millstone that served for a step. Taking a stand in the well-worn path, he rested his hands on his hips¹⁰, swept the landscape with the glance of an eagle, and began like a young improvisator:—

 

“The sun is just dropping behind Brigadier Hill.”

 

“What color is it?”

 

“Red as fire, and there isn't anything near it,—it 's almost alone in the sky; there 's only teenty little white feather clouds here and there. The bridge looks as if it was a silver string tying the two sides of the river together. The water is pink where the sun shines into it. All the leaves of the trees are kind of swimming in the red light,—I tell you, nunky, just as if I was looking through red glass. The weather vane on Squire¹³ Bean's barn dazzles so the rooster seems to be shooting gold arrows into the river. I can see the tip top of Mount Washington where the peak of its snow-cap touches the pink sky. The hen-house door is open. The chickens are all on their roost, with their heads cuddled under their wings.”

 

“Did you feed them?”

 

The boy clapped his hand over his mouth with a comical gesture of penitence¹⁴, and dashed into the shed for a panful of corn, which he scattered¹⁵ over the ground, enticing¹⁶ the sleepy fowls¹⁷ by insinuating¹⁸ calls of “Chick, chick, chick, chick! Come, biddy, biddy, biddy, biddy! Come, chick, chick, chick, chick, chick!”

 

The man in the doorway¹⁹ smiled as over the misdemeanor of somebody very dear and lovable, and rising from his chair felt his way to a corner shelf, took down a box, and drew from it a violin swathed in a silk bag. He removed the covering with reverential hands. The tenderness of the face was like that of a young mother dressing²⁰ or undressing her child. As he fingered the instrument his hands seemed to have become all eyes. They wandered caressingly²¹ over the polished surface as if enamored of the perfect thing that they had created, lingering here and there with rapturous tenderness on some special beauty,—the graceful²² arch of the neck, the melting curves of the cheeks, the delicious swell²³ of the breasts.

 

When he had satisfied himself for the moment, he took the bow, and lifting the violin under his chin, inclined his head fondly toward it and began to play.

 

The tune²⁴ at first seemed muffled²⁵, but had a curious bite, that began in distant echoes, but after a few minutes' the playing grew firmer and clearer, ringing out at last with velvety²⁶ richness and strength until the atmosphere was satiated with harmony. No more ethereal note ever flew out of a bird's throat than Anthony Croft set free from this violin, his liebling, his “swan song,” made in the year he had lost his eyesight.

 

Anthony Croft had been the only son of his mother, and she a widow. His boyhood had been exactly like that of all the other boys in Edgewood, save that he hated school a trifle more, if possible, than any of the others; though there was a unanimity²⁷ of aversion in this matter that surprised and wounded teachers and parents.

 

The school was the ordinary “deestrick” school of that time; there were not enough scholars for what Cyse Higgins called a “degraded” school. The difference between Anthony and the other boys lay in the reason as well as the degree of his abhorrence²⁸.

 

He had come into the world a naked, starving human soul; he longed to clothe himself, and he was hungry and ever hungrier for knowledge; but never within the four walls of the village schoolhouse could he get hold of one fact that would yield him its secret sense, one glimpse of clear light that would shine in upon the “darkness which may be felt” in his mind, one thought or word that would feed his soul.

 

The only place where his longings²⁹ were ever stilled, where he seemed at peace with himself, where he understood what he was made for, was out of doors in the woods. When he should have been poring over the sweet, palpitating mysteries of the multiplication³¹ table, his vagrant³² gaze was always on the open window near which he sat. He could never study when a fly buzzed on the window-pane; he was always standing³³ on the toes of his bare feet, trying to locate and understand the buzz that puzzled him. The book was a mute, soulless thing that had no relation to his inner world of thought and feeling. He turned ever from the dead seven-times-six to the mystery of life about him.

 

He was never a special favorite with his teachers; that was scarcely to be expected. In his very early years, his pockets were gone through with every morning when he entered the school door, and the contents, when confiscated³⁵, would comprise a jew's-harp³⁶, a bit of catgut, screws whittled³⁷ out of wood, tacks³⁸, spools³⁹, pins, and the like. But when robbed of all these he could generally secrete⁴⁰ a piece of elastic⁴¹, which, when put between his teeth and stretched to its utmost capacity, would yield a delightful⁴² twang when played upon with the forefinger⁴³. He could also fashion an interesting musical instrument in his desk by means of spools and catgut and bits of broken glass. The chief joy of his life was an old tuning-fork that the teacher of the singing school had given him, but, owing to the degrading and arbitrary censorship of pockets that prevailed, he never dared bring it into the schoolroom. There were ways, however, of evading⁴⁴ inexorable law and circumventing⁴⁵ base injustice⁴⁶. He hid the precious thing under a thistle just outside the window. The teacher had sometimes a brief season of apathy⁴⁷ on hot afternoons, when she was hearing the primer class read, “I see a pig. The pig is big. The big pig can dig;” which stirring in phrases were always punctuated⁴⁹ by the snores of the Hanks baby, who kept sinking down on his fat little legs in the line and giving way to slumber⁵⁰ during the lesson. At such a moment Anthony slipped out of the window and snapped the tuning-fork several times,—just enough to save his soul from death,—and then slipped in again. He was caught occasionally, but not often; and even when he was, there were mitigating⁵¹ circumstances, for he was generally put under the teacher's desk for punishment. It was a dark, close, sultry spot, but when he was well seated, and had grown tied of looking at the triangle of elastic in the teacher's congress boot, and tired of wishing it was his instead of hers, he would tie one end of a bit of thread to the button of his gingham shirt, and, carrying it round his left ear several times, make believe he was Paganini languishing⁵² in prison and playing on a violin with a single string.

 

As he grew older there was no marked improvement, and Tony Croft was by general assent⁵⁴ counted the laziest boy in the village. That he was lazy in certain matters merely because he was in a frenzy⁵⁶ of industry to pursue certain others had nothing to do with the case, of course.

 

If any one had ever given him a task in which he could have seen cause working to effect, in which he could have found by personal experiment a single fact that belonged to him, his own by divine right of discovery, he would have counted labor⁵⁷ or study all joy.

 

He was one incarnate⁵⁸ Why and How, one brooding wonder and interrogation point. “Why does the sun drive away the stars? Why do the leaves turn red and gold? What makes the seed swell in the earth? From whence comes the life hidden in the egg under the bird's breast? What holds the moon in the sky? Who regulates her shining? Who moves the wind? Who made me, and what am I? Who, why, how whither? If I came from God but only lately, teach me his lessons first, put me into vital relation with life and law, and then give me your dead signs and equivalents for real things, that I may learn more and more, and ever more and ever more.”

 

There was no spirit in Edgewood bold enough to conceive that Tony learned anything in the woods, but as there was never sufficient school money to keep the village seat of learning open more than half the year the boy educated himself at the fountain head of wisdom, and knowledge of the other half. His mother, who owned him for a duckling hatched from a hen's egg, and was never quite sure he would not turn out a black sheep and a crooked⁵⁹ stick to boot, was obliged to confess that Tony had more useless information than any boy in the village. He knew just where to find the first Mayflowers, and would bring home the waxen beauties when other people had scarcely begun to think about the spring. He could tell where to look for the rare fringed gentian, the yellow violet, the Indian pipe. There were clefts⁶¹ in the rocks of the Indian Cellar where, when every one else failed, he could find harebells and columbines.

 

When his tasks were done, and the other boys were amusing themselves each in his own way, you would find Tony lying flat on the pine needles in the woods, listening to the notes of the wild birds, and imitating them patiently, til you could scarcely tell which was boy and which was bird; and if you could, the birds couldn't, for many a time he coaxed⁶³ the bobolinks and thrushes to perch⁶⁴ on the low boughs⁶⁵ above his head and chirp⁶⁷ to him as if he were a feathered brother. There was nothing about the building of nests with which he was not familiar. He could have taken hold and helped if the birds had not been so shy, and if he had had beak⁶⁸ and claw instead of clumsy fingers. He would sit near a beehive for hours without moving, or lie prone⁶⁹ in the sandy road, under the full glare of the sun, watching the ants acting⁷⁰ out their human comedy; sometimes surrounding a favorite hill with stones, that the comedy might not be turned into a tragedy by a careless footfall. The cottage on the river road grew more and more to resemble a museum and herbarium as the years went by, and the Widow Croft's weekly house-cleaning was a matter that called for the exercise of Christian⁷² grace.

 

Still, Tony was a good son, affectionate, considerate, and obedient. His mother had no idea that he would ever be able, or indeed willing, to make a living; but there was a forest of young timber growing up, a small hay farm to depend upon, and a little hoard⁷³ that would keep him out of the poorhouse when she died and left him to his own devices. It never occurred to her that he was in any way remarkable⁷⁵. If he were difficult to understand, it reflected more upon his eccentricity⁷⁶ than upon her density⁷⁷. What was a woman to do with a boy of twelve who, when she urged him to drop the old guitar he was taking apart and hurry off to school, cried, “Oh, mother! when there is so much to learn in this world, it is wicked, wicked to waste time in school.”

 

About this period Tony spent hours in the attic⁷⁸ arranging bottles and tumblers into a musical scale. He also invented an instrument made of small and great, long and short pins, driven into soft board to different depths, and when the widow passed his door on the way to bed she invariable saw this barbaric thing locked up to the boy's breast, for he often played himself to sleep with it.

 

At fifteen he had taken to pieces and put together again, strengthened, soldered⁷⁹, tinkered, mended, and braced⁸⁰ every accordion⁸¹, guitar, melodeon, dulcimer, and fiddle⁸² in Edgewood, Pleasant River, and the neighboring villages. There was a little money to be earned in this way, but very little, as people in general regarded this “tinkering” as a pleasing diversion in which they could indulge him without danger. As an example of this attitude, Dr. Berry's wife's melodeon had lost two stops, the pedals had severed⁸³ connection with the rest of the works, it wheezed⁸⁴ like an asthmatic, and two black keys were missing. Anthony worked more than a week on its rehabilitation⁸⁵, and received in return Mrs. Berry's promise that the doctor would pull a tooth for him some time! This, of course, was a guerdon for the future, but it seemed pathetically distant to the lad who had never had a toothache in his life. He had to plead with Cyse Higgins for a week before that prudent⁸⁶ young farmer would allow him to touch his five-dollar fiddle. He obtained permission at last only because by offering to give Cyse his calf⁸⁷ in case he spoiled the violin. “That seems square,” said Cyse doubtfully, “but after all, you can't play on a calf!” “Neither will your fiddle give milk, if you keep it long enough,” retorted Tony; and this argument was convincing.

 

So great was his confidence in Tony's skill that Squire Bean trusted his father's violin to him, one that had been bought in Berlin seventy years before. It had been hanging on the attic wall for a half century, so that the back was split in twain, the sound-post lost, the neck and the tailpiece cracked. The lad took it home, and studied it for two whole evenings before the open fire. The problem of restoring it was quite beyond his abilities. He finally took the savings⁸⁸ of two summers' “blueberry money” and walked sixteen miles to Portland, where he bought a book called The Practical Violinist. The Supplement proved to be a mine of wealth. Even the headings appealed to his imagination and intoxicated⁹⁰ him with their suggestions,—On Scraping, Splitting, and Repairing Violins, Violin Players, Great Violinists, Solo Playing, etc.; and at the very end a Treatise⁹¹ on the Construction, Preservation⁹², Repair, and Improvement of the Violin, by Jacob Augustus Friedheim, Instrument Maker⁹³ to the Court of the Archduke of Weimar.

 

There was a good deal of moral advice in the preface that sadly puzzled the boy, who was always in a condition of chronic⁹⁴ amazement⁹⁵ at the village disapprobation of his favorite fiddle. That the violin did not in some way receive the confidence enjoyed by other musical instruments, he perceived from various paragraphs written by the worthy⁹⁶ author of The Practical Violinist, as for example:—

 

“Some very excellent Christian people hold a strong prejudice against the violin because they have always known it associated with dancing and dissipation. Let it be understood that your violin is 'converted,' and such an obligation will no longer lie against it. ... Many delightful hours may be enjoyed by a young man, if he has obtained a respectable knowledge of his instrument, who otherwise would find the time hang heavy on his hands; or, for want of some better amusement, would frequent the dangerous and destructive paths of vice⁷⁴ and be ruined forever. ... I am in hopes, therefore, my dear young pupil, that your violin will occupy your attention at just those very times when, if you were immoral⁹⁷ or dissipated, you would be at the grogshop, gaming-table, or among vicious females. Such a use of the violin, notwithstanding the prejudices many hold against it, must contribute to virtue⁹⁸, and furnish abundance of innocent and entirely⁹⁹ unobjectionable amusement. These are the views with which I hope you have adopted it, and will continue to cherish and cultivate it.”

 

II.

 

     “There is no bard¹⁰⁰ in all the choir¹⁰¹,

    .......

     Not one of all can put in verse,

     Or to this presence could rehearse

     The sights and voices ravishing

     The boy knew on the hills in spring,

     When pacing through the oaks he heard

     Sharp queries¹⁰² of the sentry-bird,

     The heavy grouse's sudden whir,

     The rattle¹⁰³ of the kingfisher.”

 

     Emerson's Harp.

Now began an era of infinite happiness, of days that were never long enough, of evenings when bedtime came all too soon. Oh that there had been some good angel who would have taken in hand Anthony Croft the boy, and, training the powers that pointed¹⁰⁴ so unmistakably in certain directions, given to the world the genius of Anthony Croft, potential instrument maker to the court of St. Cecilia; for it was not only that he had the fingers of a wizard; his ear caught the faintest breath of harmony or hint of discord¹⁰⁵, as

 

     “Fairy folk a-listening

     Hear the seed sprout¹⁰⁶ in the spring,

     And for music to their dance

     Hear the hedge-rows wake from trance;

     Sap that trembles into buds

     Sending little rhythmic¹⁰⁷ floods

     Of fairy sound in fairy ears.

     Thus all beauty that appears

     Has birth as sound to finer sense

     And lighter-clad intelligence.”

 

As the universe is all mechanism¹⁰⁸ to one man, all form and color to another, so to Anthony Croft the world was all melody. Notwithstanding all these gifts and possibilities, the doctor's wife advised the Widow Croft to make a plumber¹⁰⁹ of him, intimating delicately that these freaks of nature, while playing no apparent part in the divine economy, could sometimes be made self-supporting.

 

The seventeenth year of his life marked a definite epoch¹¹⁰ in his development. He studied Jacob Friedheim's treatise until he knew the characteristics of all the great violin models, from the Amatis, Hieronymus, Antonius, and Nicolas, to those of Stradivarius, Guarnerius, and Steiner.

 

It was in this year, also, that he made a very precious discovery. While browsing¹¹¹ in the rubbish in Squire Bean's garret to see if he could find the missing sound-post of the old violin, he came upon a billet of wood wrapped in cloth and paper. When unwrapped, it was plainly labeled “Wood from the Bean Maple¹¹² at Pleasant Point; the biggest maple in York County, and believed to be one of the biggest in the State of Maine.” Anthony found that the oldest inhabitant of Pleasant River remembered the stump¹¹³ of the tree, and that the boys used to jump over it and admire its proportions whenever they went fishing at the Point. The wood, therefore, was perhaps eighty or ninety years old. The squire agreed willingly that it should be used to mend the old violin, and told Tony he should have what was left for himself. When, by careful calculation, he found that the remainder would make a whole violin, he laid it reverently¹¹⁴ away for another twenty years, so that he should be sure it had completed its century of patient waiting for service, and falling on his knees by his bedside said, “I thank Thee, Heavenly Father, for this precious gift, and I promise from this moment to gather the most beautiful wood I can find, and lay it by where it can be used some time to make perfect violins, so that if any creature as poor and helpless as I am needs the wherewithal to do good work, I shall have helped him as Thou hast helped me.” And according to his promise so he did, and the pieces of richly curled maple, of sycamore, and of spruce began to accumulate. They were cut from the sunny side of the trees, in just the right season of the year, split so as to have a full inch thickness towards the bark, and a quarter inch towards the heart. They were then laid for weeks under one of the falls in Wine Brook, where the musical tinkle¹¹⁵, tinkle of the stream fell on the wood already wrought¹¹⁶ upon by years of sunshine and choruses of singing birds.

 

This boy, toiling¹¹⁷ not alone for himself, but with full and conscious purpose for posterity¹¹⁸ also, was he not worthy to wear the mantle¹¹⁹ of Antonius Stradivarius?

 

“That plain white-aproned man who stood at work Patient and accurate full fourscore years, Cherished his sight and touch by temperance, And since keen sense is love of perfectness, Made perfect violins, the needed paths For inspiration and high mastery.”

 

And as if the year were not full enough of glory, the school-teacher sent him a book with a wonderful poem in it.

 

That summer's teaching had been the freak of a college student, who had gone back to his senior year strengthened by his experience of village life. Anthony Croft, who was only three or four years his junior, had been his favorite pupil and companion.

 

“How does Tony get along?” asked the Widow Croft when the teacher came to call.

 

“Tony? Oh, I can't teach him anything.”

 

Tears sprang to the mother's eyes.

 

“I know he ain't much on book learning,” she said apologetically, “but I'm bound he don't make you no trouble in deportment.”

 

“I mean,” said the school-teacher gravely, “that I can show him how to read a little Latin and do a little geometry, but he knows as much in one day as I shall ever know in a year.”

 

Tony crouched¹²¹ by the old fireplace in the winter evenings, dropping his knife or his compasses a moment to read aloud to his mother, who sat in the opposite corner knitting:—

 

     “Of old Antonio Stradivari,—him

     Who a good quarter century and a half ago

     Put his true work in the brown instrument,

     And by the nice adjustment of its frame

     Gave it responsive life, continuous

     With the master's finger-tips, and perfected

     Like them by delicate rectitude of use.”

 

The mother listened with painful intentness. “I like the sound of it,” she said, “but I can't hardly say I take in the full sense.”

 

“Why mother,” said the lad, in a rare moment of self-expression, “you know the poetry says he cherished his sight and touch by temperance; that an idiot might see a straggling line and be content, but he had an eye that winced¹²² at false work, and loved the true. When it says his finger-tips were perfected by delicate rectitude of use, I think it means doing everything as it is done in heaven, and that anybody who wants to make a perfect violin must keep his eye open to all the beautiful things God has made, and his ear open to all the music he has put into the world, and then never let his hands touch a piece of work that is crooked or straggling or false, till, after years and years of rightness, they are fit to make a violin like the squire's, a violin that can say everything, a violin that an angel wouldn't be ashamed to play on.”

 

Do these words seem likely ones to fall from the lips of a lad who had been at the tail of his class ever since his primer days? Well, Anthony was seventeen now, and he was “educated,” in spite of sorry recitations,—educated, the Lord knows how! Yes, in point of fact the Lord does know how! He knows how the drill and pressure of the daily task, still more the presence of the high ideal, the inspiration working from within, how these educate us.

 

The blind Anthony Croft sitting in the kitchen doorway had seemingly missed the heights of life he might have trod, and had walked his close on fifty years through level meadows of mediocrity, a witch in every finger-tip waiting to be set to work, head among the clouds, feet stumbling, eyes and ears open to hear God's secret thought; seeing and hearing it, too, but lacking force to speak it forth¹²³ again; for while imperious genius surmounts¹²⁴ all obstacles, brushes laws and formulas from its horizon, and with its own free soul sees its “path and the outlets¹²⁵ of the sky,” potential genius forever needs an angel of deliverance to set it free.

 

Poor Anthony Croft, or blessed Anthony Croft, I know not which,—God knows! Poor he certainly was, yet blessed after all. “One thing I do,” said Paul. “One thing I do,” said Anthony. He was not able to realize his ideals, but he had the “angel aim” by which he idealized his reals.

 

O waiting heart of God! how soon would thy kingdom come if we all did our allotted¹²⁶ tasks, humble¹²⁷ or splendid, in this consecrated¹²⁸ fashion!

 

III.

 

     “Therein I hear the Parcae reel

     The threads of man at their humming wheel,

     The threads of life and power and pain,

     So sweet and mournful falls the strain.”

 

     Emerson's Harp.

Old Mrs. Butterfield had had her third stroke of paralysis¹²⁹, and died of a Sunday night. She was all alone in her little cottage on the river bank, with no neighbor nearer than Croft's, and nobody there but a blind man and a small boy. Everybody had told her it was foolish to live alone in a house on the river road, and everybody was pleased in a discreet¹³⁰ and chastened fashion of course, that it had turned out exactly as they had predicted.

 

Aunt Mehitable Tarbox was walking up to Milliken's Mills, with her little black reticule hanging over her arm, and noticing that there was no smoke coming out of the chimney, and that the hens were gathered about the kitchen door clamoring for their breakfast, she thought it best to stop and knock. No response followed the repeated blows from her hard knuckles¹³¹. She then tapped smartly on Mrs. Butterfield's bedroom window with her thimble finger. This proving of no avail, she was obliged to pry¹³² open the kitchen shutter¹³³, split open a mosquito netting with her shears¹³⁴, and crawl into the house over the sink. This was a considerable feat¹² for a somewhat rheumatic elderly lady, but this one never grudged¹³⁶ trouble when she wanted to find out anything.

 

When she discovered that her premonitions were correct, and that old Mrs. Butterfield was indeed dead, her grief at losing a pleasant acquaintance was largely mitigated¹³⁷ by her sense of importance at being first on the spot, and chosen by Providence¹³⁸ to take command of the situation. There were no relations in the village; there was no woman neighbor within a mile: it was therefore her obvious Christian duty not only to take charge of the remains¹³⁹, but to conduct such a funeral as the remains would have wished for herself.

 

The fortunate Vice-President suddenly called upon by destiny to guide the ship of state, the general who sees a possible Victoria Cross in a hazardous¹⁴⁰ engagement, can have a faint conception of aunt Hitty's feeling on this momentous¹⁴¹ occasion. Funerals were the very breath of her life. There was no ceremony, either of public or private import, that, to her mind, approached a funeral in real satisfying interest. Yet, with distinct talent in this direction, she had always been “cabined, cribbed, confined” within hopeless limitations. She had assisted in a secondary capacity at funerals in the families of other people, but she would have reveled in personally conducted ones. The members of her own family stubbornly refused to die, however, even the distant connections living on and on to a ridiculous old age; and if they ever did die, by reason of a falling roof, shipwreck¹⁴², or conflagration¹⁴³, they generally died in Texas or Iowa, or some remote State where aunt Hitty could not follow the hearse in the first carriage. This blighted¹⁴⁴ ambition was a heart sorrow of so deep and sacred a character that she did not even confess it to “Si,” as her appendage¹⁴⁵ of a husband was called.

 

Now at last her chance for planning a funeral had come. Mrs. Butterfield had no kith or kin⁹ save her niece, Lyddy Ann, who lived in Andover, or Lawrence, or Haverhill Massachusetts,—aunt Hitty couldn't remember which, and hoped nobody else could. The niece would be sent for when they found out where she lived; meanwhile the funeral could not be put off.

 

She glanced round the house preparatory to locking it up and starting to notify Anthony Croft. She would just run over and talk to him about ordering the coffin¹⁴⁶; then she could attend to all other necessary preliminaries herself. The remains had been well-to-do, and there was no occasion for sordid¹⁴⁷ economy, so aunt Hitty determined¹⁴⁸ in her own mind to have the latest fashion in everything, including a silver coffin plate. The Butterfield coffin plates were a thing to be proud of. They had been sacredly preserved for years and years, and the entire collection—numbering nineteen in all had been framed, and adorned¹⁴⁹ the walls of the deceased lady's best room. They were not of solid silver, it is true, but even so it was a matter of distinction to have belonged to a family that could afford to have nineteen coffin plates of any sort.

 

Aunt Hitty planned certain dramatic details as she walked town the road to Croft's. It came to her in a burst of inspiration that she would have two ministers: one for the long prayer, and one for the short prayer and the remarks. She hoped that Elder Weeks would be adequate in the latter direction. She knew she couldn't for the life of her think of anything interesting about Mrs. Butterfield, save that she possessed¹⁵² nineteen coffin plates, and brought her hens to Edgewood every summer for their health; but she had heard Elder Weeks make a moving discourse¹⁵³ out of less than that. To be sure, he needed priming, but she was equal to that. There was Ivory Brown's funeral: how would that have gone on if it hadn't been for her? Wasn't the elder ten minutes late, and what would his remarks have amounted to without her suggestions? You might almost say she was the author of the discourse, for she gave him all the appropriate ideas. As she had helped him out of the wagon¹⁵⁵ she had said: “Are you prepared? I thought not; but there's no time to lose. Remember there are aged⁷¹ parents; two brothers living, one railroading in Spokane Falls, the other clerking in Washington, D. C. Don't mention the Universalists,—there's ben two in the fam'ly; nor insanity,—there 's ben one o' them. The girl in the corner by the clock is the one that the remains has been keeping comp'ny with. If you can make some genteel allusions¹⁵⁶ to her, it'll be much appreciated by his folks.”

 

As to the long prayer, she knew that the Rev⁴. Mr. Ford¹⁵⁰ could be relied on to pray until aunt Becky Burnham should twitch¹⁵⁷ him by the coat tails. She had done it more than once. She had also, on one occasion, got up and straightened his ministerial neckerchief, which he had gradually “prayed” around his saintly neck until it was behind the right ear.

 

These plans proved so fascinating to aunt Hitty that she walked quite half a mile beyond Croft's, and was obliged to retrace¹⁵⁸ her steps. She conceived bands of black alpaca for the sleeves and hats of the pallbearers, and a festoon of the same over the front gate, if there should be any left over. She planned the singing by the choir. There had been no real choir-singing at any funeral in Edgewood since the Rev. Joshua Beckwith had died. She would ask them to open with—

 

     Rebel mourner, cease your weepin'.

     You too must die.

This was a favorite funeral hymn¹⁵⁹. The only difficulty would be in keeping aunt Becky Burnham from pitching it in a key where nobody but a soprano skylark, accustomed to warble at a great height, could possibly sing it. It was generally given at the grave, when Elder Weeks officiated; but it never satisfied aunt Hitty, because the good elder always looked so unpicturesque when he threw a red bandanna¹⁶⁰ handkerchief over his head before beginning the twenty-seven verses. After the long prayer, she would have Almira Berry give for a solo—

 

     This gro-o-oanin' world 's too dark and

     dre-e-ar for the saints' e - ter - nal rest,

This hymn, if it did not wholly reconcile one to death, enabled one to look upon life with sufficient solemnity. It was a thousand pities, she thought, that the old hearse was so shabby and rickety, and that Gooly Eldridge, who drove it, would insist on wearing a faded peach-blow overcoat. It was exasperating¹⁶¹ to think of the public spirit at Egypt, and contrast it with the state of things at Pleasant River. In Egypt they had sold the old hearse house for a sausage shop, and now they were having hearse sociables every month to raise money for a new one.

 

All these details flew through aunt Hitty's mind in fascinating procession. There shouldn't be “a hitch¹⁶²” anywhere. There had been a hitch at her last funeral, but she had been only an assistant there. Matt Henderson had been struck by lightning at the foot of Squire Bean's old nooning tree, and certain circumstances combined to make the funeral one of unusual interest, so much so that fat old Mrs. Potter from Deerwander created a sensation at the cemetery¹⁶³. She was so anxious to get where she could see everything to the best advantage that she crowded too near the bier, stepped on the sliding earth, and pitched into the grave. As she weighed over two hundred pounds, and was in a position of some disadvantage, it took five men to extricate¹⁶⁴ her from the dilemma¹⁶⁵, and the operation made a long and somewhat awkward break in the religious services. Aunt Hitty always said of this catastrophe¹⁶⁶, “If I'd 'a' ben Mis' Potter, I'd 'a' ben so mortified¹⁶⁷ I believe I'd 'a' said, 'I wa'n't plannin' to be buried, but now I'm in here I declare I'll stop!'”

 

Old Mrs. Butterfield's funeral was not only voted an entire success by the villagers, but the seal of professional approval was set upon it by an undertaker from Saco, who declared that Mrs. Tarbox could make a handsome living in the funeral line anywhere. Providence, who always assists those who assist themselves, decreed that the niece Lyddy Ann should not arrive until the aunt was safely buried; so, there being none to resist her right or grudge¹³⁵ her the privilege aunt Hitty, for the first time in her life, rode in the next buggy to the hearse. Si, in his best suit, a broad weed and weepers, drove Cyse Higgins's black colt, and aunt Hitty was dressed in deep mourning, with the Widow Buzzell's crape veil over her face, and in her hand a palmleaf fan tied with a black ribbon. Her comment to Si, as she went to her virtuous¹⁶⁸ couch that night, was: “It was an awful dry funeral, but that was the only flaw in it. It would 'a' ben perfect if there' ben anybody to shed tears. I come pretty nigh it myself, though I ain't no relation, when Elder Weeks said, 'You'll go round the house, my sisters, and Mis' Butterfield won't be there; you'll go int' the orchard¹⁶⁹, and Mis' Butterfield won't be there; you'll go int' the barn and Mis' Butterfield won't be there; you'll go int' the shed, and Mis' Butterfield won't be there; you'll go int' the hencoop, and Mis' Butterfield won't be there!' That would 'a' drawed tears from a stone most, 'specially¹⁷⁰ sence Mis' Butterfield set such store by her hens.”

 

And this is the way that Lyddy Butterfield came into her kingdom, a little lone¹¹ brown house on the river's brim. She had seen it only once before when she had driven out from Portland, years ago, with her aunt. Mrs. Butterfield lived in Portland, but spent her summers in Edgewood on account of her chickens. She always explained that the country was dreadful dull for her, but good for the hens; they always laid so much better in the winter time.

 

Lyddy liked the place all the better for its loneliness. She had never had enough of solitude¹⁷², and this quiet home, with the song of the river for company, if one needed more company than chickens and a cat, satisfied all her desires, particularly as it was accompanied by a snug¹⁷³ little income of two hundred dollars a year, a meagre sum that seemed to open up mysterious avenues of joy to her starved, impatient heart.

 

When she was a mere⁵⁵ infant, her brother was holding her on his knee before the great old-fashioned fireplace heaped with burning logs. A sudden noise startled him, and the crowing, restless baby gave an unexpected lurch¹⁷⁴, and slipped, face downward, into the glowing embers. It was a full minute before the horror-stricken boy could extricate the little creature from the cruel flame that had already done its fatal work. The baby escaped with her life, but was disfigured forever. As she grew older, the gentle hand of time could not entirely efface¹⁷⁵ the terrible scars. One cheek was wrinkled and crimson¹⁷⁶, while one eye and the mouth were drawn¹⁷⁷ down pathetically. The accident might have changed the disposition¹⁷⁸ of any child, but Lyddy chanced to be a sensitive, introspective bit of feminine humanity, in whose memory the burning flame was never quenched¹⁷⁹. Her mother, partly to conceal¹⁸⁰ her own wounded vanity, and partly to shield the timid, morbid¹⁸¹ child, kept her out of sight as much as possible; so that at sixteen, when she was left an orphan¹⁸², she had lived almost entirely in solitude.

 

She became, in course of time, a kind of general nursery governess in a large family of motherless children. The father was almost always away from home; his sister kept the house, and Lyddy stayed in the nursery, bathing the brood and putting them to bed, dressing them in the morning, and playing with them in the safe privacy of the back garden or the open attic. They loved her, disfigured as she was, for the child despises mere externals, and explores the heart of things to see whether it be good or evil,—but they could never induce her to see strangers, nor to join any gathering¹⁸³ of people.

 

The children were grown and married now, and Lyddy was nearly forty when she came into possession of house and lands and fortune; forty, with twenty years of unexpended feeling pent within her. Forty, that is rather old to be interesting, but age is a relative matter. Haven't you seen girls of four-and-twenty who have nibbled¹⁸⁴ and been nibbled at ever since they were sixteen, but who have neither caught anything nor been caught? They are old, if you like, but Lyddy was forty and still young, with her susceptibilities cherished, not dulled, and with all the “language of passion fresh and rooted as the lovely leafage about a spring.”

 

IV.

 

     “He shall daily joy dispense¹⁸⁵

     Hid in song's sweet influence.”

 

     Emerson's Merlin.

Lyddy had very few callers during her first month as a property owner in Edgewood. Her appearance would have been against her winning friends easily in any case, even if she had not acquired the habits of a recluse¹⁸⁶. It took a certain amount of time, too, for the community to get used to the fact that old Mrs. Butterfield was dead, and her niece Lyddy Ann living in the cottage on the river road. There were numbers of people who had not yet heard that old Mrs. Butterfield had bought the house from the Thatcher¹⁸⁷ boys, and that was fifteen years ago; but this was not strange, for, notwithstanding aunt Hitty's valuable services in disseminating¹⁸⁸ general information, there was a man living on the Bonny Eagle road who was surprised to hear that Daniel Webster was dead, and complained that folks were not so long-lived as they used to be.

 

Aunt Hitty thought Lyddy a Goth and a Vandal because she took down the twenty silver coffin plates and laid them reverently away. “Mis' Butterfield would turn in her grave,” she said, “if she knew it. She ain't much of a housekeeper¹⁸⁹, I guess,” she went on, as she cut over Dr. Berry's old trousers into briefer ones for Tommy Berry. “She gives considerable stuff to her hens that she'd a sight better heat over and eat herself, in these hard times when the missionary¹⁹⁰ societies can't hardly keep the heathen fed and clothed and warmed—no, I don't mean warmed, for most o' the heathens live in hot climates, somehow or 'nother. My back door's jest opposite hers; it's across the river, to be sure, but it's the narrer part, and I can see everything she does as plain as daylight. She washed a Monday, and she ain't taken her clothes in yet, and it's Thursday. She may be bleachin' of 'em out, but it looks slack. I said to Si last night I should stand it till 'bout³⁴ Friday,—seein' 'em lay on the grass there, but if she didn't take 'em in then, I should go over and offer to help her. She has a fire in the settin'-room 'most every night, though we ain't had a frost yet; and as near's I can make out, she's got full red curtains hangin' up to her windows. I ain't sure, for she don't open the blinds in that room till I get away in the morning, and she shuts 'em before I get back at night. Si don't know red from green, so he's useless in such matters. I'm going home late to-night, and walk down on that side o' the river, so't I can call in after dark and see what makes her house light up as if the sun was settin' inside of it.”

 

As a matter of fact, Lyddy was reveling in house-furnishing of a humble sort. She had a passion for color. There was a red-and-white straw matting on the sitting-room¹⁹¹ floor. Reckless in the certain possession of twenty dollars a month, she purchased yards upon yards of turkey red cotton; enough to cover a mattress¹⁹² for the high-backed settle, for long curtains at the windows, and for cushions to the rockers. She knotted white fringes for the table covers and curtains, painted the inside of the fireplace red, put some pots, of scarlet¹⁹³ geraniums on the window-sills, filled newspaper rack with ferns and tacked¹⁹⁴ it over an ugly spot in the wall, edged her work-basket with a tufted trimming of scarlet worsted, and made an elaborate photograph case of white crash and red cotton that stretched the entire length of the old-fashioned mantelshelf, and held pictures of Mr. Reynolds, Miss Elvira Reynolds, George, Susy, Anna, John, Hazel, Ella, and Rufus Reynolds, her former charges. When all this was done, she lighted a little blaze on the hearth¹⁹⁵, took the red curtains from their hands, let them fall gracefully¹⁹⁶ to the floor, and sat down in her rocking-chair, reconciled to her existence for absolutely the first time in her forty years.

 

I hope Mrs. Butterfield was happy enough in Paradise to appreciate and feel Lyddy's joy. I can even believe she was glad to have died, since her dying could bring such content to any wretched living human soul. As Lydia sat in the firelight, the left side of her poor face in shadow, you saw that she was distinctly harmonious¹⁹⁷. Her figure, clad in plain black-and-white calico dress, was a graceful, womanly one. She had beautifully sloping shoulders and a sweet wrist. Her hair was soft and plentiful¹⁹⁸, and her hands were fine, strong, and sensitive. This possibility of rare beauty made her scars and burns more pitiful, for if a cheap chrome has smirch across its face, we think it a matter of no moment, but we deplore¹⁹⁹ the smallest scratch or blur²⁰⁰ on any work of real art.

 

Lydia felt a little less bitter and hopeless about life when she sat in front of her own open fire, after her usual twilight²⁰¹ walk. It was her habit to wander down the wooded road after her simple five-o'clock supper, gatherings²⁰² ferns or goldenrod or frost flowers for her vases; and one night she heard, above the rippling²⁰³ of the river, the strange, sweet, piercing sound of Anthony Croft's violin.

 

She drew nearer, and saw a middle-aged²⁰⁴ man sitting in the kitchen doorway, with a lad of ten or twelve years leaning against his knees. She could tell little of his appearance, save that he had a high forehead, and hair that waved well back from it in rather an unusual fashion. He was in his shirt-sleeves, but the gingham was scrupulously²⁰⁵ clean, and he had the uncommon²⁰⁶ refinement²⁰⁷ of a collar and necktie. Out of sight herself, Lyddy drew near enough to hear; and this she did every night without recognizing that the musician was blind. The music had a curious effect upon her. It was a hitherto unknown influence in her life, and it interpreted her, so to speak, to herself. As she sat on the bed of brown pine needles, under a friendly tree, her head resting against its trunk, her eyes half closed, the tone of Anthony's violin came like a heavenly message to a tired, despairing soul. Remember that in her secluded²⁰⁸ life she had heard only such harmony as Elvira Reynolds evoked²⁰⁹ from her piano or George Reynolds from his flute²¹⁰, and the Reynolds temperament²¹¹ was distinctly inartistic.

 

Lyddy lived through a lifetime of emotion in these twilight concerts. Sometimes she was filled with an exquisite²¹² melancholy²¹³ from which there was no escape; at others, the ethereal purity of the strain stirred her heart with a strange, sweet vision of mysterious joy; joy that she had never possessed, would never possess; joy whose bare existence she never before realized. When the low notes sank lower and lower with their soft wail²¹⁴ of delicious woe²¹⁵, she bent²¹⁶ forward into the dark, dreading²¹⁷ that something would be lost in the very struggle of listening; then, after a, pause, a pure human tone would break the stillness, and soaring, bird-like, higher and higher, seem to mount to heaven itself, and, “piercing its starry²¹⁸ floors,” lift poor scarred Lydia's soul to the very grates of infinite bliss²¹⁹. In the gentle moods that stole upon her in those summer twilights she became a different woman, softer in her prosperity than she had ever been in her adversity; for some plants only blossom in sunshine. What wonder if to her the music and the musician became one? It is sometimes a dangerous thing to fuse the man and his talents in this way; but it did no harm here, for Anthony Croft was his music, and the music was Anthony Croft. When he played on his violin, it was as if the miracle of its fashioning were again enacted²²⁰; as if the bird on the quivering bough⁶⁶, the mellow²²¹ sunshine streaming through the lattice of green leaves, the tinkle of the woodland stream, spoke²²² in every tone; and more than this, the hearth-glow in whose light the patient hands had worked, the breath of the soul bending itself in passionate²²³ prayer for perfection, these, too, seemed to have wrought their blessed influence on the willing strings until the tone was laden²²⁴ with spiritual harmony. One might indeed have sung of this little red violin—that looked to Lyddy, in the sunset glow, as if it were veneered with rubies—all that Shelley sang of another perfect instrument:—

 

     “The artist who this viol wrought

     To echo all harmonious thought,

     Fell'd a tree, while on the steep

     The woods were in their winter sleep,

     Rock'd in that repose²²⁵ divine

     Of the wind-swept Apennine;

     And dreaming, some of Autumn past,

     And some of Spring approaching fast,

     And some of April buds and showers,

     And some of songs in July bowers²²⁶,

     And all of love; and so this tree—

     O that such our death may be!—

     Died in sleep, and felt no pain,

     To live in happier form again.”

 

The viol “whispers in enamoured tone:”—

 

     “Sweet oracles²²⁷ of woods and dells,

     And summer windy ill sylvan²²⁸ cells;..

     The clearest echoes of the hills,

     The softest notes of falling rills,

     The melodies of birds and bees,

     The murmuring of summer seas,

     And pattering rain, and breathing dew,

     And airs of evening; all it knew....

     —All this it knows, but will not tell

      To those who cannot question well

     The spirit that inhabits it;...

     But, sweetly as its answers will

     Flatter hands of perfect skill,

     It keeps its highest, holiest tone

     For one beloved Friend alone.”

 

Lyddy heard the violin and the man's voice as he talked to the child,—heard them night after night; and when she went home to the little brown house to light the fire on the hearth and let down the warm red curtains, she fell into sweet, sad reveries; and when she blew out her candle for the night, she fell asleep and dreamed new dreams, and her heart was stirred with the rustling²³⁰ of new-born hopes that rose and took wing like birds startled from their nests.

 

V.

 

     “Nor scour¹⁵⁴ the seas, nor sift²³¹ mankind,

     A poet or a friend to find:

     Behold, he watches at the door!

     Behold his shadow on the floor!”

 

     Emerson's Saadi.

Lyddy Butterfield's hen turkey was of a roving disposition. She had never appreciated her luxurious²³² country quarters in Edgewood, and was seemingly anxious to return to the modest back yard in her native city. At any rate, she was in the habit of straying far from home, and the habit was growing upon her to such an extent that she would even lead her docile²³³ little gobblers down to visit Anthony Croft's hens and share their corn.

 

Lyddy had caught her at it once, and was now pursuing her to that end for the second time. She paused in front of the house, but there were no turkeys to be seen. Could they have wandered up the hill road,—the discontented, “traipsing,” exasperating things? She started in that direction, when she heard a crash in the Croft kitchen, and then the sound of a boy's voice coming from an inner room,—a weak and querulous voice, as if the child were ill.

 

She drew nearer, in spite of her dread¹⁷¹ of meeting people, or above all of intruding²³⁴, and saw Anthony Croft standing over the stove, with an expression of utter helplessness on his usually placid²³⁵ face. She had never really seen him before in the daylight, and there was something about his appearance that startled her. The teakettle was on the floor, and a sea of water was flooding the man's feet, yet he seemed to be gazing into vacancy²³⁶. Presently he stooped, and fumbled²³⁷ gropingly for the kettle. It was too hot to be touched with impunity²³⁸, and he finally left it in a despairing sort of way, and walked in the direction of a shelf, from under which a row of coats was hanging. The boy called again in a louder and more insistent²³⁹ tone, ending in a whimper of restless pain. This seemed to make the man more nervous than ever. His hands went patiently over and over the shelf, then paused at each separate nail.

 

“Bless the poor dear!” thought Lyddy. “Is he trying to find his hat, or what is he trying to do? I wonder if he is music mad?” and she drew still nearer the steps.

 

At this moment he turned and came rapidly toward the door. She looked straight in his face. There was no mistaking it: he was blind. The magician who had told her through his violin secrets that she had scarcely dreamed of, the wizard who had set her heart to throbbing²⁴¹ and aching and longing³⁰ as it had never throbbed²⁴² and ached and longed before, the being who had worn a halo of romance and genius to her simple mind, was stone-blind! A wave of impetuous anguish⁵³, as sharp and passionate as any she had ever felt for her own misfortunes, swept over her soul at the spectacle of the man's helplessness. His sightless eyes struck her like a blow. But there was no time to lose. She was directly in his path: if she stood still he would certainly walk over her, and if she moved he would hear her, so, on the spur of the moment, she gave a nervous cough and said, “Good-morning, Mr. Croft.”

 

He stopped short. “Who is it?” he asked.

 

“I am—it is—I am—your new neighbor,” said Lyddy, with a trembling attempt at cheerfulness.

 

“Oh, Miss Butterfield! I should have called up to see you before this if it hadn't been for the boy's sickness. But I am a good-for-nothing neighbor, as you have doubtless heard. Nobody expects anything of me.”

 

(“Nobody expects anything of me.” Her own plaint, uttered in her own tone!)

 

“I don't know about that,” she answered swiftly. “You've given me, for one, a great deal of pleasure with your wonderful music. I often hear you as you play after supper, and it has kept me from being lonesome. That isn't very much, to be sure.”

 

“You are fond of music, then?”

 

“I didn't know I was; I never heard any before,” said Lyddy simply; “but it seems to help people to say things they couldn't say for themselves, don't you think so? It comforts me even to hear it, and I think it must be still more beautiful to make it.”

 

Now, Lyddy Ann Butterfield had no sooner uttered this commonplace speech than the reflection darted²⁴³ through her mind like a lightning flash that she had never spoken a bit of her heart out like this in all her life before. The reason came to her in the same flash: she was not being looked at; her disfigured face was hidden. This man, at least, could not shrink, turn away, shiver, affect indifference²⁴⁴, fix his eyes on hers with a fascinated horror, as others had done. Her heart was divided between a great throb²⁴⁰ of pity and sympathy for him and an irresistible²⁴⁵ sense of gratitude²⁴⁶ for herself. Sure of protection and comprehension, her lovely soul came out of her poor eyes and sat in the sunshine. She spoke her mind at ease, as we utter sacred things sometimes under cover of darkness.

 

“You seem to have had an accident; what can I do to help you?” she asked.

 

“Nothing, thank you. The boy has been sick for some days, but he seems worse since last night. Nothing is in its right place in the house, so I have given up trying to find anything, and am just going to Edgewood to see if somebody will help me for a few days.”

 

“Uncle Tony! Uncle To-ny! where are you? Do give me another drink, I'm so hot!” came the boy's voice from within.

 

“Coming, laddie! I don't believe he ought to drink so much water, but what can I do? He is burning up with fever.”

 

“Now look here, Mr. Croft,” and Lydia's tone was cheerfully decisive. “You sit down in that rocker, please, and let me command the ship for a while. This is one of the cases where a woman is necessary. First and foremost, what were you hunting for?”

 

“My hat and the butter,” said Anthony meekly²⁴⁷, and at this unique combination they both laughed. Lyddy's laugh was particularly fresh, childlike, and pleased; one that would have astonished the Reynolds children. She had seldom laughed heartily²⁴⁸ since little Rufus had cried and told her she frightened him when she twisted her face so.

 

“Your hat is in the wood-box, and I'll find the butter in the twinkling of an eye, though why you want it now is more than—My patience, Mr. Croft, your hand is burned to a blister²⁴⁹!”

 

“Don't mind me. Be good enough to look at the boy and tell me what ails¹⁵¹ him; nothing else matters much.”

 

“I will with pleasure, but let me ease you a little first. Here's a rag that will be just the thing,” and Lyddy, suiting the pretty action to the mendacious²⁵⁰ worn, took a good handkerchief from her pocket and tore it in three strips, after spreading it with tallow from a candle heated over the stove. This done, she hound up the burned hand skillfully, and, crossing the dining-room, disappeared within the little chamber²⁵¹ door beyond. She came out presently, and said half hesitatingly, “Would you—mind going out in the orchard for an hour or so? You seem to be rather in the way here, and I should like the place to myself, if you'll excuse me for saying so. I'm ever so much more capable than Mrs. Buck²⁵²; won't you give me a trial, sir? Here's your violin and your hat. I'll call you if you can help or advise me.”

 

“But I can't let a stranger come in and do my housework,” he objected. “I can't, you know, though I appreciate your kindness all the same.”

 

“I am your nearest neighbor, and your only one, for that matter,” said Lyddy firmly; “its nothing more than right that I should look after that sick child, and I must do it. I haven't got a thing to do in my own house. I am nothing but a poor lonely old maid, who's been used to children all her life, and likes nothing better than to work over them.”

 

A calm settled upon Anthony's perturbed²⁵³ spirit, as he sat under the apple-trees and heard Lyddy going to and fro in the cottage. “She isn't any old maid,” he thought; “she doesn't step like one; she has soft shoes and a springy walk. She must be a very handsome woman, with a hand like that; and such a voice! I knew the moment she spoke that she didn't belong in this village.”

 

As a matter of fact, his keen ear had caught the melody in Lyddy's voice, a voice full of dignity, sweetness, and reserve power. His sense of touch, too, had captured the beauty of her hand, and held it in remembrance,—the soft palm, the fine skin, supple⁸⁹ fingers, smooth nails, and firm round wrist. These charms would never have been noted²⁵⁴ by any seeing man in Edgewood, but they were revealed to Anthony Croft while Lyddy, like the good Samaritan, bound up his wounds. It is these saving stars that light the eternal darkness of the blind.

 

Lyddy thought she had met her Waterloo when, with arms akimbo, she gazed about the Croft establishment, which was a scene of desolation for the moment. Anthony's cousin from Bridgton was in the habit of visiting him every two months for a solemn house-cleaning, and Mrs. Buck from Pleasant River came every Saturday and Monday for baking and washing. Between times Davy and his uncle did the housework together; and although it was respectably done, there was no pink-and-white daintiness about it, you may be sure.

 

Lyddy came out to the apple-trees in about an hour, laughing a little nervously²⁵⁵ as she said, “I'm sorry to have taken a mean advantage of you, Mr. Croft, but I know everything you've got in your house, and exactly where it is. I couldn't help it, you see, when I was making things tidy. It would do you good to see the boy. His room was too light, and the flies were devouring²⁵⁶ him. I swept him and dusted him, put on clean sheets and pillow slips, sponged him with bay rum, brushed his hair, drove out the flies, and tacked a green curtain up to the window. Fifteen minutes after he was sleeping like a kitten. He has a sore throat and considerable fever. Could you—can you—at least, will you, go up to my house on an errand?”

 

“Certainly I can. I know it inside and out as well as my own.”

 

“Very good. On the clock shelf in the sitting-room there is a bottle of sweet spirits of nitre; it's the only bottle there, so you can't make any mistake. It will help until the doctor comes. I wonder you didn't send for him yesterday?”

 

“Davy wouldn't have him,” apologized his uncle.

 

“Wouldn't he?” said Lyddy with cheerful scorn. “He has you under pretty good control, hasn't he? But children are unmerciful tyrants²⁵⁷.”

 

“Couldn't you coax⁶² him into it before you go home?” asked Anthony in a wheedling²⁵⁸ voice.

 

“I can try; but it isn't likely I can influence him, if you can't. Still, if we both fail, I really don't see what 's to prevent our sending for the doctor in spite of him. He is as weak as a baby, you know, and can't sit up in bed: what could he do? I will risk the consequences, if you will!”

 

There was a note of such amiable²⁵⁹ and winning sarcasm²⁶⁰ in all this, such a cheery, invincible²⁶¹ courage, such a friendly neighborliness and cooperation, above all such a different tone from any he was accustomed to hear in Edgewood, that Anthony Croft felt warmed through to the core.

 

As he walked quickly along the road, he conjured²⁶² up a vision of autumn beauty from the few hints nature gave even to her sightless ones on this glorious morning,—the rustle²⁶³ of a few fallen leaves under his feet, the clear wine of the air, the full rush of the swollen²⁶⁴ river, the whisking of the squirrels in the boughs, the crunch²⁶⁵ of their teeth on the nuts, the spicy²⁶⁶ odor of the apples lying under the trees. He missed his mother that morning more than he had missed her for years. How neat she was, how thrifty²⁶⁷, how comfortable, and how comforting! His life was so dreary²⁶⁸ and aimless; and was it the best or the right one for Davy, with his talent and dawning ambition? Would it not be better to have Mrs. Buck live with them altogether, instead of coming twice a week, as heretofore? No; he shrank from that with a hopeless aversion born of Saturday and Monday dinners in her company. He could hear her pour her coffee into the saucer; hear the scraping of the cup on the rim⁴⁸, and know that she was setting it sloppily²⁶⁹ down on the cloth. He could remember her noisy drinking, the weight of her elbow on the table, the creaking of her calico dress under the pressure of superabundant flesh. Besides, she had tried to scrub his favorite violin with sapolio. No, anything was better than Mrs. Buck as a constancy.

 

He took off his hat unconsciously as he entered Lyddy's sitting-room. A gentle breeze blew one of the full red curtains towards him till it fluttered about his shoulders like a frolicsome²⁷⁰, teasing hand. There was a sweet, pungent²⁷¹ odor of pine boughs, a canary sang in the window, the clock was trimmed with a blackberry vine; he knew the prickles, and they called up to his mind the glowing tints²⁷² he had loved so well. His sensitive hand, that carried a divining rod in every finger-tip, met a vase on the shelf, and, traveling upward, touched a full branch of alder²⁷³ berries tied about with a ribbon. The ribbon would be red; the woman who arranged this room would make no mistake; for in one morning Anthony Croft had penetrated²⁷⁴ the secret of Lyddy's true personality, and in a measure had sounded the shallows that led to the depths of her nature.

 

Lyddy went home at seven o'clock that night rather reluctantly. The doctor had said Mr. Croft could sit up with the boy unless he grew much worse, and there was no propriety²⁷⁵ in her staying longer unless there was danger.

 

“You have been very good to me,” Anthony said gravely, as he shook her hand at parting,—“very good.”

 

They stood together on the doorstep. A distant bell, called to evening prayer-meeting; the restless murmur²²⁹ of the river and the whisper of the wind in the pines broke the twilight stillness. The long, quiet day together, part of it spent by the sick child's bedside, had brought the two strangers curiously²⁷⁶ near to each other.

 

“The house hasn't seemed so sweet and fresh since my mother died,” he went on, as he dropped her hand, “and I haven't had so many flowers and green things in it since I lost my eyesight.”

 

“Was it long ago?”

 

“Ten years. Is that long?”

 

“Long to bear a burden.”

 

“I hope you know little of burden-bearing?”

 

“I know little else.”

 

“I might have guessed it from the alacrity²⁷⁷ with which you took up Davy's and mine. You must be very happy to have the power to make things straight and sunny and wholesome²⁷⁸; to breathe your strength into helplessness such as mine. I thank you, and I envy you. Good-night.”

 

Lyddy turned on her heel without a word; her mind was beyond and above words. The sky seemed to have descended²⁷⁹ upon, enveloped²⁸⁰ her, caught her up into its heaven, as she rose into unaccustomed heights of feeling, like Elijah in his chariot of fire. She very happy! She with power, power to make things straight and sunny and wholesome! She able to breathe strength into helplessness, even a consecrated, Godsmitten helplessness like his! She not only to be thanked, but envied!

 

Her house seemed strange to her that night. She went to bed in the dark, dreading even the light of a candle; and before she turned down her counterpane she flung herself on her knees, and poured out her soul in a prayer that had been growing, waiting, and waited for, perhaps, for years:—

 

“O Lord, I thank Thee for health and strength and life. I never could do it before, but I thank Thee to-night for life on any terms. I thank Thee for this home; for the chance of helping²⁸² another human creature, stricken like myself; for the privilege of ministering to a motherless child. Make me to long only for the beauty of holiness, and to be satisfied if I attain²⁸³ to it. Wash my soul pure and clean, and let that be the only mirror in which I see my face. I have tried to be useful. Forgive me if it always seemed so hard and dreary a life. Forgive me if I am too happy because for one short day I have really helped in a beautiful way, and found a friend who saw, because he was blind, the real me underneath²⁸⁴; the me that never was burned by the fire; the me that isn't disfigured, unless my wicked discontent has done it; the me that has lived on and on and on, starving to death for the friendship and sympathy and love that come to other women. I have spent my forty years in the wilderness²⁸⁵, feeding on wrath²⁸⁶ and bitterness and tears. Forgive me, Lord, and give me one more vision of the blessed land of Canaan, even if I never dwell there.”

 

VI.

 

     “Nor less the eternal poles

     Of tendency distribute souls.

     There need no vows²⁸⁷ to bind²⁸⁸

     Whom not each other seek, but find.”

 

     Emerson's Celestial²⁸⁹ Love.

Davy's sickness was a lingering one. Mrs. Buck came for two or three hours a day, but Lyddy was the self-installed angel of the house; and before a week had passed the boy's thin arms were around her neck, his head on her loving shoulder, and his cheek pressed against hers. Anthony could hear them talk, as he sat in the kitchen busy at his work. Musical instruments were still brought him to repair, though less frequently than of yore, and he could still make many parts of violins far better than his seeing competitors. A friend and pupil sat by his side in the winter evenings and supplemented his weakness, helping and learning alternately, while his blind master's skill filled him with wonder and despair. The years of struggle for perfection had not been wasted; and though the eye that once detected the deviation²⁹⁰ of a hair's breadth could no longer tell the true from the false, yet nature had been busy with her divine work of compensation. The one sense stricken with death, she poured floods of new life and vigor²⁹¹ into the others. Touch became something more than the stupid, empty grasp of things we seeing mortals know, and in place of the two eyes he had lost he now had ten in every finger-tip. As for odors, let other folks be proud of smelling musk²⁹² and lavender, but let him tell you by a quiver of the nostrils²⁹³ the various kinds of so-called scentless²⁹⁴ flowers, and let him bend his ear and interpret secrets that the universe is ever whispering to us who are pent in partial deafness because, forsooth, we see.

 

He often paused to hear Lydia's low, soothing²⁹⁵ tones and the boy's weak treble. Anthony had said to him once, “Miss Butterfield is very beautiful, isn't she, Davy? You haven't painted me a picture of her yet. How does she look?”

 

Davy was stricken at first with silent embarrassment²⁹⁶. He was a truthful²⁹⁷ child, but in this he could no more have told the whole truth than he could have cut off his hand. He was knit to Lyddy by every tie of gratitude and affection. He would sit for hours with his expectant face pressed against the window-pane, and when he saw her coming down the shady road he was filled with a sense of impending²⁹⁸ comfort and joy.

 

“NO,” he said hesitatingly, “she isn't pretty, nunky, but she's sweet and nice and dear, Everything on her shines, it's so clean; and when she comes through the trees, with her white apron¹²⁰ and her purple calico dress, your heart jumps, because you know she's going to make everything pleasant. Her hair has a pretty wave in it, and her hand is soft on your forehead; and it's most worth while being sick just to have her in the house.”

 

Meanwhile, so truly is “praise our fructifying²⁹⁹ sun,” Lydia bloomed into a hundred hitherto unsuspected graces of mind and heart and speech. A sly sense of humor woke into life, and a positive talent for conversation, latent hitherto because she had never known any one who cared to drop a plummet³⁰⁰ into the crystal springs of her consciousness. When the violin was laid away, she would sit in the twilight, by Davy's sofa, his thin hand in hers, and talk with Anthony about books and flowers and music, and about the meaning of life, too,—its burdens and mistakes, and joys and sorrows; groping with him in the darkness to find a clue to God's purposes.

 

Davy had long afternoons at Lyddy's house as the autumn grew into winter. He read to her while she sewed rags for a new sitting-room carpet, and they played dominoes and checkers together in the twilight before supper time,—suppers that were a feast to the boy, after Mrs. Buck's cookery. Anthony brought his violin sometimes of an evening, and Almira Berry, the next neighbor on the road to the Mills, would drop in and join the little party. Almira used to sing Auld³⁰¹ Robin³⁰² Gray, What Will You Do, Love, and Robin Adair, to the great enjoyment³⁰³ of everybody; and she persuaded Lyddy to buy the old church melodeon, and learn to sing alto in Oh, Wert Thou in the Cauld Blast, Gently, Gently Sighs the Breeze, and I know a Bank. Nobody sighed for the gayeties and advantages of a great city when, these concerts being over, Lyddy would pass crisp seedcakes and raspberry shrub³⁰⁴, doughnuts and cider, or hot popped corn and molasses candy.

 

“But there, she can afford to,” said aunt Hitty Tarbox; “she's pretty middlin' wealthy for Edgewood. And it's lucky she is, for she 'bout feeds that boy o' Croft's. No wonder he wants her to fill him up, after six years of the Widder Buck's victuals³⁰⁵. Aurelia Buck can take good flour and sugar, sweet butter and fresh eggs, and in ten strokes of her hand she can make 'em into something the very hogs³⁰⁶ 'll turn away from. I declare, it brings the tears to my eyes sometimes when I see her coming out of Croft's Saturday afternoons, and think of the stone crocks full of nasty messes she's left behind her for that innocent man and boy to eat up.... Anthony goes to see Miss Butterfield consid'able often. Of course it's awstensibly to walk home with Davy, or do an errand or something, but everybody knows better. She went down to Croft's pretty nearly every day when his cousin from Bridgton come to house-clean. She suspicioned something, I guess. Anyhow, she asked me if Miss Butterfield's two hundred a year was in gov'ment bonds. Anthony's eyesight ain't good, but I guess he could make out to cut cowpons off.... It would be strange if them two left-overs should take an' marry each other; though, come to think of it, I don't know's 't would neither. He's blind, to be sure, and can't see her scarred face. It's a pity she ain't deef, so't she can't hear his everlastin' fiddle. She's lucky to get any kind of a husband; she's too humbly³⁰⁷ to choose. I declare, she reminds me of a Jack-o'-lantern, though if you look at the back of her, or see her in meetin' with a thick veil on, she's about the best appearin' woman in Edgewood.... I never see anybody stiffen³⁰⁸ up as Anthony has. He had me make him three white shirts and three gingham ones, with collars and cuffs³⁰⁹ on all of 'em. It seems as if six shirts at one time must mean something out o' the common!”

 

Aunt Hitty was right; it did mean something out of the common. It meant the growth of an all-engrossing, grateful, divinely tender passion between two love-starved souls. On the one hand, Lyddy, who though she had scarcely known the meaning of love in all her dreary life, yet was as full to the brim of all sweet, womanly possibilities of loving and giving as any pretty woman; on the other, the blind violin-maker, who had never loved any woman but his mother, and who was in the direst need of womanly sympathy and affection.

 

Anthony Croft, being ministered unto by Lyddy's kind hands, hearing her sweet voice and her soft footstep, saw her as God sees, knowing the best; forgiving the worst, like God, and forgetting it, still more like God, I think.

 

And Lyddy? There is no pen worthy to write of Lyddy. Her joy lay deep in her heart like a jewel at the bottom of a clear pool, so deep that no ripple³¹⁰ or ruffle³¹¹ on the surface could disturb the hidden treasure. If God had smitten²⁸¹ these two with one hand, he had held out the other in tender benediction³¹².

 

There had been a pitiful scene of unspeakable solemnity when Anthony first told Lyddy that he loved her, and asked her to be his wife. He had heard all her sad history by this time, though not from her own lips, and his heart went out to her all the more for the heavy cross that had been laid upon her. He had the wit and wisdom to put her affliction quite out of the question, and allude³¹³ only to her sacrifice in marrying a blind man, hopelessly and helplessly dependent on her sweet offices for the rest of his life, if she, in her womanly mercy, would love him and help him bear his burdens.

 

When his tender words fell upon Lyddy's dazed brain she sank beside his chair, and, clasping his knees, sobbed³¹⁴: “I love you, I cannot help loving you, I cannot help telling you I love you! But you must hear the truth; you have heard it from others, but perhaps they softened³¹⁵ it. If I marry you, people will always blame me and pity you. You would never ask me to be your wife if you could see my face; you could not love me an instant if you were not blind.”

 

“Then I thank God unceasingly for my infirmity,” said Anthony Croft, as he raised her to her feet.

 

Anthony and Lyddy Croft sat in the apple orchard, one warm day in late spring.

 

Anthony's work would have puzzled a casual on-looker. Ten stout³¹⁶ wires were stretched between two trees, fifteen or twenty feet apart, and each group of five represented the lines of the musical staff. Wooden bars crossed the wires at regular intervals³¹⁷, dividing the staff into measures. A box with many compartments³¹⁸ sat on a stool beside him, and this held bits of wood that looked like pegs³¹⁹, but were in reality whole, half, quarter, and eighth notes, rests, flats, sharps, and the like. These were cleft⁶⁰ in such a way that he could fit them on the wires almost as rapidly as his musical theme came to him, and Lyddy had learned to transcribe³²¹ with pen and ink the music she found in wood and wire, He could write only simple airs in this way, but when he played them on the violin they were transported into a loftier region, such genius lay in the harmony, the arabesque³²², the delicate lacework of embroidery³²³ with which the tune was inwrought; now high, now low, now major, now minor³²⁴, now sad, now gay, with the one thrilling, haunting cadence³²⁵ recurring³²⁶ again and again, to be watched for, longed for, and greeted with a throb of delight.

 

Davy was reading at the window, his curly head buried in a well-worn Shakespeare opened at Midsummer Night's Dream. Lyddy was sitting under her favorite pink apple-tree, a mass of fragrant³²⁷ bloom, more beautiful than Aurora's morning gown. She was sewing; lining³²⁸ with snowy lawn innumerable pockets in a square basket that she held in her lap. The pockets were small, the needles were fine, the thread was a length of cobweb. Everything about the basket was small except the hopes that she was stitching into it; they were so great that her heart could scarcely hold them. Nature was stirring everywhere. The seeds were springing in the warm earth. The hens were clucking to their downy chicks just out of the egg. The birds were flying hither and thither³²⁹ in the apple boughs, and there was one little home of straw so hung that Lyddy could look into it and see the patient mother brooding her nestlings. The sight of her bright eyes, alert for every sign of danger, sent a rush of feeling through Lyddy's veins³³⁰ that made her long to clasp the little feathered mother to her own breast.

 

A sweet gravity and consecration³³¹ of thought possessed her, and the pink blossoms falling into her basket were not more delicate than the rose-colored dreams that flushed her soul.

 

Anthony put in the last wooden peg³²⁰, and taking up his violin called, “Davy, lad, come out and tell me what this means!”

 

Davy was used to this; from a wee boy he had been asked to paint the changing landscape of each day, and to put into words his uncle's music.

 

Lyddy dropped her needle, the birds stopped to listen, and Anthony played.

 

“It is this apple orchard in May time,” said Davy; “it is the song of the green things growing, isn't it?”

 

“What do you say, dear?” asked Anthony, turning to his wife.

 

Love and hope had made a poet of Lyddy. “I think Davy is right,” she said. “It is a dream of the future, the story of all new and beautiful things growing out of the old. It is full of the sweetness of present joy, but there is promise and hope in it besides. It is like the Spring sitting in the lap of Winter, and holding a baby Summer in her bosom³³².”

 

Davy did not quite understand this, though he thought it pretty; but Lyddy's husband did, and when the boy went back to his books, he took his wife in his arms and kissed her twice,—once for herself, and then once again.

 

 

1 brook   

n.小河，溪；v.忍受，容让

参考例句：

• In our room we could hear the murmur of a distant brook.在我们房间能听到远处小溪汩汩的流水声。
• The brook trickled through the valley.小溪涓涓流过峡谷。

2 lore   

n.传说；学问，经验，知识

参考例句：

• I will seek and question him of his lore.我倒要找上他，向他讨教他的渊博的学问。
• Early peoples passed on plant and animal lore through legend.早期人类通过传说传递有关植物和动物的知识。

3 monotonous   

adj.单调的，一成不变的，使人厌倦的

参考例句：

• She thought life in the small town was monotonous.她觉得小镇上的生活单调而乏味。
• His articles are fixed in form and monotonous in content.他的文章千篇一律，一个调调儿。

4 rev   

v.发动机旋转，加快速度

参考例句：

• It's his job to rev up the audience before the show starts.他要负责在表演开始前鼓动观众的热情。
• Don't rev the engine so hard.别让发动机转得太快。

5 distinguished   

adj.卓越的，杰出的，著名的

参考例句：

• Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
• A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。

6 strings   

n.弦

参考例句：

• He sat on the bed,idly plucking the strings of his guitar.他坐在床上，随意地拨着吉他的弦。
• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。

7 captivity   

n.囚禁；被俘；束缚

参考例句：

• A zoo is a place where live animals are kept in captivity for the public to see.动物园是圈养动物以供公众观看的场所。
• He was held in captivity for three years.他被囚禁叁年。

8 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

9 kin   

n.家族，亲属，血缘关系；adj.亲属关系的，同类的

参考例句：

• He comes of good kin.他出身好。
• She has gone to live with her husband's kin.她住到丈夫的亲戚家里去了。

10 hips   

abbr.high impact polystyrene 高冲击强度聚苯乙烯，耐冲性聚苯乙烯n.臀部( hip的名词复数 )；[建筑学]屋脊；臀围（尺寸）；臀部…的

参考例句：

• She stood with her hands on her hips. 她双手叉腰站着。
• They wiggled their hips to the sound of pop music. 他们随着流行音乐的声音摇晃着臀部。 来自《简明英汉词典》

11 lone   

adj.孤寂的，单独的；唯一的

参考例句：

• A lone sea gull flew across the sky.一只孤独的海鸥在空中飞过。
• She could see a lone figure on the deserted beach.她在空旷的海滩上能看到一个孤独的身影。

12 feat   

n.功绩；武艺，技艺；adj.灵巧的，漂亮的，合适的

参考例句：

• Man's first landing on the moon was a feat of great daring.人类首次登月是一个勇敢的壮举。
• He received a medal for his heroic feat.他因其英雄业绩而获得一枚勋章。

13 squire   

n.护卫, 侍从, 乡绅

参考例句：

• I told him the squire was the most liberal of men.我告诉他乡绅是世界上最宽宏大量的人。
• The squire was hard at work at Bristol.乡绅在布里斯托尔热衷于他的工作。

14 penitence   

n.忏悔，赎罪；悔过

参考例句：

• The thief expressed penitence for all his past actions. 那盗贼对他犯过的一切罪恶表示忏悔。 来自《现代汉英综合大词典》
• Of penitence, there has been none! 可是悔过呢，还一点没有！ 来自英汉文学 - 红字

15 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

16 enticing   

adj.迷人的；诱人的

参考例句：

• The offer was too enticing to refuse. 这提议太有诱惑力，使人难以拒绝。
• Her neck was short but rounded and her arms plump and enticing. 她的脖子短，但浑圆可爱；两臂丰腴，也很动人。

17 fowls   

鸟( fowl的名词复数 )； 禽肉； 既不是这； 非驴非马

参考例句：

• A great number of water fowls dwell on the island. 许多水鸟在岛上栖息。
• We keep a few fowls and some goats. 我们养了几只鸡和一些山羊。

18 insinuating   

adj.曲意巴结的，暗示的v.暗示( insinuate的现在分词 )；巧妙或迂回地潜入；（使）缓慢进入；慢慢伸入

参考例句：

• Are you insinuating that I' m telling a lie ? 你这是意味着我是在说谎吗？ 来自辞典例句
• He is extremely insinuating, but it's a vulgar nature. 他好奉承拍马，那是种庸俗的品格。 来自辞典例句

19 doorway   

n.门口，(喻)入门；门路，途径

参考例句：

• They huddled in the shop doorway to shelter from the rain.他们挤在商店门口躲雨。
• Mary suddenly appeared in the doorway.玛丽突然出现在门口。

20 dressing   

n.(食物)调料；包扎伤口的用品，敷料

参考例句：

• Don't spend such a lot of time in dressing yourself.别花那么多时间来打扮自己。
• The children enjoy dressing up in mother's old clothes.孩子们喜欢穿上妈妈旧时的衣服玩。

21 caressingly   

爱抚地，亲切地

参考例句：

• His voice was caressingly sweet. 他的嗓音亲切而又甜美。

22 graceful   

adj.优美的，优雅的；得体的

参考例句：

• His movements on the parallel bars were very graceful.他的双杠动作可帅了!
• The ballet dancer is so graceful.芭蕾舞演员的姿态是如此的优美。

23 swell   

vi.膨胀，肿胀；增长，增强

参考例句：

• The waves had taken on a deep swell.海浪汹涌。
• His injured wrist began to swell.他那受伤的手腕开始肿了。

24 tune   

n.调子；和谐，协调；v.调音，调节，调整

参考例句：

• He'd written a tune,and played it to us on the piano.他写了一段曲子，并在钢琴上弹给我们听。
• The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。

25 muffled   

adj.（声音）被隔的；听不太清的；（衣服）裹严的；蒙住的v.压抑，捂住( muffle的过去式和过去分词 )；用厚厚的衣帽包着（自己）

参考例句：

• muffled voices from the next room 从隔壁房间里传来的沉闷声音
• There was a muffled explosion somewhere on their right. 在他们的右面什么地方有一声沉闷的爆炸声。 来自《简明英汉词典》

26 velvety   

adj. 像天鹅绒的, 轻软光滑的, 柔软的

参考例句：

• a velvety red wine 醇厚的红葡萄酒
• Her skin was admired for its velvety softness. 她的皮肤如天鹅绒般柔软，令人赞叹。

27 unanimity   

n.全体一致，一致同意

参考例句：

• These discussions have led to a remarkable unanimity.这些讨论导致引人注目的一致意见。
• There is no unanimity of opinion as to the best one.没有一个公认的最好意见。

28 abhorrence   

n.憎恶；可憎恶的事

参考例句：

• This nation has an abhorrence of terrrorism.这个民族憎恶恐怖主义。
• It is an abhorrence to his feeling.这是他深恶痛绝的事。

29 longings   

渴望，盼望( longing的名词复数 )

参考例句：

• Ah, those foolish days of noble longings and of noble strivings! 啊，那些充满高贵憧憬和高尚奋斗的傻乎乎的时光！
• I paint you and fashion you ever with my love longings. 我永远用爱恋的渴想来描画你。

30 longing   

n.（for）渴望

参考例句：

• Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
• His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。

31 multiplication   

n.增加，增多，倍增；增殖，繁殖；乘法

参考例句：

• Our teacher used to drum our multiplication tables into us.我们老师过去老是让我们反覆背诵乘法表。
• The multiplication of numbers has made our club building too small.会员的增加使得我们的俱乐部拥挤不堪。

32 vagrant   

n.流浪者，游民；adj.流浪的，漂泊不定的

参考例句：

• A vagrant is everywhere at home.流浪者四海为家。
• He lived on the street as a vagrant.他以在大街上乞讨为生。

33 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

34 bout   

n.侵袭，发作；一次(阵，回)；拳击等比赛

参考例句：

• I was suffering with a bout of nerves.我感到一阵紧张。
• That bout of pneumonia enfeebled her.那次肺炎的发作使她虚弱了。

35 confiscated   

没收，充公( confiscate的过去式和过去分词 )

参考例句：

• Their land was confiscated after the war. 他们的土地在战后被没收。
• The customs officer confiscated the smuggled goods. 海关官员没收了走私品。

36 harp   

n.竖琴；天琴座

参考例句：

• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。
• He played an Irish melody on the harp.他用竖琴演奏了一首爱尔兰曲调。

37 whittled   

v.切，削（木头），使逐渐变小( whittle的过去式和过去分词 )

参考例句：

• He whittled a simple toy from the piece of wood. 他把那块木头削成了一个简易的玩具。
• The government's majority has been whittled down to eight. 政府多数票减少到了八票。

38 tacks   

大头钉( tack的名词复数 )； 平头钉； 航向； 方法

参考例句：

• Never mind the side issues, let's get down to brass tacks and thrash out a basic agreement. 别管枝节问题，让我们讨论问题的实质，以求得基本一致。
• Get down to the brass tacks,and quit talking round the subject. 谈实质问题吧，别兜圈子了。

39 spools   

n.（绕线、铁线、照相软片等的）管( spool的名词复数 )；络纱；纺纱机；绕圈轴工人v.把…绕到线轴上（或从线轴上绕下来）( spool的第三人称单数 )；假脱机（输出或输入）

参考例句：

• I bought three spools of thread at the store. 我在这个店里买了三轴线。 来自辞典例句
• How many spools of thread did you use? 你用了几轴线？ 来自辞典例句

40 secrete   

vt.分泌；隐匿，使隐秘

参考例句：

• The pores of your body secrete sweat.身上的毛孔分泌汗液。
• Squirrels secrete a supply of nuts for winter.松鼠为准备过冬而藏坚果。

41 elastic   

n.橡皮圈，松紧带；adj.有弹性的；灵活的

参考例句：

• Rubber is an elastic material.橡胶是一种弹性材料。
• These regulations are elastic.这些规定是有弹性的。

42 delightful   

adj.令人高兴的，使人快乐的

参考例句：

• We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
• Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。

43 forefinger   

n.食指

参考例句：

• He pinched the leaf between his thumb and forefinger.他将叶子捏在拇指和食指之间。
• He held it between the tips of his thumb and forefinger.他用他大拇指和食指尖拿着它。

44 evading   

逃避( evade的现在分词 )； 避开； 回避； 想不出

参考例句：

• Segmentation of a project is one means of evading NEPA. 把某一工程进行分割，是回避《国家环境政策法》的一种手段。 来自英汉非文学 - 环境法 - 环境法
• Too many companies, she says, are evading the issue. 她说太多公司都在回避这个问题。

45 circumventing   

v.设法克服或避免（某事物），回避( circumvent的现在分词 )；绕过，绕行，绕道旅行

参考例句：

• They found a way of circumventing the law. 他们找到了规避法律的途径。
• This viewpoint sees the Multinational Corporation as capable of circumventing or subverting national objectives and policies. 这种观点认为，跨国公司能够遏制和破坏国家的目标和政策。 来自辞典例句

46 injustice   

n.非正义，不公正，不公平，侵犯（别人的）权利

参考例句：

• They complained of injustice in the way they had been treated.他们抱怨受到不公平的对待。
• All his life he has been struggling against injustice.他一生都在与不公正现象作斗争。

47 apathy   

n.漠不关心，无动于衷；冷淡

参考例句：

• He was sunk in apathy after his failure.他失败后心恢意冷。
• She heard the story with apathy.她听了这个故事无动于衷。

48 rim   

n.(圆物的)边，轮缘；边界

参考例句：

• The water was even with the rim of the basin.盆里的水与盆边平齐了。
• She looked at him over the rim of her glass.她的目光越过玻璃杯的边沿看着他。

49 punctuated   

v.（在文字中）加标点符号，加标点( punctuate的过去式和过去分词 )；不时打断某事物

参考例句：

• Her speech was punctuated by bursts of applause. 她的讲演不时被阵阵掌声打断。
• The audience punctuated his speech by outbursts of applause. 听众不时以阵阵掌声打断他的讲话。 来自《简明英汉词典》

50 slumber   

n.睡眠，沉睡状态

参考例句：

• All the people in the hotels were wrapped in deep slumber.住在各旅馆里的人都已进入梦乡。
• Don't wake him from his slumber because he needs the rest.不要把他从睡眠中唤醒，因为他需要休息。

51 mitigating   

v.减轻，缓和( mitigate的现在分词 )

参考例句：

• Are there any mitigating circumstances in this case ? 本案中是否有任何情况可以减轻被告的罪行？ 来自辞典例句
• A sentencing judge is required to consider any mitigating circumstances befor imposing the death penalty. 在处死刑之前，要求量刑法官必须考虑是否有任何减轻罪行之情节。 来自口语例句

52 languishing   

a. 衰弱下去的

参考例句：

• He is languishing for home. 他苦思家乡。
• How long will she go on languishing for her red-haired boy? 为想见到她的红头发的儿子，她还将为此烦恼多久呢？

53 anguish   

n.(尤指心灵上的)极度痛苦，烦恼

参考例句：

• She cried out for anguish at parting.分手时，她由于痛苦而失声大哭。
• The unspeakable anguish wrung his heart.难言的痛苦折磨着他的心。

54 assent   

v.批准，认可；n.批准，认可

参考例句：

• I cannot assent to what you ask.我不能应允你的要求。
• The new bill passed by Parliament has received Royal Assent.议会所通过的新方案已获国王批准。

55 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

56 frenzy   

n.疯狂，狂热，极度的激动

参考例句：

• He was able to work the young students up into a frenzy.他能激起青年学生的狂热。
• They were singing in a frenzy of joy.他们欣喜若狂地高声歌唱。

57 labor   

n.劳动，努力，工作，劳工；分娩；vi.劳动，努力，苦干；vt.详细分析；麻烦

参考例句：

• We are never late in satisfying him for his labor.我们从不延误付给他劳动报酬。
• He was completely spent after two weeks of hard labor.艰苦劳动两周后，他已经疲惫不堪了。

58 incarnate   

adj.化身的，人体化的，肉色的

参考例句：

• She was happiness incarnate.她是幸福的化身。
• That enemy officer is a devil incarnate.那个敌军军官简直是魔鬼的化身。

59 crooked   

adj.弯曲的；不诚实的，狡猾的，不正当的

参考例句：

• He crooked a finger to tell us to go over to him.他弯了弯手指，示意我们到他那儿去。
• You have to drive slowly on these crooked country roads.在这些弯弯曲曲的乡间小路上你得慢慢开车。

60 cleft   

n.裂缝；adj.裂开的

参考例句：

• I hid the message in a cleft in the rock.我把情报藏在石块的裂缝里。
• He was cleft from his brother during the war.在战争期间，他与他的哥哥分离。

61 clefts   

n.裂缝( cleft的名词复数 )；裂口；cleave的过去式和过去分词；进退维谷

参考例句：

• Clefts are often associated with other more serious congenital defects. 裂口常与其他更严重的先天性异常并发。 来自辞典例句
• Correction of palate clefts is much more difficult and usually not as satisfactory. 硬腭裂的矫正更为困难，且常不理想。 来自辞典例句

62 coax   

v.哄诱，劝诱，用诱哄得到，诱取

参考例句：

• I had to coax the information out of him.我得用好话套出他掌握的情况。
• He tried to coax the secret from me.他试图哄骗我说出秘方。

63 coaxed   

v.哄，用好话劝说( coax的过去式和过去分词 )；巧言骗取；哄劝，劝诱

参考例句：

• She coaxed the horse into coming a little closer. 她哄着那匹马让它再靠近了一点。
• I coaxed my sister into taking me to the theatre. 我用好话哄姐姐带我去看戏。 来自《现代汉英综合大词典》

64 perch   

n.栖木，高位，杆；v.栖息，就位，位于

参考例句：

• The bird took its perch.鸟停歇在栖木上。
• Little birds perch themselves on the branches.小鸟儿栖歇在树枝上。

65 boughs   

大树枝( bough的名词复数 )

参考例句：

• The green boughs glittered with all their pearls of dew. 绿枝上闪烁着露珠的光彩。
• A breeze sighed in the higher boughs. 微风在高高的树枝上叹息着。

66 bough   

n.大树枝，主枝

参考例句：

• I rested my fishing rod against a pine bough.我把钓鱼竿靠在一棵松树的大树枝上。
• Every bough was swinging in the wind.每条树枝都在风里摇摆。

67 chirp   

v.(尤指鸟)唧唧喳喳的叫

参考例句：

• The birds chirp merrily at the top of tree.鸟儿在枝头欢快地啾啾鸣唱。
• The sparrows chirp outside the window every morning.麻雀每天清晨在窗外嘁嘁喳喳地叫。

68 beak   

n.鸟嘴，茶壶嘴，钩形鼻

参考例句：

• The bird had a worm in its beak.鸟儿嘴里叼着一条虫。
• This bird employs its beak as a weapon.这种鸟用嘴作武器。

69 prone   

adj.(to)易于…的，很可能…的；俯卧的

参考例句：

• Some people are prone to jump to hasty conclusions.有些人往往作出轻率的结论。
• He is prone to lose his temper when people disagree with him.人家一不同意他的意见,他就发脾气。

70 acting   

n.演戏，行为，假装；adj.代理的，临时的，演出用的

参考例句：

• Ignore her,she's just acting.别理她，她只是假装的。
• During the seventies,her acting career was in eclipse.在七十年代，她的表演生涯黯然失色。

71 aged   

adj.年老的，陈年的

参考例句：

• He had put on weight and aged a little.他胖了，也老点了。
• He is aged,but his memory is still good.他已年老，然而记忆力还好。

72 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

73 hoard   

n./v.窖藏，贮存，囤积

参考例句：

• They have a hoard of food in the basement.地下室里有他们贮藏的食物。
• How many curios do you hoard in your study?你在你书房里聚藏了多少古玩？

74 vice   

n.坏事；恶习；[pl.]台钳，老虎钳；adj.副的

参考例句：

• He guarded himself against vice.他避免染上坏习惯。
• They are sunk in the depth of vice.他们堕入了罪恶的深渊。

75 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

76 eccentricity   

n.古怪，反常，怪癖

参考例句：

• I can't understand the eccentricity of Henry's behavior.我不理解亨利的古怪举止。
• His eccentricity had become legendary long before he died.在他去世之前他的古怪脾气就早已闻名遐尔了。

77 density   

n.密集，密度，浓度

参考例句：

• The population density of that country is 685 per square mile.那个国家的人口密度为每平方英里685人。
• The region has a very high population density.该地区的人口密度很高。

78 attic   

n.顶楼，屋顶室

参考例句：

• Leakiness in the roof caused a damp attic.屋漏使顶楼潮湿。
• What's to be done with all this stuff in the attic?顶楼上的材料怎么处理？

79 soldered   

v.（使）焊接，焊合( solder的过去式和过去分词 )

参考例句：

• Three lead wires are soldered to the anchor terminals. 在固定接线端子上焊有三根导线。 来自辞典例句
• He soldered the broken wires together. 他将断了的电线焊接起来。 来自辞典例句

80 braced   

adj.拉牢的v.支住( brace的过去式和过去分词 )；撑牢；使自己站稳；振作起来

参考例句：

• They braced up the old house with balks of timber. 他们用梁木加固旧房子。 来自《简明英汉词典》
• The house has a wooden frame which is braced with brick. 这幢房子是木结构的砖瓦房。 来自《简明英汉词典》

81 accordion   

n.手风琴；adj.可折叠的

参考例句：

• The accordion music in the film isn't very beautiful.这部影片中的手风琴音乐不是很好。
• The accordion music reminds me of my boyhood.这手风琴的乐声让我回忆起了我的少年时代。

82 fiddle   

n.小提琴；vi.拉提琴；不停拨弄，乱动

参考例句：

• She plays the fiddle well.她小提琴拉得好。
• Don't fiddle with the typewriter.不要摆弄那架打字机了。

83 severed   

v.切断，断绝( sever的过去式和过去分词 )；断，裂

参考例句：

• The doctor said I'd severed a vessel in my leg. 医生说我割断了腿上的一根血管。 来自《简明英汉词典》
• We have severed diplomatic relations with that country. 我们与那个国家断绝了外交关系。 来自《简明英汉词典》

84 wheezed   

v.喘息，发出呼哧呼哧的喘息声( wheeze的过去式和过去分词 )

参考例句：

• The old organ wheezed out a tune. 那架老风琴呜呜地奏出曲子。 来自辞典例句
• He wheezed out a curse. 他喘着气诅咒。 来自辞典例句

85 rehabilitation   

n.康复，悔过自新，修复，复兴，复职，复位

参考例句：

• He's booked himself into a rehabilitation clinic.他自己联系了一家康复诊所。
• No one can really make me rehabilitation of injuries.已经没有人可以真正令我的伤康复了。

86 prudent   

adj.谨慎的，有远见的，精打细算的

参考例句：

• A prudent traveller never disparages his own country.聪明的旅行者从不贬低自己的国家。
• You must school yourself to be modest and prudent.你要学会谦虚谨慎。

87 calf   

n.小牛，犊，幼仔，小牛皮

参考例句：

• The cow slinked its calf.那头母牛早产了一头小牛犊。
• The calf blared for its mother.牛犊哞哞地高声叫喊找妈妈。

88 savings   

n.存款，储蓄

参考例句：

• I can't afford the vacation,for it would eat up my savings.我度不起假，那样会把我的积蓄用光的。
• By this time he had used up all his savings.到这时，他的存款已全部用完。

89 supple   

adj.柔软的，易弯的，逢迎的，顺从的，灵活的；vt.使柔软，使柔顺，使顺从；vi.变柔软，变柔顺

参考例句：

• She gets along well with people because of her supple nature.她与大家相处很好，因为她的天性柔和。
• He admired the graceful and supple movements of the dancers.他赞扬了舞蹈演员优雅灵巧的舞姿。

90 intoxicated   

喝醉的，极其兴奋的

参考例句：

• She was intoxicated with success. 她为成功所陶醉。
• They became deeply intoxicated and totally disoriented. 他们酩酊大醉，东南西北全然不辨。

91 treatise   

n.专著；(专题)论文

参考例句：

• The doctor wrote a treatise on alcoholism.那位医生写了一篇关于酗酒问题的论文。
• This is not a treatise on statistical theory.这不是一篇有关统计理论的论文。

92 preservation   

n.保护，维护，保存，保留，保持

参考例句：

• The police are responsible for the preservation of law and order.警察负责维持法律与秩序。
• The picture is in an excellent state of preservation.这幅画保存得极为完好。

93 maker   

n.制造者，制造商

参考例句：

• He is a trouble maker，You must be distant with him.他是个捣蛋鬼，你不要跟他在一起。
• A cabinet maker must be a master craftsman.家具木工必须是技艺高超的手艺人。

94 chronic   

adj.(疾病)长期未愈的，慢性的；极坏的

参考例句：

• Famine differs from chronic malnutrition.饥荒不同于慢性营养不良。
• Chronic poisoning may lead to death from inanition.慢性中毒也可能由虚弱导致死亡。

95 amazement   

n.惊奇，惊讶

参考例句：

• All those around him looked at him with amazement.周围的人都对他投射出惊异的眼光。
• He looked at me in blank amazement.他带着迷茫惊诧的神情望着我。

96 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。

97 immoral   

adj.不道德的，淫荡的，荒淫的，有伤风化的

参考例句：

• She was questioned about his immoral conduct toward her.她被询问过有关他对她的不道德行为的情况。
• It is my belief that nuclear weapons are immoral.我相信使核武器是不邪恶的。

98 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

99 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

100 bard   

n.吟游诗人

参考例句：

• I'll use my bard song to help you concentrate!我会用我的吟游诗人歌曲帮你集中精神！
• I find him,the wandering grey bard.我发现了正在徘徊的衰老游唱诗人。

101 choir   

n.唱诗班，唱诗班的席位，合唱团，舞蹈团；v.合唱

参考例句：

• The choir sang the words out with great vigor.合唱团以极大的热情唱出了歌词。
• The church choir is singing tonight.今晚教堂歌唱队要唱诗。

102 queries   

n.问题( query的名词复数 )；疑问；询问；问号v.质疑，对…表示疑问( query的第三人称单数 )；询问

参考例句：

• Our assistants will be happy to answer your queries. 我们的助理很乐意回答诸位的问题。
• Her queries were rhetorical,and best ignored. 她的质问只不过是说说而已，最好不予理睬。 来自《简明英汉词典》

103 rattle   

v.飞奔，碰响；激怒；n.碰撞声；拨浪鼓

参考例句：

• The baby only shook the rattle and laughed and crowed.孩子只是摇着拨浪鼓，笑着叫着。
• She could hear the rattle of the teacups.她听见茶具叮当响。

104 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

105 discord   

n.不和，意见不合，争论，（音乐）不和谐

参考例句：

• These two answers are in discord.这两个答案不一样。
• The discord of his music was hard on the ear.他演奏的不和谐音很刺耳。

106 sprout   

n.芽，萌芽；vt.使发芽，摘去芽；vi.长芽，抽条

参考例句：

• When do deer first sprout horns?鹿在多大的时候开始长出角？
• It takes about a week for the seeds to sprout.这些种子大约要一周后才会发芽。

107 rhythmic   

adj.有节奏的，有韵律的

参考例句：

• Her breathing became more rhythmic.她的呼吸变得更有规律了。
• Good breathing is slow,rhythmic and deep.健康的呼吸方式缓慢深沉而有节奏。

108 mechanism   

n.机械装置；机构，结构

参考例句：

• The bones and muscles are parts of the mechanism of the body.骨骼和肌肉是人体的组成部件。
• The mechanism of the machine is very complicated.这台机器的结构是非常复杂的。

109 plumber   

n.(装修水管的)管子工

参考例句：

• Have you asked the plumber to come and look at the leaking pipe?你叫管道工来检查漏水的管子了吗？
• The plumber screwed up the tap by means of a spanner.管子工用板手把龙头旋紧。

110 epoch   

n.(新)时代；历元

参考例句：

• The epoch of revolution creates great figures.革命时代造就伟大的人物。
• We're at the end of the historical epoch,and at the dawn of another.我们正处在一个历史时代的末期，另一个历史时代的开端。

111 browsing   

v.吃草( browse的现在分词 )；随意翻阅；（在商店里）随便看看；（在计算机上）浏览信息

参考例句：

• He sits browsing over[through] a book. 他坐着翻阅书籍。 来自《简明英汉词典》
• Cattle is browsing in the field. 牛正在田里吃草。 来自《简明英汉词典》

112 maple   

n.槭树，枫树，槭木

参考例句：

• Maple sugar is made from the sap of maple trees.枫糖是由枫树的树液制成的。
• The maple leaves are tinge with autumn red.枫叶染上了秋天的红色。

113 stump   

n.残株，烟蒂，讲演台；v.砍断，蹒跚而走

参考例句：

• He went on the stump in his home state.他到故乡所在的州去发表演说。
• He used the stump as a table.他把树桩用作桌子。

114 reverently   

adv.虔诚地

参考例句：

• He gazed reverently at the handiwork. 他满怀敬意地凝视着这件手工艺品。
• Pork gazed at it reverently and slowly delight spread over his face. 波克怀着愉快的心情看着这只表，脸上慢慢显出十分崇敬的神色。

115 tinkle   

vi.叮当作响；n.叮当声

参考例句：

• The wine glass dropped to the floor with a tinkle.酒杯丁零一声掉在地上。
• Give me a tinkle and let me know what time the show starts.给我打个电话，告诉我演出什么时候开始。

116 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

117 toiling   

长时间或辛苦地工作( toil的现在分词 )； 艰难缓慢地移动，跋涉

参考例句：

• The fiery orator contrasted the idle rich with the toiling working classes. 这位激昂的演说家把无所事事的富人同终日辛劳的工人阶级进行了对比。
• She felt like a beetle toiling in the dust. She was filled with repulsion. 她觉得自己像只甲虫在地里挣扎，心中涌满愤恨。

118 posterity   

n.后裔，子孙，后代

参考例句：

• Few of his works will go down to posterity.他的作品没有几件会流传到后世。
• The names of those who died are recorded for posterity on a tablet at the back of the church.死者姓名都刻在教堂后面的一块石匾上以便后人铭记。

119 mantle   

n.斗篷，覆罩之物，罩子；v.罩住，覆盖，脸红

参考例句：

• The earth had donned her mantle of brightest green.大地披上了苍翠欲滴的绿色斗篷。
• The mountain was covered with a mantle of snow.山上覆盖着一层雪。

120 apron   

n.围裙；工作裙

参考例句：

• We were waited on by a pretty girl in a pink apron.招待我们的是一位穿粉红色围裙的漂亮姑娘。
• She stitched a pocket on the new apron.她在新围裙上缝上一只口袋。

121 crouched   

v.屈膝，蹲伏( crouch的过去式和过去分词 )

参考例句：

• He crouched down beside her. 他在她的旁边蹲了下来。
• The lion crouched ready to pounce. 狮子蹲下身，准备猛扑。

122 winced   

赶紧避开，畏缩( wince的过去式和过去分词 )

参考例句：

• He winced as the dog nipped his ankle. 狗咬了他的脚腕子，疼得他龇牙咧嘴。
• He winced as a sharp pain shot through his left leg. 他左腿一阵剧痛疼得他直龇牙咧嘴。

123 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

124 surmounts   

战胜( surmount的第三人称单数 )； 克服（困难）； 居于…之上； 在…顶上

参考例句：

• A weather-vane surmounts the spire/The spire is surmounted by a weather-vane. 风向标装置在尖塔上[尖塔上装有风向标]。
• One inch of joy surmounts grief of a span. 点滴欢乐就能克服大量的忧伤。

125 outlets   

n.出口( outlet的名词复数 )；经销店；插座；廉价经销店

参考例句：

• The dumping of foreign cotton blocked outlets for locally grown cotton. 外国棉花的倾销阻滞了当地生产的棉花的销路。 来自《简明英汉词典》
• They must find outlets for their products. 他们必须为自己的产品寻找出路。 来自《现代汉英综合大词典》

126 allotted   

分配，拨给，摊派( allot的过去式和过去分词 )

参考例句：

• I completed the test within the time allotted . 我在限定的时间内完成了试验。
• Each passenger slept on the berth allotted to him. 每个旅客都睡在分配给他的铺位上。

127 humble   

adj.谦卑的，恭顺的；地位低下的；v.降低，贬低

参考例句：

• In my humble opinion,he will win the election.依我拙见，他将在选举中获胜。
• Defeat and failure make people humble.挫折与失败会使人谦卑。

128 consecrated   

adj.神圣的，被视为神圣的v.把…奉为神圣，给…祝圣( consecrate的过去式和过去分词 )；奉献

参考例句：

• The church was consecrated in 1853. 这座教堂于1853年祝圣。
• They consecrated a temple to their god. 他们把庙奉献给神。 来自《简明英汉词典》

129 paralysis   

n.麻痹(症)；瘫痪(症)

参考例句：

• The paralysis affects his right leg and he can only walk with difficulty.他右腿瘫痪步履维艰。
• The paralysis affects his right leg and he can only walk with difficulty.他右腿瘫痪步履维艰。

130 discreet   

adj.(言行)谨慎的；慎重的；有判断力的

参考例句：

• He is very discreet in giving his opinions.发表意见他十分慎重。
• It wasn't discreet of you to ring me up at the office.你打电话到我办公室真是太鲁莽了。

131 knuckles   

n.（指人）指关节( knuckle的名词复数 )；（指动物）膝关节，踝v.（指人）指关节( knuckle的第三人称单数 )；（指动物）膝关节，踝

参考例句：

• He gripped the wheel until his knuckles whitened. 他紧紧握住方向盘，握得指关节都变白了。
• Her thin hands were twisted by swollen knuckles. 她那双纤手因肿大的指关节而变了形。 来自《简明英汉词典》

132 pry   

vi.窥(刺)探，打听；vt.撬动(开，起)

参考例句：

• He's always ready to pry into other people's business.他总爱探听别人的事。
• We use an iron bar to pry open the box.我们用铁棍撬开箱子。

133 shutter   

n.百叶窗；(照相机)快门；关闭装置

参考例句：

• The camera has a shutter speed of one-sixtieth of a second.这架照像机的快门速度达六十分之一秒。
• The shutter rattled in the wind.百叶窗在风中发出嘎嘎声。

134 shears   

n.大剪刀

参考例句：

• These garden shears are lightweight and easy to use.这些园丁剪刀又轻又好用。
• With a few quick snips of the shears he pruned the bush.他用大剪刀几下子就把灌木给修剪好了。

135 grudge   

n.不满，怨恨，妒嫉；vt.勉强给，不情愿做

参考例句：

• I grudge paying so much for such inferior goods.我不愿花这么多钱买次品。
• I do not grudge him his success.我不嫉妒他的成功。

136 grudged   

怀恨（grudge的过去式与过去分词形式）

参考例句：

• The mean man grudged the food his horse ate. 那个吝啬鬼舍不得喂马。
• He grudged the food his horse ate. 他吝惜马料。

137 mitigated   

v.减轻，缓和( mitigate的过去式和过去分词 )

参考例句：

• The cost of getting there is mitigated by Sydney's offer of a subsidy. 由于悉尼提供补助金，所以到那里的花费就减少了。 来自辞典例句
• The living conditions were slightly mitigated. 居住条件稍有缓解。 来自辞典例句

138 providence   

n.深谋远虑，天道，天意；远见；节约；上帝

参考例句：

• It is tempting Providence to go in that old boat.乘那艘旧船前往是冒大险。
• To act as you have done is to fly in the face of Providence.照你的所作所为那样去行事，是违背上帝的意志的。

139 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

140 hazardous   

adj.(有)危险的，冒险的；碰运气的

参考例句：

• These conditions are very hazardous for shipping.这些情况对航海非常不利。
• Everybody said that it was a hazardous investment.大家都说那是一次危险的投资。

141 momentous   

adj.重要的，重大的

参考例句：

• I am deeply honoured to be invited to this momentous occasion.能应邀出席如此重要的场合，我深感荣幸。
• The momentous news was that war had begun.重大的新闻是战争已经开始。

142 shipwreck   

n.船舶失事，海难

参考例句：

• He walked away from the shipwreck.他船难中平安地脱险了。
• The shipwreck was a harrowing experience.那次船难是一个惨痛的经历。

143 conflagration   

n.建筑物或森林大火

参考例句：

• A conflagration in 1947 reduced 90 percent of the houses to ashes.1947年的一场大火，使90%的房屋化为灰烬。
• The light of that conflagration will fade away.这熊熊烈火会渐渐熄灭。

144 blighted   

adj.枯萎的，摧毁的

参考例句：

• Blighted stems often canker.有病的茎往往溃烂。
• She threw away a blighted rose.她把枯萎的玫瑰花扔掉了。

145 appendage   

n.附加物

参考例句：

• After their work,the calculus was no longer an appendage and extension of Greek geometry.经过他们的工作，微积分不再是古希腊几何的附庸和延展。
• Macmillan must have loathed being judged as a mere appendage to domestic politics.麦克米伦肯定极不喜欢只被当成国内政治的附属品。

146 coffin   

n.棺材，灵柩

参考例句：

• When one's coffin is covered,all discussion about him can be settled.盖棺论定。
• The coffin was placed in the grave.那口棺材已安放到坟墓里去了。

147 sordid   

adj.肮脏的，不干净的，卑鄙的，暗淡的

参考例句：

• He depicts the sordid and vulgar sides of life exclusively.他只描写人生肮脏和庸俗的一面。
• They lived in a sordid apartment.他们住在肮脏的公寓房子里。

148 determined   

adj.坚定的；有决心的

参考例句：

• I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
• He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。

149 adorned   

[计]被修饰的

参考例句：

• The walls were adorned with paintings. 墙上装饰了绘画。
• And his coat was adorned with a flamboyant bunch of flowers. 他的外套上面装饰着一束艳丽刺目的鲜花。

150 Ford   

n.浅滩，水浅可涉处；v.涉水，涉过

参考例句：

• They were guarding the bridge,so we forded the river.他们驻守在那座桥上，所以我们只能涉水过河。
• If you decide to ford a stream,be extremely careful.如果已决定要涉过小溪，必须极度小心。

151 ails   

v.生病( ail的第三人称单数 )；感到不舒服；处境困难；境况不佳

参考例句：

• He will not concede what anything ails his business. 他不允许任何事情来干扰他的工作。 来自《现代英汉综合大词典》
• Measles ails the little girl. 麻疹折磨着这个小女孩。 来自《简明英汉词典》

152 possessed   

adj.疯狂的；拥有的，占有的

参考例句：

• He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
• He behaved like someone possessed.他行为举止像是魔怔了。

153 discourse   

n.论文，演说；谈话；话语；vi.讲述，著述

参考例句：

• We'll discourse on the subject tonight.我们今晚要谈论这个问题。
• He fell into discourse with the customers who were drinking at the counter.他和站在柜台旁的酒客谈了起来。

154 scour   

v.搜索；擦，洗，腹泻，冲刷

参考例句：

• Mother made me scour the family silver.母亲让我擦洗家里的银器。
• We scoured the telephone directory for clues.我们仔细查阅电话簿以寻找线索。

155 wagon   

n.四轮马车，手推车，面包车；无盖运货列车

参考例句：

• We have to fork the hay into the wagon.我们得把干草用叉子挑进马车里去。
• The muddy road bemired the wagon.马车陷入了泥泞的道路。

156 allusions   

暗指，间接提到( allusion的名词复数 )

参考例句：

• We should not use proverbs and allusions indiscriminately. 不要滥用成语典故。
• The background lent itself to allusions to European scenes. 眼前的情景容易使人联想到欧洲风光。

157 twitch   

v.急拉，抽动，痉挛，抽搐；n.扯，阵痛，痉挛

参考例句：

• The smell made my dog's nose twitch.那股气味使我的狗的鼻子抽动着。
• I felt a twitch at my sleeve.我觉得有人扯了一下我的袖子。

158 retrace   

v.折回；追溯，探源

参考例句：

• He retraced his steps to the spot where he'd left the case.他折回到他丢下箱子的地方。
• You must retrace your steps.你必须折回原来走过的路。

159 hymn   

n.赞美诗，圣歌，颂歌

参考例句：

• They sang a hymn of praise to God.他们唱着圣歌，赞美上帝。
• The choir has sung only two verses of the last hymn.合唱团只唱了最后一首赞美诗的两个段落。

160 bandanna   

n.大手帕

参考例句：

• He knotted the bandanna around his neck.他在脖子上系了一条印花大围巾。
• He wiped his forehead with a blue bandanna and smiled again.他用一条蓝色的大手帕擦擦前额，又笑了笑。

161 exasperating   

adj. 激怒的 动词exasperate的现在分词形式

参考例句：

• Our team's failure is very exasperating. 我们队失败了，真是气死人。
• It is really exasperating that he has not turned up when the train is about to leave. 火车快开了， 他还不来，实在急人。

162 hitch   

v.免费搭(车旅行)；系住；急提；n.故障；急拉

参考例句：

• They had an eighty-mile journey and decided to hitch hike.他们要走80英里的路程，最后决定搭便车。
• All the candidates are able to answer the questions without any hitch.所有报考者都能对答如流。

163 cemetery   

n.坟墓，墓地，坟场

参考例句：

• He was buried in the cemetery.他被葬在公墓。
• His remains were interred in the cemetery.他的遗体葬在墓地。

164 extricate   

v.拯救，救出；解脱

参考例句：

• How can we extricate the firm from this trouble?我们该如何承救公司脱离困境呢？
• She found it impossible to extricate herself from the relationship.她发现不可能把自己从这种关系中解脱出来。

165 dilemma   

n.困境，进退两难的局面

参考例句：

• I am on the horns of a dilemma about the matter.这件事使我进退两难。
• He was thrown into a dilemma.他陷入困境。

166 catastrophe   

n.大灾难，大祸

参考例句：

• I owe it to you that I survived the catastrophe.亏得你我才大难不死。
• This is a catastrophe beyond human control.这是一场人类无法控制的灾难。

167 mortified   

v.使受辱( mortify的过去式和过去分词 )；伤害（人的感情）；克制；抑制（肉体、情感等）

参考例句：

• She was mortified to realize he had heard every word she said. 她意识到自己的每句话都被他听到了，直羞得无地自容。
• The knowledge of future evils mortified the present felicities. 对未来苦难的了解压抑了目前的喜悦。 来自《简明英汉词典》

168 virtuous   

adj.有品德的，善良的，贞洁的，有效力的

参考例句：

• She was such a virtuous woman that everybody respected her.她是个有道德的女性，人人都尊敬她。
• My uncle is always proud of having a virtuous wife.叔叔一直为娶到一位贤德的妻子而骄傲。

169 orchard   

n.果园，果园里的全部果树，(美俚)棒球场

参考例句：

• My orchard is bearing well this year.今年我的果园果实累累。
• Each bamboo house was surrounded by a thriving orchard.每座竹楼周围都是茂密的果园。

170 specially   

adv.特定地；特殊地；明确地

参考例句：

• They are specially packaged so that they stack easily.它们经过特别包装以便于堆放。
• The machine was designed specially for demolishing old buildings.这种机器是专为拆毁旧楼房而设计的。

171 dread   

vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧

参考例句：

• We all dread to think what will happen if the company closes.我们都不敢去想一旦公司关门我们该怎么办。
• Her heart was relieved of its blankest dread.她极度恐惧的心理消除了。

172 solitude   

n. 孤独; 独居,荒僻之地,幽静的地方

参考例句：

• People need a chance to reflect on spiritual matters in solitude. 人们需要独处的机会来反思精神上的事情。
• They searched for a place where they could live in solitude. 他们寻找一个可以过隐居生活的地方。

173 snug   

adj.温暖舒适的，合身的，安全的；v.使整洁干净，舒适地依靠，紧贴；n.（英）酒吧里的私房

参考例句：

• He showed us into a snug little sitting room.他领我们走进了一间温暖而舒适的小客厅。
• She had a small but snug home.她有个小小的但很舒适的家。

174 lurch   

n.突然向前或旁边倒；v.蹒跚而行

参考例句：

• It has been suggested that the ground movements were a form of lurch movements.地震的地面运动曾被认为是一种突然倾斜的运动形式。
• He walked with a lurch.他步履蹒跚。

175 efface   

v.擦掉，抹去

参考例句：

• It takes many years to efface the unpleasant memories of a war.许多年后才能冲淡战争的不愉快记忆。
• He could not efface the impression from his mind.他不能把这个印象从心中抹去。

176 crimson   

n./adj.深(绯)红色(的)；vi.脸变绯红色

参考例句：

• She went crimson with embarrassment.她羞得满脸通红。
• Maple leaves have turned crimson.枫叶已经红了。

177 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

178 disposition   

n.性情，性格；意向，倾向；排列，部署

参考例句：

• He has made a good disposition of his property.他已对财产作了妥善处理。
• He has a cheerful disposition.他性情开朗。

179 quenched   

解（渴）( quench的过去式和过去分词 )； 终止（某事物）； （用水）扑灭（火焰等）； 将（热物体）放入水中急速冷却

参考例句：

• He quenched his thirst with a long drink of cold water. 他喝了好多冷水解渴。
• I quenched my thirst with a glass of cold beer. 我喝了一杯冰啤酒解渴。

180 conceal   

v.隐藏，隐瞒，隐蔽

参考例句：

• He had to conceal his identity to escape the police.为了躲避警方，他只好隐瞒身份。
• He could hardly conceal his joy at his departure.他几乎掩饰不住临行时的喜悦。

181 morbid   

adj.病的；致病的；病态的；可怕的

参考例句：

• Some people have a morbid fascination with crime.一些人对犯罪有一种病态的痴迷。
• It's morbid to dwell on cemeteries and such like.不厌其烦地谈论墓地以及诸如此类的事是一种病态。

182 orphan   

n.孤儿；adj.无父母的

参考例句：

• He brought up the orphan and passed onto him his knowledge of medicine.他把一个孤儿养大，并且把自己的医术传给了他。
• The orphan had been reared in a convent by some good sisters.这个孤儿在一所修道院里被几个好心的修女带大。

183 gathering   

n.集会，聚会，聚集

参考例句：

• He called on Mr. White to speak at the gathering.他请怀特先生在集会上讲话。
• He is on the wing gathering material for his novels.他正忙于为他的小说收集资料。

184 nibbled   

v.啃，一点一点地咬（吃）( nibble的过去式和过去分词 )；啃出（洞），一点一点咬出（洞）；慢慢减少；小口咬

参考例句：

• She nibbled daintily at her cake. 她优雅地一点一点地吃着自己的蛋糕。 来自《简明英汉词典》
• Several companies have nibbled at our offer. 若干公司表示对我们的出价有兴趣。 来自《简明英汉词典》

185 dispense   

vt.分配，分发；配(药)，发(药)；实施

参考例句：

• Let us dispense the food.咱们来分发这食物。
• The charity has been given a large sum of money to dispense as it sees fit.这个慈善机构获得一大笔钱，可自行适当分配。

186 recluse   

n.隐居者

参考例句：

• The old recluse secluded himself from the outside world.这位老隐士与外面的世界隔绝了。
• His widow became a virtual recluse for the remainder of her life.他的寡妻孤寂地度过了余生。

187 thatcher   

n.茅屋匠

参考例句：

• Tom Sawyer was in the skiff that bore Judge Thatcher. 汤姆 - 索亚和撒切尔法官同乘一条小艇。 来自英汉文学 - 汤姆历险
• Mrs. Thatcher was almost crazed; and Aunt Polly, also. 撒切尔夫人几乎神经失常，还有波莉姨妈也是。 来自英汉文学 - 汤姆历险

188 disseminating   

散布，传播( disseminate的现在分词 )

参考例句：

• Our comrades in propaganda work have the task of disseminating Marxism. 我们作宣传工作的同志有一个宣传马克思主义的任务。
• Disseminating indecent photographs on the internet a distasteful act. 在因特网上发布不雅照片是卑劣的行径。

189 housekeeper   

n.管理家务的主妇，女管家

参考例句：

• A spotless stove told us that his mother is a diligent housekeeper.炉子清洁无瑕就表明他母亲是个勤劳的主妇。
• She is an economical housekeeper and feeds her family cheaply.她节约持家，一家人吃得很省。

190 missionary   

adj.教会的，传教(士)的；n.传教士

参考例句：

• She taught in a missionary school for a couple of years.她在一所教会学校教了两年书。
• I hope every member understands the value of missionary work. 我希望教友都了解传教工作的价值。

191 sitting-room   

n.（BrE）客厅，起居室

参考例句：

• The sitting-room is clean.起居室很清洁。
• Each villa has a separate sitting-room.每栋别墅都有一间独立的起居室。

192 mattress   

n.床垫，床褥

参考例句：

• The straw mattress needs to be aired.草垫子该晾一晾了。
• The new mattress I bought sags in the middle.我买的新床垫中间陷了下去。

193 scarlet   

n.深红色，绯红色，红衣；adj.绯红色的

参考例句：

• The scarlet leaves of the maples contrast well with the dark green of the pines.深红的枫叶和暗绿的松树形成了明显的对比。
• The glowing clouds are growing slowly pale,scarlet,bright red,and then light red.天空的霞光渐渐地淡下去了，深红的颜色变成了绯红，绯红又变为浅红。

194 tacked   

用平头钉钉( tack的过去式和过去分词 )； 附加，增补； 帆船抢风行驶，用粗线脚缝

参考例句：

• He tacked the sheets of paper on as carefully as possible. 他尽量小心地把纸张钉上去。
• The seamstress tacked the two pieces of cloth. 女裁缝把那两块布粗缝了起来。

195 hearth   

n.壁炉炉床，壁炉地面

参考例句：

• She came and sat in a chair before the hearth.她走过来，在炉子前面的椅子上坐下。
• She comes to the hearth,and switches on the electric light there.她走到壁炉那里，打开电灯。

196 gracefully   

ad.大大方方地；优美地

参考例句：

• She sank gracefully down onto a cushion at his feet. 她优雅地坐到他脚旁的垫子上。
• The new coats blouse gracefully above the hip line. 新外套在臀围线上优美地打着褶皱。

197 harmonious   

adj.和睦的，调和的，和谐的，协调的

参考例句：

• Their harmonious relationship resulted in part from their similar goals.他们关系融洽的部分原因是他们有着相似的目标。
• The room was painted in harmonious colors.房间油漆得色彩调和。

198 plentiful   

adj.富裕的，丰富的

参考例句：

• Their family has a plentiful harvest this year.他们家今年又丰收了。
• Rainfall is plentiful in the area.这个地区雨量充足。

199 deplore   

vt.哀叹，对...深感遗憾

参考例句：

• I deplore what has happened.我为所发生的事深感愤慨。
• There are many of us who deplore this lack of responsibility.我们中有许多人谴责这种不负责任的做法。

200 blur   

n.模糊不清的事物；vt.使模糊，使看不清楚

参考例句：

• The houses appeared as a blur in the mist.房子在薄雾中隐隐约约看不清。
• If you move your eyes and your head,the picture will blur.如果你的眼睛或头动了，图像就会变得模糊不清。

201 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

202 gatherings   

聚集( gathering的名词复数 )； 收集； 采集； 搜集

参考例句：

• His conduct at social gatherings created a lot of comment. 他在社交聚会上的表现引起许多闲话。
• During one of these gatherings a pupil caught stealing. 有一次，其中一名弟子偷窃被抓住。

203 rippling   

起涟漪的，潺潺流水般声音的

参考例句：

• I could see the dawn breeze rippling the shining water. 我能看见黎明的微风在波光粼粼的水面上吹出道道涟漪。
• The pool rippling was caused by the waving of the reeds. 池塘里的潺潺声是芦苇摇动时引起的。

204 middle-aged   

adj.中年的

参考例句：

• I noticed two middle-aged passengers.我注意到两个中年乘客。
• The new skin balm was welcome by middle-aged women.这种新护肤香膏受到了中年妇女的欢迎。

205 scrupulously   

adv.一丝不苟地；小心翼翼地，多顾虑地

参考例句：

• She toed scrupulously into the room. 她小心翼翼地踮着脚走进房间。 来自辞典例句
• To others he would be scrupulously fair. 对待别人，他力求公正。 来自英汉非文学 - 文明史

206 uncommon   

adj.罕见的，非凡的，不平常的

参考例句：

• Such attitudes were not at all uncommon thirty years ago.这些看法在30年前很常见。
• Phil has uncommon intelligence.菲尔智力超群。

207 refinement   

n.文雅；高尚；精美；精制；精炼

参考例句：

• Sally is a woman of great refinement and beauty. 莎莉是个温文尔雅又很漂亮的女士。
• Good manners and correct speech are marks of refinement.彬彬有礼和谈吐得体是文雅的标志。

208 secluded   

adj.与世隔绝的；隐退的；偏僻的v.使隔开，使隐退( seclude的过去式和过去分词)

参考例句：

• Some people like to strip themselves naked while they have a swim in a secluded place. 一些人当他们在隐蔽的地方游泳时，喜欢把衣服脱光。 来自《简明英汉词典》
• This charming cottage dates back to the 15th century and is as pretty as a picture, with its thatched roof and secluded garden. 这所美丽的村舍是15世纪时的建筑，有茅草房顶和宁静的花园，漂亮极了，简直和画上一样。 来自《简明英汉词典》

209 evoked   

[医]诱发的

参考例句：

• The music evoked memories of her youth. 这乐曲勾起了她对青年时代的回忆。
• Her face, though sad, still evoked a feeling of serenity. 她的脸色虽然悲伤，但仍使人感觉安详。

210 flute   

n.长笛；v.吹笛

参考例句：

• He took out his flute, and blew at it.他拿出笛子吹了起来。
• There is an extensive repertoire of music written for the flute.有很多供长笛演奏的曲目。

211 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

212 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

213 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

214 wail   

vt./vi.大声哀号，恸哭；呼啸，尖啸

参考例句：

• Somewhere in the audience an old woman's voice began plaintive wail.观众席里，一位老太太伤心地哭起来。
• One of the small children began to wail with terror.小孩中的一个吓得大哭起来。

215 woe   

n.悲哀，苦痛，不幸，困难；int.用来表达悲伤或惊慌

参考例句：

• Our two peoples are brothers sharing weal and woe.我们两国人民是患难与共的兄弟。
• A man is well or woe as he thinks himself so.自认祸是祸，自认福是福。

216 bent   

n.爱好，癖好；adj.弯的；决心的，一心的

参考例句：

• He was fully bent upon the project.他一心扑在这项计划上。
• We bent over backward to help them.我们尽了最大努力帮助他们。

217 dreading   

v.害怕，恐惧，担心( dread的现在分词 )

参考例句：

• She was dreading having to broach the subject of money to her father. 她正在为不得不向父亲提出钱的事犯愁。
• This was the moment he had been dreading. 这是他一直最担心的时刻。

218 starry   

adj.星光照耀的, 闪亮的

参考例句：

• He looked at the starry heavens.他瞧着布满星星的天空。
• I like the starry winter sky.我喜欢这满天星斗的冬夜。

219 bliss   

n.狂喜，福佑，天赐的福

参考例句：

• It's sheer bliss to be able to spend the day in bed.整天都可以躺在床上真是幸福。
• He's in bliss that he's won the Nobel Prize.他非常高兴，因为获得了诺贝尔奖金。

220 enacted   

制定（法律），通过（法案）( enact的过去式和过去分词 )

参考例句：

• legislation enacted by parliament 由议会通过的法律
• Outside in the little lobby another scene was begin enacted. 外面的小休息室里又是另一番景象。 来自英汉文学 - 嘉莉妹妹

221 mellow   

adj.柔和的；熟透的；v.变柔和；(使)成熟

参考例句：

• These apples are mellow at this time of year.每年这时节，苹果就熟透了。
• The colours become mellow as the sun went down.当太阳落山时，色彩变得柔和了。

222 spoke   

n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说

参考例句：

• They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
• The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。

223 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

224 laden   

adj.装满了的；充满了的；负了重担的；苦恼的

参考例句：

• He is laden with heavy responsibility.他肩负重任。
• Dragging the fully laden boat across the sand dunes was no mean feat.将满载货物的船拖过沙丘是一件了不起的事。

225 repose   

v.(使)休息；n.安息

参考例句：

• Don't disturb her repose.不要打扰她休息。
• Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑，即使在睡眠时也是这样。

226 bowers   

n.（女子的）卧室( bower的名词复数 )；船首锚；阴凉处；鞠躬的人

参考例句：

• If Mr Bowers is right, low government-bond yields could lose their appeal and equities could rebound. 如果鲍尔斯先生的预计是对的，那么低收益的国债将会失去吸引力同时股价将会反弹。 来自互联网

227 oracles   

神示所( oracle的名词复数 )； 神谕； 圣贤； 哲人

参考例句：

• Do all oracles tell the truth? 是否所有的神谕都揭示真理？ 来自哲学部分
• The ancient oracles were often vague and equivocal. 古代的神谕常是意义模糊和模棱两可的。

228 sylvan   

adj.森林的

参考例句：

• Venerable oaks forms a sylvan archway.古老的栎树形成一条林荫拱道。
• They lived in a sylvan retreat.他们住在一个林中休养地。

229 murmur   

n.低语，低声的怨言；v.低语，低声而言

参考例句：

• They paid the extra taxes without a murmur.他们毫无怨言地交了附加税。
• There was a low murmur of conversation in the hall.大厅里有窃窃私语声。

230 rustling   

n. 瑟瑟声，沙沙声 adj. 发沙沙声的

参考例句：

• the sound of the trees rustling in the breeze 树木在微风中发出的沙沙声
• the soft rustling of leaves 树叶柔和的沙沙声

231 sift   

v.筛撒，纷落，详察

参考例句：

• Sift out the wheat from the chaff.把小麦的壳筛出来。
• Sift sugar on top of the cake.在蛋糕上面撒上糖。

232 luxurious   

adj.精美而昂贵的；豪华的

参考例句：

• This is a luxurious car complete with air conditioning and telephone.这是一辆附有空调设备和电话的豪华轿车。
• The rich man lives in luxurious surroundings.这位富人生活在奢侈的环境中。

233 docile   

adj.驯服的，易控制的，容易教的

参考例句：

• Circus monkeys are trained to be very docile and obedient.马戏团的猴子训练得服服贴贴的。
• He is a docile and well-behaved child.他是个温顺且彬彬有礼的孩子。

234 intruding   

v.侵入，侵扰，打扰( intrude的现在分词)；把…强加于

参考例句：

• Does he find his new celebrity intruding on his private life? 他是否感觉到他最近的成名侵扰了他的私生活？
• After a few hours of fierce fighting,we saw the intruding bandits off. 经过几小时的激烈战斗，我们赶走了入侵的匪徒。 来自《简明英汉词典》

235 placid   

adj.安静的，平和的

参考例句：

• He had been leading a placid life for the past eight years.八年来他一直过着平静的生活。
• You should be in a placid mood and have a heart-to- heart talk with her.你应该心平气和的好好和她谈谈心。

236 vacancy   

n.（旅馆的）空位，空房，（职务的）空缺

参考例句：

• Her going on maternity leave will create a temporary vacancy.她休产假时将会有一个临时空缺。
• The vacancy of her expression made me doubt if she was listening.她茫然的神情让我怀疑她是否在听。

237 fumbled   

（笨拙地）摸索或处理（某事物）( fumble的过去式和过去分词 )； 乱摸，笨拙地弄； 使落下

参考例句：

• She fumbled in her pocket for a handkerchief. 她在她口袋里胡乱摸找手帕。
• He fumbled about in his pockets for the ticket. 他（瞎）摸着衣兜找票。

238 impunity   

n.(惩罚、损失、伤害等的)免除

参考例句：

• You will not escape with impunity.你不可能逃脱惩罚。
• The impunity what compulsory insurance sets does not include escapement.交强险规定的免责范围不包括逃逸。

239 insistent   

adj.迫切的，坚持的

参考例句：

• There was an insistent knock on my door.我听到一阵急促的敲门声。
• He is most insistent on this point.他在这点上很坚持。

240 throb   

v.震颤，颤动；(急速强烈地)跳动，搏动

参考例句：

• She felt her heart give a great throb.她感到自己的心怦地跳了一下。
• The drums seemed to throb in his ears.阵阵鼓声彷佛在他耳边震响。

241 throbbing   

a. 跳动的,悸动的

参考例句：

• My heart is throbbing and I'm shaking. 我的心在猛烈跳动，身子在不住颤抖。
• There was a throbbing in her temples. 她的太阳穴直跳。

242 throbbed   

抽痛( throb的过去式和过去分词 )； （心脏、脉搏等）跳动

参考例句：

• His head throbbed painfully. 他的头一抽一跳地痛。
• The pulse throbbed steadily. 脉搏跳得平稳。

243 darted   

v.投掷，投射( dart的过去式和过去分词 )；向前冲，飞奔

参考例句：

• The lizard darted out its tongue at the insect. 蜥蜴伸出舌头去吃小昆虫。 来自《简明英汉词典》
• The old man was displeased and darted an angry look at me. 老人不高兴了，瞪了我一眼。 来自《简明英汉词典》

244 indifference   

n.不感兴趣，不关心，冷淡，不在乎

参考例句：

• I was disappointed by his indifference more than somewhat.他的漠不关心使我很失望。
• He feigned indifference to criticism of his work.他假装毫不在意别人批评他的作品。

245 irresistible   

adj.非常诱人的，无法拒绝的，无法抗拒的

参考例句：

• The wheel of history rolls forward with an irresistible force.历史车轮滚滚向前，势不可挡。
• She saw an irresistible skirt in the store window.她看见商店的橱窗里有一条叫人着迷的裙子。

246 gratitude   

adj.感激，感谢

参考例句：

• I have expressed the depth of my gratitude to him.我向他表示了深切的谢意。
• She could not help her tears of gratitude rolling down her face.她感激的泪珠禁不住沿着面颊流了下来。

247 meekly   

adv.温顺地，逆来顺受地

参考例句：

• He stood aside meekly when the new policy was proposed. 当有人提出新政策时，他唯唯诺诺地站 来自《简明英汉词典》
• He meekly accepted the rebuke. 他顺从地接受了批评。 来自《简明英汉词典》

248 heartily   

adv.衷心地，诚恳地，十分，很

参考例句：

• He ate heartily and went out to look for his horse.他痛快地吃了一顿，就出去找他的马。
• The host seized my hand and shook it heartily.主人抓住我的手，热情地和我握手。

249 blister   

n.水疱；(油漆等的)气泡；v.(使)起泡

参考例句：

• I got a huge blister on my foot and I couldn't run any farther.我脚上长了一个大水泡，没办法继续跑。
• I have a blister on my heel because my shoe is too tight.鞋子太紧了，我脚后跟起了个泡。

250 mendacious   

adj.不真的，撒谎的

参考例句：

• The mendacious beggar told a different tale of woe at every house.这个撒谎的乞丐对于每一家都编了一个不同悲哀的故事。
• She gave us a mendacious report.她给了我们一个虚假的报告。

251 chamber   

n.房间，寝室；会议厅；议院；会所

参考例句：

• For many,the dentist's surgery remains a torture chamber.对许多人来说，牙医的治疗室一直是间受刑室。
• The chamber was ablaze with light.会议厅里灯火辉煌。

252 buck   

n.雄鹿，雄兔；v.马离地跳跃

参考例句：

• The boy bent curiously to the skeleton of the buck.这个男孩好奇地弯下身去看鹿的骸骨。
• The female deer attracts the buck with high-pitched sounds.雌鹿以尖声吸引雄鹿。

253 perturbed   

adj.烦燥不安的v.使（某人）烦恼，不安( perturb的过去式和过去分词 )

参考例句：

• I am deeply perturbed by the alarming way the situation developing. 我对形势令人忧虑的发展深感不安。 来自《简明英汉词典》
• Mother was much perturbed by my illness. 母亲为我的病甚感烦恼不安。 来自《现代英汉综合大词典》

254 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

255 nervously   

adv.神情激动地，不安地

参考例句：

• He bit his lip nervously,trying not to cry.他紧张地咬着唇，努力忍着不哭出来。
• He paced nervously up and down on the platform.他在站台上情绪不安地走来走去。

256 devouring   

吞没( devour的现在分词 )； 耗尽； 津津有味地看； 狼吞虎咽地吃光

参考例句：

• The hungry boy was devouring his dinner. 那饥饿的孩子狼吞虎咽地吃饭。
• He is devouring novel after novel. 他一味贪看小说。

257 tyrants   

专制统治者( tyrant的名词复数 )； 暴君似的人； （古希腊的）僭主； 严酷的事物

参考例句：

• The country was ruled by a succession of tyrants. 这个国家接连遭受暴君的统治。
• The people suffered under foreign tyrants. 人民在异族暴君的统治下受苦受难。

258 wheedling   

v.骗取（某物），哄骗（某人干某事）( wheedle的现在分词 )

参考例句：

• He wheedled his way into the building, ie got into it by wheedling. 他靠花言巧语混进了那所楼房。 来自辞典例句
• An honorable32 weepie uses none of these33) wheedling34) devices. 一部体面的伤感电影用不着这些花招。 来自互联网

259 amiable   

adj.和蔼可亲的，友善的，亲切的

参考例句：

• She was a very kind and amiable old woman.她是个善良和气的老太太。
• We have a very amiable companionship.我们之间存在一种友好的关系。

260 sarcasm   

n.讥讽，讽刺，嘲弄，反话 （adj.sarcastic）

参考例句：

• His sarcasm hurt her feelings.他的讽刺伤害了她的感情。
• She was given to using bitter sarcasm.她惯于用尖酸刻薄语言挖苦人。

261 invincible   

adj.不可征服的，难以制服的

参考例句：

• This football team was once reputed to be invincible.这支足球队曾被誉为无敌的劲旅。
• The workers are invincible as long as they hold together.只要工人团结一致，他们就是不可战胜的。

262 conjured   

用魔术变出( conjure的过去式和过去分词 )； 祈求，恳求； 变戏法； （变魔术般地） 使…出现

参考例句：

• He conjured them with his dying breath to look after his children. 他临终时恳求他们照顾他的孩子。
• His very funny joke soon conjured my anger away. 他讲了个十分有趣的笑话，使得我的怒气顿消。

263 rustle   

v.沙沙作响；偷盗(牛、马等)；n.沙沙声声

参考例句：

• She heard a rustle in the bushes.她听到灌木丛中一阵沙沙声。
• He heard a rustle of leaves in the breeze.他听到树叶在微风中发出的沙沙声。

264 swollen   

adj.肿大的，水涨的；v.使变大，肿胀

参考例句：

• Her legs had got swollen from standing up all day.因为整天站着，她的双腿已经肿了。
• A mosquito had bitten her and her arm had swollen up.蚊子叮了她，她的手臂肿起来了。

265 crunch   

n.关键时刻；艰难局面；v.发出碎裂声

参考例句：

• If it comes to the crunch they'll support us.关键时刻他们是会支持我们的。
• People who crunch nuts at the movies can be very annoying.看电影时嘎吱作声地嚼干果的人会使人十分讨厌。

266 spicy   

adj.加香料的；辛辣的，有风味的

参考例句：

• The soup tasted mildly spicy.汤尝起来略有点辣。
• Very spicy food doesn't suit her stomach.太辣的东西她吃了胃不舒服。

267 thrifty   

adj.节俭的；兴旺的；健壮的

参考例句：

• Except for smoking and drinking,he is a thrifty man.除了抽烟、喝酒，他是个生活节俭的人。
• She was a thrifty woman and managed to put aside some money every month.她是个很会持家的妇女，每月都设法存些钱。

268 dreary   

adj.令人沮丧的，沉闷的，单调乏味的

参考例句：

• They live such dreary lives.他们的生活如此乏味。
• She was tired of hearing the same dreary tale of drunkenness and violence.她听够了那些关于酗酒和暴力的乏味故事。

269 sloppily   

adv.马虎地，草率地

参考例句：

• Do things neatly, not sloppily. 办事要利落，不要拖泥带水。 来自《现代汉英综合大词典》
• Land market after behind-the-scenes plotting concern: how much land can act sloppily? 关注土地市场重重黑幕：有多少土地可以胡来？ 来自互联网

270 frolicsome   

adj.嬉戏的，闹着玩的

参考例句：

• Frolicsome students celebrated their graduation with parties and practical jokes.爱玩闹的学生们举行聚会，制造各种恶作剧来庆祝毕业。
• As the happy time drew near,the lions and tigers climbing up the bedroom walls became quite tame and frolicsome.当快乐的时光愈来愈临近的时候，卧室墙上爬着的狮子和老虎变得十分驯服

271 pungent   

adj.（气味、味道）刺激性的，辛辣的；尖锐的

参考例句：

• The article is written in a pungent style.文章写得泼辣。
• Its pungent smell can choke terrorists and force them out of their hideouts.它的刺激性气味会令恐怖分子窒息，迫使他们从藏身地点逃脱出来。

272 tints   

色彩( tint的名词复数 )； 带白的颜色； （淡色）染发剂； 痕迹

参考例句：

• leaves with red and gold autumn tints 金秋时节略呈红黄色的树叶
• The whole countryside glowed with autumn tints. 乡间处处呈现出灿烂的秋色。

273 alder   

n.赤杨树

参考例句：

• He gave john some alder bark.他给了约翰一些桤木树皮。
• Several coppice plantations have been seeded with poplar,willow,and alder.好几个灌木林场都种上了白杨、柳树和赤杨。

274 penetrated   

adj. 击穿的，鞭辟入里的 动词penetrate的过去式和过去分词形式

参考例句：

• The knife had penetrated his chest. 刀子刺入了他的胸膛。
• They penetrated into territory where no man had ever gone before. 他们已进入先前没人去过的地区。

275 propriety   

n.正当行为；正当；适当

参考例句：

• We hesitated at the propriety of the method.我们对这种办法是否适用拿不定主意。
• The sensitive matter was handled with great propriety.这件机密的事处理得极为适当。

276 curiously   

adv.有求知欲地；好问地；奇特地

参考例句：

• He looked curiously at the people.他好奇地看着那些人。
• He took long stealthy strides. His hands were curiously cold.他迈着悄没声息的大步。他的双手出奇地冷。

277 alacrity   

n.敏捷，轻快，乐意

参考例句：

• Although the man was very old,he still moved with alacrity.他虽然很老，动作仍很敏捷。
• He accepted my invitation with alacrity.他欣然接受我的邀请。

278 wholesome   

adj.适合；卫生的；有益健康的；显示身心健康的

参考例句：

• In actual fact the things I like doing are mostly wholesome.实际上我喜欢做的事大都是有助于增进身体健康的。
• It is not wholesome to eat without washing your hands.不洗手吃饭是不卫生的。

279 descended   

a.为...后裔的，出身于...的

参考例句：

• A mood of melancholy descended on us. 一种悲伤的情绪袭上我们的心头。
• The path descended the hill in a series of zigzags. 小路呈连续的之字形顺着山坡蜿蜒而下。

280 enveloped   

v.包围，笼罩，包住( envelop的过去式和过去分词 )

参考例句：

• She was enveloped in a huge white towel. 她裹在一条白色大毛巾里。
• Smoke from the burning house enveloped the whole street. 燃烧着的房子冒出的浓烟笼罩了整条街。 来自《简明英汉词典》

281 smitten   

猛打，重击，打击( smite的过去分词 )

参考例句：

• From the moment they met, he was completely smitten by her. 从一见面的那一刻起，他就完全被她迷住了。
• It was easy to see why she was smitten with him. 她很容易看出为何她为他倾倒。

282 helping   

n.食物的一份&adj.帮助人的，辅助的

参考例句：

• The poor children regularly pony up for a second helping of my hamburger. 那些可怜的孩子们总是要求我把我的汉堡包再给他们一份。
• By doing this, they may at times be helping to restore competition. 这样一来, 他在某些时候,有助于竞争的加强。

283 attain   

vt.达到，获得，完成

参考例句：

• I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
• His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。

284 underneath   

adj.在...下面，在...底下；adv.在下面

参考例句：

• Working underneath the car is always a messy job.在汽车底下工作是件脏活。
• She wore a coat with a dress underneath.她穿着一件大衣，里面套着一条连衣裙。

285 wilderness   

n.杳无人烟的一片陆地、水等，荒漠

参考例句：

• She drove the herd of cattle through the wilderness.她赶着牛群穿过荒野。
• Education in the wilderness is not a matter of monetary means.荒凉地区的教育不是钱财问题。

286 wrath   

n.愤怒，愤慨，暴怒

参考例句：

• His silence marked his wrath. 他的沉默表明了他的愤怒。
• The wrath of the people is now aroused. 人们被激怒了。

287 vows   

誓言( vow的名词复数 )； 郑重宣布，许愿

参考例句：

• Matrimonial vows are to show the faithfulness of the new couple. 婚誓体现了新婚夫妇对婚姻的忠诚。
• The nun took strait vows. 那位修女立下严格的誓愿。

288 bind   

vt.捆，包扎；装订；约束；使凝固；vi.变硬

参考例句：

• I will let the waiter bind up the parcel for you.我让服务生帮你把包裹包起来。
• He wants a shirt that does not bind him.他要一件不使他觉得过紧的衬衫。

289 celestial   

adj.天体的；天上的

参考例句：

• The rosy light yet beamed like a celestial dawn.玫瑰色的红光依然象天上的朝霞一样绚丽。
• Gravity governs the motions of celestial bodies.万有引力控制着天体的运动。

290 deviation   

n.背离，偏离；偏差，偏向；离题

参考例句：

• Deviation from this rule are very rare.很少有违反这条规则的。
• Any deviation from the party's faith is seen as betrayal.任何对党的信仰的偏离被视作背叛。

291 vigor   

n.活力，精力，元气

参考例句：

• The choir sang the words out with great vigor.合唱团以极大的热情唱出了歌词。
• She didn't want to be reminded of her beauty or her former vigor.现在，她不愿人们提起她昔日的美丽和以前的精力充沛。

292 musk   

n.麝香, 能发出麝香的各种各样的植物，香猫

参考例句：

• Musk is used for perfume and stimulant.麝香可以用作香料和兴奋剂。
• She scented her clothes with musk.她用麝香使衣服充满了香味。

293 nostrils   

鼻孔( nostril的名词复数 )

参考例句：

• Her nostrils flared with anger. 她气得两个鼻孔都鼓了起来。
• The horse dilated its nostrils. 马张大鼻孔。

294 scentless   

adj.无气味的，遗臭已消失的

参考例句：

295 soothing   

adj.慰藉的；使人宽心的；镇静的

参考例句：

• Put on some nice soothing music.播放一些柔和舒缓的音乐。
• His casual, relaxed manner was very soothing.他随意而放松的举动让人很快便平静下来。

296 embarrassment   

n.尴尬；使人为难的人(事物)；障碍；窘迫

参考例句：

• She could have died away with embarrassment.她窘迫得要死。
• Coughing at a concert can be a real embarrassment.在音乐会上咳嗽真会使人难堪。

297 truthful   

adj.真实的，说实话的，诚实的

参考例句：

• You can count on him for a truthful report of the accident.你放心，他会对事故作出如实的报告的。
• I don't think you are being entirely truthful.我认为你并没全讲真话。

298 impending   

a.imminent, about to come or happen

参考例句：

• Against a background of impending famine, heavy fighting took place. 即将发生饥荒之时，严重的战乱爆发了。
• The king convoke parliament to cope with the impending danger. 国王召开国会以应付迫近眉睫的危险。

299 fructifying   

v.结果实( fructify的现在分词 )；使结果实，使多产，使土地肥沃

参考例句：

300 plummet   

vi.(价格、水平等)骤然下跌；n.铅坠；重压物

参考例句：

• Mengniu and Yili have seen their shares plummet since the incident broke.自事件发生以来，蒙牛和伊利的股票大幅下跌。
• Even if rice prices were to plummet,other brakes on poverty alleviation remain.就算大米价格下跌，其它阻止导致贫困的因素仍然存在。

301 auld   

adj.老的，旧的

参考例句：

• Should auld acquaintance be forgot,and never brought to mind?怎能忘记旧日朋友，心中能不怀念？
• The party ended up with the singing of Auld Lang Sync.宴会以《友谊地久天长》的歌声而告终。

302 robin   

n.知更鸟，红襟鸟

参考例句：

• The robin is the messenger of spring.知更鸟是报春的使者。
• We knew spring was coming as we had seen a robin.我们看见了一只知更鸟，知道春天要到了。

303 enjoyment   

n.乐趣；享有；享用

参考例句：

• Your company adds to the enjoyment of our visit. 有您的陪同，我们这次访问更加愉快了。
• After each joke the old man cackled his enjoyment.每逢讲完一个笑话，这老人就呵呵笑着表示他的高兴。

304 shrub   

n.灌木，灌木丛

参考例句：

• There is a small evergreen shrub on the hillside.山腰上有一小块常绿灌木丛。
• Moving a shrub is best done in early spring.移植灌木最好是在初春的时候。

305 victuals   

n.食物；食品

参考例句：

• A plateful of coarse broken victuals was set before him.一盘粗劣的剩余饭食放到了他的面前。
• There are no more victuals for the pig.猪没有吃的啦。

306 hogs   

n.（尤指喂肥供食用的）猪( hog的名词复数 )；（供食用的）阉公猪；彻底地做某事；自私的或贪婪的人

参考例句：

• 'sounds like -- like hogs grunting. “像——像是猪发出的声音。 来自英汉文学 - 汤姆历险
• I hate the way he hogs down his food. 我讨厌他那副狼吞虎咽的吃相。 来自辞典例句

307 humbly   

adv. 恭顺地，谦卑地

参考例句：

• We humbly beg Your Majesty to show mercy. 我们恳请陛下发发慈悲。
• "You must be right, Sir,'said John humbly. “你一定是对的，先生，”约翰恭顺地说道。

308 stiffen   

v.(使)硬，(使)变挺，(使)变僵硬

参考例句：

• The blood supply to the skin is reduced when muscles stiffen.当肌肉变得僵硬时，皮肤的供血量就减少了。
• I was breathing hard,and my legs were beginning to stiffen.这时我却气吁喘喘地开始感到脚有点僵硬。

309 cuffs   

n.袖口( cuff的名词复数 )v.掌打，拳打( cuff的第三人称单数 )

参考例句：

• a collar and cuffs of white lace 带白色蕾丝花边的衣领和袖口
• The cuffs of his shirt were fraying. 他衬衣的袖口磨破了。

310 ripple   

n.涟波，涟漪，波纹，粗钢梳；vt.使...起涟漪，使起波纹； vi.呈波浪状，起伏前进

参考例句：

• The pebble made a ripple on the surface of the lake.石子在湖面上激起一个涟漪。
• The small ripple split upon the beach.小小的涟漪卷来，碎在沙滩上。

311 ruffle   

v.弄皱，弄乱；激怒，扰乱；n.褶裥饰边

参考例句：

• Don't ruffle my hair.I've just combed it.别把我的头发弄乱了。我刚刚梳好了的。
• You shouldn't ruffle so easily.你不该那么容易发脾气。

312 benediction   

n.祝福；恩赐

参考例句：

• The priest pronounced a benediction over the couple at the end of the marriage ceremony.牧师在婚礼结束时为新婚夫妇祈求上帝赐福。
• He went abroad with his parents' benediction.他带着父母的祝福出国去了。

313 allude   

v.提及，暗指

参考例句：

• Many passages in Scripture allude to this concept.圣经中有许多经文间接地提到这样的概念。
• She also alluded to her rival's past marital troubles.她还影射了对手过去的婚姻问题。

314 sobbed   

哭泣，啜泣( sob的过去式和过去分词 )； 哭诉，呜咽地说

参考例句：

• She sobbed out the story of her son's death. 她哭诉着她儿子的死。
• She sobbed out the sad story of her son's death. 她哽咽着诉说她儿子死去的悲惨经过。

315 softened   

（使）变软( soften的过去式和过去分词 )； 缓解打击； 缓和； 安慰

参考例句：

• His smile softened slightly. 他的微笑稍柔和了些。
• The ice cream softened and began to melt. 冰淇淋开始变软并开始融化。

316   

参考例句：

317 intervals   

n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息

参考例句：

• The forecast said there would be sunny intervals and showers. 预报间晴，有阵雨。
• Meetings take place at fortnightly intervals. 每两周开一次会。

318 compartments   

n.间隔( compartment的名词复数 )；（列车车厢的）隔间；（家具或设备等的）分隔间；隔层

参考例句：

• Your pencil box has several compartments. 你的铅笔盒有好几个格。 来自《简明英汉词典》
• The first-class compartments are in front. 头等车室在前头。 来自《简明英汉词典》

319 pegs   

n.衣夹( peg的名词复数 )；挂钉；系帐篷的桩；弦钮v.用夹子或钉子固定( peg的第三人称单数 )；使固定在某水平

参考例句：

• She hung up the shirt with two (clothes) pegs. 她用两只衣夹挂上衬衫。 来自辞典例句
• The vice-presidents were all square pegs in round holes. 各位副总裁也都安排得不得其所。 来自辞典例句

320 peg   

n.木栓，木钉；vt.用木钉钉，用短桩固定

参考例句：

• Hang your overcoat on the peg in the hall.把你的大衣挂在门厅的挂衣钩上。
• He hit the peg mightily on the top with a mallet.他用木槌猛敲木栓顶。

321 transcribe   

v.抄写，誉写；改编(乐曲)；复制，转录

参考例句：

• We need volunteers to transcribe this manuscript.我们需要自愿者来抄写这个文稿。
• I am able to take dictation in English and transcribe them rapidly into Chinese.我会英文记录，还能立即将其改写成中文。

322 arabesque   

n.阿拉伯式花饰；adj.阿拉伯式图案的

参考例句：

• I like carpets with arabesque patterns.我喜欢带有阿拉伯式花饰的地毯。
• The Arabesque solution is the answer to a designer's desire for uniqueness.阿拉伯风为设计师渴望独一无二给出了答案。

323 embroidery   

n.绣花，刺绣；绣制品

参考例句：

• This exquisite embroidery won people's great admiration.这件精美的绣品，使人惊叹不已。
• This is Jane's first attempt at embroidery.这是简第一次试着绣花。

324 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

325 cadence   

n.（说话声调的）抑扬顿挫

参考例句：

• He delivered his words in slow,measured cadences.他讲话缓慢而抑扬顿挫、把握有度。
• He liked the relaxed cadence of his retired life.他喜欢退休生活的悠闲的节奏。

326 recurring   

adj.往复的，再次发生的

参考例句：

• This kind of problem is recurring often. 这类问题经常发生。
• For our own country, it has been a time for recurring trial. 就我们国家而言，它经过了一个反复考验的时期。

327 fragrant   

adj.芬香的，馥郁的，愉快的

参考例句：

• The Fragrant Hills are exceptionally beautiful in late autumn.深秋的香山格外美丽。
• The air was fragrant with lavender.空气中弥漫薰衣草香。

328 lining   

n.衬里，衬料

参考例句：

• The lining of my coat is torn.我的外套衬里破了。
• Moss makes an attractive lining to wire baskets.用苔藓垫在铁丝篮里很漂亮。

329 thither   

adv.向那里；adj.在那边的，对岸的

参考例句：

• He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
• He tramped hither and thither.他到处流浪。

330 veins   

n.纹理；矿脉( vein的名词复数 )；静脉；叶脉；纹理

参考例句：

• The blood flows from the capillaries back into the veins. 血从毛细血管流回静脉。 来自《简明英汉词典》
• I felt a pleasant glow in all my veins from the wine. 喝过酒后我浑身的血都热烘烘的，感到很舒服。 来自《简明英汉词典》

331 consecration   

n.供献，奉献，献祭仪式

参考例句：

• "What we did had a consecration of its own. “我们的所作所为其本身是一种神圣的贡献。 来自英汉文学 - 红字
• If you do add Consecration or healing, your mana drop down lower. 如果你用了奉献或者治疗，你的蓝将会慢慢下降。 来自互联网

332 bosom   

n.胸，胸部；胸怀；内心；adj.亲密的

参考例句：

• She drew a little book from her bosom.她从怀里取出一本小册子。
• A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。